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from Queer Literary Movements
Published online by Cambridge University Press: 17 May 2024
Ngô explores the variegated roles that imperialism played as a tool to inspire forms of Black politics. Imperialism helped to define a method for how the queer writers of New York challenged the construction of identity categories that shaped the social order. Through a study of orientalist objects, characters, and the shaping of a queer black politics, Ngô examines touchstone works by the eras most important writers, including Langston Hughes, Wallace Thurman, Nella Larsen, Richard Bruce Nugent, Jean Toomer, and Claude McKay, the essay uncovers a range of methods and politics behind queer black creative arts. While some authors used imperial logic to create a queer Black aesthetic and expose the meanings assigned to race, gender difference, and nonnormative sexualities, others were inspired by anitcolonial movements to push back on the state, challenging law, policing, and incarceration.
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