Book contents
- Frontmatter
- 1 Renaissance, Mannerism, Baroque
- 2 The seventeenth-century musical ‘work’
- 3 Music in the market-place
- 4 Music in new worlds
- 5 Music and the arts
- 6 Music and the sciences
- 7 The search for musical meaning
- 8 Power and display: music in court theatre
- 9 Mask and illusion: Italian opera after 1637
- 10 The Church Triumphant: music in the liturgy
- 11 Devotion, piety and commemoration: sacred songs and oratorios
- 12 Image and eloquence: secular song
- 13 Fantasy and craft: the solo instrumentalist
- 14 Form and gesture: canzona, sonata and concerto
- Appendix I Chronology
- Appendix II Places and institutions
- Appendix III Personalia
- Index
Index
Published online by Cambridge University Press: 28 March 2008
- Frontmatter
- 1 Renaissance, Mannerism, Baroque
- 2 The seventeenth-century musical ‘work’
- 3 Music in the market-place
- 4 Music in new worlds
- 5 Music and the arts
- 6 Music and the sciences
- 7 The search for musical meaning
- 8 Power and display: music in court theatre
- 9 Mask and illusion: Italian opera after 1637
- 10 The Church Triumphant: music in the liturgy
- 11 Devotion, piety and commemoration: sacred songs and oratorios
- 12 Image and eloquence: secular song
- 13 Fantasy and craft: the solo instrumentalist
- 14 Form and gesture: canzona, sonata and concerto
- Appendix I Chronology
- Appendix II Places and institutions
- Appendix III Personalia
- Index
Summary

- Type
- Chapter
- Information
- The Cambridge History of Seventeenth-Century Music , pp. 572 - 591Publisher: Cambridge University PressPrint publication year: 2005