Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-jkksz Total loading time: 0 Render date: 2024-12-25T19:37:11.830Z Has data issue: false hasContentIssue false

Select Bibliography

Published online by Cambridge University Press:  13 July 2023

Mark Whalan
Affiliation:
University of Oregon
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Allen, Frederick Lewis. Only Yesterday: An Unofficial History of the 1920s. First published 1931. New York: Harper and Row, 1959.Google Scholar
Armstrong, Tim. Modernism: A Cultural History. Cambridge: Polity Press, 2005.Google Scholar
Aronoff, Eric. Composing Cultures: Modernism, American Literary Studies, and the Problem of Culture. Charlottesville: University of Virginia Press, 2013.Google Scholar
Ball, David M. False Starts: The Rhetoric of Failure and the Making of American Modernism. Evanston: Northwestern University Press, 2015.Google Scholar
Barkan, Elazar, and Bush, Ronald (eds.). Prehistories of the Future: The Primitivist Project and the Culture of Modernism. Stanford: Stanford University Press, 1995.Google Scholar
Baskin, Jason M. Modernism beyond the Avant-Garde: Embodying Experience. Cambridge: Cambridge University Press, 2019.Google Scholar
Beal, Wesley. Networks of Modernism: Reorganizing American Narrative. Iowa City: University of Iowa Press, 2015.Google Scholar
Bradbury, Malcolm, and McFarlane, James (eds.). Modernism: A Guide to European Literature, 1890–1930. Harmondsworth: Penguin, 1976.Google Scholar
Brinkman, Bartholomew. Poetic Modernism in the Culture of Mass Print. Baltimore: Johns Hopkins University Press, 2017.Google Scholar
Crowley, John W. The White Logic: Alcoholism and Gender in American Modernist Fiction. Amherst: University of Massachusetts Press, 1994.Google Scholar
Crunden, Robert M. Body and Soul: The Making of American Modernism – Art, Music, and Letters in the Jazz Age, 1919–1926. New York: Basic Books, 2000.Google Scholar
Diepeveen, Leonard. The Difficulties of Modernism. New York: Routledge, 2003.Google Scholar
Eysteinsson, Astradur. The Concept of Modernism. Ithaca: Cornell University Press, 1990.Google Scholar
Figlerowicz, Marta. Spaces of Feeling: Affect and Awareness in Modernist Literature. Ithaca: Cornell University Press, 2017.CrossRefGoogle Scholar
Forter, Greg. Gender, Race, and Mourning in American Modernism. Cambridge: Cambridge University Press, 2011.Google Scholar
Goody, Alex, and Morley, Catherine (eds.). American Modernism: Cultural Transactions. Durham: Cambridge Scholars’ Press, 2009.Google Scholar
Hart, Jeffrey. The Living Moment: Modernism in a Broken World. Evanston: Northwestern University Press, 2012.CrossRefGoogle Scholar
Hefner, Brooks E. The Word on the Streets: The American Language of Vernacular Modernism. Charlottesville: University of Virginia Press, 2017.Google Scholar
Hegeman, Susan. Patterns for America: Modernism and the Concept of Culture. Princeton: Princeton University Press, 1999.CrossRefGoogle Scholar
Huyssen, Andreas. After the Great Divide: Modernism, Mass Culture, Postmodernism. Bloomington: Indiana University Press, 1986.CrossRefGoogle Scholar
Jameson, Fredric. The Modernist Papers. London: Verso, 2007.Google Scholar
Kahan, Benjamin. Celibacies: American Modernism and Sexual Life. Durham: Duke University Press, 2013.Google Scholar
Kahan, Benjamin The Book of Minor Perverts: Sexology, Etiology, and the Emergences of Sexuality. Chicago: University of Chicago Press, 2019.Google Scholar
Kalaidjian, Walter B. (ed.). The Cambridge Companion to American Modernism. Cambridge: Cambridge University Press, 2005.CrossRefGoogle Scholar
Kazin, Alfred. On Native Grounds: An Interpretation of Modern American Prose Literature. First published 1942. San Diego: Harvest, 1995.Google Scholar
Kenner, Hugh. A Homemade World: The American Modernist Writers. Baltimore: Johns Hopkins University Press, 1975.Google Scholar
Keresztesi, Rita. Strangers at Home: American Ethnic Modernism between the World Wars. Lincoln: University of Nebraska Press, 2005.Google Scholar
Keyser, Catherine. Artificial Color: Modern Food and Racial Fictions. New York: Oxford University Press, 2019.Google Scholar
Latham, Sean, and Rogers, Gayle. Modernism: Evolution of an Idea. London: Bloomsbury Academic, 2015.Google Scholar
Lemke, Sieglinde. Primitivist Modernism: Black Culture and the Origins of Transatlantic Modernism. New York: Oxford University Press, 1998.CrossRefGoogle Scholar
Levenson, Michael. Modernism. New Haven: Yale University Press, 2011.Google Scholar
Lewis, Pericles. Religious Experience and the Modernist Novel. Cambridge: Cambridge University Press, 2010.CrossRefGoogle Scholar
Lusty, Natalya, and Murphet, Julian (eds.). Modernism and Masculinity. Cambridge: Cambridge University Press, 2014.Google Scholar
Mao, Douglas, and Walkowitz, Rebecca L. (eds.). Bad Modernisms. Durham: Duke University Press, 2006.Google Scholar
Mao, Douglas, and Walkowitz, Rebecca L.The new modernist studies,” PMLA 123.3 (2008): 737–48.Google Scholar
Mendelman, Lisa. Modern Sentimentalism: Affect, Irony, and Female Authorship in Interwar America. New York: Oxford University Press, 2019.Google Scholar
Micale, Mark (ed.). The Mind of Modernism: Medicine, Psychology, and the Cultural Arts in Europe and America, 1880–1940. Stanford: Stanford University Press, 2004.Google Scholar
Michaels, Walter Benn. Our America: Nativism, Modernism, and Pluralism. Durham: Duke University Press, 1995.Google Scholar
Miller, Joshua L. Accented America: The Cultural Politics of Multilingual Modernism. New York: Oxford University Press, 2010.Google Scholar
Miller, Tyrus. Late Modernism: Politics, Fiction and the Arts Between the World Wars. Berkeley: University of California Press, 1999.Google Scholar
Moglen, Seth. Mourning Modernity: Literary Modernism and the Injuries of American Capitalism. Stanford: Stanford University Press, 2007.Google Scholar
Morley, Catherine. Modern American Literature. Edinburgh: Edinburgh University Press, 2012.Google Scholar
Nicholls, Peter. Modernisms: A Literary Guide. London: Palgrave Macmillan, 2009.Google Scholar
North, Michael. The Dialect of Modernism: Race, Language, and Twentieth-Century Literature. New York: Oxford University Press, 1994.Google Scholar
Peppis, Paul. Sciences of Modernism: Ethnography, Sexology, and Psychology. Cambridge: Cambridge University Press, 2014.CrossRefGoogle Scholar
Perelman, Bob. Modernism the Morning After. Tuscaloosa: University of Alabama Press, 2017.Google Scholar
Perloff, Marjorie. 21st-Century Modernism: The “New” Poetics. Oxford: Blackwell, 2002.Google Scholar
Reynolds, Guy. Apostles of Modernity: American Writers in the Age of Development. Lincoln: University of Nebraska Press, 2008.Google Scholar
Rosenfeld, Paul. Port of New York: Essays on Fourteen American Moderns. New York: Harcourt, Brace, 1924.Google Scholar
Schoenbach, Lisi. Pragmatic Modernism. New York: Oxford University Press, 2012.Google Scholar
Schuster, Joshua. The Ecology of Modernism: American Environments and Avant-Garde Poetics. Tuscaloosa: University Alabama Press, 2015.Google Scholar
Sherman, David. In a Strange Room: Modernism’s Corpses and Mortal Obligation. New York: Oxford University Press, 2014.CrossRefGoogle Scholar
Sherry, Vincent (ed.). The Cambridge History of Modernism. Cambridge: Cambridge University Press, 2016.Google Scholar
Sherry, Vincent Modernism and the Reinvention of Decadence. Cambridge: Cambridge University Press, 2015.Google Scholar
Singal, Daniel Joseph, “Towards a definition of American modernism,” American Quarterly 39.1 (1987): 726.Google Scholar
Siraganian, Lisa. Modernism and the Meaning of Corporate Persons. New York: Oxford University Press, 2020.Google Scholar
Siraganian, Lisa Modernism’s Other Work: The Art Object’s Political Life. New York: Oxford University Press, 2011.Google Scholar
Smethurst, James Edward. The African American Roots of Modernism: From Reconstruction to the Harlem Renaissance. Chapel Hill: University of North Carolina Press, 2011.Google Scholar
Smith, Stan. The Origins of Modernism: Eliot, Pound, Yeats and the Rhetoric of Renewal. New York: Harvest, 1994.Google Scholar
Sorenson, Leif. Ethnic Modernism and the Making of US Literary Multiculturalism. London: Palgrave, 2016.Google Scholar
Soto, Michael. The Modernist Nation: Generation, Renaissance, and Twentieth-Century American Literature. Tuscaloosa: University of Alabama Press, 2004.Google Scholar
Stratton, Matthew. The Politics of Irony in American Modernism. New York: Fordham University Press, 2014.Google Scholar
Surette, Leon. Dreams of a Totalitarian Utopia: Literary Modernism and Politics. Montreal: McGill-Queen’s University Press, 2011.Google Scholar
Trilling, Lionel. The Liberal Imagination. 1950. New York: New York Review of Books, 2008.Google Scholar
Wagner-Martin, Linda. The Routledge Introduction to American Modernism. London: Routledge, 2016.Google Scholar
Whittier-Ferguson, John. Mortality and Form in Late Modernist Literature. New York: Cambridge University Press, 2014.Google Scholar
Wilson, Edmund. Axel’s Castle: A Study in the Imaginative Literature of 1870–1930. New York: Scribner’s, 1931.Google Scholar
Wilson, Sarah. Melting-Pot Modernism. Ithaca: Cornell University Press, 2010.Google Scholar

Secondary Sources

Aronson, Arnold. American Avant-Garde Theater: A History. New York: Routledge, 2000.Google Scholar
Bzowski, Frances. American Women Playwrights, 1900–1930: A Checklist. Westport: Greenwood Press, 1992.Google Scholar
Donoghue, Denis. The Third Voice: Modern British and American Verse Drama. Princeton: Princeton University Press, 1958.Google Scholar
Enelow, Shonni. Method Acting and Its Discontents: On American Psycho-Drama. Evanston: Northwestern University Press, 2015.Google Scholar
Farfan, Penny. Performing Queer Modernism. New York: Oxford University Press, 2017.Google Scholar
Garelick, Rhonda. Electric Salome: Loie Fuller’s Performance of Modernism. Princeton: Princeton University Press, 2007.Google Scholar
Hewitt, Bernard. Theatre U.S.A.: 1665 to 1957. New York: McGraw-Hill, 1959.Google Scholar
Hyman, Colette. Staging Strikes: Workers’ Theatre and the America Labor Movement. Philadelphia: Temple University Press, 1997.Google Scholar
Jarcho, Julia. Writing and the Modern Stage: Theater Beyond Drama. Cambridge: Cambridge University Press, 2017.Google Scholar
Krasner, David. A Beautiful Pageant: African American Theatre, Drama and Performance in the Harlem Renaissance 1910–1927. New York: Palgrave Macmillan, 2004.Google Scholar
McConachie, Brice A., and Friedman, Daniel (eds.). Theatre for Working-Class Audiences in the United States, 1830–1980. Westport: Greenwood Press, 1985.Google Scholar
Mitchell, Koritha. Living With Lynching: African American Lynching Plays, Performance, and Citizenship, 1890–1930. Urbana: University of Illinois Press, 2012.Google Scholar
Puchner, Martin. Stage Fright: Modernism, Anti-Theatricality and Drama. Baltimore: Johns Hopkins University Press, 2002.Google Scholar
Puchner, Martin Against Theatre: Creative Destructions on the Modernist Stage. New York: Palgrave, 2006.Google Scholar
Riis, Thomas A. Just Before Jazz: Black Musical Theatre in New York, 1890–1915. Washington, DC: Smithsonian Institution Press, 1989.Google Scholar
Robinson, Marc. The American Play: 1787–2000. New Haven: Yale University Press, 2009.Google Scholar
Salvato, Nick. Uncloseting Drama: American Modernism and Queer Performance. New Haven: Yale University Press, 2010.Google Scholar
Savran, David. Highbrow/Lowdown: Theater, Jazz, and the Making of the New Middle Class. Ann Arbor: University of Michigan Press, 2010.Google Scholar
Shafer, Yvonne. American Women Playwrights, 1900–1950. New York: Peter Lang, 1997.Google Scholar
Wainscott, Ronald H. The Emergence of the Modern American Theatre, 1914–1929. New Haven: Yale University Press, 1997.Google Scholar
Walker, Julia. Expressionism and Modernism in the American Theatre: Bodies, Voices, Words. Cambridge: Cambridge University Press, 2005.Google Scholar
Worthen, William B. Modern Drama: Plays, Criticism, Theory. Fort Worth: Harcourt Brace, 1995.Google Scholar
Worthen, William B. Print and the Poetics of Modern Drama. Cambridge: Cambridge University Press, 2005.Google Scholar
Ahearn, Barry. Pound, Frost, Moore, and Poetic Precision: Science in Modernist American Poetry. London: Palgrave, 2020.Google Scholar
Albright, Daniel. Quantum Poetics: Yeats, Pound, Eliot, and the Science of Modernism. Cambridge: Cambridge University Press, 1997.Google Scholar
Altieri, Charles. The Art of Twentieth-Century Poetry: Modernism and After. Oxford: Blackwell, 2006.Google Scholar
Altieri, Charles Painterly Abstractions in Modernist American Poetry: The Contemporaneity of Modernism. Cambridge: Cambridge University Press, 1989.Google Scholar
Altieri, Charles Wallace Stevens and the Demands of Modernity: Toward a Phenomenology of Value. Ithaca: Cornell University Press, 2013.Google Scholar
Ben-Merre, David. Figures of Time: Disjunctions in Modernist Poetry. Albany: State University of New York Press, 2018.Google Scholar
Berke, Nancy. Women Poets on the Left: Lola Ridge, Genevieve Taggard, Margaret Walker. Gainesville: University Press of Florida, 2001.Google Scholar
Blanton, C. D. Epic Negation: The Dialectical Poetics of Late Modernism. New York: Oxford University Press, 2015.Google Scholar
Bohn, Willard. Modern Visual Poetry. Newark: University of Delaware Press, 2001.Google Scholar
Byers, Mark. Charles Olson and American Modernism: The Practice of the Self. Oxford: Oxford University Press, 2018.Google Scholar
Carr, Helen. The Verse Revolutionaries: Ezra Pound, H.D. and the Imagists. London: Jonathan Cape, 2009.Google Scholar
Craig, Cairns. Yeats, Eliot, Pound, and the Politics of Poetry. Pittsburgh: University of Pittsburgh Press, 1982.Google Scholar
Davis, Alex, and Jenkins, Lee M. (eds.). A History of Modernist Poetry. Cambridge: Cambridge University Press, 2015.Google Scholar
Dayton, Tim. Muriel Rukeyser’s The Book of the Dead. Columbia: University of Missouri Press, 2003.Google Scholar
DuPlessis, Rachel Blau. Genders, Races, and Religious Cultures in Modern American Poetry, 1908–1934. Cambridge: Cambridge University Press, 2001.Google Scholar
DuPlessis, Rachel The Pink Guitar: Writing as Feminist Practice. New York: Routledge, 1990.Google Scholar
Ford, Karen Jackson. Gender and the Poetics of Excess: Moments of Brocade. Jackson: University Press of Mississippi, 1997.Google Scholar
Fredman, Stephen. Poet’s Prose: The Crisis in American Verse. Cambridge: Cambridge University Press, 1990.Google Scholar
Gelpi, Albert. A Coherent Splendor: The American Poetic Renaissance, 1910–1950. Cambridge: Cambridge University Press, 1988.Google Scholar
Glaser, Ben. Modernism’s Metronome: Meter and Twentieth-Century Poetics. Baltimore: Johns Hopkins University Press, 2020.Google Scholar
Golding, Alan C. From Outlaw to Classic: Canons in American Poetry. Madison: University of Wisconsin Press, 1995.Google Scholar
Golston, Michael. Rhythm and Race in Modernist Poetry and Science: Pound, Yeats, Williams, and Modern Sciences of Rhythm. New York: Columbia University Press, 2008.Google Scholar
Graves, Robert, and Riding, Laura. A Survey of Modernist Poetry. London: Heinemann, 1927.Google Scholar
Hughes, Glenn. Imagism and the Imagists: A Study in Modern Poetry. New York: Humanities Press, 1960.Google Scholar
Kinnahan, Linda (ed.). A Cambridge History of 20th-Century American Women Poets. New York: Cambridge University Press, 2016.Google Scholar
Kinnahan, Linda Mina Loy, Twentieth-Century Photography, and Contemporary Women Poets. New York: Routledge, 2017.Google Scholar
Kinnahan, Linda Poetics of the Feminine: Authority and Literary Tradition in William Carlos Williams, Mina Loy, Denise Levertov, and Kathleen Fraser. Cambridge: Cambridge University Press, 1994.Google Scholar
Kertesz, Louise. The Poetic Vision of Muriel Rukeyser. Baton Rouge: Louisiana State University Press, 1980.Google Scholar
Lentricchia, Frank. Modernist Quartet. Cambridge: Cambridge University Press, 1994.Google Scholar
Longenbach, James. Modernist Poetics of History. Princeton: Princeton University Press, 1987.Google Scholar
Longenbach, James Stone Cottage: Pound, Yeats, and Modernism. New York: Oxford University Press, 1988.Google Scholar
MacGowan, Christopher. Twentieth-Century American Poetry. Oxford: Blackwell, 2004.Google Scholar
MacLeod, Glen. Wallace Stevens and Modern Art: From the Armory Show to Abstract Expressionism. New Haven: Yale University Press, 1993.Google Scholar
