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Perverted Attitudes of Mourning in the Wake of Thomas Bernhard's Death

from Bernhard in the Public

Published online by Cambridge University Press:  28 April 2017

Mark M. Anderson
Affiliation:
Professor in the Department of Germanic Languages and Literatures, Columbia University, New York, NY
Paola Bozzi
Affiliation:
Assistant Professor of German University of Milano, Italy
Stephen D. Dowden
Affiliation:
Professor of Germanic Languages, Chair at Brandeis University, Boston
Ruediger Goerner
Affiliation:
Professor of German LiteratureSchool of Languages and European Studies, Aston University, Birmingham, UK
Gitta Honegger
Affiliation:
Professor of German, Arizona State University
Jonathan Long
Affiliation:
Lecturer in German, University of Durham, UK.
Dagmar C. G. Lorenz
Affiliation:
Professor of German at the University of Illinois, Chicago
Willy Riemer
Affiliation:
Associate Professor of German Literature and Film, University of Delaware
Wendelin Schmidt-Dengler
Affiliation:
Professor of German Literature, Chair at the University of Vienna, Austria
Andrew J. Webber
Affiliation:
Senior Lecturer in German, Fellow of Churchill College Cambridge
Matthias Konzett
Affiliation:
Associate professor of German at Yale University
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Summary

… und jetzt auch schon in der Gewohnheit, selbst das Fürchterliche als eine leicht zu verarbeitende Alltäglichkeit hinter mich zu bringen, ein Meister, hatte ich alle Voraussetzungen, über das, was ich immer eindringlicher zu beobachten hatte, nachzudenken und mir sozusagen als willkommene Anschauung viele dazu geeignete Anschauungen oder Vorkommnisse zu einem lehrreichen Studiengegenstand zu machen.

— Thomas Bernhard, Der Atem, 1978

Object of Study: Number One

A music teacher at a Viennese high school says, he knew him, the master, very well indeed, and met him, Thomas Bernhard, frequently. In the café Bräunerhof. And took pictures, pictures that he, the master, liked very much, just as much as the poet had always enjoyed meeting him. And now he, the music teacher, was going to put together a book of these pictures. A book about the master, about Thomas Bernhard. And he, the music teacher, was going to become famous with this book. World-famous. Of course.

The work of mourning is a difficult, existential process and painful. It is a laborious undertaking, until all the internalized particles of the object of mourning have been surgically removed, and it becomes all too necessary to construe strategies for avoiding pain so as not to collapse completely under the weight of a loss.

On the other hand, one can always infer from the manner that characterizes the work of mourning of the bereft, whether the mourned person was loved and respected. Or whether the person doing the mourning is more at stake in all the laments, whatever they may be. In the case of Thomas Bernhard we are the ones left behind, and for the Austrian an additional sense accrues to belong to those people that were cut out of Bernhard's will. Relatives who are not to receive anything, and are not worthy of a share.

Objects of Study of a Mixed Nature

People, whom one may have seen portrayed in one or the other plays by Bernhard, have masses celebrated in his memory. Masses for Thomas Bernhard with young nuns of the Carmelite order reading early poems and psalms of the poet. Hopefully this helps those who attend the mass.

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Publisher: Boydell & Brewer
Print publication year: 2002

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