Book contents
- The Cambridge History of Black and Asian British Writing
- The Cambridge History of Black and Asian British Writing
- Copyright page
- Dedication
- Contents
- Notes on Contributors
- Preface and Acknowledgements
- Introduction
- Part I New Formations
- Part II Uneven Histories
- (I) Global Locals
- (II) Disappointed Citizens
- 12 Looking Back, Looking Forward
- 13 Double Displacements, Diasporic Attachments
- 14 Wide-Angled Modernities and Alternative Metropolitan Imaginaries
- 15 Forging Collective Identities
- 16 Breaking New Ground
- 17 The Lure of Postwar London
- 18 Looking Beyond, Shifting the Gaze
- (III) Here to Stay
- Part III Writing the Contemporary
- Select Bibliography
- Index
13 - Double Displacements, Diasporic Attachments
Location and Accommodation
from (II) - Disappointed Citizens
Published online by Cambridge University Press: 19 December 2019
- The Cambridge History of Black and Asian British Writing
- The Cambridge History of Black and Asian British Writing
- Copyright page
- Dedication
- Contents
- Notes on Contributors
- Preface and Acknowledgements
- Introduction
- Part I New Formations
- Part II Uneven Histories
- (I) Global Locals
- (II) Disappointed Citizens
- 12 Looking Back, Looking Forward
- 13 Double Displacements, Diasporic Attachments
- 14 Wide-Angled Modernities and Alternative Metropolitan Imaginaries
- 15 Forging Collective Identities
- 16 Breaking New Ground
- 17 The Lure of Postwar London
- 18 Looking Beyond, Shifting the Gaze
- (III) Here to Stay
- Part III Writing the Contemporary
- Select Bibliography
- Index
Summary
Following active labour recruitment in the Caribbean, postwar Britain was not only unprepared, offering hastily equipped air raid shelters to her colonial citizens, but also quite unwilling to welcome its new arrivants. In the slew of novels from the 1950s and 1960s, dislocated men (predominantly) have relocated to the ‘mother country’ but find themselves in effect doubly displaced, halfway between their origins and their destination. Sam Selvon’s ‘boys’ are groping through thick London fog in search of the imperial romance that the metropolis had seemed to promise. The protagonists of his Moses trilogy struggle to survive by inhabiting enclosed spaces, leading a subterranean room-based existence. They represent this first migrant generation’s embattled quest, both literal and metaphorical, to be accommodated in Britain. This chapter focuses on how the works of various writers of different backgrounds and political persuasions – including Braithwaite, Desani, Lamming, Markandaya, Naipaul, Salkey, and Selvon – engage with Britain as an inhospitable nation, anticipating through their fictions later debates on the location of culture and the power of writing the centre from the margins.
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- The Cambridge History of Black and Asian British Writing , pp. 212 - 226Publisher: Cambridge University PressPrint publication year: 2020