Materer, Timothy. Modernist Alchemy: Poetry and the Occult. Ithaca: Cornell University Press, 1995.Google Scholar
Materer, Timothy Vortex: Pound, Eliot, and Lewis. Ithaca: Cornell University Press, 1979.Google Scholar
Nelson, Cary. Repression and Recovery: Modern American Poetry and the Politics of Cultural Memory, 1910–1945. Madison: University of Wisconsin Press, 1989.Google Scholar
Nicholls, Peter. George Oppen and the Fate of Modernism. New York: Oxford University Press, 2007.Google Scholar
Nickels, Joel. Poetry of the Possible: Spontaneity, Modernism, and the Multitude. Minneapolis: University of Minnesota Press, 2012.Google Scholar
Newcomb, John Timberman. How Did Poetry Survive? The Making of Modern American Verse. Urbana: University of Illinois Press, 2012.Google Scholar
North, Michael. The Political Aesthetic of Yeats, Eliot, and Pound. Cambridge: Cambridge University Press, 1991.Google Scholar
Perloff, Marjorie. Differentials: Poetry, Poetics, Pedagogy. Tuscaloosa: University of Alabama Press, 2004.Google Scholar
Perloff, Marjorie The Futurist Moment: Avant-Garde, Avant Guerre, and the Language of Rupture. Chicago: University of Chicago Press, 1986.Google Scholar
Perloff, Marjorie The Poetics of Indeterminacy: Rimbaud to Cage. Evanston: Northwestern University Press, 1999.Google Scholar
Pryor, Sean. Poetry, Modernism, and an Imperfect World. Cambridge: Cambridge University Press, 2017.Google Scholar
Quartermain, Peter. Disjunctive Poetics: From Gertrude Stein and Louis Zukofsky to Susan Howe. Cambridge: Cambridge University Press, 1992.Google Scholar
Rae, Patricia. The Practical Muse: Pragmatist Poetics in Hulme, Pound, and Stevens. Lewisburg: Bucknell University Press, 1998.Google Scholar
Ross, Andrew. The Failure of Modernism: Symptoms of American Poetry. New York: Columbia University Press, 1986.Google Scholar
Scroggins, Mark. Louis Zukofsky and the Poetry of Knowledge. Tuscaloosa: University of Alabama Press, 1998.Google Scholar
Shoemaker, Steve. Thinking Poetics: Essays on George Oppen. Tuscaloosa: University of Alabama Press, 2009.Google Scholar
Stanley, Sandra Kumamoto. Louis Zukofsky and the Transformation of a Modern American Poetics. Berkeley: University of California Press, 1994.Google Scholar
Stead, C. K. The New Poetics: Yeats to Eliot. London: Hutchinson, 1964.Google Scholar
Steven, Mark. Red Modernism: American Poetry and the Spirit of Communism. Baltimore: Johns Hopkins University Press, 2017.Google Scholar
Swigg, Richard. George Oppen: The Words in Action. Lewisburg: Bucknell University Press, 2016.Google Scholar
Thacker, Andrew. The Imagist Poets. Tavistock: Northcote House Publishers, 2011.Google Scholar
van Wienen, Mark. Partisans and Poets: The Political Work of American Poetry in the Great War. New York: Cambridge University Press, 1997.Google Scholar
Vendler, Helen. Last Looks, Last Books: Stevens, Plath, Lowell, Bishop, Merrill. Princeton: Princeton University Press, 2010.Google Scholar
Vendler, Helen Part of Nature, Part of Us: Modern American Poets. Cambridge, MA: Harvard University Press, 1980.Google Scholar
Vendler, Helen The Ocean, the Bird, and the Scholar: Essays on Poets and Poetry. Cambridge, MA: Harvard University Press, 2015.Google Scholar
Yao, Stephen. Translation and the Languages of Modernism. New York: Palgrave Macmillan, 2002.Google Scholar
Boddy, Kasia. The American Short Story Since 1950. Edinburgh: Edinburgh University Press, 2010.Google Scholar
Campbell, Donna M. Bitter Tastes: Literary Naturalism and Early Cinema in American Women’s Writing. Athens: University of Georgia Press, 2016.Google Scholar
Campbell, Donna M. Resisting Regionalism: Gender and Naturalism in American Fiction, 1885–1915. Athens: Ohio University Press, 1997.Google Scholar
Ellmann, Maud. The Nets of Modernism: Henry James, Virginia Woolf, James Joyce, and Sigmund Freud. Cambridge: Cambridge University Press, 2010.Google Scholar
Foltz, Jonathan. The Novel after Film: Modernism and the Decline of Autonomy. New York: Oxford University Press, 2018.Google Scholar
Frank, Joseph. The Idea of Spatial Form. First published 1945. New Brunswick: Rutgers University Press, 1991.Google Scholar
Friedman, Ellen, and Fuchs, Miriam (eds.). Breaking the Sequence: Women’s Experimental Fiction. Princeton: Princeton University Press, 1989.Google Scholar
Godden, Richard. Fictions of Capital: The American Novel from James to Mailer. Cambridge: Cambridge University Press, 1990.Google Scholar
Grant, Nathan. Masculinist Impulses: Toomer, Hurston, Black Writing, and Modernity. Columbia: University of Missouri Press, 2004.Google Scholar
Greenberg, Jonathan. Modernism, Satire, and the Novel. Cambridge: Cambridge University Press, 2011.Google Scholar
Howard, June. Form and History in American Literary Naturalism. Chapel Hill: University of North Carolina Press, 1985.Google Scholar
Jackson, Tony E. The Subject of Modernism: Narrative Alterations in the Fiction of Eliot, Conrad, Woolf, and Joyce. Ann Arbor: University of Michigan Press, 1994.Google Scholar
Kaplan, Amy. The Social Construction of American Realism. Chicago: University of Chicago Press, 1988.Google Scholar
Kennedy, J. Gerald (ed.). Modern American Short Story Sequences: Composite Fictions and Fictive Communities. Cambridge: Cambridge University Press, 1995.Google Scholar
Kermode, Frank. The Sense of an Ending: Studies in the Theory of Fiction. London: Oxford University Press, 1975.Google Scholar
Kern, Stephen. The Modernist Novel: A Critical Introduction. Cambridge: Cambridge University Press, 2011.Google Scholar
McGurl, Mark. The Novel Art: Elevations of American Fiction after Henry James. Princeton: Princeton University Press, 2001.Google Scholar
McGurl, Mark The Program Era: Postwar Fiction and the Rise of Creative Writing. Cambridge, MA: Harvard University Press, 2009.Google Scholar
Mitchell, Lee Clark. Determined Fictions. New York: Columbia University Press, 1989.Google Scholar
O’Connor, Frank. The Lonely Voice: A Study of the Short Story. Syracuse: World Publishing Co., 1963.Google Scholar
Quigley, Megan. Modernist Fiction and Vagueness: Philosophy, Form, and Language. New York: Cambridge University Press, 2015.Google Scholar
Rabinowitz, Paula. Labor and Desire: Women’s Revolutionary Fiction in Depression America. Chapel Hill: University of North Carolina Press, 1991.Google Scholar
Spiro, Mia. Anti-Nazi Modernism: The Challenges of Resistance in 1930s Fiction. Evanston: Northwestern University Press, 2013.Google Scholar
Trout, Steven (ed.). American Prose Writers of World War I: A Documentary Volume. Detroit: Thomson/Gale, 2005.Google Scholar
Wald, Priscilla. Constituting Americans: Cultural Anxiety and Narrative Form. Durham: Duke University Press, 1995.Google Scholar
Weinstein, Philip. Unknowing: The Work of Modernist Fiction. Ithaca: Cornell University Press, 2005.Google Scholar
Winnett, Susan. Writing Back: American Expatriates’ Narratives of Return. Baltimore: Johns Hopkins University Press, 2012.Google Scholar
Blackmur, R. P., and Jones, James T.. Outsider at the Heart of Things: Essays. Urbana: University of Illinois Press, 1989.Google Scholar
Blake, Casey Nelson. Beloved Community: The Cultural Criticism of Randolph Bourne, Van Wyck Brooks, Waldo Frank & Lewis Mumford. Chapel Hill: University of North Carolina Press, 1990.Google Scholar
Bloom, Alexander. Prodigal Sons: The New York Intellectuals and Their World. Oxford: Oxford University Press, 1986Google Scholar
Brooks, Cleanth. The Hidden God: Studies in Hemingway, Faulkner, Yeats, Eliot, and Warren. New Haven: Yale University Press, 1963.Google Scholar
Brooks, Cleanth The Well Wrought Urn: Studies in the Structure of Poetry. New York: Harcourt, Brace & World, 1947.Google Scholar
Brooks, Cleanth, and Warren, Robert Penn. Understanding Fiction. First published 1943. New York: Appleton Century Crofts, 1959.Google Scholar
Brooks, Cleanth, and Warren, Robert Penn Understanding Poetry. First published 1939. New York: Holt, Rinehart and Winston, 1976.Google Scholar
Burke, Kenneth. Language as Symbolic Action: Essays on Life, Literature, and Method. Berkeley: University of California Press, 1966.Google Scholar
Burke, Kenneth The Philosophy of Literary Form: Studies in Symbolic Action. Baton Rouge: Louisiana State University Press, 1967.Google Scholar
Conkin, Paul Keith. The Southern Agrarians. Knoxville: University of Tennessee Press, 1988.Google Scholar
Cowley, Malcom. Exile’s Return: A Literary Odyssey of the 1920s. First published 1934. New York: Penguin, 1994.Google Scholar
Eisinger, Joel. Trace and Transformation: American Criticism of Photography in the Modernist Period. Albuquerque, NM: University of New Mexico Press, 1995.Google Scholar
Eliot, T. S. The Sacred Wood: Essays on Poetry and Criticism. First published 1920. London: Methuen, 1950.Google Scholar
Eliot, T. S. Selected Essays, 1917–1932. First published 1932. London: Faber and Faber, 1951.Google Scholar
Ellison, Ralph Waldo. The Collected Essays of Ralph Ellison. Ed. Callahan, John F. New York: Library of America, 2011.Google Scholar
Fiedler, Leslie A. An End to Innocence: Essays on Culture and Politics. Boston: Beacon Press, 1955.Google Scholar
Fiedler, Leslie A. Love and Death in the American Novel. New York: Criterion Books, 1960.Google Scholar
Fiedler, Leslie A. No! in Thunder: Essays on Myth and Literature. Boston: Beacon Press, 1960.Google Scholar
Filreis, Al. Counter-Revolution of the Word: The Conservative Attack on Modern Poetry, 1945–1960. Chapel Hill: University of North Carolina Press, 2008.Google Scholar
Graff, Gerald. Professing Literature: An Institutional History. Chicago: University of Chicago Press, 1987.Google Scholar
Greenberg, Clement. Art and Culture: Critical Essays. Boston: Beacon Press, 1961.Google Scholar
Greenberg, Clement Homemade Esthetics: Observations on Art and Taste. New York: Oxford University Press, 1999.Google Scholar
Hofstadter, Richard. Anti-Intellectualism in American Life. New York: Knopf, 1963.Google Scholar
Hofstadter, Richard Social Darwinism in American Thought. New York: G. Braziller, 1959.Google Scholar
Howe, Irving (ed.). The Idea of the Modern in Literature and the Arts. New York: Horizon Press, 1967.Google Scholar
Howe, Irving (ed.). Modern Literary Criticism: An Anthology. Boston: Beacon Press, 1958.Google Scholar
Howe, Irving Politics and the Novel. New York: Horizon Press, 1957.Google Scholar
Howe, Irving A World More Attractive: A View of Modern Literature and Politics. New York: Horizon Press, 1963.Google Scholar
Jancovich, Mark. The Cultural Politics of the New Criticism. Cambridge: Cambridge University Press, 1993.Google Scholar
Kazin, Alfred. Bright Book of Life: American Novelists and Storytellers from Hemingway to Mailer. Boston: Little, Brown, 1973.Google Scholar
Kindley, Evan. Poet-Critics and the Administration of Culture. Cambridge, MA: Harvard University Press, 2017.Google Scholar
Lewis, R. W. B. Literary Reflections: A Shoring of Images, 1960–1993. Boston: Northeastern University Press, 1993.Google Scholar
Livingston, James. Pragmatism and the Political Economy of Cultural Revolution, 1850–1940. Chapel Hill: University of North Carolina Press, 2000.Google Scholar
Locke, Alain. The Critical Temper of Alain Locke: A Selection of His Essays on Art and Culture. New York: Garland Press, 1984.Google Scholar
Macdonald, Dwight. Masscult and Midcult: Essays against the American Grain. New York: New York Review of Books, 2011.Google Scholar
Macdonald, Dwight The Responsibility of Peoples, and Other Essays in Political Criticism. London: Gollancz, 1957.Google Scholar
McDonald, Gail. Learning to Be Modern: Pound, Eliot, and the American University. Oxford: Clarendon Press, 1993.Google Scholar
Mencken, H. L. The American Language: An Inquiry into the Development of English in the United States. New York: A. A. Knopf, 1936.Google Scholar
Mencken, H. L. Treatise on the Gods. New York: Alfred Knopf, 1956.Google Scholar
Ransom, John Crowe. Beating the Bushes: Selected Essays, 1941–1970. New York: New Directions, 1972.Google Scholar
Ransom, John Crowe The New Criticism. Norfolk: New Directions, 1941.Google Scholar
Ransom, John Crowe The World’s Body. New York: Scribner’s, 1938.Google Scholar
Richards, I. A. Practical Criticism: A Study of Literary Judgment. New York: Harcourt, Brace, 1929.Google Scholar
Richards, I. A. Principles of Literary Criticism. New York: Harcourt, Brace, 1930.Google Scholar
Rosenfeld, Paul. Port of New York: Essays on Fourteen American Moderns. New York: Harcourt, Brace, and Co., 1924.Google Scholar
Tate, Allen. Essays of Four Decades. Chicago: Swallow Press, 1968.Google Scholar
Tate, Allen The Man of Letters in the Modern World: Selected Essays, 1928–1955. New York: Meridian Books, 1955.Google Scholar
Tate, Allen Reactionary Essays on Poetry and Ideas. New York: Scribner’s, 1936.Google Scholar
Trilling, Lionel. The Liberal Imagination. First published 1950. New York: New York Review of Books, 2008.Google Scholar
Southerners, Twelve. I’ll Take My Stand: The South and the Agrarian Tradition. New York: Harper, 1930.Google Scholar
Wald, Alan. The New York Intellectuals. Chapel Hill: University of North Carolina Press, 1986.Google Scholar
Warren, Robert Penn. New and Selected Essays. New York: Random House, 1989.Google Scholar
Wellek, René, and Warren, Austin. Theory of Literature. New York: Harcourt, Brace, 1949.Google Scholar
White, Edward. The Tastemaker: Carl Van Vechten and the Birth of Modern America. New York: Farrar, Straus and Giroux, 2014.Google Scholar
Wilson, Edmund. Axel’s Castle: A Study in the Imaginative Literature of 1870–1930. New York: Scribner’s, 1931.Google Scholar
Wilson, Edmund The Shores of Light: A Literary Chronicle of the Twenties and Thirties. New York: Farrar, Straus and Young, 1952.Google Scholar
Abel, Richard (ed.). Silent Film. New Brunswick: Rutgers University Press, 1996.Google Scholar
Adams, Robert, and Stange, Maren (eds.). Paul Strand: Essays on His Life and Work. New York: Aperture, 1990.Google Scholar
Beeston, Alix. In and Out of Sight: Modernist Writing and the Photographic Unseen. New York: Oxford University Press, 2018.Google Scholar
Bernardi, Daniel (ed.). The Birth of Whiteness: Race and the Emergence of U.S. Cinema. New Brunswick: Rutgers University Press, 1996.Google Scholar
Blair, Sara. Harlem Crossroads: Black Writers and the Photograph in the Twentieth Century. Princeton: Princeton University Press, 2007.Google Scholar
Blair, Sara How the Other Half Looks: The Lower East Side and the Afterlives of Images. Princeton: Princeton University Press, 2018.Google Scholar
Bochner, Jay. An American Lens: Scenes from Alfred Stieglitz’s New York Secession. Cambridge, MA: MIT Press, 2005.Google Scholar
Bowser, Eileen. The Transformation of Cinema, 1908–1915. New York: Scribner’s, 1990.Google Scholar
Brandstetter, Gabriele. Poetics of Dance: Body, Image and Space in the Historical Avant-Gardes. New York: Oxford University Press, 2015.Google Scholar
Cassidy, Donna. Painting the Musical City: Jazz and Cultural Identity in American Art, 1910–1940. Washington, DC: Smithsonian Institution Press, 1997.Google Scholar
Cavell, Stanley. The World Viewed: Reflections on the Ontology of Film. Cambridge, MA: Harvard University Press, 1979.Google Scholar
Charney, Leo. Empty Moments: Cinema, Modernity, and Drift. Durham: Duke University Press, 1998.Google Scholar
Charney, Leo, and Schwartz, Vanessa (eds.). Cinema and the Invention of Modernity. Berkeley: University of California Press, 1995.Google Scholar
Cohen, Paula. Silent Film and the Triumph of the American Myth. New York: Oxford University Press, 2001.Google Scholar
Connor, Celeste. Democratic Visions: Art and Theory in the Stieglitz Circle, 1924–1924. Berkeley: University of California Press, 2001.Google Scholar
Corn, Wanda M. Georgia O’Keeffe: Living Modern. New York: Prestel, 2017.Google Scholar
Corn, Wanda M. The Great American Thing: Modern Art and National Identity, 1915–1935. Berkeley: University of California Press, 1999.Google Scholar
Crary, Jonathan. Suspensions of Perception: Attention, Spectacle, and Modern Culture. Cambridge, MA: MIT Press, 1999.Google Scholar
Cripps, Thomas. Slow Fade to Black: The Negro in American Film, 1900–1942. New York: Oxford University Press, 1993.Google Scholar
Daly, Ann. Done into Dance: Isadora Duncan in America. Bloomington: Indiana University Press, 1995.Google Scholar
Daniel, Pete (ed.). Official Images: New Deal Photography. Washington, DC: Smithsonian Institution Press, 1987.Google Scholar
