From an Informed Fan Culture to an Academic Field

doi:10.1017/9781316759981.023

23 - From an Informed Fan Culture to an Academic Field

from Part II - 1978–2000

Published online by Cambridge University Press: 30 July 2018

Randy Duncan and

Matthew J. Smith

Edited by

Jan Baetens ,

Hugo Frey and

Stephen E. Tabachnick

Show author details

Jan Baetens: Affiliation:
University of Leuven
Hugo Frey: Affiliation:
University of Chichester
Stephen E. Tabachnick: Affiliation:
University of Memphis

Book contents

Get access

Summary

A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'

Type: Chapter
Information: The Cambridge History of the Graphic Novel , pp. 370 - 386

DOI: https://doi.org/10.1017/9781316759981.023 [Opens in a new window]

Publisher: Cambridge University Press

Print publication year: 2018

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Chast, R. (2014) Can’t We Talk About Something More Pleasant? London: Bloomsbury.Google Scholar

Delany, S. L, and Chaykin, H. (1978) Empire. New York, NY: Byron Preiss.Google Scholar

Feiffer, F. (1979) Tantrum. New York, NY: Knopf.Google Scholar

Lewis, J., Aydin, A., and Powell, N. (2016) March: Book Three. Marietta, GA: Top Shelf.Google Scholar

Sim, D. (1986) High Society. Windsor: Preney Print & Litho Inc.Google Scholar

Thompson, C. (2003) Blankets. Marietta, GA: Top Shelf.Google Scholar

Yang, G. L. (2007) American Born Chinese. New York, NY: First Second.Google Scholar

Secondary Sources

Baetens, J., ed. (2001) The Graphic Novel. Leuven: Leuven University Press.Google Scholar

Benson, J. (1969) Gil Kane Interview. Alter Ego, 10, 2–15.Google Scholar

Benson, J. (1975) Qua Brot? Editor’s Comment. Squa Tront, 6, 57–58.Google Scholar

Benson, J., Kadakova, D., and Spiegelman, A. (2008 [1975) An Examination of “Master Race.” In Heer, J. and Worcester, K., eds., A Comics Studies Reader. Jackson, MS: University Press of Mississippi, 288–305.Google Scholar

Buhle, P. (2003) The New Scholarship of Comics. Chronicle of Higher Education. May 16, B7.Google Scholar

Cooke, J. B. (2016) The Invention of Gil Kane. Comic Book Creator, 11, 20–75.Google Scholar

Eco, U. (1972) The Myth of Superman, trans. N. Chilton. Diacritics, 2 (1), 14–22.CrossRef Google Scholar

Eco, U. (2004 [1964) The Myth of Superman. In Heer, J. and Worcester, K., eds. Arguing Comics: Literary Masters on a Popular Medium. Jackson, MS: University Press of Mississippi, 146–163.Google Scholar

Fresnault-Deruelle, P. (1972) Dessins et bulles: La bande-dessinée comme moyen d’expression. Paris: Bordas.Google Scholar

Fresnault-Deruelle, P. (1976) Du linéaire au tabulaire. Communications, 24 (1), 7–23.Google Scholar

Groensteen, T. (1998) Topffer, the Originator of the Modern Comic Strip. In Lefèvre, P. and Dierick, C., eds., Forging a New Medium: The Comic Strip in the Nineteenth Century. Brussels: VUB University Press, 105–114.Google Scholar

Heer, J. (2008) The Rise of Comics Scholarship: The Role of University Press of Mississippi. sans everything, August 2. Online at: https://sanseverything.wordpress.com/tag/comics-scholarship/ (accessed October 10, 2016).Google Scholar

Heer, J. (2009) Origins of the Comics Journal. Comics Comics. August 3. Online at: http://comicscomicsmag.com/?p=528 (accessed November 26, 2016).Google Scholar

Horton, I. (2017) The Historians of the Art Form. In Smith, M. J. and Duncan, R., eds., The Secret Origins of Comics Studies. London and New York, NY: Routledge, 56–67.Google Scholar

Hünig, W. (1974) Strukturen des Comic Strip. Hildesheim: Olms-Weidmann.Google Scholar

Kidd, C. (2002) Graphic Novels Panel Discussion. The Comics Journal, 243, May, 33–44.Kraft, U. (1978) Comics lesen. Stuttgart: Klett-Cotta.Google Scholar

Kunzle, D. (1972) Some Supplementary Notes. Film Quarterly, 26 (1), 19–23.Google Scholar

Kunzle, D. (1974) The Early Comic Strip: Narrative Strips and Picture Stories in the European Broadsheet from c.1450 to 1825. Berkeley, CA: University of California Press.Google Scholar

Kyle, R. (1964) The Future. Richard Kyle’s Wonderworld 2 [first series]. CAPA-Alpha, November, 3–4.Google Scholar

Lacassin, F. (1971) Pour un neuvième art: la bande dessinée. Paris: Union Générale d’Éditions.Google Scholar

Lacassin, F. (1972) The Comic Strip and Film Language, trans. D. Kunzle. Film Quarterly, 26 (1), 11–19.Google Scholar

