Book contents
- The City in American Literature and Culture
- Cambridge Themes in American Literature and Culture
- The City in American Literature and Culture
- Copyright page
- Contents
- Illustrations
- Contributors
- Acknowledgments
- Introduction
- City Spaces
- City Lives
- Theory in the City
- Chapter 16 The Spatial Turn and Critical Race Studies
- Chapter 17 From Trauma Theory to Systemic Violence
- Chapter 18 Security Theory
- Chapter 19 Posthuman Cities
- Chapter 20 Critical Regionalism
- Coda City and Polis
- Further Reading
- Index
Chapter 17 - From Trauma Theory to Systemic Violence
Narratives of Post-Katrina New Orleans
from Theory in the City
Published online by Cambridge University Press: 06 August 2021
- The City in American Literature and Culture
- Cambridge Themes in American Literature and Culture
- The City in American Literature and Culture
- Copyright page
- Contents
- Illustrations
- Contributors
- Acknowledgments
- Introduction
- City Spaces
- City Lives
- Theory in the City
- Chapter 16 The Spatial Turn and Critical Race Studies
- Chapter 17 From Trauma Theory to Systemic Violence
- Chapter 18 Security Theory
- Chapter 19 Posthuman Cities
- Chapter 20 Critical Regionalism
- Coda City and Polis
- Further Reading
- Index
Summary
This chapter begins with a discussion of contemporary critiques aimed at trauma theory, specifically how Lauren Berlant’s and Rob Nixon’s work urges us to attend to systemic and/or slow violence. The chapter argues that, rather than wholly discarding the discourses and applications of trauma theory, we can employ it to attend to the way trauma occurs in contexts of slow or systemic violence. As case studies, it turns to two contemporary narratives of post––Hurricane Katrina New Orleans, Dave Eggers’s narrative nonfiction, Zeitoun (2009) and David Simon and Eric Overmeyer’s serial television show, Treme (2009––13). These texts dramatize the human suffering that occurs at the intersections of traumatic rupture and ongoing systemic violence. The chapter notes the ways these texts situate New Orleans as a vividly unique American metropolis while simultaneously considering the ways they articulate national and international issues. In doing so, It also attends to the way these texts insist on larger historical contexts for the central moment of rupture –– Katrina –– that is the gravitational force of their narratives.
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- The City in American Literature and Culture , pp. 276 - 292Publisher: Cambridge University PressPrint publication year: 2021
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