Davidson, Abraham A. Early American Modernist Painting, 1910–1935. New York: Harper and Row, 1981.Google Scholar
DeBauche, Leslie Midkiff. Reel Patriotism: The Movies and World War I. Madison: University of Wisconsin Press, 1997.Google Scholar
Diggory, Terence. William Carlos Williams and the Ethics of Painting. Princeton: Princeton University Press, 1991.Google Scholar
Dijkstra, Bram. Cubism, Stieglitz, and the Early Poetry of William Carlos Williams. Princeton: Princeton University Press, 1969.Google Scholar
Donald, James, Marcus, Laura, and Friedberg, Anne (eds.). Cinema and Modernism. London: Cassell, 1998.Google Scholar
Dubnick, Randa. The Structure of Obscurity: Gertrude Stein, Language, and Cubism. Urbana: University of Illinois Press, 1984.Google Scholar
Duncan, Alastair. American Art Deco. New York: Abrams, 1986.Google Scholar
Fagg, John. On the Cusp: Stephen Crane, George Bellows, and Modernism. Tuscaloosa: University of Alabama Press, 2009.Google Scholar
Fischer, Lucy. Designing Women: Cinema, Art Deco, and the Female Form. New York: Columbia University Press, 2003.Google Scholar
Fleischhauer, Carl, and Brannan, W. Beverly (eds.). Documenting America, 1935–1943. Berkeley: University of California Press, 1988.Google Scholar
Foulkes, Julia L. Modern Bodies: Dance and American Modernism from Martha Graham to Alvin Ailey. Chapel Hill: University of North Carolina Press, 2002.Google Scholar
Giovacchini, Saverio. Hollywood Modernism. Philadelphia: Temple University Press, 2001.Google Scholar
Greenough, Sarah. Modern Art and America: Alfred Stieglitz and His New York Galleries. New York: Bulfinch Press, 2001.Google Scholar
Greif, Martin. Depression Modern: The Thirties Style in America. New York: Universe Books, 1975.Google Scholar
Guerrero, Ed. Framing Blackness: The African American Image in Film. Philadelphia: Temple University Press, 1993.Google Scholar
Gunning, Tom. Griffith and the Origins of American Narrative Film. Urbana: University of Illinois Press, 1994.Google Scholar
Halter, Peter. Revolution in the Visual Arts and the Poetry of William Carlos Williams. Cambridge: Cambridge University Press, 1994.Google Scholar
Hansen, Miriam. Babel and Babylon: Spectatorship in American Silent Film. Chicago: University of Chicago Press, 1991.Google Scholar
Haskell, Barbara. The American Century: Art and Culture, 1900–1950. New York: W. W. Norton, 1999.Google Scholar
Hazzard-Gordon, Katrina. Jookin’: The Rise of Social Dance Formations in African American Culture. Philadelphia: Temple University Press, 1990.Google Scholar
Homer, William Innes. Alfred Stieglitz and the American Avant-Garde. Boston: New York Graphic Society, 1977.Google Scholar
Horak, Jan-Christopher (ed.). Lovers of Cinema: The First American Film Avant-Garde, 1919–1945. Madison: University of Wisconsin Press, 1995.Google Scholar
Hornby, Louise. Still Modernism: Photography, Literature, Film. New York: Oxford University Press, 2017.Google Scholar
Hughes, Robert. The Shock of the New: Art and the Century of Change. London: Thames & Hudson, 1991.Google Scholar
James, Pearl (ed.). Picture This: World War I Posters and Visual Culture. Lincoln: University of Nebraska Press, 2009.Google Scholar
Johnson, J. Stewart. American Modern 1925–1940: Design for a New Age. New York: Harry N. Abrams, 2000.Google Scholar
Jones, Susan. Literature, Modernism, and Dance. New York: Oxford University Press, 2013.Google Scholar
Kodat, Catherine Gunther. Don’t Act, Just Dance: The Metapolitics of Cold War Culture. New Brunswick: Rutgers University Press, 2015.Google Scholar
Kushner, Marilyn, and Orcutt, Kimberly (eds.). The Armory Show at 100: Modernism and Revolution. London: Giles, 2013.Google Scholar
Latham, Angela J. Posing a Threat: Flappers, Chorus Girls, and Other Brazen Performers of the American 1920s. Hanover: University Press of New England, 2000.Google Scholar
Latimer, Tirza True. Eccentric Modernisms: Making Differences in the History of American Art. Oakland: University of California Press, 2017.Google Scholar
Lévy, Sophie (ed.). A Transatlantic Avant-Garde: American Artists in Paris 1918–1939. Berkeley: University of California Press, 2003.Google Scholar
Lubin, David M. Grand Illusions: American Art and the First World War. New York: Oxford University Press, 2016.Google Scholar
Marcus, Laura. The Tenth Muse: Writing about Cinema in the Modernist Period. New York: Oxford University Press, 2007.Google Scholar
Matz, Jesse. Literary Impressionism and Modernist Aesthetics. Cambridge: Cambridge University Press, 2001.Google Scholar
McCabe, Susan. Cinematic Modernism: Modernist Poetry and Film. Cambridge: Cambridge University Press, 2005.Google Scholar
McCloskey, Barbara. The Exile of George Grosz: Modernism, America, and the One World Order. Oakland: University of California Press, 2015.Google Scholar
Milosch, Jane, and Corn, Wanda M. (eds.). Grant Wood’s Studio: Birthplace of American Gothic. New York: Prestel, 2005.Google Scholar
Musser, Charles. The Emergence of Cinema: The American Screen to 1907. New York: Scribner’s, 1990.Google Scholar
North, Michael. Camera Works: Photography and the Twentieth-Century Word. New York: Oxford University Press, 2005.Google Scholar
Orvell, Miles. After the Machine: Visual Arts and the Erasing of Cultural Boundaries. Jackson: University Press of Mississippi, 1995.Google Scholar
Orvell, Miles American Photography. New York: Oxford University Press, 2003.Google Scholar
Orvell, Miles The Real Thing: Imitation and Authenticity in American Culture. Chapel Hill: University of North Carolina Press, 1989.Google Scholar
Posner, Bruce (ed.). Unseen Cinema: Early American Avant-Garde Film 1893–1941. New York: Black Thistle Press, 2001.Google Scholar
Putz, John, and Scallen, Catherine B.. Cubism and American Photography, 1910–1930. Williamstown: Sterling and Francine Clark Art Institute, 1981.Google Scholar
Rollins, Peter C., and O’Connor, John E. (eds.). Hollywood’s World War I: Motion Picture Images. Bowling Green: Bowling Green State University Popular Press, 1997.Google Scholar
Rony, Fatimah Tobing. The Third Eye: Race, Cinema, and Ethnographic Spectacle. Durham: Duke University Press, 1996.Google Scholar
Schloss, Carol. In Visible Light: Photography and the American Writer, 1840–1940. New York: Oxford University Press, 1989.Google Scholar
Seed, David. Cinematic Fictions: The Impact of Cinema on the American Novel up to the Second World War. Liverpool: Liverpool University Press, 2011.Google Scholar
Shail, Andrew. Cinema and the Origins of Literary Modernism. London: Routledge, 2012.Google Scholar
Sitney, P. A. Modernist Montage. New York: Columbia University Press, 1990.Google Scholar
Smith, Christopher J. Dancing Revolution: Bodies, Space, and Sound in American Cultural History. Urbana: University of Illinois Press, 2019.Google Scholar
Smith, Terry. Making the Modern: Industry, Art, and Design in America. Chicago: University of Chicago Press, 1993.Google Scholar
Stange, Maren. Bronzeville: Black Chicago in Pictures, 1941–1943. New York: The New Press, 2003.Google Scholar
Stange, Maren Symbols of Ideal Life: Social Documentary Photography in America, 1890–1950. New York: Cambridge University Press, 1989.Google Scholar
Trachtenberg, Alan. Reading American Photographs: Images as History, Mathew Brady to Walker Evans. New York: Hill and Wang, 1989.Google Scholar
Trachtenberg, Alan Shades of Hiawatha: Staging Indians, Making Americans: 1880–1930. New York: Hill and Wang, 2004.Google Scholar
Trotter, David. Cinema and Modernism. Oxford: Wiley-Blackwell, 2007.Google Scholar
Weaver, Mike. Alvin Langdon Coburn: Symbolist Photographer. New York: Aperture Foundation, 1986.Google Scholar
Weiss, Jeffrey. The Popular Culture of Modern Art: Picasso, Duchamp, and Avant-Gardism. New Haven: Yale University Press, 1994.Google Scholar
Wilson, Kristina. Livable Modernism: Interior Decorating and Design During the Great Depression. New Haven: Yale University Press, 2004.Google Scholar
Appel, Jr., Alfred. Jazz Modernism: From Ellington and Armstrong to Matisse and Joyce. New York: Knopf, 2002.Google Scholar
Barnouw, Erik. A History of Broadcasting in the United States. New York: Oxford University Press, 1966–70.Google Scholar
Berlin, Edward. Ragtime: A Musical and Cultural History. Berkeley: University of California Press, 1984.Google Scholar
Bindas, Kenneth J. (ed.). America’s Musical Pulse: Popular Music in Twentieth-Century Society. Westport: Praeger, 1992.Google Scholar
Brothers, Thomas David. Louis Armstrong, Master of Modernism. New York: W. W. Norton, 2014.Google Scholar
Bucknell, Brad. Literary Modernism and Musical Aesthetics: Pater, Pound, Joyce, and Stein. Cambridge: Cambridge University Press, 2001.Google Scholar
Campbell, Timothy. Wireless Writing in the Age of Marconi. Minneapolis: University of Minnesota Press, 2006.Google Scholar
Cohen, Debra Rae, Coyle, Michael, and Lewty, Jane (eds.). Broadcasting Modernism. Gainesville: University Press of Florida, 2009.Google Scholar
Dinerstein, Joel. Swinging the Machine: Modernity, Technology, and African American Culture between the World Wars. Amherst: University of Massachusetts Press, 2003.Google Scholar
Donald, James. Some of These Days: Black Stars, Jazz Aesthetics, and Modernist Culture. New York: Oxford University Press, 2015.Google Scholar
Douglas, Susan. Inventing American Broadcasting 1899–1922. Baltimore: Johns Hopkins University Press, 1987.Google Scholar
Douglas, Susan Listening In: Radio and the American Imagination. Minneapolis: University of Minnesota Press, 1999.Google Scholar
Edwards, Brent Hayes. Epistrophies: Jazz and the Literary Imagination. Cambridge, MA: Harvard University Press, 2017.Google Scholar
Enns, Anthony, and Trower, Shelley (eds.). Vibratory Modernism. London: Palgrave Macmillan, 2013.Google Scholar
Epstein, Josh. Sublime Noise: Musical Culture and the Modernist Writer. Baltimore: Johns Hopkins University Press, 2014.Google Scholar
Erenberg, Lewis A. Swingin’ the Dream: Big Band Jazz and the Rebirth of American Culture. Chicago: University of Chicago Press, 1998.Google Scholar
Feldman, Matthew, Tonning, Erik, and Mead, Henry (eds.). Broadcasting in the Modernist Era. London: Bloomsbury Academic, 2014.Google Scholar
Gioia, Ted. The History of Jazz. New York: Oxford University Press, 1997.Google Scholar
Graham, T. Austin. The Great American Songbooks: Musical Texts, Modernism, and the Value of Popular Culture. New York: Oxford University Press, 2013.Google Scholar
Halliday, Sam. Sonic Modernity: Representing Sounds in Literature, Culture and the Arts. Edinburgh: Edinburgh University Press, 2013.Google Scholar
Halliday, Sam. Music in the New World. New York: W. W. Norton, 1983.Google Scholar
Hamm, Charles. Music in the New World. New York: W. W. Norton, 1983.Google Scholar
Hamm, Charles. Putting Popular Music in Its Place. Cambridge: Cambridge University Press, 1995.Google Scholar
Hilmes, Michele. Radio Voices: American Broadcasting 1922–1952. Minneapolis: University of Minnesota Press, 1997.Google Scholar
Hilmes, Michele, and Loviglio, Jason (eds.). Radio Reader: Essays in the Cultural History of Radio. London: Routledge, 2002.Google Scholar
Jackson, Buzzy. A Bad Woman Feeling Good: Blues and the Women Who Sing Them. New York: W. W. Norton, 2005.Google Scholar
Jasen, David A. Tin Pan Alley: An Encyclopedia of the Golden Age of American Song. New York: Routledge, 2003.Google Scholar
Kahn, Douglas, and Whitehead, Gregory (eds.). Wireless Imagination: Sound, Radio, and the Avant-Garde. Cambridge, MA: MIT Press, 1992.Google Scholar
Kenney, William Howland. Recorded Music in American Life: The Phonograph and Popular Memory, 1890–1945. New York: Oxford University Press, 1999.Google Scholar
Marcus, Kenneth H. Schoenberg and Hollywood Modernism. Cambridge: Cambridge University Press, 2016.Google Scholar
McEnaney, Tom. Acoustic Properties: Radio, Narrative, and the New Neighborhood of the Americas. Evanston: Northwestern University Press, 2017.Google Scholar
Milner, Greg. Perfecting Sound Forever: An Aural History of Recorded Music. London: Faber & Faber, 2009.Google Scholar
Murphet, Julian, Groth, Helen, and Hone, Penelope (eds.). Sounding Modernism: Rhythm and Sonic Mediation in Modern Literature and Film. Edinburgh: Edinburgh University Press, 2017.Google Scholar
Ogren, Kathy. The Jazz Revolution: Twenties America and the Meaning of Jazz. New York: Oxford University Press, 1989.Google Scholar
Oja, Carol. Making Music Modern: New York in the 1920s. New York: Oxford University Press, 2000.Google Scholar
Ross, Alex. The Rest Is Noise: Listening to the Twentieth Century. New York: Farrar, Straus and Giroux, 2007.Google Scholar
Schleifer, Ronald. Modernism and Popular Music. Cambridge: Cambridge University Press, 2011.Google Scholar
Schuller, Gunther. Early Jazz: Its Roots and Musical Development. New York: Oxford University Press, 1968.Google Scholar
Shipton, Alyn. A New History of Jazz. New York: Continuum, 2007.Google Scholar
Suisman, David. Selling Sounds: The Commercial Revolution in American Music. Cambridge, MA: Harvard University Press, 2012.Google Scholar
Teague, Jessica E. Sound Recording Technology and American Literature: From the Phonograph to the Remix. Cambridge: Cambridge University Press, 2021.Google Scholar
Tirro, Frank. Jazz: A History. New York: Norton, 1993.Google Scholar
Tischler, Barbara. An American Music: The Search for an American Musical Identity. New York: Oxford University Press, 1986.Google Scholar
Weissman, Dick. Blues: The Basics. New York: Routledge, 2004.Google Scholar
Yaffe, David. Fascinating Rhythm: Reading Jazz in American Writing. Princeton: Princeton University Press, 2009.Google Scholar
Ardis, Ann, and Collier, Patrick (eds.). Transatlantic Print Culture, 1880–1940: Emerging Media, Emerging Modernisms. London: Palgrave Macmillan, 2008.Google Scholar
Barnhisel, Greg. James Laughlin, New Directions, and the Remaking of Ezra Pound. Amherst: University of Massachusetts Press, 2005.Google Scholar
Barnhisel, Greg, and Turner, Catherine (eds.). Pressing the Fight: Print, Propaganda, and the Cold War. Amherst: University of Massachusetts Press, 2010.Google Scholar
Bornstein, George. Material Modernism: The Politics of the Page. Cambridge: Cambridge University Press, 2001.Google Scholar
Botshon, Lisa, and Goldsmith, Meredith (eds.). Middlebrow Moderns: Popular American Women Writers of the 1920s. Boston: Northeastern University Press, 2003.Google Scholar
Brooker, Peter et al. (eds.). The Oxford Critical and Cultural History of Modernist Magazines. New York: Oxford University Press, 2009–13.Google Scholar
Buitenhuis, Peter. The Great War of Words: British, American and Canadian Propaganda and Fiction, 1914–1933. Vancouver: University of British Columbia Press, 1987.Google Scholar
Bulson, Eric. Little Magazine, World Form. New York: Columbia University Press, 2017.Google Scholar
Casanova, Pascale. The World Republic of Letters. Cambridge, MA: Harvard University Press, 2004.Google Scholar
Chapman, Mary. Making Noise, Making News: Suffrage Print Culture and U.S. Modernism. New York: Oxford University Press, 2014.Google Scholar
Churchill, Suzanne. The Little Magazine Others and the Renovation of Modern American Poetry. London: Routledge, 2006.Google Scholar
Churchill, Suzanne W., and McKible, Adam (eds.). Little Magazines and Modernism: New Approaches. Aldershot: Ashgate, 2007.Google Scholar
Cloutier, Jean-Christophe. Shadow Archives: The Lifecycles of African American Literature. New York: Columbia University Press, 2019.Google Scholar
Cooper, John Xiros. Modernism and the Culture of Market Society. Cambridge: Cambridge University Press, 2004.Google Scholar
Dettmar, Kevin, and Watt, Stephen (eds.). Marketing Modernisms: Self-Promotion, Canonization, Rereading. Ann Arbor: University of Michigan Press, 1996.Google Scholar
Earle, David. Re-covering Modernism: Pulps, Paperbacks, and the Prejudice of Form. Farnham: Ashgate, 2009.Google Scholar
Glass, Loren. Counterculture Colophon: Grove Press, the Evergreen Review, and the Incorporation of the Avant-Garde. Stanford: Stanford University Press, 2013.Google Scholar
Goeser, Carolyn. Picturing the New Negro: Harlem Renaissance Print Culture and Modern Black Identity. Lawrence: University of Kansas Press, 2007.Google Scholar
Goldman, Jonathan. Modernism Is the Literature of Celebrity. Austin: University of Texas Press, 2011.Google Scholar
Hammill, Faye. Sophistication: A Literary and Cultural History. Liverpool: Liverpool University Press, 2010.Google Scholar
