Book contents
- Caribbean Literature in Transition, 1800–1920
- Caribbean Literature in Transition
- Caribbean Literature in Transition, 1800–1920
- Copyright page
- Contents
- List of Illustrations
- Contributors
- Acknowledgements
- Introduction
- Part I Literary and Generic Transitions
- Part II Cultural and Political Transitions
- Part III The Caribbean Region in Transition
- Part IV Critical Transitions
- Chapter 22 Creative Rewritings of Early Caribbean Texts
- Chapter 23 Digital Restaging of Early Caribbean Texts
- Chapter 24 Lost Mothers in the Caribbean Plantation and Contemporary Black Maternal and Infant Mortality
- Chapter 25 Reading the Colonial Archive through Joscelyn Gardner’s Creole Portraits I–III
- Bibliography
- Index
Chapter 22 - Creative Rewritings of Early Caribbean Texts
from Part IV - Critical Transitions
Published online by Cambridge University Press: 16 December 2020
- Caribbean Literature in Transition, 1800–1920
- Caribbean Literature in Transition
- Caribbean Literature in Transition, 1800–1920
- Copyright page
- Contents
- List of Illustrations
- Contributors
- Acknowledgements
- Introduction
- Part I Literary and Generic Transitions
- Part II Cultural and Political Transitions
- Part III The Caribbean Region in Transition
- Part IV Critical Transitions
- Chapter 22 Creative Rewritings of Early Caribbean Texts
- Chapter 23 Digital Restaging of Early Caribbean Texts
- Chapter 24 Lost Mothers in the Caribbean Plantation and Contemporary Black Maternal and Infant Mortality
- Chapter 25 Reading the Colonial Archive through Joscelyn Gardner’s Creole Portraits I–III
- Bibliography
- Index
Summary
Today, colonial literary models are joined by mid-twentieth-century anticolonial and postcolonial models, and combine to constitute a rich archive from which Caribbean writers can draw in order to make sense of the region’s position within global capitalism. The texts considered in this essay demonstrate contemporary writing’s sustained commitment to rewriting the earlier texts that have shaped the region’s writing from the beginning, but now in a manner that self-reflexively considers its own regional literary canons in autointertextual ways. This chapter shows how contemporary writing develops trans-textual and trans-historical networks across generations and histories in order to engage with the possibilities for reconciling colonial and postcolonial history, in ways that can make sense of the present. Moreover, this essay also highlights how it does this through formal experiments with Caribbean literature’s own genealogical entanglements.
Keywords
- Type
- Chapter
- Information
- Caribbean Literature in Transition, 1800–1920 , pp. 359 - 373Publisher: Cambridge University PressPrint publication year: 2021