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34 - Noh drama

from Part III - The medieval period (1185–1600)

Published online by Cambridge University Press:  05 January 2016

Haruo Shirane
Affiliation:
Columbia University, New York
Tomi Suzuki
Affiliation:
Columbia University, New York
David Lurie
Affiliation:
Columbia University, New York
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Summary

This chapter focuses on the scripted elements of the noh plays. The plays of the time of the noted playwright Zeami and his pupils were more constrained in structure. The Okina sarugaku performance tradition shares some elements with that of noh plays, but there are fundamental differences between the two, for example in the structure of their masks and conventions of costume and dance. Sotoba Komachi and Jinen Koji by Kanami and Ukai by Saemon Goro of the Enami troupe may be taken as representative of the Heian period. Zeami's importance in the tradition of noh plays derives not so much from his fame as an actor in his lifetime, but rather from the fact that his style of play came to dominate the later repertoire. The content of his plays reflected the passion of Kyoto high society for the classical literature of the Heian court and the Heike monogatari.
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Publisher: Cambridge University Press
Print publication year: 2015

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  • Noh drama
  • Edited by Haruo Shirane, Columbia University, New York, Tomi Suzuki, Columbia University, New York, David Lurie, Columbia University, New York
  • Book: The Cambridge History of Japanese Literature
  • Online publication: 05 January 2016
  • Chapter DOI: https://doi.org/10.1017/CHO9781139245869.036
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  • Noh drama
  • Edited by Haruo Shirane, Columbia University, New York, Tomi Suzuki, Columbia University, New York, David Lurie, Columbia University, New York
  • Book: The Cambridge History of Japanese Literature
  • Online publication: 05 January 2016
  • Chapter DOI: https://doi.org/10.1017/CHO9781139245869.036
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Noh drama
  • Edited by Haruo Shirane, Columbia University, New York, Tomi Suzuki, Columbia University, New York, David Lurie, Columbia University, New York
  • Book: The Cambridge History of Japanese Literature
  • Online publication: 05 January 2016
  • Chapter DOI: https://doi.org/10.1017/CHO9781139245869.036
Available formats
×