Langer, L. L. (1991) A Fable of the Holocaust. The New York Times Book Review, November 3, 17.Google Scholar

Lent, J. A. (2010) The Winding, Pot-holed Road of Comic Art Scholarship. Studies in Comics, 1 (1), 7–33.CrossRef Google Scholar

Leventhal, R. S. (1995) Art Spiegelman’s Maus: Working Through the Trauma of the Holocaust. Responses to the Holocaust: A Hypermedia Sourcebook for the Humanities. Online at: www2.iath.virginia.edu/holocaust/spiegelman.html (accessed November 25, 2016).Google Scholar

Loman, A. (2010) “That Mouse’s Shadow”: The Canonization of Spiegelman’s Maus. In Williams, P. and Lyons, J., eds., The Rise of the American Comics Artist: Creators and Contexts. Jackson, MS: University Press of Mississippi, 210–234.Google Scholar

Lopes, P. (2009) Demanding Respect: The Evolution of the American Comic Book. Philadelphia, PA: Temple University Press.Google Scholar

Mainardi, P. (2014 [2011) The Beginnings of the Bande Dessinée. In Le Men, S., ed., L’Art de la caricature. Nanterre: University Press of West Paris, 133–150; Published on OpenEdition Books, December 18, 2014. http://books.openedition.org/pupo/2224 (accessed October 22, 2016).Google Scholar

Manning White, D., and Abel, R. H. (1963) The Funnies: An American Idiom. New York: The Free Press of Glencoe.Google Scholar

McCloud, S. (1993) Understanding Comics: The Invisible Art. Northampton: Tundra.Google Scholar

Nye, R. B. (1970) The Unembarrassed Muse: The Popular Arts in America (Two Centuries of American life). New York, NY: Dial Press.Google Scholar

Perry, G. and Aldridge, A. (1971) The Penguin Book of Comics. Harmondsworth: Penguin.Google Scholar

Pizzino, C. (2016) Arresting Development: Comics at the Boundaries of Literature. Austin, TX: University of Texas Press.Google Scholar

Reitberger, R., and Fuchs, W. (1972) Comics: Anatomy of a Mass Medium. New York, NY: Little, Brown & Co.Google Scholar

Robb, J. (2017) The Librarians and Archivists. In Smith, M. J. and Duncan, R., eds., The Secret Origin of Comics Studies. London and New York, NY: Routledge, 71–87.Google Scholar

Round, J., and Murry, C. (2017) The Conferences. In Smith, M. J. and Duncan, R., eds., The Secret Origin of Comics Studies. London and New York, NY: Routledge, 246–260.Google Scholar

Sabin, R. (1993) Adult Comics: An Introduction. London and New York, NY: Routledge.Google Scholar

Schelly, B. (2001) Sense of Wonder: A Life in Comic Fandom. Raleigh, NC: TwoMorrows Publishing.Google Scholar

Spurgeon, T., and Dean, M. (2016) “Everything Was in Season”: Fantagraphics from 1978–1984. The Comics Journal, December 8. Online at: www.tcj.com/everything-was-in-season-fantagraphics-from-1978–1984 (accessed September 15, 2017).Google Scholar

Steirer, G. (2011) The State of Comics Scholarship and Disciplinarity. International Journal of Comic Art, 13 (2), 263–285.Google Scholar

Steranko, J. (1970) The Steranko History of Comics, vol. 1. Reading: Supergraphics.Google Scholar

Steranko, J. (1972) The Steranko History of Comics, vol. 2. New York, NY: Crown.Google Scholar

Tilley, C. L. and Weiner, R. G. (2017) Teaching and Learning with Comics. In Bramlett, F., Cooke, R. T. and Meskin, A., eds., The Routledge Companion to Comics. London and New York, NY: Routledge, 358–366.Google Scholar

Tong, N. S. (2010) The Interview as Criticism: Gil Kane. The Hooded Utilitarian. July 26. Online at: www.hoodedutilitarian.com/2010/07/the-interview-as-criticism-gil-kane/ (accessed September 15, 2017).Google Scholar

Ware, C. (2000) Jimmy Corrigan, The Smartest Kid on Earth. New York, NY: Pantheon.Google Scholar

Weiner, R. G. (2017) Educating about Comics. In Smith, M. J. and Duncan, R., eds., The Secret Origin of Comics Studies. London and New York, NY: Routledge, 12–25.Google Scholar

Weiner, S. (2010) How the Graphic Novel Changed American Comics. In Williams, P. and Lyons, J., eds. The Rise of the American Comics Artist: Creators and Contexts. Jackson, MS: University Press of Mississippi, 3–13.Google Scholar

White, D. M., and Abel, R. H. (1963) The Funnies: An American Idiom. Glencoe, IL: The Free Press of Glencoe.Google Scholar

Witek, J. (1989) Comic Books as History: The Narrative Art of Jack Jackson, Art Spiegelman, and Harvey Pekar. Jackson, MS: University Press of Mississippi.Google Scholar