Book contents
- Conrad’s Decentered Fiction
- Conrad’s Decentered Fiction
- Copyright page
- Dedication
- Epigraph
- Contents
- Figures
- Acknowledgments
- Abbreviations
- Introduction
- Part I Preprint Documents
- Chapter 1 Doodles and The Shadow-Line
- Chapter 2 Maps and Victory, “Geography and Some Explorers,” “The Secret Sharer” and An Outcast of the Islands
- Chapter 3 Drawings and The Sisters
- Part II Published Texts
- Part III Patterns and Preoccupations
- Notes
- Bibliography
- Index
Chapter 3 - Drawings and The Sisters
from Part I - Preprint Documents
Published online by Cambridge University Press: 10 March 2022
- Conrad’s Decentered Fiction
- Conrad’s Decentered Fiction
- Copyright page
- Dedication
- Epigraph
- Contents
- Figures
- Acknowledgments
- Abbreviations
- Introduction
- Part I Preprint Documents
- Chapter 1 Doodles and The Shadow-Line
- Chapter 2 Maps and Victory, “Geography and Some Explorers,” “The Secret Sharer” and An Outcast of the Islands
- Chapter 3 Drawings and The Sisters
- Part II Published Texts
- Part III Patterns and Preoccupations
- Notes
- Bibliography
- Index
Summary
By dating two newly discovered Conrad drawings, Chapter 3 connects Conrad’s unfinished novel about a painter – The Sisters – to his interest in drawing. The Sisters is a much more complicated fragment than hitherto acknowledged. The text relates to contemporary debates, Conrad’s life and many of his works, both visual and verbal. Written during the advent of modern visual art, The Sisters is of further interest in its portrayal of Stephen as a modern artist. The metaphors on painting Conrad used in the Preface to The Nigger of the ‘Narcissus’ relate to this discussion: they contextualize and oppose Stephen’s thoughts about what it means to be an artist, and delimit the extent to which Conrad embraced all notions of modernity and the so-called “end of art.”
- Type
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- Information
- Conrad's Decentered Fiction , pp. 49 - 68Publisher: Cambridge University PressPrint publication year: 2022