Book contents
- The Cambridge World History of Violence
- The Cambridge History of Violence
- The Cambridge World History of Violence
- Copyright page
- Contents
- Figures and Table
- Contributors to Volume II
- Introduction to Volume II
- Part I Beyond Warfare: Armies, Tribes and Lords
- Part II The Violence of Governments and Rulers
- Part III Social, Interpersonal and Collective Violence
- Part IV Religious, Sacred and Ritualised Violence
- Part V Depictions of Violence
- 25 Obligation, Substitution and Order
- 26 Representations of Violence in Imperial China
- 27 Revealing the Manly Worth: Cut Flesh in the Heavenly Disorder of Medieval Japan
- 28 Picturing Violence in the Islamic Lands
- 29 Scenes of Violence in Arabic Literature
- 30 Violence Is the Name of the [Bad] Game: The Downside of Human Nature as Reflected in Medieval Literature
- 31 Violence and the Force of Representation in European Art
- Index
- References
26 - Representations of Violence in Imperial China
from Part V - Depictions of Violence
Published online by Cambridge University Press: 13 March 2020
- The Cambridge World History of Violence
- The Cambridge History of Violence
- The Cambridge World History of Violence
- Copyright page
- Contents
- Figures and Table
- Contributors to Volume II
- Introduction to Volume II
- Part I Beyond Warfare: Armies, Tribes and Lords
- Part II The Violence of Governments and Rulers
- Part III Social, Interpersonal and Collective Violence
- Part IV Religious, Sacred and Ritualised Violence
- Part V Depictions of Violence
- 25 Obligation, Substitution and Order
- 26 Representations of Violence in Imperial China
- 27 Revealing the Manly Worth: Cut Flesh in the Heavenly Disorder of Medieval Japan
- 28 Picturing Violence in the Islamic Lands
- 29 Scenes of Violence in Arabic Literature
- 30 Violence Is the Name of the [Bad] Game: The Downside of Human Nature as Reflected in Medieval Literature
- 31 Violence and the Force of Representation in European Art
- Index
- References
Summary
Imperial Chinese society accepted and even lauded certain types of violence. Ideas about sanctioned violence developed largely in response to ideas about masculinity. In ancient China’s prevailing honour culture, elite men often used violence to win public approbation. They undertook hunting and warfare in order to construct a positive masculine identity. Up through the medieval era, the elite considered vengeance a legitimate response to shame. This value system fostered instability, so the government strove to limit sanctioned violence to representatives of the state. Over time, Chinese society reassessed traditional ideas about violence. Officials and thinkers deliberately sought to curtail violent behaviour in order to reduce the threat of chaos. Instead of glorifying bellicose heroes, historians reserved the highest praise for rulers and officials who fostered ethics, order, and harmony. From the tenth century onward, literati became China’s primary administrative class. These educated men prized scholarship and high culture, and they belittled violent behaviour as demonstrating a person’s embarrassing lack of self-control. The political and cultural pre-eminence of refined literati caused Chinese to further question the legitimate role of violence. Over time, Chinese behavioural norms became increasingly benign.
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- The Cambridge World History of Violence , pp. 535 - 555Publisher: Cambridge University PressPrint publication year: 2020