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40 - The Novel in French and the Internet

from Part V - Fictions of the Fifth Republic: From de Gaulle to the Internet Age

Published online by Cambridge University Press:  04 February 2021

Adam Watt
Affiliation:
University of Exeter
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Summary

This chapter provides an overview of the ways in which the boom of digital technologies has affected the novel. The Internet and especially social media are now recurrent themes in print fiction, which also often reflect the changes in our experience of space and time through new structures and styles. Beyond such thematic manifestations, however, the novel has seen more fundamental innovations that stretch its traditional boundaries. We can discern three main areas of evolution. First, the emergence of new modes of publication, including digital publishing, self-publishing, and writing platforms such as Wattpad have democratized the access to audiences and incited amateurs to write fiction. Secondly, the new modes of communication facilitate the exchange between authors and readers, while also bringing about the rise of the ‘influencers’, who are taking over the role of trend-setting from professional critics. Lastly, new modes of storytelling have emerged that rely on digital networks: interactive fictions that break up the linearity of the text and give agency to the reader, and blogs, websites, and social media experiments that play with temporality, form, and modes of interaction with the audiences.

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Chapter
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Publisher: Cambridge University Press
Print publication year: 2021

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References

Further Reading

Beaudouin, Valérie, ‘Trajectoires et réseau des écrivains sur le Web’, Réseaux, 175 (2012), 107–44Google Scholar
Bon, François, Après le livre (Paris: Seuil, 2011)Google Scholar
Bonnet, Gilles, Pour une poétique numérique: littérature et internet (Paris: Hermann, 2017)Google Scholar
Bootz, Philippe, Les Basiques: la littérature numérique (Leonardo/Olats, 2006), www.olats.org/livresetudes/basiques/litteraturenumerique/basiquesLN.php (accessed July 2019)Google Scholar
Bouchardon, Serge, ‘Digital Literature in France’, Dichtung Digital, 41 (2012), www.dichtung-digital.de/digital-literature-in-france-3/ (accessed July 2019)Google Scholar
Epron, Benoît, and Vitali-Rosati, Marcello, L’Édition à l’ère numérique (Paris: La Découverte, 2018)Google Scholar
Guilet, Anaïs, ‘Pour une littérature cyborg: l’hybridation médiatique du texte littéraire’ (doctoral thesis, University of Poitiers, 2013), https://archipel.uqam.ca/6010/1/D2569.pdf (accessed July 2019)Google Scholar
Krzywkowski, Isabelle, Machines à écrire: littérature et technologies du XIXe au XXIe siècle (Grenoble: UGA Éditions, 2017), http://books.openedition.org/ugaeditions/550 (accessed July 2019)Google Scholar
Martel, Frédéric, L’Écrivain ‘social’: la condition de l’écrivain à l’âge numérique (Paris: Centre national du Livre, 2015), gallery.mailchimp.com/1e809b25a8e0be448d87c3d87/files/ressource_fichier_fr_condition_a_crivain_monde_numa_rique_rapport_2015_11_09_ok.pdf (accessed July 2019)Google Scholar
Murray, Janet Horowitz, Hamlet on the Holodeck: The Future of Narrative in Cyberspace (New York: The Free Press, Simon and Schuster, 1997)Google Scholar
Rettberg, Scott, Electronic Literature (Cambridge: Polity Press, 2018)Google Scholar
Saemmer, Alexandra et al., E-Formes, 3 vols. (Saint-Étienne: Publications de l’Université de Saint-Étienne, 2015)Google Scholar
Schäfer, Jörgen and Gendolla, Peter (eds.), Beyond the Screen: Transformations of Literary Structures, Interfaces and Genres (Bielefeld and New Brunswick, NJ: transcript Verlag, 2015)Google Scholar

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