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20 - Italian epic theory

from IV - Literary forms

Published online by Cambridge University Press:  28 March 2008

Glyn P. Norton
Affiliation:
Williams College, Massachusetts
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Summary

The surge of Italian theorizing about epic that began in the mid-sixteenth century was part of a general effort to systematize poetic discourse by classifying and defining it according to its various genres. Aristotle's Poetics acquired unprecedented value in the second half of the sixteenth century precisely because its method and orientation suited the need to define poetry in terms of its genres and of their differences. The Greek text was made to spawn a much more systematic theory of genres than Aristotle had intended. Late Cinquecento theorization of comedy makes this amplification of the Poetics particularly apparent since Aristotle left no substantive definition of comedy, or if he did, as was promised at the beginning of Chapter 6, it was subsequently lost. The lacking discussion of comedy did not prevent commentators from erecting what they imagined would be an Aristotelian theory of comedy. Indeed, it encouraged such projections, beginning with Francesco Robortello's ‘Explicatio’ on the art of comedy appended to his commentary on the Poetics (1548), and Giovan Giorgio Trissino's discussion of comedy in the Sesta divisione della Poetica (composed c. 1549) which follows what is, for the most part, an Italian paraphrase of Aristotle's Poetics. Eventually these reconstructions become independent attempts to codify comedy, for example Antonio Riccoboni's De re comica (1579). What was proclaimed to be Aristotle's codification of epic was, in a similar way, what sixteenthcentury interpreters projected on the basis of Aristotle's brief discussion. Whereas Aristotle said next to nothing about comedy, he did devote two brief chapters (23 and 24) of the Poetics to epic, but without considering epic's distinctive attributes in any detail.

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Publisher: Cambridge University Press
Print publication year: 1999

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  • Italian epic theory
  • Edited by Glyn P. Norton, Williams College, Massachusetts
  • Book: The Cambridge History of Literary Criticism
  • Online publication: 28 March 2008
  • Chapter DOI: https://doi.org/10.1017/CHOL9780521300087.022
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  • Italian epic theory
  • Edited by Glyn P. Norton, Williams College, Massachusetts
  • Book: The Cambridge History of Literary Criticism
  • Online publication: 28 March 2008
  • Chapter DOI: https://doi.org/10.1017/CHOL9780521300087.022
Available formats
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Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Italian epic theory
  • Edited by Glyn P. Norton, Williams College, Massachusetts
  • Book: The Cambridge History of Literary Criticism
  • Online publication: 28 March 2008
  • Chapter DOI: https://doi.org/10.1017/CHOL9780521300087.022
Available formats
×