Hammill, Faye Women, Celebrity, and Literary Culture between the Wars. Austin: University of Texas Press, 2007.Google Scholar
Hammill, Faye, and Hussey, Mark. Modernism’s Print Cultures. New York: Bloomsbury, 2016.Google Scholar
Harris, Donal. On Company Time: American Modernism in the Big Magazines. New York: Columbia University Press, 2016.Google Scholar
Jaffe, Aaron. Modernism and the Culture of Celebrity. Cambridge: Cambridge University Press, 2005.Google Scholar
Jaillant, Lise. Cheap Modernism: Expanding Markets, Publishers’ Series and the Avant-Garde. Edinburgh: Edinburgh University Press, 2017.Google Scholar
Jaillant, Lise Modernism, Middlebrow and the Literary Canon: The Modern Library Series, 1917–1955. Philadelphia: Routledge, 2014.Google Scholar
Jaillant, Lise (ed.). Publishing Modernist Fiction and Poetry. Edinburgh: Edinburgh University Press, 2019.Google Scholar
Keyser, Catherine. Playing Smart: New York Women Writers and Modern Magazine Culture. New Brunswick: Rutgers University Press, 2010.Google Scholar
Levine, Lawrence W. Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America. New York: Oxford University Press, 1990.Google Scholar
MacLeod, Kirsten. American Little Magazines of the Fin de Siècle: Art, Protest, and Cultural Transformation. Toronto: University of Toronto Press, 2018.Google Scholar
Marek, Jayne E. Women Editing Modernism: “Little” Magazines and Literary History. Lexington: University Press of Kentucky, 1995.Google Scholar
McKible, Adam. The Space and Place of Modernism: The Russian Revolution, Little Magazines, and New York. New York: Routledge, 2002.Google Scholar
Morrisson, Mark. The Public Face of Modernism: Little Magazines, Audiences, and Reception, 1905–1920. Madison: University of Wisconsin Press, 2001.Google Scholar
Ohmann, Richard. Selling Culture: Magazines, Markets, and Class at the Turn of the Century. London: Verso, 1996.Google Scholar
Outka, Elizabeth. Consuming Traditions: Modernism, Modernity, and the Commodified Authentic. New York: Oxford University Press, 2009.Google Scholar
Potter, Rachel. Obscene Modernism: Literary Censorship and Experiment, 1900–1940. New York: Oxford University Press, 2013.Google Scholar
Satterfield, Jay. The World’s Best Books: Taste, Culture, and the Modern Library. Amherst: University of Massachusetts Press, 2002.Google Scholar
Saunders, Max. Self-Impression: Life-Writing, Autobiografiction, and the Forms of Modern Literature. New York: Oxford University Press, 2010.Google Scholar
Schneirov, Matthew. The Dream of a New Social Order: Popular Magazines in America 1893–1914. New York: Columbia University Press, 1994.Google Scholar
Scholes, Robert, and Wulfman, Clifford. Modernism in the Magazines: An Introduction. New Haven: Yale University Press, 2010.Google Scholar
Turner, Catherine. Marketing Modernism between the Two World Wars. Amherst: University of Massachusetts Press, 2003.Google Scholar
Wicke, Jennifer. Advertising Fictions: Literature, Advertisement, and Social Reading. New York: Columbia University Press, 1988.Google Scholar
Willison, Ian, Gould, Warwick, and Chernaik, Warren (eds.). Modernist Writers and the Marketplace. London: Macmillan, 1996.Google Scholar
Albright, Daniel. Untwisting the Serpent: Modernism in Music, Literature and the Arts. Chicago: University of Chicago Press, 2000.Google Scholar
Bennett, Chad. Word of Mouth: Gossip and American Poetry. Baltimore: Johns Hopkins University Press, 2018.Google Scholar
Biers, Katherine. Virtual Modernism: Writing and Technology in the Progressive Era. Minneapolis: University of Minnesota Press, 2013.Google Scholar
Braddock, Jeremy. Collecting as Modernist Practice. Baltimore: Johns Hopkins University Press, 2012.Google Scholar
Brown, Adrienne. The Black Skyscraper: Architecture and the Perception of Race. Baltimore: Johns Hopkins University Press, 2017.Google Scholar
Brown, Adrienne, and Smith, Valerie (eds.). Race and Real Estate: Transgressing Boundaries. New York: Oxford University Press, 2015.Google Scholar
Burstein, Jessica. Cold Modernism: Literature, Fashion, Art. Philadelphia: Pennsylvania State University Press, 2012.Google Scholar
Coffin, Sarah, Harrison, Stephen, and Orr, Emily Marshall. The Jazz Age: American Style in the 1920s. Cleveland: Cleveland Museum of Art, 2017.Google Scholar
Conn, Steven. Museums and American Intellectual Life, 1876–1926. Chicago: University of Chicago Press, 1998.Google Scholar
Daly, Nicholas. Literature, Technology, and Modernity, 1860–2000. Cambridge: Cambridge University Press, 2004.Google Scholar
Davis, James C. Commerce in Color: Race, Consumer Culture, and American Literature, 1893–1933. Ann Arbor: University of Michigan Press, 2007.Google Scholar
Davis, Mary. Classic Chic: Music, Fashion, and Modernism. Berkeley: University of California Press, 2006.Google Scholar
Denning, Michael. Mechanic Accents: Dime Novels and Working-Class Culture in America. New York: Verso, 1987.Google Scholar
DiBattista, Maria, and Wittman, Emily (eds.). Modernism and Autobiography. New York: Cambridge University Press, 2014.Google Scholar
DiBattista, Maria, and McDiarmid, Lucy (eds.). High and Low Moderns: Literature and Culture, 1889–1939. New York: Oxford University Press, 1996.Google Scholar
Erenberg, Lewis A. Steppin’ Out: New York Nightlife and the Transformation of American Culture, 1890–1930. Chicago: University of Chicago Press, 1984.Google Scholar
Evans, Caroline. The Mechanical Smile: Modernism and the First Fashion Shows in France and America, 1900–1929. New Haven: Yale University Press, 2013.Google Scholar
Gaedtka, Andrew. Modernism and the Machinery of Madness: Psychosis, Technology, and Narrative Worlds. Cambridge: Cambridge University Press, 2017.Google Scholar
Gitelman, Lisa. Always Already New: Media, History, and the Data of Culture. Cambridge, MA: MIT Press, 2006.Google Scholar
Goble, Mark. Beautiful Circuits: Modernism and the Mediated Life. New York: Columbia University Press, 2010.Google Scholar
Grey, Thomas C. The Wallace Stevens Case: Law and the Practice of Poetry. Cambridge, MA: Harvard University Press, 1991.Google Scholar
Henderson, Mae. Speaking in Tongues and Dancing Diaspora: Black Women Writing and Performing. New York: Oxford University Press, 2014.Google Scholar
Lyon, Janet. Manifestoes: Provocations of the Modern. Ithaca: Cornell University Press, 1999.Google Scholar
Kenner, Hugh. The Mechanic Muse. New York: Oxford University Press, 1987.Google Scholar
Kittler, Friedrich. Gramophone, Film, Typewriter. Stanford: Stanford University Press, 1999.Google Scholar
Kotin, Joshua. Utopias of One. Princeton: Princeton University Press, 2018.Google Scholar
Manganaro, Marc (ed.). Modernist Anthropology: From Fieldwork to Text. Princeton: Princeton University Press, 1990.Google Scholar
McCarren, Felicia. Dancing Machines: Choreographies of the Age of Mechanical Reproduction. Stanford: Stanford University Press, 2003.Google Scholar
McGann, Jerome. Black Riders: The Visible Language of Modernism. Princeton: Princeton University Press, 1993.Google Scholar
Micir, Melanie. The Passion Projects: Modernist Women, Intimate Archives, Unfinished Lives. Princeton: Princeton University Press, 2019.Google Scholar
Moses, Omri. Out of Character: Modernism, Vitalism, Psychic Life. Stanford: Stanford University Press, 2014.Google Scholar
Murphet, Julian. Multimedia Modernism: Literature and the Anglo-American Avant-Garde. New York: Cambridge University Press, 2009.Google Scholar
Nyman, Jopi. Men Alone: Masculinity, Individualism, and Hard-Boiled Fiction. Atlanta: Rodopi, 1997.Google Scholar
Olson, Liesl. Modernism and the Ordinary. New York: Oxford University Press, 2009.Google Scholar
Perloff, Marjorie. Radical Artifice: Writing in the Age of Media. Chicago: University of Chicago Press, 1991.Google Scholar
Pressman, Jessica. Digital Modernism: Making It New in New Media. New York: Oxford University Press, 2014.Google Scholar
Rabinbach, Anson. The Human Motor: Energy, Fatigue, and the Origins of Modernity. Berkeley: University of California Press, 1990.Google Scholar
Segel, Harold B. Body Ascendant: Modernism and Physical Imperative. Baltimore: Johns Hopkins University Press, 1998.Google Scholar
Sheehan, Elizabeth M. Modernism à La Mode: Fashion and the Ends of Literature. Ithaca: Cornell University Press, 2018.Google Scholar
Solomon, William. Slapstick Modernism: Chaplin to Kerouac to Iggy Pop. Urbana: University of Illinois Press, 2016.Google Scholar
Strychacz, Thomas. Modernism, Mass Culture, and Professionalism. Cambridge: Cambridge University Press, 1993.Google Scholar
Suárez, Juan A. Pop Modernism: Noise and the Reinvention of the Everyday. Urbana: University of Illinois Press, 2007.Google Scholar
Telotte, J. P. Movies, Modernism, and the Science Fiction Pulps. New York: Oxford University Press, 2019.Google Scholar
Thurschwell, Pamela. Literature, Technology, and Magical Thinking, 1880–1920. New York: Cambridge University Press, 2001.Google Scholar
Tichi, Cecelia. Shifting Gears: Technology, Literature, Culture in Modernist America. Chapel Hill: University of North Carolina Press, 1987.Google Scholar
Walter, Christina. Optical Impersonality: Science, Images, and Literary Modernism. Baltimore: Johns Hopkins University Press, 2014.Google Scholar
Wilson, Leigh. Modernism and Magic: Experiments with Spiritualism, Theosophy and the Occult. Edinburgh: Edinburgh University Press, 2013.Google Scholar
Winkiel, Laura. Modernism, Race, and Manifestoes. Cambridge: Cambridge University Press, 2008.Google Scholar
Aronson, Arnold. American Avant-Garde Theater: A History. New York: Routledge, 2000.Google Scholar
Bzowski, Frances. American Women Playwrights, 1900–1930: A Checklist. Westport: Greenwood Press, 1992.Google Scholar
Donoghue, Denis. The Third Voice: Modern British and American Verse Drama. Princeton: Princeton University Press, 1958.Google Scholar
Enelow, Shonni. Method Acting and Its Discontents: On American Psycho-Drama. Evanston: Northwestern University Press, 2015.Google Scholar
Farfan, Penny. Performing Queer Modernism. New York: Oxford University Press, 2017.Google Scholar
Garelick, Rhonda. Electric Salome: Loie Fuller’s Performance of Modernism. Princeton: Princeton University Press, 2007.Google Scholar
Hewitt, Bernard. Theatre U.S.A.: 1665 to 1957. New York: McGraw-Hill, 1959.Google Scholar
Hyman, Colette. Staging Strikes: Workers’ Theatre and the America Labor Movement. Philadelphia: Temple University Press, 1997.Google Scholar
Jarcho, Julia. Writing and the Modern Stage: Theater Beyond Drama. Cambridge: Cambridge University Press, 2017.Google Scholar
Krasner, David. A Beautiful Pageant: African American Theatre, Drama and Performance in the Harlem Renaissance 1910–1927. New York: Palgrave Macmillan, 2004.Google Scholar
McConachie, Brice A., and Friedman, Daniel (eds.). Theatre for Working-Class Audiences in the United States, 1830–1980. Westport: Greenwood Press, 1985.Google Scholar
Mitchell, Koritha. Living With Lynching: African American Lynching Plays, Performance, and Citizenship, 1890–1930. Urbana: University of Illinois Press, 2012.Google Scholar
Puchner, Martin. Stage Fright: Modernism, Anti-Theatricality and Drama. Baltimore: Johns Hopkins University Press, 2002.Google Scholar
Puchner, Martin Against Theatre: Creative Destructions on the Modernist Stage. New York: Palgrave, 2006.Google Scholar
Riis, Thomas A. Just Before Jazz: Black Musical Theatre in New York, 1890–1915. Washington, DC: Smithsonian Institution Press, 1989.Google Scholar
Robinson, Marc. The American Play: 1787–2000. New Haven: Yale University Press, 2009.Google Scholar
Salvato, Nick. Uncloseting Drama: American Modernism and Queer Performance. New Haven: Yale University Press, 2010.Google Scholar
Savran, David. Highbrow/Lowdown: Theater, Jazz, and the Making of the New Middle Class. Ann Arbor: University of Michigan Press, 2010.Google Scholar
Shafer, Yvonne. American Women Playwrights, 1900–1950. New York: Peter Lang, 1997.Google Scholar
Wainscott, Ronald H. The Emergence of the Modern American Theatre, 1914–1929. New Haven: Yale University Press, 1997.Google Scholar
Walker, Julia. Expressionism and Modernism in the American Theatre: Bodies, Voices, Words. Cambridge: Cambridge University Press, 2005.Google Scholar
Worthen, William B. Modern Drama: Plays, Criticism, Theory. Fort Worth: Harcourt Brace, 1995.Google Scholar
Worthen, William B. Print and the Poetics of Modern Drama. Cambridge: Cambridge University Press, 2005.Google Scholar
Ahearn, Barry. Pound, Frost, Moore, and Poetic Precision: Science in Modernist American Poetry. London: Palgrave, 2020.Google Scholar
Albright, Daniel. Quantum Poetics: Yeats, Pound, Eliot, and the Science of Modernism. Cambridge: Cambridge University Press, 1997.Google Scholar
Altieri, Charles. The Art of Twentieth-Century Poetry: Modernism and After. Oxford: Blackwell, 2006.Google Scholar
Altieri, Charles Painterly Abstractions in Modernist American Poetry: The Contemporaneity of Modernism. Cambridge: Cambridge University Press, 1989.Google Scholar
Altieri, Charles Wallace Stevens and the Demands of Modernity: Toward a Phenomenology of Value. Ithaca: Cornell University Press, 2013.Google Scholar
Ben-Merre, David. Figures of Time: Disjunctions in Modernist Poetry. Albany: State University of New York Press, 2018.Google Scholar
Berke, Nancy. Women Poets on the Left: Lola Ridge, Genevieve Taggard, Margaret Walker. Gainesville: University Press of Florida, 2001.Google Scholar
Blanton, C. D. Epic Negation: The Dialectical Poetics of Late Modernism. New York: Oxford University Press, 2015.Google Scholar
Bohn, Willard. Modern Visual Poetry. Newark: University of Delaware Press, 2001.Google Scholar
Byers, Mark. Charles Olson and American Modernism: The Practice of the Self. Oxford: Oxford University Press, 2018.Google Scholar
Carr, Helen. The Verse Revolutionaries: Ezra Pound, H.D. and the Imagists. London: Jonathan Cape, 2009.Google Scholar
Craig, Cairns. Yeats, Eliot, Pound, and the Politics of Poetry. Pittsburgh: University of Pittsburgh Press, 1982.Google Scholar
Davis, Alex, and Jenkins, Lee M. (eds.). A History of Modernist Poetry. Cambridge: Cambridge University Press, 2015.Google Scholar
Dayton, Tim. Muriel Rukeyser’s The Book of the Dead. Columbia: University of Missouri Press, 2003.Google Scholar
DuPlessis, Rachel Blau. Genders, Races, and Religious Cultures in Modern American Poetry, 1908–1934. Cambridge: Cambridge University Press, 2001.Google Scholar
DuPlessis, Rachel The Pink Guitar: Writing as Feminist Practice. New York: Routledge, 1990.Google Scholar
Ford, Karen Jackson. Gender and the Poetics of Excess: Moments of Brocade. Jackson: University Press of Mississippi, 1997.Google Scholar
Fredman, Stephen. Poet’s Prose: The Crisis in American Verse. Cambridge: Cambridge University Press, 1990.Google Scholar
Gelpi, Albert. A Coherent Splendor: The American Poetic Renaissance, 1910–1950. Cambridge: Cambridge University Press, 1988.Google Scholar
Glaser, Ben. Modernism’s Metronome: Meter and Twentieth-Century Poetics. Baltimore: Johns Hopkins University Press, 2020.Google Scholar
Golding, Alan C. From Outlaw to Classic: Canons in American Poetry. Madison: University of Wisconsin Press, 1995.Google Scholar
Golston, Michael. Rhythm and Race in Modernist Poetry and Science: Pound, Yeats, Williams, and Modern Sciences of Rhythm. New York: Columbia University Press, 2008.Google Scholar
Graves, Robert, and Riding, Laura. A Survey of Modernist Poetry. London: Heinemann, 1927.Google Scholar
Hughes, Glenn. Imagism and the Imagists: A Study in Modern Poetry. New York: Humanities Press, 1960.Google Scholar
Kinnahan, Linda (ed.). A Cambridge History of 20th-Century American Women Poets. New York: Cambridge University Press, 2016.Google Scholar
Kinnahan, Linda Mina Loy, Twentieth-Century Photography, and Contemporary Women Poets. New York: Routledge, 2017.Google Scholar
Kinnahan, Linda Poetics of the Feminine: Authority and Literary Tradition in William Carlos Williams, Mina Loy, Denise Levertov, and Kathleen Fraser. Cambridge: Cambridge University Press, 1994.Google Scholar
Kertesz, Louise. The Poetic Vision of Muriel Rukeyser. Baton Rouge: Louisiana State University Press, 1980.Google Scholar
Lentricchia, Frank. Modernist Quartet. Cambridge: Cambridge University Press, 1994.Google Scholar
Longenbach, James. Modernist Poetics of History. Princeton: Princeton University Press, 1987.Google Scholar
