Book contents
- Frontmatter
- Introduction
- PART I LITERARY PRODUCTION AND DISSEMINATION: CHANGING AUDIENCES AND EMERGING MEDIA
- PART II LITERARY GENRES: ADAPTATION AND REFORMATION
- PART III LITERATURE AND INTELLECTUAL LIFE: THE PRODUCTION AND TRANSMISSION OF CULTURE
- PART IV LITERATURE AND SOCIAL AND INSTITUTIONAL CHANGE
- 20 The eighteenth-century periodical essay
- 21 Public opinion and the political pamphlet
- 22 Sentimental fiction: ethics, social critique and philanthropy
- 23 Folklore, antiquarianism, scholarship and high literary culture
- PART V LITERARY GENRES: TRANSFORMATION AND NEW FORMS OF EXPRESSIVENESS
- PART VI CONCLUSION
- Chronology
- Bibliographies
- Index
- References
21 - Public opinion and the political pamphlet
from PART IV - LITERATURE AND SOCIAL AND INSTITUTIONAL CHANGE
Published online by Cambridge University Press: 28 March 2008
- Frontmatter
- Introduction
- PART I LITERARY PRODUCTION AND DISSEMINATION: CHANGING AUDIENCES AND EMERGING MEDIA
- PART II LITERARY GENRES: ADAPTATION AND REFORMATION
- PART III LITERATURE AND INTELLECTUAL LIFE: THE PRODUCTION AND TRANSMISSION OF CULTURE
- PART IV LITERATURE AND SOCIAL AND INSTITUTIONAL CHANGE
- 20 The eighteenth-century periodical essay
- 21 Public opinion and the political pamphlet
- 22 Sentimental fiction: ethics, social critique and philanthropy
- 23 Folklore, antiquarianism, scholarship and high literary culture
- PART V LITERARY GENRES: TRANSFORMATION AND NEW FORMS OF EXPRESSIVENESS
- PART VI CONCLUSION
- Chronology
- Bibliographies
- Index
- References
Summary
The people of England, it is generally observed, are, of all nations in the world, the most addicted to Politics. The fact is certain, and the reason of it evident.
Jürgen Habermas' influential model of the rise of public opinion as a force in the state argues that ‘[a] public sphere that functioned in the political realm arose first in Great Britain at the turn of the eighteenth century’ when, with the end of censorship, ‘a press devoted to the debate of political issues developed out of the pamphlet’. The principle of universal access is central to Habermas' thesis about the emergence (as opposed to the structural transformation) of the bourgeois public sphere. ‘A public sphere from which specific groups would be eo ipso excluded was less than merely incomplete’, he explains, ‘it was not a public sphere at all.’ As it consists of ‘private persons come together as a public’, the public sphere, in its appeal to reason as a governing principle, is in a crucial sense disinterested.
The period from the later seventeenth to the middle of the eighteenth centuries has been described, quite rightly, as ‘the first age of party’. This inevitably presents problems for a thesis in which ‘rational-critical’ debate is posited as being somehow free from party-political (or any other) considerations. On the contrary, it is clear that politicians immediately appreciated the possibilities presented by the existence of a free press for influencing parliamentary as well as public opinion. While Edmund Burke was drafting Thoughts on the Cause of the Present Discontents (1770), he received a letter from the Marquis of Rockingham:
I wish it may be read by all the members of Parliament – and by all the politicians in town and country prior to the meeting of Parliament. I think it would take universally, and tend to form and to unite a party upon real and well founded principles – which would in the end prevail and re-establish order and Government in this country.
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- Information
- The Cambridge History of English Literature, 1660–1780 , pp. 549 - 571Publisher: Cambridge University PressPrint publication year: 2005
References
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