Book contents
- Caribbean Literature in Transition, 1800–1920
- Caribbean Literature in Transition
- Caribbean Literature in Transition, 1800–1920
- Copyright page
- Contents
- List of Illustrations
- Contributors
- Acknowledgements
- Introduction
- Part I Literary and Generic Transitions
- Chapter 1 Conquest Narratives
- Chapter 2 Creole Testimonies in Caribbean Women’s Slave Narratives
- Chapter 3 Jonkanoo Performances of Resistance, Freedom, and Memory
- Chapter 4 Caribbean Picturesque from William Beckford to Contemporary Tourism
- Chapter 5 From Novels of the Caribbean, to Caribbean Novels
- Chapter 6 Early Caribbean Poetry and the Modern Reader
- Chapter 7 Towards a West Indian Romance Poetics
- Part II Cultural and Political Transitions
- Part III The Caribbean Region in Transition
- Part IV Critical Transitions
- Bibliography
- Index
Chapter 7 - Towards a West Indian Romance Poetics
from Part I - Literary and Generic Transitions
Published online by Cambridge University Press: 16 December 2020
- Caribbean Literature in Transition, 1800–1920
- Caribbean Literature in Transition
- Caribbean Literature in Transition, 1800–1920
- Copyright page
- Contents
- List of Illustrations
- Contributors
- Acknowledgements
- Introduction
- Part I Literary and Generic Transitions
- Chapter 1 Conquest Narratives
- Chapter 2 Creole Testimonies in Caribbean Women’s Slave Narratives
- Chapter 3 Jonkanoo Performances of Resistance, Freedom, and Memory
- Chapter 4 Caribbean Picturesque from William Beckford to Contemporary Tourism
- Chapter 5 From Novels of the Caribbean, to Caribbean Novels
- Chapter 6 Early Caribbean Poetry and the Modern Reader
- Chapter 7 Towards a West Indian Romance Poetics
- Part II Cultural and Political Transitions
- Part III The Caribbean Region in Transition
- Part IV Critical Transitions
- Bibliography
- Index
Summary
This essay discusses the manner in which the romance is reconfigured in the West Indies and offers some generalized contexts and discussions as a way of formulating a working definition for the genre of the West Indian Romance. It examines the evolution of the West Indian romance during the period 1827–1917 and investigates the emergence and development of the West Indian romance, first, during the immediate pre- and post-Emancipation period, 1820–1860, and then from 1865 to 1918. It develops this discussion by using William Hamley’s Captain Clutterbuck’s Champagne: A West Indian Reminiscence (1862). This British version of the 'West Indian romance' is balanced against a reading of Stephen Cobham’s Rupert Gray: A Tale in Black and White (1907) with the aim of demonstrating the production of a West Indian romance in the modern colonial period by West Indian writers. Each of these perspectives provides a kaleidoscope of feelings that allows for a more comprehensive understanding of how the romance emerged and functioned.
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- Caribbean Literature in Transition, 1800–1920 , pp. 119 - 134Publisher: Cambridge University PressPrint publication year: 2021