Longenbach, James Stone Cottage: Pound, Yeats, and Modernism. New York: Oxford University Press, 1988.Google Scholar
MacGowan, Christopher. Twentieth-Century American Poetry. Oxford: Blackwell, 2004.Google Scholar
MacLeod, Glen. Wallace Stevens and Modern Art: From the Armory Show to Abstract Expressionism. New Haven: Yale University Press, 1993.Google Scholar
Materer, Timothy. Modernist Alchemy: Poetry and the Occult. Ithaca: Cornell University Press, 1995.Google Scholar
Materer, Timothy Vortex: Pound, Eliot, and Lewis. Ithaca: Cornell University Press, 1979.Google Scholar
Nelson, Cary. Repression and Recovery: Modern American Poetry and the Politics of Cultural Memory, 1910–1945. Madison: University of Wisconsin Press, 1989.Google Scholar
Nicholls, Peter. George Oppen and the Fate of Modernism. New York: Oxford University Press, 2007.Google Scholar
Nickels, Joel. Poetry of the Possible: Spontaneity, Modernism, and the Multitude. Minneapolis: University of Minnesota Press, 2012.Google Scholar
Newcomb, John Timberman. How Did Poetry Survive? The Making of Modern American Verse. Urbana: University of Illinois Press, 2012.Google Scholar
North, Michael. The Political Aesthetic of Yeats, Eliot, and Pound. Cambridge: Cambridge University Press, 1991.Google Scholar
Perloff, Marjorie. Differentials: Poetry, Poetics, Pedagogy. Tuscaloosa: University of Alabama Press, 2004.Google Scholar
Perloff, Marjorie The Futurist Moment: Avant-Garde, Avant Guerre, and the Language of Rupture. Chicago: University of Chicago Press, 1986.Google Scholar
Perloff, Marjorie The Poetics of Indeterminacy: Rimbaud to Cage. Evanston: Northwestern University Press, 1999.Google Scholar
Pryor, Sean. Poetry, Modernism, and an Imperfect World. Cambridge: Cambridge University Press, 2017.Google Scholar
Quartermain, Peter. Disjunctive Poetics: From Gertrude Stein and Louis Zukofsky to Susan Howe. Cambridge: Cambridge University Press, 1992.Google Scholar
Rae, Patricia. The Practical Muse: Pragmatist Poetics in Hulme, Pound, and Stevens. Lewisburg: Bucknell University Press, 1998.Google Scholar
Ross, Andrew. The Failure of Modernism: Symptoms of American Poetry. New York: Columbia University Press, 1986.Google Scholar
Scroggins, Mark. Louis Zukofsky and the Poetry of Knowledge. Tuscaloosa: University of Alabama Press, 1998.Google Scholar
Shoemaker, Steve. Thinking Poetics: Essays on George Oppen. Tuscaloosa: University of Alabama Press, 2009.Google Scholar
Stanley, Sandra Kumamoto. Louis Zukofsky and the Transformation of a Modern American Poetics. Berkeley: University of California Press, 1994.Google Scholar
Stead, C. K. The New Poetics: Yeats to Eliot. London: Hutchinson, 1964.Google Scholar
Steven, Mark. Red Modernism: American Poetry and the Spirit of Communism. Baltimore: Johns Hopkins University Press, 2017.Google Scholar
Swigg, Richard. George Oppen: The Words in Action. Lewisburg: Bucknell University Press, 2016.Google Scholar
Thacker, Andrew. The Imagist Poets. Tavistock: Northcote House Publishers, 2011.Google Scholar
van Wienen, Mark. Partisans and Poets: The Political Work of American Poetry in the Great War. New York: Cambridge University Press, 1997.Google Scholar
Vendler, Helen. Last Looks, Last Books: Stevens, Plath, Lowell, Bishop, Merrill. Princeton: Princeton University Press, 2010.Google Scholar
Vendler, Helen Part of Nature, Part of Us: Modern American Poets. Cambridge, MA: Harvard University Press, 1980.Google Scholar
Vendler, Helen The Ocean, the Bird, and the Scholar: Essays on Poets and Poetry. Cambridge, MA: Harvard University Press, 2015.Google Scholar
Yao, Stephen. Translation and the Languages of Modernism. New York: Palgrave Macmillan, 2002.Google Scholar
Boddy, Kasia. The American Short Story Since 1950. Edinburgh: Edinburgh University Press, 2010.Google Scholar
Campbell, Donna M. Bitter Tastes: Literary Naturalism and Early Cinema in American Women’s Writing. Athens: University of Georgia Press, 2016.Google Scholar
Campbell, Donna M. Resisting Regionalism: Gender and Naturalism in American Fiction, 1885–1915. Athens: Ohio University Press, 1997.Google Scholar
Ellmann, Maud. The Nets of Modernism: Henry James, Virginia Woolf, James Joyce, and Sigmund Freud. Cambridge: Cambridge University Press, 2010.Google Scholar
Foltz, Jonathan. The Novel after Film: Modernism and the Decline of Autonomy. New York: Oxford University Press, 2018.Google Scholar
Frank, Joseph. The Idea of Spatial Form. First published 1945. New Brunswick: Rutgers University Press, 1991.Google Scholar
Friedman, Ellen, and Fuchs, Miriam (eds.). Breaking the Sequence: Women’s Experimental Fiction. Princeton: Princeton University Press, 1989.Google Scholar
Godden, Richard. Fictions of Capital: The American Novel from James to Mailer. Cambridge: Cambridge University Press, 1990.Google Scholar
Grant, Nathan. Masculinist Impulses: Toomer, Hurston, Black Writing, and Modernity. Columbia: University of Missouri Press, 2004.Google Scholar
Greenberg, Jonathan. Modernism, Satire, and the Novel. Cambridge: Cambridge University Press, 2011.Google Scholar
Howard, June. Form and History in American Literary Naturalism. Chapel Hill: University of North Carolina Press, 1985.Google Scholar
Jackson, Tony E. The Subject of Modernism: Narrative Alterations in the Fiction of Eliot, Conrad, Woolf, and Joyce. Ann Arbor: University of Michigan Press, 1994.Google Scholar
Kaplan, Amy. The Social Construction of American Realism. Chicago: University of Chicago Press, 1988.Google Scholar
Kennedy, J. Gerald (ed.). Modern American Short Story Sequences: Composite Fictions and Fictive Communities. Cambridge: Cambridge University Press, 1995.Google Scholar
Kermode, Frank. The Sense of an Ending: Studies in the Theory of Fiction. London: Oxford University Press, 1975.Google Scholar
Kern, Stephen. The Modernist Novel: A Critical Introduction. Cambridge: Cambridge University Press, 2011.Google Scholar
McGurl, Mark. The Novel Art: Elevations of American Fiction after Henry James. Princeton: Princeton University Press, 2001.Google Scholar
McGurl, Mark The Program Era: Postwar Fiction and the Rise of Creative Writing. Cambridge, MA: Harvard University Press, 2009.Google Scholar
Mitchell, Lee Clark. Determined Fictions. New York: Columbia University Press, 1989.Google Scholar
O’Connor, Frank. The Lonely Voice: A Study of the Short Story. Syracuse: World Publishing Co., 1963.Google Scholar
Quigley, Megan. Modernist Fiction and Vagueness: Philosophy, Form, and Language. New York: Cambridge University Press, 2015.Google Scholar
Rabinowitz, Paula. Labor and Desire: Women’s Revolutionary Fiction in Depression America. Chapel Hill: University of North Carolina Press, 1991.Google Scholar
Spiro, Mia. Anti-Nazi Modernism: The Challenges of Resistance in 1930s Fiction. Evanston: Northwestern University Press, 2013.Google Scholar
Trout, Steven (ed.). American Prose Writers of World War I: A Documentary Volume. Detroit: Thomson/Gale, 2005.Google Scholar
Wald, Priscilla. Constituting Americans: Cultural Anxiety and Narrative Form. Durham: Duke University Press, 1995.Google Scholar
Weinstein, Philip. Unknowing: The Work of Modernist Fiction. Ithaca: Cornell University Press, 2005.Google Scholar
Winnett, Susan. Writing Back: American Expatriates’ Narratives of Return. Baltimore: Johns Hopkins University Press, 2012.Google Scholar
Blackmur, R. P., and Jones, James T.. Outsider at the Heart of Things: Essays. Urbana: University of Illinois Press, 1989.Google Scholar
Blake, Casey Nelson. Beloved Community: The Cultural Criticism of Randolph Bourne, Van Wyck Brooks, Waldo Frank & Lewis Mumford. Chapel Hill: University of North Carolina Press, 1990.Google Scholar
Bloom, Alexander. Prodigal Sons: The New York Intellectuals and Their World. Oxford: Oxford University Press, 1986Google Scholar
Brooks, Cleanth. The Hidden God: Studies in Hemingway, Faulkner, Yeats, Eliot, and Warren. New Haven: Yale University Press, 1963.Google Scholar
Brooks, Cleanth The Well Wrought Urn: Studies in the Structure of Poetry. New York: Harcourt, Brace & World, 1947.Google Scholar
Brooks, Cleanth, and Warren, Robert Penn. Understanding Fiction. First published 1943. New York: Appleton Century Crofts, 1959.Google Scholar
Brooks, Cleanth, and Warren, Robert Penn Understanding Poetry. First published 1939. New York: Holt, Rinehart and Winston, 1976.Google Scholar
Burke, Kenneth. Language as Symbolic Action: Essays on Life, Literature, and Method. Berkeley: University of California Press, 1966.Google Scholar
Burke, Kenneth The Philosophy of Literary Form: Studies in Symbolic Action. Baton Rouge: Louisiana State University Press, 1967.Google Scholar
Conkin, Paul Keith. The Southern Agrarians. Knoxville: University of Tennessee Press, 1988.Google Scholar
Cowley, Malcom. Exile’s Return: A Literary Odyssey of the 1920s. First published 1934. New York: Penguin, 1994.Google Scholar
Eisinger, Joel. Trace and Transformation: American Criticism of Photography in the Modernist Period. Albuquerque, NM: University of New Mexico Press, 1995.Google Scholar
Eliot, T. S. The Sacred Wood: Essays on Poetry and Criticism. First published 1920. London: Methuen, 1950.Google Scholar
Eliot, T. S. Selected Essays, 1917–1932. First published 1932. London: Faber and Faber, 1951.Google Scholar
Ellison, Ralph Waldo. The Collected Essays of Ralph Ellison. Ed. Callahan, John F. New York: Library of America, 2011.Google Scholar
Fiedler, Leslie A. An End to Innocence: Essays on Culture and Politics. Boston: Beacon Press, 1955.Google Scholar
Fiedler, Leslie A. Love and Death in the American Novel. New York: Criterion Books, 1960.Google Scholar
Fiedler, Leslie A. No! in Thunder: Essays on Myth and Literature. Boston: Beacon Press, 1960.Google Scholar
Filreis, Al. Counter-Revolution of the Word: The Conservative Attack on Modern Poetry, 1945–1960. Chapel Hill: University of North Carolina Press, 2008.Google Scholar
Graff, Gerald. Professing Literature: An Institutional History. Chicago: University of Chicago Press, 1987.Google Scholar
Greenberg, Clement. Art and Culture: Critical Essays. Boston: Beacon Press, 1961.Google Scholar
Greenberg, Clement Homemade Esthetics: Observations on Art and Taste. New York: Oxford University Press, 1999.Google Scholar
Hofstadter, Richard. Anti-Intellectualism in American Life. New York: Knopf, 1963.Google Scholar
Hofstadter, Richard Social Darwinism in American Thought. New York: G. Braziller, 1959.Google Scholar
Howe, Irving (ed.). The Idea of the Modern in Literature and the Arts. New York: Horizon Press, 1967.Google Scholar
Howe, Irving (ed.). Modern Literary Criticism: An Anthology. Boston: Beacon Press, 1958.Google Scholar
Howe, Irving Politics and the Novel. New York: Horizon Press, 1957.Google Scholar
Howe, Irving A World More Attractive: A View of Modern Literature and Politics. New York: Horizon Press, 1963.Google Scholar
Jancovich, Mark. The Cultural Politics of the New Criticism. Cambridge: Cambridge University Press, 1993.Google Scholar
Kazin, Alfred. Bright Book of Life: American Novelists and Storytellers from Hemingway to Mailer. Boston: Little, Brown, 1973.Google Scholar
Kindley, Evan. Poet-Critics and the Administration of Culture. Cambridge, MA: Harvard University Press, 2017.Google Scholar
Lewis, R. W. B. Literary Reflections: A Shoring of Images, 1960–1993. Boston: Northeastern University Press, 1993.Google Scholar
Livingston, James. Pragmatism and the Political Economy of Cultural Revolution, 1850–1940. Chapel Hill: University of North Carolina Press, 2000.Google Scholar
Locke, Alain. The Critical Temper of Alain Locke: A Selection of His Essays on Art and Culture. New York: Garland Press, 1984.Google Scholar
Macdonald, Dwight. Masscult and Midcult: Essays against the American Grain. New York: New York Review of Books, 2011.Google Scholar
Macdonald, Dwight The Responsibility of Peoples, and Other Essays in Political Criticism. London: Gollancz, 1957.Google Scholar
McDonald, Gail. Learning to Be Modern: Pound, Eliot, and the American University. Oxford: Clarendon Press, 1993.Google Scholar
Mencken, H. L. The American Language: An Inquiry into the Development of English in the United States. New York: A. A. Knopf, 1936.Google Scholar
Mencken, H. L. Treatise on the Gods. New York: Alfred Knopf, 1956.Google Scholar
Ransom, John Crowe. Beating the Bushes: Selected Essays, 1941–1970. New York: New Directions, 1972.Google Scholar
Ransom, John Crowe The New Criticism. Norfolk: New Directions, 1941.Google Scholar
Ransom, John Crowe The World’s Body. New York: Scribner’s, 1938.Google Scholar
Richards, I. A. Practical Criticism: A Study of Literary Judgment. New York: Harcourt, Brace, 1929.Google Scholar
Richards, I. A. Principles of Literary Criticism. New York: Harcourt, Brace, 1930.Google Scholar
Rosenfeld, Paul. Port of New York: Essays on Fourteen American Moderns. New York: Harcourt, Brace, and Co., 1924.Google Scholar
Tate, Allen. Essays of Four Decades. Chicago: Swallow Press, 1968.Google Scholar
Tate, Allen The Man of Letters in the Modern World: Selected Essays, 1928–1955. New York: Meridian Books, 1955.Google Scholar
Tate, Allen Reactionary Essays on Poetry and Ideas. New York: Scribner’s, 1936.Google Scholar
Trilling, Lionel. The Liberal Imagination. First published 1950. New York: New York Review of Books, 2008.Google Scholar
Southerners, Twelve. I’ll Take My Stand: The South and the Agrarian Tradition. New York: Harper, 1930.Google Scholar
Wald, Alan. The New York Intellectuals. Chapel Hill: University of North Carolina Press, 1986.Google Scholar
Warren, Robert Penn. New and Selected Essays. New York: Random House, 1989.Google Scholar
Wellek, René, and Warren, Austin. Theory of Literature. New York: Harcourt, Brace, 1949.Google Scholar
White, Edward. The Tastemaker: Carl Van Vechten and the Birth of Modern America. New York: Farrar, Straus and Giroux, 2014.Google Scholar
Wilson, Edmund. Axel’s Castle: A Study in the Imaginative Literature of 1870–1930. New York: Scribner’s, 1931.Google Scholar
Wilson, Edmund The Shores of Light: A Literary Chronicle of the Twenties and Thirties. New York: Farrar, Straus and Young, 1952.Google Scholar
Abel, Richard (ed.). Silent Film. New Brunswick: Rutgers University Press, 1996.Google Scholar
Adams, Robert, and Stange, Maren (eds.). Paul Strand: Essays on His Life and Work. New York: Aperture, 1990.Google Scholar
Beeston, Alix. In and Out of Sight: Modernist Writing and the Photographic Unseen. New York: Oxford University Press, 2018.Google Scholar
Bernardi, Daniel (ed.). The Birth of Whiteness: Race and the Emergence of U.S. Cinema. New Brunswick: Rutgers University Press, 1996.Google Scholar
Blair, Sara. Harlem Crossroads: Black Writers and the Photograph in the Twentieth Century. Princeton: Princeton University Press, 2007.Google Scholar
Blair, Sara How the Other Half Looks: The Lower East Side and the Afterlives of Images. Princeton: Princeton University Press, 2018.Google Scholar
Bochner, Jay. An American Lens: Scenes from Alfred Stieglitz’s New York Secession. Cambridge, MA: MIT Press, 2005.Google Scholar
Bowser, Eileen. The Transformation of Cinema, 1908–1915. New York: Scribner’s, 1990.Google Scholar
Brandstetter, Gabriele. Poetics of Dance: Body, Image and Space in the Historical Avant-Gardes. New York: Oxford University Press, 2015.Google Scholar
Cassidy, Donna. Painting the Musical City: Jazz and Cultural Identity in American Art, 1910–1940. Washington, DC: Smithsonian Institution Press, 1997.Google Scholar
Cavell, Stanley. The World Viewed: Reflections on the Ontology of Film. Cambridge, MA: Harvard University Press, 1979.Google Scholar
Charney, Leo. Empty Moments: Cinema, Modernity, and Drift. Durham: Duke University Press, 1998.Google Scholar
Charney, Leo, and Schwartz, Vanessa (eds.). Cinema and the Invention of Modernity. Berkeley: University of California Press, 1995.Google Scholar
Cohen, Paula. Silent Film and the Triumph of the American Myth. New York: Oxford University Press, 2001.Google Scholar
Connor, Celeste. Democratic Visions: Art and Theory in the Stieglitz Circle, 1924–1924. Berkeley: University of California Press, 2001.Google Scholar
Corn, Wanda M. Georgia O’Keeffe: Living Modern. New York: Prestel, 2017.Google Scholar
Corn, Wanda M. The Great American Thing: Modern Art and National Identity, 1915–1935. Berkeley: University of California Press, 1999.Google Scholar
Crary, Jonathan. Suspensions of Perception: Attention, Spectacle, and Modern Culture. Cambridge, MA: MIT Press, 1999.Google Scholar
