Book contents
- The Cambridge History of the Australian Novel
- The Cambridge History of the Australian Novel
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgements
- Introduction
- 1 The Global Invention of the Australian Novel
- 2 Colonial Adventure Novels
- 3 Beyond Britain and the Book
- 4 Transnational Optics
- 5 The Novel in the Late Colonial Period
- 6 Love Is Not Enough
- 7 The Australian Crime Novel, 1830–1950
- 8 The Novel Nation
- 9 Selling Australian Stories to the World
- 10 Women Writers and the Emerging Urban Novel, 1930–1952
- 11 The National Trilogy and Mining
- 12 Nation and Environment in the Twentieth-Century Novel
- 13 Henry Handel Richardson, Christina Stead and the Transnational Fiction of Provincial Development
- 14 The Mid-Century Australian Novel and the End of World History
- 15 Race, Romance and Anxiety
- 16 Whiteness, Aboriginality and Representation in the Twentieth-Century Australian Novel
- 17 When the Twain Meet
- 18 From Bunyip to Boom
- 19 Unsettling Archive
- 20 The Novel at Arms
- 21 ‘Our Least-Known Best Seller’
- 22 Writing, Women and the Australian Novel
- 23 White Lies
- 24 The Economics of the Literary Novel
- 25 Mabo, History, Sovereignty
- 26 Indigenous Futurism
- 27 The Regional Novel in Australia
- 28 Children’s and Young Adult Literature
- 29 Grunge, Nation and Literary Generations
- 30 The Making of the Asian Australian Novel
- 31 Screening the Australian Novel, 1971–2020
- 32 Australian Fantasy, Crime and Romance Fiction in the Twentieth and Twenty-First Centuries
- 33 Uncertain Futures
- 34 A (Sovereign) Body of Work
- 35 The Novel Road to the Global South
- 36 The Fortunes of the Miles Franklin
- 37 The Arab Australian Novel
- 38 Riddling the Nation
- 39 Migrant Writing and the Invention of Australia
- Selective Bibliography: Studies of the Australian Novel, 2000–2021
- Index
11 - The National Trilogy and Mining
Published online by Cambridge University Press: 28 June 2023
- The Cambridge History of the Australian Novel
- The Cambridge History of the Australian Novel
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgements
- Introduction
- 1 The Global Invention of the Australian Novel
- 2 Colonial Adventure Novels
- 3 Beyond Britain and the Book
- 4 Transnational Optics
- 5 The Novel in the Late Colonial Period
- 6 Love Is Not Enough
- 7 The Australian Crime Novel, 1830–1950
- 8 The Novel Nation
- 9 Selling Australian Stories to the World
- 10 Women Writers and the Emerging Urban Novel, 1930–1952
- 11 The National Trilogy and Mining
- 12 Nation and Environment in the Twentieth-Century Novel
- 13 Henry Handel Richardson, Christina Stead and the Transnational Fiction of Provincial Development
- 14 The Mid-Century Australian Novel and the End of World History
- 15 Race, Romance and Anxiety
- 16 Whiteness, Aboriginality and Representation in the Twentieth-Century Australian Novel
- 17 When the Twain Meet
- 18 From Bunyip to Boom
- 19 Unsettling Archive
- 20 The Novel at Arms
- 21 ‘Our Least-Known Best Seller’
- 22 Writing, Women and the Australian Novel
- 23 White Lies
- 24 The Economics of the Literary Novel
- 25 Mabo, History, Sovereignty
- 26 Indigenous Futurism
- 27 The Regional Novel in Australia
- 28 Children’s and Young Adult Literature
- 29 Grunge, Nation and Literary Generations
- 30 The Making of the Asian Australian Novel
- 31 Screening the Australian Novel, 1971–2020
- 32 Australian Fantasy, Crime and Romance Fiction in the Twentieth and Twenty-First Centuries
- 33 Uncertain Futures
- 34 A (Sovereign) Body of Work
- 35 The Novel Road to the Global South
- 36 The Fortunes of the Miles Franklin
- 37 The Arab Australian Novel
- 38 Riddling the Nation
- 39 Migrant Writing and the Invention of Australia
- Selective Bibliography: Studies of the Australian Novel, 2000–2021
- Index
Summary
The national epic takes very different forms across different cultural and historical contexts. At the beginning of twentieth-century Australian literary history stands the tragic narrative of a failed individual, in Henry Handel Richardson’s trilogy The Fortunes of Richard Mahony (1917, 1925, 1929). In the mid-twentieth century, large-scale fictional narratives, also in the form of trilogies, were used by some realist writers to write epics of settlement. In the case of Eleanor Dark’s The Timeless Land trilogy (1941–53) the narrative is about the catastrophic contact between Aboriginal people and the invading white settlers, and the subsequent beginning of expansion across the continent. Written at the same period, however, are two trilogies of nation-founding that, like Richardson’s, are centred on later mining history: Katharine Susannah Prichard’s goldfields trilogy (The Roaring Nineties, 1946; Golden Miles, 1948; Winged Seeds, 1950) and Vance Palmer’s overlapping Golconda trilogy, begun at the same time as his national mythography, The Legend of the Nineties (Golconda, 1948; Seedtime, 1957; The Big Fellow, 1959). These trilogies are shaped by the history of mineral extraction in Australian-settler political, environmental and economic history. This chapter analyses the under-recognised meaning of mining in narratives of settlement and nation.
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- The Cambridge History of the Australian Novel , pp. 183 - 200Publisher: Cambridge University PressPrint publication year: 2023