Book contents
- The Cambridge History of Black and Asian British Writing
- The Cambridge History of Black and Asian British Writing
- Copyright page
- Dedication
- Contents
- Notes on Contributors
- Preface and Acknowledgements
- Introduction
- Part I New Formations
- 1 Narratives of Resistance in the Literary Archives of Slavery
- 2 Writer-Travellers and Fugitives
- 3 Exoticisations of the Self
- 4 Black People of Letters
- 5 Engaging the Public
- Part II Uneven Histories
- Part III Writing the Contemporary
- Select Bibliography
- Index
3 - Exoticisations of the Self
The First ‘Buddha of Suburbia’
from Part I - New Formations
Published online by Cambridge University Press: 19 December 2019
- The Cambridge History of Black and Asian British Writing
- The Cambridge History of Black and Asian British Writing
- Copyright page
- Dedication
- Contents
- Notes on Contributors
- Preface and Acknowledgements
- Introduction
- Part I New Formations
- 1 Narratives of Resistance in the Literary Archives of Slavery
- 2 Writer-Travellers and Fugitives
- 3 Exoticisations of the Self
- 4 Black People of Letters
- 5 Engaging the Public
- Part II Uneven Histories
- Part III Writing the Contemporary
- Select Bibliography
- Index
Summary
This chapter examines how a variety of writers have strategically manipulated reductive ‘Orientalist’ strategies of representation across quite different texts and historical moments. It begins with a discussion of the life and works of Sake Dean Mahomed, Travels of Dean Mahomet (1794) and Shampooing or Benefits Resulting (1822), the first Indian to write in English and publish in Britain. It also draws briefly on the letters of Ignatius Sancho to show how both writers similarly exploit and play on the concept of ‘exoticisation’ to create different personas which aid their passage through British culture. The chapter highlights how the seductive trope of the ‘Oriental’ and the ‘exotic’ persisted in the reception of influential twentieth-century Indian poets who were both prominent in British literary culture, Rabindranath Tagore and Sarojini Naidu. The chapter concludes with an analysis of Hanif Kureishi’s much later invention of Karim Amir and his father in The Buddha of Suburbia (1990), Englishmen ‘almost’ (Kureishi), to show how all these writers deliberately straddle multiple positions and use dualities, the ability to look in two directions at once, to their own advantage.
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- Information
- The Cambridge History of Black and Asian British Writing , pp. 54 - 67Publisher: Cambridge University PressPrint publication year: 2020