Cripps, Thomas. Slow Fade to Black: The Negro in American Film, 1900–1942. New York: Oxford University Press, 1993.Google Scholar
Daly, Ann. Done into Dance: Isadora Duncan in America. Bloomington: Indiana University Press, 1995.Google Scholar
Daniel, Pete (ed.). Official Images: New Deal Photography. Washington, DC: Smithsonian Institution Press, 1987.Google Scholar
Davidson, Abraham A. Early American Modernist Painting, 1910–1935. New York: Harper and Row, 1981.Google Scholar
DeBauche, Leslie Midkiff. Reel Patriotism: The Movies and World War I. Madison: University of Wisconsin Press, 1997.Google Scholar
Diggory, Terence. William Carlos Williams and the Ethics of Painting. Princeton: Princeton University Press, 1991.Google Scholar
Dijkstra, Bram. Cubism, Stieglitz, and the Early Poetry of William Carlos Williams. Princeton: Princeton University Press, 1969.Google Scholar
Donald, James, Marcus, Laura, and Friedberg, Anne (eds.). Cinema and Modernism. London: Cassell, 1998.Google Scholar
Dubnick, Randa. The Structure of Obscurity: Gertrude Stein, Language, and Cubism. Urbana: University of Illinois Press, 1984.Google Scholar
Duncan, Alastair. American Art Deco. New York: Abrams, 1986.Google Scholar
Fagg, John. On the Cusp: Stephen Crane, George Bellows, and Modernism. Tuscaloosa: University of Alabama Press, 2009.Google Scholar
Fischer, Lucy. Designing Women: Cinema, Art Deco, and the Female Form. New York: Columbia University Press, 2003.Google Scholar
Fleischhauer, Carl, and Brannan, W. Beverly (eds.). Documenting America, 1935–1943. Berkeley: University of California Press, 1988.Google Scholar
Foulkes, Julia L. Modern Bodies: Dance and American Modernism from Martha Graham to Alvin Ailey. Chapel Hill: University of North Carolina Press, 2002.Google Scholar
Giovacchini, Saverio. Hollywood Modernism. Philadelphia: Temple University Press, 2001.Google Scholar
Greenough, Sarah. Modern Art and America: Alfred Stieglitz and His New York Galleries. New York: Bulfinch Press, 2001.Google Scholar
Greif, Martin. Depression Modern: The Thirties Style in America. New York: Universe Books, 1975.Google Scholar
Guerrero, Ed. Framing Blackness: The African American Image in Film. Philadelphia: Temple University Press, 1993.Google Scholar
Gunning, Tom. Griffith and the Origins of American Narrative Film. Urbana: University of Illinois Press, 1994.Google Scholar
Halter, Peter. Revolution in the Visual Arts and the Poetry of William Carlos Williams. Cambridge: Cambridge University Press, 1994.Google Scholar
Hansen, Miriam. Babel and Babylon: Spectatorship in American Silent Film. Chicago: University of Chicago Press, 1991.Google Scholar
Haskell, Barbara. The American Century: Art and Culture, 1900–1950. New York: W. W. Norton, 1999.Google Scholar
Hazzard-Gordon, Katrina. Jookin’: The Rise of Social Dance Formations in African American Culture. Philadelphia: Temple University Press, 1990.Google Scholar
Homer, William Innes. Alfred Stieglitz and the American Avant-Garde. Boston: New York Graphic Society, 1977.Google Scholar
Horak, Jan-Christopher (ed.). Lovers of Cinema: The First American Film Avant-Garde, 1919–1945. Madison: University of Wisconsin Press, 1995.Google Scholar
Hornby, Louise. Still Modernism: Photography, Literature, Film. New York: Oxford University Press, 2017.Google Scholar
Hughes, Robert. The Shock of the New: Art and the Century of Change. London: Thames & Hudson, 1991.Google Scholar
James, Pearl (ed.). Picture This: World War I Posters and Visual Culture. Lincoln: University of Nebraska Press, 2009.Google Scholar
Johnson, J. Stewart. American Modern 1925–1940: Design for a New Age. New York: Harry N. Abrams, 2000.Google Scholar
Jones, Susan. Literature, Modernism, and Dance. New York: Oxford University Press, 2013.Google Scholar
Kodat, Catherine Gunther. Don’t Act, Just Dance: The Metapolitics of Cold War Culture. New Brunswick: Rutgers University Press, 2015.Google Scholar
Kushner, Marilyn, and Orcutt, Kimberly (eds.). The Armory Show at 100: Modernism and Revolution. London: Giles, 2013.Google Scholar
Latham, Angela J. Posing a Threat: Flappers, Chorus Girls, and Other Brazen Performers of the American 1920s. Hanover: University Press of New England, 2000.Google Scholar
Latimer, Tirza True. Eccentric Modernisms: Making Differences in the History of American Art. Oakland: University of California Press, 2017.Google Scholar
Lévy, Sophie (ed.). A Transatlantic Avant-Garde: American Artists in Paris 1918–1939. Berkeley: University of California Press, 2003.Google Scholar
Lubin, David M. Grand Illusions: American Art and the First World War. New York: Oxford University Press, 2016.Google Scholar
Marcus, Laura. The Tenth Muse: Writing about Cinema in the Modernist Period. New York: Oxford University Press, 2007.Google Scholar
Matz, Jesse. Literary Impressionism and Modernist Aesthetics. Cambridge: Cambridge University Press, 2001.Google Scholar
McCabe, Susan. Cinematic Modernism: Modernist Poetry and Film. Cambridge: Cambridge University Press, 2005.Google Scholar
McCloskey, Barbara. The Exile of George Grosz: Modernism, America, and the One World Order. Oakland: University of California Press, 2015.Google Scholar
Milosch, Jane, and Corn, Wanda M. (eds.). Grant Wood’s Studio: Birthplace of American Gothic. New York: Prestel, 2005.Google Scholar
Musser, Charles. The Emergence of Cinema: The American Screen to 1907. New York: Scribner’s, 1990.Google Scholar
North, Michael. Camera Works: Photography and the Twentieth-Century Word. New York: Oxford University Press, 2005.Google Scholar
Orvell, Miles. After the Machine: Visual Arts and the Erasing of Cultural Boundaries. Jackson: University Press of Mississippi, 1995.Google Scholar
Orvell, Miles American Photography. New York: Oxford University Press, 2003.Google Scholar
Orvell, Miles The Real Thing: Imitation and Authenticity in American Culture. Chapel Hill: University of North Carolina Press, 1989.Google Scholar
Posner, Bruce (ed.). Unseen Cinema: Early American Avant-Garde Film 1893–1941. New York: Black Thistle Press, 2001.Google Scholar
Putz, John, and Scallen, Catherine B.. Cubism and American Photography, 1910–1930. Williamstown: Sterling and Francine Clark Art Institute, 1981.Google Scholar
Rollins, Peter C., and O’Connor, John E. (eds.). Hollywood’s World War I: Motion Picture Images. Bowling Green: Bowling Green State University Popular Press, 1997.Google Scholar
Rony, Fatimah Tobing. The Third Eye: Race, Cinema, and Ethnographic Spectacle. Durham: Duke University Press, 1996.Google Scholar
Schloss, Carol. In Visible Light: Photography and the American Writer, 1840–1940. New York: Oxford University Press, 1989.Google Scholar
Seed, David. Cinematic Fictions: The Impact of Cinema on the American Novel up to the Second World War. Liverpool: Liverpool University Press, 2011.Google Scholar
Shail, Andrew. Cinema and the Origins of Literary Modernism. London: Routledge, 2012.Google Scholar
Sitney, P. A. Modernist Montage. New York: Columbia University Press, 1990.Google Scholar
Smith, Christopher J. Dancing Revolution: Bodies, Space, and Sound in American Cultural History. Urbana: University of Illinois Press, 2019.Google Scholar
Smith, Terry. Making the Modern: Industry, Art, and Design in America. Chicago: University of Chicago Press, 1993.Google Scholar
Stange, Maren. Bronzeville: Black Chicago in Pictures, 1941–1943. New York: The New Press, 2003.Google Scholar
Stange, Maren Symbols of Ideal Life: Social Documentary Photography in America, 1890–1950. New York: Cambridge University Press, 1989.Google Scholar
Trachtenberg, Alan. Reading American Photographs: Images as History, Mathew Brady to Walker Evans. New York: Hill and Wang, 1989.Google Scholar
Trachtenberg, Alan Shades of Hiawatha: Staging Indians, Making Americans: 1880–1930. New York: Hill and Wang, 2004.Google Scholar
Trotter, David. Cinema and Modernism. Oxford: Wiley-Blackwell, 2007.Google Scholar
Weaver, Mike. Alvin Langdon Coburn: Symbolist Photographer. New York: Aperture Foundation, 1986.Google Scholar
Weiss, Jeffrey. The Popular Culture of Modern Art: Picasso, Duchamp, and Avant-Gardism. New Haven: Yale University Press, 1994.Google Scholar
Wilson, Kristina. Livable Modernism: Interior Decorating and Design During the Great Depression. New Haven: Yale University Press, 2004.Google Scholar
Appel, Jr., Alfred. Jazz Modernism: From Ellington and Armstrong to Matisse and Joyce. New York: Knopf, 2002.Google Scholar
Barnouw, Erik. A History of Broadcasting in the United States. New York: Oxford University Press, 1966–70.Google Scholar
Berlin, Edward. Ragtime: A Musical and Cultural History. Berkeley: University of California Press, 1984.Google Scholar
Bindas, Kenneth J. (ed.). America’s Musical Pulse: Popular Music in Twentieth-Century Society. Westport: Praeger, 1992.Google Scholar
Brothers, Thomas David. Louis Armstrong, Master of Modernism. New York: W. W. Norton, 2014.Google Scholar
Bucknell, Brad. Literary Modernism and Musical Aesthetics: Pater, Pound, Joyce, and Stein. Cambridge: Cambridge University Press, 2001.Google Scholar
Campbell, Timothy. Wireless Writing in the Age of Marconi. Minneapolis: University of Minnesota Press, 2006.Google Scholar
Cohen, Debra Rae, Coyle, Michael, and Lewty, Jane (eds.). Broadcasting Modernism. Gainesville: University Press of Florida, 2009.Google Scholar
Dinerstein, Joel. Swinging the Machine: Modernity, Technology, and African American Culture between the World Wars. Amherst: University of Massachusetts Press, 2003.Google Scholar
Donald, James. Some of These Days: Black Stars, Jazz Aesthetics, and Modernist Culture. New York: Oxford University Press, 2015.Google Scholar
Douglas, Susan. Inventing American Broadcasting 1899–1922. Baltimore: Johns Hopkins University Press, 1987.Google Scholar
Douglas, Susan Listening In: Radio and the American Imagination. Minneapolis: University of Minnesota Press, 1999.Google Scholar
Edwards, Brent Hayes. Epistrophies: Jazz and the Literary Imagination. Cambridge, MA: Harvard University Press, 2017.Google Scholar
Enns, Anthony, and Trower, Shelley (eds.). Vibratory Modernism. London: Palgrave Macmillan, 2013.Google Scholar
Epstein, Josh. Sublime Noise: Musical Culture and the Modernist Writer. Baltimore: Johns Hopkins University Press, 2014.Google Scholar
Erenberg, Lewis A. Swingin’ the Dream: Big Band Jazz and the Rebirth of American Culture. Chicago: University of Chicago Press, 1998.Google Scholar
Feldman, Matthew, Tonning, Erik, and Mead, Henry (eds.). Broadcasting in the Modernist Era. London: Bloomsbury Academic, 2014.Google Scholar
Gioia, Ted. The History of Jazz. New York: Oxford University Press, 1997.Google Scholar
Graham, T. Austin. The Great American Songbooks: Musical Texts, Modernism, and the Value of Popular Culture. New York: Oxford University Press, 2013.Google Scholar
Halliday, Sam. Sonic Modernity: Representing Sounds in Literature, Culture and the Arts. Edinburgh: Edinburgh University Press, 2013.Google Scholar
Halliday, Sam. Music in the New World. New York: W. W. Norton, 1983.Google Scholar
Hamm, Charles. Music in the New World. New York: W. W. Norton, 1983.Google Scholar
Hamm, Charles. Putting Popular Music in Its Place. Cambridge: Cambridge University Press, 1995.Google Scholar
Hilmes, Michele. Radio Voices: American Broadcasting 1922–1952. Minneapolis: University of Minnesota Press, 1997.Google Scholar
Hilmes, Michele, and Loviglio, Jason (eds.). Radio Reader: Essays in the Cultural History of Radio. London: Routledge, 2002.Google Scholar
Jackson, Buzzy. A Bad Woman Feeling Good: Blues and the Women Who Sing Them. New York: W. W. Norton, 2005.Google Scholar
Jasen, David A. Tin Pan Alley: An Encyclopedia of the Golden Age of American Song. New York: Routledge, 2003.Google Scholar
Kahn, Douglas, and Whitehead, Gregory (eds.). Wireless Imagination: Sound, Radio, and the Avant-Garde. Cambridge, MA: MIT Press, 1992.Google Scholar
Kenney, William Howland. Recorded Music in American Life: The Phonograph and Popular Memory, 1890–1945. New York: Oxford University Press, 1999.Google Scholar
Marcus, Kenneth H. Schoenberg and Hollywood Modernism. Cambridge: Cambridge University Press, 2016.Google Scholar
McEnaney, Tom. Acoustic Properties: Radio, Narrative, and the New Neighborhood of the Americas. Evanston: Northwestern University Press, 2017.Google Scholar
Milner, Greg. Perfecting Sound Forever: An Aural History of Recorded Music. London: Faber & Faber, 2009.Google Scholar
Murphet, Julian, Groth, Helen, and Hone, Penelope (eds.). Sounding Modernism: Rhythm and Sonic Mediation in Modern Literature and Film. Edinburgh: Edinburgh University Press, 2017.Google Scholar
Ogren, Kathy. The Jazz Revolution: Twenties America and the Meaning of Jazz. New York: Oxford University Press, 1989.Google Scholar
Oja, Carol. Making Music Modern: New York in the 1920s. New York: Oxford University Press, 2000.Google Scholar
Ross, Alex. The Rest Is Noise: Listening to the Twentieth Century. New York: Farrar, Straus and Giroux, 2007.Google Scholar
Schleifer, Ronald. Modernism and Popular Music. Cambridge: Cambridge University Press, 2011.Google Scholar
Schuller, Gunther. Early Jazz: Its Roots and Musical Development. New York: Oxford University Press, 1968.Google Scholar
Shipton, Alyn. A New History of Jazz. New York: Continuum, 2007.Google Scholar
Suisman, David. Selling Sounds: The Commercial Revolution in American Music. Cambridge, MA: Harvard University Press, 2012.Google Scholar
Teague, Jessica E. Sound Recording Technology and American Literature: From the Phonograph to the Remix. Cambridge: Cambridge University Press, 2021.Google Scholar
Tirro, Frank. Jazz: A History. New York: Norton, 1993.Google Scholar
Tischler, Barbara. An American Music: The Search for an American Musical Identity. New York: Oxford University Press, 1986.Google Scholar
Weissman, Dick. Blues: The Basics. New York: Routledge, 2004.Google Scholar
Yaffe, David. Fascinating Rhythm: Reading Jazz in American Writing. Princeton: Princeton University Press, 2009.Google Scholar
Ardis, Ann, and Collier, Patrick (eds.). Transatlantic Print Culture, 1880–1940: Emerging Media, Emerging Modernisms. London: Palgrave Macmillan, 2008.Google Scholar
Barnhisel, Greg. James Laughlin, New Directions, and the Remaking of Ezra Pound. Amherst: University of Massachusetts Press, 2005.Google Scholar
Barnhisel, Greg, and Turner, Catherine (eds.). Pressing the Fight: Print, Propaganda, and the Cold War. Amherst: University of Massachusetts Press, 2010.Google Scholar
Bornstein, George. Material Modernism: The Politics of the Page. Cambridge: Cambridge University Press, 2001.Google Scholar
Botshon, Lisa, and Goldsmith, Meredith (eds.). Middlebrow Moderns: Popular American Women Writers of the 1920s. Boston: Northeastern University Press, 2003.Google Scholar
Brooker, Peter et al. (eds.). The Oxford Critical and Cultural History of Modernist Magazines. New York: Oxford University Press, 2009–13.Google Scholar
Buitenhuis, Peter. The Great War of Words: British, American and Canadian Propaganda and Fiction, 1914–1933. Vancouver: University of British Columbia Press, 1987.Google Scholar
Bulson, Eric. Little Magazine, World Form. New York: Columbia University Press, 2017.Google Scholar
Casanova, Pascale. The World Republic of Letters. Cambridge, MA: Harvard University Press, 2004.Google Scholar
Chapman, Mary. Making Noise, Making News: Suffrage Print Culture and U.S. Modernism. New York: Oxford University Press, 2014.Google Scholar
Churchill, Suzanne. The Little Magazine Others and the Renovation of Modern American Poetry. London: Routledge, 2006.Google Scholar
Churchill, Suzanne W., and McKible, Adam (eds.). Little Magazines and Modernism: New Approaches. Aldershot: Ashgate, 2007.Google Scholar
Cloutier, Jean-Christophe. Shadow Archives: The Lifecycles of African American Literature. New York: Columbia University Press, 2019.Google Scholar
Cooper, John Xiros. Modernism and the Culture of Market Society. Cambridge: Cambridge University Press, 2004.Google Scholar
Dettmar, Kevin, and Watt, Stephen (eds.). Marketing Modernisms: Self-Promotion, Canonization, Rereading. Ann Arbor: University of Michigan Press, 1996.Google Scholar
Earle, David. Re-covering Modernism: Pulps, Paperbacks, and the Prejudice of Form. Farnham: Ashgate, 2009.Google Scholar
Glass, Loren. Counterculture Colophon: Grove Press, the Evergreen Review, and the Incorporation of the Avant-Garde. Stanford: Stanford University Press, 2013.Google Scholar
Goeser, Carolyn. Picturing the New Negro: Harlem Renaissance Print Culture and Modern Black Identity. Lawrence: University of Kansas Press, 2007.Google Scholar
Goldman, Jonathan. Modernism Is the Literature of Celebrity. Austin: University of Texas Press, 2011.Google Scholar
Hammill, Faye. Sophistication: A Literary and Cultural History. Liverpool: Liverpool University Press, 2010.Google Scholar
Hammill, Faye Women, Celebrity, and Literary Culture between the Wars. Austin: University of Texas Press, 2007.Google Scholar
Hammill, Faye, and Hussey, Mark. Modernism’s Print Cultures. New York: Bloomsbury, 2016.Google Scholar
Harris, Donal. On Company Time: American Modernism in the Big Magazines. New York: Columbia University Press, 2016.Google Scholar
Jaffe, Aaron. Modernism and the Culture of Celebrity. Cambridge: Cambridge University Press, 2005.Google Scholar
Jaillant, Lise. Cheap Modernism: Expanding Markets, Publishers’ Series and the Avant-Garde. Edinburgh: Edinburgh University Press, 2017.Google Scholar
Jaillant, Lise Modernism, Middlebrow and the Literary Canon: The Modern Library Series, 1917–1955. Philadelphia: Routledge, 2014.Google Scholar
Jaillant, Lise (ed.). Publishing Modernist Fiction and Poetry. Edinburgh: Edinburgh University Press, 2019.Google Scholar
Keyser, Catherine. Playing Smart: New York Women Writers and Modern Magazine Culture. New Brunswick: Rutgers University Press, 2010.Google Scholar
Levine, Lawrence W. Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America. New York: Oxford University Press, 1990.Google Scholar
MacLeod, Kirsten. American Little Magazines of the Fin de Siècle: Art, Protest, and Cultural Transformation. Toronto: University of Toronto Press, 2018.Google Scholar
Marek, Jayne E. Women Editing Modernism: “Little” Magazines and Literary History. Lexington: University Press of Kentucky, 1995.Google Scholar
McKible, Adam. The Space and Place of Modernism: The Russian Revolution, Little Magazines, and New York. New York: Routledge, 2002.Google Scholar
Morrisson, Mark. The Public Face of Modernism: Little Magazines, Audiences, and Reception, 1905–1920. Madison: University of Wisconsin Press, 2001.Google Scholar
Ohmann, Richard. Selling Culture: Magazines, Markets, and Class at the Turn of the Century. London: Verso, 1996.Google Scholar
Outka, Elizabeth. Consuming Traditions: Modernism, Modernity, and the Commodified Authentic. New York: Oxford University Press, 2009.Google Scholar
Potter, Rachel. Obscene Modernism: Literary Censorship and Experiment, 1900–1940. New York: Oxford University Press, 2013.Google Scholar
Satterfield, Jay. The World’s Best Books: Taste, Culture, and the Modern Library. Amherst: University of Massachusetts Press, 2002.Google Scholar
Saunders, Max. Self-Impression: Life-Writing, Autobiografiction, and the Forms of Modern Literature. New York: Oxford University Press, 2010.Google Scholar
Schneirov, Matthew. The Dream of a New Social Order: Popular Magazines in America 1893–1914. New York: Columbia University Press, 1994.Google Scholar
Scholes, Robert, and Wulfman, Clifford. Modernism in the Magazines: An Introduction. New Haven: Yale University Press, 2010.Google Scholar
Turner, Catherine. Marketing Modernism between the Two World Wars. Amherst: University of Massachusetts Press, 2003.Google Scholar
Wicke, Jennifer. Advertising Fictions: Literature, Advertisement, and Social Reading. New York: Columbia University Press, 1988.Google Scholar
Willison, Ian, Gould, Warwick, and Chernaik, Warren (eds.). Modernist Writers and the Marketplace. London: Macmillan, 1996.Google Scholar
Albright, Daniel. Untwisting the Serpent: Modernism in Music, Literature and the Arts. Chicago: University of Chicago Press, 2000.Google Scholar
Bennett, Chad. Word of Mouth: Gossip and American Poetry. Baltimore: Johns Hopkins University Press, 2018.Google Scholar
Biers, Katherine. Virtual Modernism: Writing and Technology in the Progressive Era. Minneapolis: University of Minnesota Press, 2013.Google Scholar
Braddock, Jeremy. Collecting as Modernist Practice. Baltimore: Johns Hopkins University Press, 2012.Google Scholar
Brown, Adrienne. The Black Skyscraper: Architecture and the Perception of Race. Baltimore: Johns Hopkins University Press, 2017.Google Scholar
Brown, Adrienne, and Smith, Valerie (eds.). Race and Real Estate: Transgressing Boundaries. New York: Oxford University Press, 2015.Google Scholar
Burstein, Jessica. Cold Modernism: Literature, Fashion, Art. Philadelphia: Pennsylvania State University Press, 2012.Google Scholar
Coffin, Sarah, Harrison, Stephen, and Orr, Emily Marshall. The Jazz Age: American Style in the 1920s. Cleveland: Cleveland Museum of Art, 2017.Google Scholar
Conn, Steven. Museums and American Intellectual Life, 1876–1926. Chicago: University of Chicago Press, 1998.Google Scholar
Daly, Nicholas. Literature, Technology, and Modernity, 1860–2000. Cambridge: Cambridge University Press, 2004.Google Scholar
Davis, James C. Commerce in Color: Race, Consumer Culture, and American Literature, 1893–1933. Ann Arbor: University of Michigan Press, 2007.Google Scholar
Davis, Mary. Classic Chic: Music, Fashion, and Modernism. Berkeley: University of California Press, 2006.Google Scholar
Denning, Michael. Mechanic Accents: Dime Novels and Working-Class Culture in America. New York: Verso, 1987.Google Scholar
DiBattista, Maria, and Wittman, Emily (eds.). Modernism and Autobiography. New York: Cambridge University Press, 2014.Google Scholar
DiBattista, Maria, and McDiarmid, Lucy (eds.). High and Low Moderns: Literature and Culture, 1889–1939. New York: Oxford University Press, 1996.Google Scholar
Erenberg, Lewis A. Steppin’ Out: New York Nightlife and the Transformation of American Culture, 1890–1930. Chicago: University of Chicago Press, 1984.Google Scholar
Evans, Caroline. The Mechanical Smile: Modernism and the First Fashion Shows in France and America, 1900–1929. New Haven: Yale University Press, 2013.Google Scholar
Gaedtka, Andrew. Modernism and the Machinery of Madness: Psychosis, Technology, and Narrative Worlds. Cambridge: Cambridge University Press, 2017.Google Scholar
Gitelman, Lisa. Always Already New: Media, History, and the Data of Culture. Cambridge, MA: MIT Press, 2006.Google Scholar
Goble, Mark. Beautiful Circuits: Modernism and the Mediated Life. New York: Columbia University Press, 2010.Google Scholar
Grey, Thomas C. The Wallace Stevens Case: Law and the Practice of Poetry. Cambridge, MA: Harvard University Press, 1991.Google Scholar
Henderson, Mae. Speaking in Tongues and Dancing Diaspora: Black Women Writing and Performing. New York: Oxford University Press, 2014.Google Scholar
Lyon, Janet. Manifestoes: Provocations of the Modern. Ithaca: Cornell University Press, 1999.Google Scholar
Kenner, Hugh. The Mechanic Muse. New York: Oxford University Press, 1987.Google Scholar
Kittler, Friedrich. Gramophone, Film, Typewriter. Stanford: Stanford University Press, 1999.Google Scholar
Kotin, Joshua. Utopias of One. Princeton: Princeton University Press, 2018.Google Scholar
Manganaro, Marc (ed.). Modernist Anthropology: From Fieldwork to Text. Princeton: Princeton University Press, 1990.Google Scholar
McCarren, Felicia. Dancing Machines: Choreographies of the Age of Mechanical Reproduction. Stanford: Stanford University Press, 2003.Google Scholar
McGann, Jerome. Black Riders: The Visible Language of Modernism. Princeton: Princeton University Press, 1993.Google Scholar
Micir, Melanie. The Passion Projects: Modernist Women, Intimate Archives, Unfinished Lives. Princeton: Princeton University Press, 2019.Google Scholar
Moses, Omri. Out of Character: Modernism, Vitalism, Psychic Life. Stanford: Stanford University Press, 2014.Google Scholar
Murphet, Julian. Multimedia Modernism: Literature and the Anglo-American Avant-Garde. New York: Cambridge University Press, 2009.Google Scholar
Nyman, Jopi. Men Alone: Masculinity, Individualism, and Hard-Boiled Fiction. Atlanta: Rodopi, 1997.Google Scholar
Olson, Liesl. Modernism and the Ordinary. New York: Oxford University Press, 2009.Google Scholar
Perloff, Marjorie. Radical Artifice: Writing in the Age of Media. Chicago: University of Chicago Press, 1991.Google Scholar
Pressman, Jessica. Digital Modernism: Making It New in New Media. New York: Oxford University Press, 2014.Google Scholar
Rabinbach, Anson. The Human Motor: Energy, Fatigue, and the Origins of Modernity. Berkeley: University of California Press, 1990.Google Scholar
Segel, Harold B. Body Ascendant: Modernism and Physical Imperative. Baltimore: Johns Hopkins University Press, 1998.Google Scholar
Sheehan, Elizabeth M. Modernism à La Mode: Fashion and the Ends of Literature. Ithaca: Cornell University Press, 2018.Google Scholar
Solomon, William. Slapstick Modernism: Chaplin to Kerouac to Iggy Pop. Urbana: University of Illinois Press, 2016.Google Scholar
Strychacz, Thomas. Modernism, Mass Culture, and Professionalism. Cambridge: Cambridge University Press, 1993.Google Scholar
Suárez, Juan A. Pop Modernism: Noise and the Reinvention of the Everyday. Urbana: University of Illinois Press, 2007.Google Scholar
Telotte, J. P. Movies, Modernism, and the Science Fiction Pulps. New York: Oxford University Press, 2019.Google Scholar
Thurschwell, Pamela. Literature, Technology, and Magical Thinking, 1880–1920. New York: Cambridge University Press, 2001.Google Scholar
Tichi, Cecelia. Shifting Gears: Technology, Literature, Culture in Modernist America. Chapel Hill: University of North Carolina Press, 1987.Google Scholar
Walter, Christina. Optical Impersonality: Science, Images, and Literary Modernism. Baltimore: Johns Hopkins University Press, 2014.Google Scholar
Wilson, Leigh. Modernism and Magic: Experiments with Spiritualism, Theosophy and the Occult. Edinburgh: Edinburgh University Press, 2013.Google Scholar
Winkiel, Laura. Modernism, Race, and Manifestoes. Cambridge: Cambridge University Press, 2008.Google Scholar
Aching, Gerard. The Politics of Latin American Modernismo: By Exquisite Design. Cambridge: Cambridge University Press, 1997.Google Scholar
Alexander, Neal, and Moran, James (eds.). Regional Modernism. Edinburgh: Edinburgh University Press, 2013.Google Scholar
Baer, Ben Conisbee. Indigenous Vanguards: Education, National Liberation, and the Limits of Modernism. New York: Columbia University Press, 2019.Google Scholar
Baldwin, Davarian L. Chicago’s New Negroes: Modernity, the Great Migration, and Black Urban Life. Chapel Hill: University of North Carolina Press, 2007.Google Scholar
Balshaw, Maria. Looking for Harlem: Urban Aesthetics in African American Literature. London: Pluto Press, 2000.Google Scholar
Berman, Jessica. Modernist Commitments: Ethics, Politics, and Transnational Modernism. New York: Columbia University Press, 2012.Google Scholar
Berman, Jessica Modernist Fiction, Cosmopolitanism, and the Politics of Community. Cambridge: Cambridge University Press, 2001.Google Scholar
Braddock, Jeremy, and Eburne, Jonathan P. (eds.). Paris, Capital of the Black Atlantic: Literature, Modernity, and Diaspora. Baltimore: Johns Hopkins University Press, 2013.Google Scholar
Brinkmeyer, Robert H. The Fourth Ghost: White Southern Writers and European Fascism, 1930–1950. Baton Rouge: Louisiana State University Press, 2009.Google Scholar
Brooker, Peter, and Thacker, Andrew (eds.). Geographies of Modernism: Literatures, Cultures, Spaces. Philadelphia: Routledge, 2005.Google Scholar
Bulson, Eric. Novels, Maps, Modernity: The Spatial Imagination, 1850–2000. London: Routledge, 2009.Google Scholar
Cadle, Nathaniel. The Mediating Nation: Late American Realism, Globalization, and the Progressive State. Chapel Hill: University of North Carolina Press, 2014.Google Scholar
Cappetti, Carla. Writing Chicago: Modernism, Ethnography, and the Novel. New York: Columbia University Press, 1993.Google Scholar
Chauncey, George. Gay New York: Gender, Urban Culture, and the Making of a Gay Male World, 1890–1940. New York: Basic Books, 1995.Google Scholar
Child, Benjamin. The Whole Machinery: The Rural Modern in Cultures of the U.S. South, 1890–1946. Athens: University of Georgia Press, 2019.Google Scholar
Cohen, Lizabeth. Making a New Deal: Industrial Workers in Chicago, 1919–1939. New York: Cambridge University Press, 1990.Google Scholar
Conrads, Ulrich (ed.). Programs and Manifestoes on 20th-Century Architecture, trans. Michael Bullock. Cambridge, MA: MIT Press, 1970.Google Scholar
Deane, Seamus, Eagleton, Terry, Jameson, Fredric, and Said, Edward W. (eds.). Nationalism, Colonialism and Literature. Minneapolis: University of Minnesota Press, 1990.Google Scholar
Dominy, Jordan J. Southern Literature, Cold War Culture, and the Making of Modern America. Jackson: University Press of Mississippi, 2020.Google Scholar
Dorman, Robert L. Revolt of the Provinces: The Regionalist Movement in America, 1900–1945. Chapel Hill: University of North Carolina Press, 1993.Google Scholar
Douglas, Ann. Terrible Honesty: Mongrel Manhattan in the 1920s. New York: Farrar, Straus and Giroux, 1995.Google Scholar
Doyle, Laura, and Winkiel, Laura (eds.). Geomodernisms: Race, Modernism, Modernity. Bloomington: Indiana University Press, 2005.Google Scholar
Duck, Leigh Ann. The Nation’s Region: Southern Modernism, Segregation, and U.S Nationalism. Athens: University of Georgia Press, 2006.Google Scholar
Duffey, Bernard. The Chicago Renaissance in American Letters: A Critical History. East Lansing: Michigan State University Press, 1956.Google Scholar
Dunbar, Eve. Black Regions of the Imagination: African American Writers between the Nation and the World. Philadelphia: Temple University Press, 2013.Google Scholar
Eatough, Matt, and Wolleager, Mark (eds.). The Oxford Handbook of Global Modernisms. New York: Oxford University Press, 2012.Google Scholar
Favor, J. Martin. Authentic Blackness: The Folk in the New Negro Renaissance. Durham: Duke University Press, 1999.Google Scholar
Feinsod, Harris. The Poetry of the Americas: From Good Neighbors to Countercultures. New York: Oxford University Press, 2017.Google Scholar
Fetterley, Judith, and Pryse, Marjorie (eds.). American Women Regionalists, 1850–1910. New York: W. W. Norton, 1992.Google Scholar
Flores, Tatiana. Mexico’s Revolutionary Avant-Gardes: From Estridentismo to ¡30–30! New Haven: Yale University Press, 2013.Google Scholar
Friedman, Susan Stanford. Planetary Modernisms: Provocations on Modernity across Time. New York: Columbia University Press, 2015.Google Scholar
Gano, Geneva. U.S. Modernism at Continent’s End: Carmel, Provincetown, Santa Fe. Edinburgh: Edinburgh University Press, 2020.Google Scholar
Gikandi, Simon. Writing in Limbo: Modernism and Caribbean Literature. Ithaca: Cornell University Press, 1992.Google Scholar
Giles, Paul. The Global Remapping of American Literature. Princeton: Princeton University Press, 2011.Google Scholar
Gilroy, Paul. The Black Atlantic: Modernity and Double-Consciousness. London: Verso, 1993.Google Scholar
Godden, Richard, and Martin Crawford (eds.). Reading Southern Poverty between the Wars, 1918–1939. Athens: University of Georgia Press, 2006.Google Scholar
Goyal, Yogita (ed.). The Cambridge Companion to Transnational American Literature. New York: Cambridge University Press, 2017.Google Scholar
Goyal, Yogita Romance, Diaspora, and Black Atlantic Literature. New York: Cambridge University Press, 2010.Google Scholar
Gray, Richard. Southern Aberrations: Writers of the American South and the Problem of Regionalism. Baton Rouge: Louisiana State University Press, 2000.Google Scholar
Gray, Richard Writing the South: Ideas of an American Region. Cambridge: Cambridge University Press, 1986.Google Scholar
Hayot, Eric. Chinese Dreams: Pound, Brecht, Tel Quel. Ann Arbor: University of Michigan Press, 2004.Google Scholar
Huyssen, Andreas. Miniature Metropolis: Literature in an Age of Photography and Film. Cambridge, MA: Harvard University Press, 2015.Google Scholar
Katz, Daniel, American Modernism’s Expatriate Scene: The Labour of Translation. Edinburgh: Edinburgh University Press, 2007.Google Scholar
King, Richard H. A Southern Renaissance: The Cultural Awakening of the American South, 1930–1945. New York: Oxford University Press, 1982.Google Scholar
Landau, Ellen G. Mexico and American Modernism. New Haven: Yale University Press, 2013.Google Scholar
Lee, Steven S. The Ethnic Avant-Garde: Minority Cultures and World Revolution. New York: Columbia University Press, 2015.Google Scholar
Miller, Donald L. Supreme City: How Jazz Age Manhattan Gave Birth to Modern America. New York: Simon & Schuster, 2014.Google Scholar
Ngô, Fiona I. B. Imperial Blues: Geographies of Race and Sex in Jazz Age New York. Durham: Duke University Press, 2014.Google Scholar
Norman, Will. Transatlantic Aliens: Modernism, Exile, and Culture in Midcentury America. Baltimore: Johns Hopkins University Press, 2016.Google Scholar
Olson, Liesl. Chicago Renaissance: Literature and Art in the Midwest Metropolis. New Haven: Yale University Press, 2017.Google Scholar
Palumbo-Liu, David. Asian/American: Historical Crossings of a Racial Border. Stanford: Stanford University Press, 1999.Google Scholar
Park, Josephine. Apparitions of Asia: Modernist Form and Asian American Poetics. New York: Oxford University Press, 2008.Google Scholar
Park, Stephen M. The Pan American Imagination: Contested Visions of the Hemisphere in Twentieth-Century Literature. Charlottesville: University of Virginia Press, 2014.Google Scholar
Parsons, Deborah L. Streetwalking the Metropolis: Women, the City, and Modernity. New York: Oxford University Press, 2000.Google Scholar
Patke, Rajeev. Modernist Literature and Postcolonial Studies. Edinburgh: Edinburgh University Press, 2013.Google Scholar
Patterson, Anita Haya. Race, American Literature and Transnational Modernisms. New York: Cambridge University Press, 2008.Google Scholar
Poll, Ryan. Main Street and Empire: The Fictional Small Town in the Age of Globalization. New Brunswick: Rutgers University Press, 2012.Google Scholar
Qian, Zhaoming. East-West Exchange and Late Modernism: Williams, Moore, Pound. Charlottesville: University of Virginia Press, 2017.Google Scholar
Said, Edward. Culture and Imperialism. London: Vintage, 1994.Google Scholar
Saldivar, Ramón. The Borderlands of Culture: Américo Paredes and the Transnational Imaginary. Durham: Duke University Press, 2006.Google Scholar
Schedler, Christopher. Border Modernism: Intercultural Readings in American Literary Modernism. New York: Routledge, 2002.Google Scholar
Simmel, Georg. Simmel on Culture: Selected Writings, ed. Frisby, David and Featherstone, Mike. London: Sage, 1997.Google Scholar
Smith, Jon. Finding Purple America: The South and the Future of American Cultural Studies. Athens: University of Georgia Press, 2013.Google Scholar
Stansell, Christine. American Moderns: Bohemian New York and the Creation of a New Century. New York: Metropolitan Books, 2000.Google Scholar
Stovall, Tyler. Paris Noir: African Americans in the City of Light. Boston: Houghton Mifflin, 1996.Google Scholar
Sullivan, Edward J. Making the Americas Modern: Hemispheric Art, 1910–1960. London: Laurence King Publishing, 2018.Google Scholar
Taylor, Melanie Benson. Disturbing Calculations: The Economics of Identity in Postcolonial Southern Literature, 1912–2002. Athens: University of Georgia Press, 2008.Google Scholar
Taylor, Melanie Benson The Indian in American Southern Literature. Cambridge: Cambridge University Press, 2020.Google Scholar
Taylor, Melanie Benson Reconstructing the Native South: American Indian Literature and the Lost Cause. Athens: University of Georgia Press, 2012.Google Scholar
Thacker, Andrew. Moving through Modernity: Space and Geography in Modernism. New York: Manchester University Press, 2003.Google Scholar
Walkowitz, Rebecca L. Cosmopolitan Style: Modernism beyond the Nation. New York: Columbia University Press, 2006.Google Scholar
Walsh, Rebecca Ann. The Geopoetics of Modernism. Gainesville: University Press of Florida, 2015.Google Scholar
Watson, Jay. Reading for the Body: The Recalcitrant Materiality of Southern Fiction, 1893–1985. Athens: University of Georgia Press, 2012.Google Scholar
Yaeger, Patricia. Dirt and Desire: Reconstructing Southern Women’s Writing, 1930–1990. Chicago: University of Chicago Press, 2000.Google Scholar
Anderson, Paul Allen. Dear River: Music and Memory in Harlem Renaissance Thought. Durham: Duke University Press, 2001.Google Scholar
Antliff, Allan. Anarchist Modernism: Art, Politics, and the First American Avant-Garde. Chicago: University of Chicago Press, 2001.Google Scholar
Antliff, Allan, and Greene, Vivien (eds.). The Vorticists: Rebel Artists in London and New York, 1914–1918. London: Tate Publishing, 2010.Google Scholar
Archer-Straw, Petrine. Negrophilia: Avant-Garde Paris and Black Culture in the 1920s. New York: Thames & Hudson, 2000.Google Scholar
Baker, Houston. Modernism and the Harlem Renaissance. Chicago: University of Chicago Press, 1987.Google Scholar
Baldwin, Davarian L., and Makalani, Minkah (eds.). Escape from New York: The New Negro Renaissance beyond Harlem. Minneapolis: University of Minnesota Press, 2013.Google Scholar
Baldwin, Kate A. Beyond the Color Line and the Iron Curtain: Reading Encounters between Black and Red, 1922–1963. Durham: Duke University Press, 2002.Google Scholar
Baldwin, Kate A. The Racial Imaginary of the Cold War Kitchen: From Sokolʹniki Park to Chicago’s South Side. Hanover: Dartmouth College Press, 2016.Google Scholar
Bateman, Benjamin. The Modernist Art of Queer Survival. New York: Oxford University Press, 2018.Google Scholar
Baynton, Douglas C. Defectives in the Land: Disability and Immigration in the Age of Eugenics. Chicago: University of Chicago Press, 2016.Google Scholar
Benstock, Shari. Women of the Left Bank: Paris, 1900–1940. Austin: University of Texas Press, 1986.Google Scholar
Bolt, David. The Metanarrative of Blindness: A Re-reading of Twentieth-Century Anglophone Writing. Ann Arbor: University of Michigan Press, 2013.Google Scholar
Boone, Joseph Allen. Libidinal Currents: Sexuality and the Shaping of Modernism. Chicago: University of Chicago Press, 1998.Google Scholar
Brown, Dennis. Intertextual Dynamics within the Literary Group – Joyce, Lewis, Pound, and Eliot: The Men of 1914. Basingstoke: Macmillan, 1990.Google Scholar
Brown, Kirby. Stoking the Fire: Nationhood in Cherokee Writing, 1907–1970. Norman: University of Oklahoma Press, 2018.Google Scholar
Brundage, W. Fitzhugh (ed.). Beyond Blackface: African Americans and the Creation of American Popular Culture, 1890–1930. Chapel Hill: University of North Carolina Press, 2011.Google Scholar
Bürger, Peter. Theory of the Avant-Garde, trans. Michael Shaw. Minneapolis: University of Minnesota Press, 1984.Google Scholar
Burt, Ramsay. Alien Bodies: Representations of Modernity, “Race” and Nation in Early Modern Dance. London: Routledge, 1998.Google Scholar
Calo, Mary Ann. Distinction and Denial: Race, Nation, and the Critical Construction of the African American Artist, 1920–1940. Ann Arbor: University of Michigan Press, 2007.Google Scholar
Carby, Hazel. Cultures in Babylon: Black Britain and African America. London: Verso, 1999.Google Scholar
Carby, Hazel Race Men. Cambridge, MA: Harvard University Press, 2000.Google Scholar
Carey, Allison C. On the Margins of Citizenship: Intellectual Disability and Civil Rights in Twentieth-Century America. Philadelphia: Temple University Press, 2009.Google Scholar
Carlston, Erin G. Thinking Fascism: Sapphic Modernism and Fascist Modernity. Stanford: Stanford University Press, 1998.Google Scholar
Cheng, Anne Anlin. Second Skin: Josephine Baker and the Modern Surface. New York: Oxford University Press, 2013.Google Scholar
Childs, Donald J. Modernism and Eugenics: Woolf, Eliot, Yeats and the Culture of Degeneration. Cambridge: Cambridge University Press, 2001.Google Scholar
Chu, Patricia. Race, Nationalism, and the State in British and American Modernism. Cambridge: Cambridge University Press, 2006.Google Scholar
Clark, Audrey Wu. The Asian American Avant-Garde: Universalist Aspirations in Modernist Literature and Art. Philadelphia: Temple University Press, 2015.Google Scholar
Clark, Suzanne. Sentimental Modernism: Women Writers and the Revolution of the Word. Bloomington: Indiana University Press, 1991.Google Scholar
Culleton, Claire A., and Leick, Karen (eds.). Modernism on File: Modern Writers, Artists, and the FBI, 1920–1950. New York: Palgrave Macmillan, 2008.Google Scholar
Cutler, John Alba, “At the crossroads of circulation and translation: Rethinking US Latino/a modernism,” Modernism/modernity Print Plus 3.3 (2018). https://modernismmodernity.org/forums/posts/crossroads-circulation.Google Scholar
Cutler, John Alba Ends of Assimilation: The Formation of Chicano Literature. New York: Oxford University Press, 2015.Google Scholar
Davidson, Michael. Invalid Modernism: Disability and the Missing Body of the Aesthetic. New York: Oxford University Press, 2019.Google Scholar
Dawahare, Anthony. Nationalism, Marxism, and African American Literature between the Wars: A New Pandora’s Box. Jackson: University Press of Mississippi, 2003.Google Scholar
De Jongh, James. Vicious Modernism: Black Harlem and the Literary Imagination. New York: Cambridge University Press, 1990.Google Scholar
DeKoven, Marianne. Rich and Strange: Gender, History, Modernism. Princeton: Princeton University Press, 1991.Google Scholar
Denning, Michael. The Cultural Front: The Laboring of American Culture in the Twentieth Century. New York: Verso, 1998.Google Scholar
Dickson-Carr, Darryl. Spoofing the Modern: Satire in the Harlem Renaissance. Charleston: University of South Carolina Press, 2015.Google Scholar
DuCille, Ann. The Coupling Convention: Sex, Text, and Tradition in Black Women’s Fiction. New York: Oxford University Press, 1994.Google Scholar
Early, Frances H. A World without War: How U.S. Feminists and Pacifists Resisted World War I. Syracuse: Syracuse University Press, 1997.Google Scholar
Eburne, Jonathan P. Surrealism and the Art of Crime. Ithaca: Cornell University Press, 2008.Google Scholar
Edwards, Brent Hayes. The Practice of Diaspora: Literature, Translation, and the Rise of Black Internationalism. Cambridge, MA: Harvard University Press, 2003.Google Scholar
Elliott, Bridget, and Wallace, Jo-Ann. Women Artists and Writers: Modernist (Im)Positionings. New York: Routledge, 1994.Google Scholar
English, Elizabeth. Lesbian Modernism: Censorship, Sexuality and Genre Fiction. Edinburgh: Edinburgh University Press, 2015.Google Scholar
Erenberg, Lewis A. Steppin’ Out: New York Nightlife and the Transformation of American Culture, 1890–1930. Chicago: University of Chicago Press, 1981.Google Scholar
Farebrother, Rachel. The Collage Aesthetic in the Harlem Renaissance. Farnham: Ashgate, 2009.Google Scholar
Foley, Barbara. Radical Representations: Politics and Form in U.S. Proletarian Fiction 1929–1941. Durham: Duke University Press, 1993.Google Scholar
Foley, Barbara Spectres of 1919: Class and Nation in the Making of the New Negro. Urbana: University of Illinois Press, 2003.Google Scholar
Fried, Albert (ed.). Communism in America: A History in Documents. New York: Columbia University Press, 1997.Google Scholar
Gaines, Kevin K. Uplifting the Race: Black Leadership, Politics, and Culture in the Twentieth Century. Chapel Hill: University of North Carolina Press, 1996.Google Scholar
Gambrell, Alice. Women Intellectuals, Modernism, and Difference: Transatlantic Culture, 1919–1945. Cambridge: Cambridge University Press, 1997.Google Scholar
Garland-Thomson, Rosemarie. Extraordinary Bodies: Figuring Physical Disability in American Culture and Literature. First published 1997. New York: Columbia University Press, 2017.Google Scholar
Gifford, James. Personal Modernisms: Anarchist Networks and the Later Avant-Gardes. Edmonton: University of Alberta Press, 2014.Google Scholar
Gilbert, Sandra, and Gubar, Susan. No Man’s Land: The Place of the Woman Writer in the Twentieth Century. New Haven: Yale University Press, 1989–94.Google Scholar
Glavey, Brian. The Wallflower Avant-Garde: Modernism, Sexuality, and Queer Ekphrasis. New York: Oxford University Press, 2016.Google Scholar
Goody, Alex. Modernist Articulations: A Cultural Study of Djuna Barnes, Mina Loy and Gertrude Stein. New York: Palgrave Macmillan, 2007.Google Scholar
Griffin, Farah Jasmine. “Who Set You Flowin’?”: The African-American Migration Narrative. New York: Oxford University Press, 1995.Google Scholar
Gubar, Susan. Racechanges: White Skin, Black Face in American Culture. New York: Oxford University Press, 2000.Google Scholar
Hagood, Taylor. Faulkner, Writer of Disability. Baton Rouge: Louisiana State University Press, 2014.Google Scholar
Haralson, Eric. Henry James and Queer Modernity. Cambridge: Cambridge University Press, 2003.Google Scholar
Harding, Jason, and Nash, John. Modernism and Non-Translation. Oxford: Oxford University Press, 2019.Google Scholar
Heaney, Emma. The New Woman: Literary Modernism, Queer Theory, and the Trans Feminine Allegory. Evanston: Northwestern University Press, 2017.Google Scholar
Herring, Scott. Queering the Underworld: Slumming, Literature, and the Undoing of Lesbian and Gay History. Chicago: University of Chicago Press, 2007.Google Scholar
Hutchinson, George. The Harlem Renaissance in Black and White. Cambridge: Belknap Press of Harvard University Press, 1995.Google Scholar
Jackson, Lawrence P. The Indignant Generation: A Narrative History of African American Writers and Critics, 1934–1960. Princeton: Princeton University Press, 2011.Google Scholar
Jacques, Geoffrey. A Change in the Weather: Modernist Imagination, African American Imaginary. Amherst: University of Massachusetts Press, 2009.Google Scholar
Kadlec, David. Mosaic Modernism: Anarchism, Pragmatism, Culture. Baltimore: Johns Hopkins University Press, 2000.Google Scholar
Halliwell, Martin. Images of Idiocy: The Idiot Figure in Modern Fiction and Film. Burlington: Ashgate, 2004.Google Scholar
Kaplan, Carla. The Erotics of Talk: Women’s Writing and Feminist Paradigms. New York: Oxford University Press, 1996.Google Scholar
Kaplan, Carla. Miss Anne in Harlem: The White Women of the Black Renaissance. New York: Harper, 2013.Google Scholar
Kline, Wendy. Building a Better Race: Gender, Sexuality, and Eugenics from the Turn of the Century to the Baby Boom. Berkeley: University of California Press, 2001.Google Scholar
Krauss, Rosalind E. The Originality of the Avant-Garde and Other Modernist Myths. Cambridge, MA: MIT Press, 1985.Google Scholar
Lamos, Colleen. Deviant Modernism: Sexual and Textual Errancy in T.S. Eliot, James Joyce and Marcel Proust. Cambridge: Cambridge University Press, 2009.Google Scholar
Levine, Lawrence W. Black Culture and Black Consciousness: Afro-American Folk Thought from Slavery to Freedom. New York: Oxford University Press, 1977.Google Scholar
Lewis, David Levering. When Harlem Was in Vogue. New York: Oxford University Press, 1989.Google Scholar
Linett, Maren Tova. Bodies of Modernism: Physical Disability in Transatlantic Modernist Literature. Ann Arbor: University of Michigan Press, 2016.Google Scholar
Lombardo, Paul A (ed.). A Century of Eugenics in America: From the Indiana Experiment to the Human Genome Era. Bloomington: Indiana University Press, 2011.Google Scholar
Lye, Colleen. America’s Asia: Racial Form and American Literature, 1893–1945. Princeton: Princeton University Press, 2005.Google Scholar
Marcus, Jane. Hearts of Darkness: White Women Write Race. New Brunswick: Rutgers University Press, 2004.Google Scholar
Maxwell, William J. F.B. Eyes: How J. Edgar Hoover’s Ghostreaders Framed African American Literature. Princeton: Princeton University Press, 2015.Google Scholar
Maxwell, William J. New Negro, Old Left: African American Writing and Communism between the Wars. New York: Columbia University Press, 1999.Google Scholar
McDowell, Deborah E. “The Changing Same”: Black Women’s Literature, Criticism, and Theory. Bloomington: Indiana University Press, 1995.Google Scholar
Middleton, Peter. The Inward Gaze: Masculinity and Subjectivity in Modern Culture. London: Routledge, 1992.Google Scholar
Mitchell, David T., and Snyder, Sharon L.. Narrative Prosthesis: Disability and the Dependencies of Discourse. Ann Arbor: University of Michigan Press, 2001.Google Scholar
Mullen, Bill V. Afro-Orientalism. Minneapolis: University of Minnesota Press, 2004.Google Scholar
Mullen, Bill V., and Smethurst, James (eds.). Left of the Color Line: Race, Radicalism, and Twentieth-Century Culture. Chapel Hill: University of North Carolina Press, 2003.Google Scholar
Murphy, Brenda. The Provincetown Players and the Culture of Modernity. Cambridge: Cambridge University Press, 2005.Google Scholar
Ngai, Sianne. Ugly Feelings. Cambridge, MA: Harvard University Press, 2004.Google Scholar
Patterson, Martha (ed.). The American New Woman Revisited: A Reader 1894–1930. New Brunswick: Rutgers University Press, 2008.Google Scholar
Pollentier, Caroline, and Wilson, Sarah (eds.). Modernist Communities across Cultures and Media. Gainesville: University Press of Florida, 2019.Google Scholar
Rainey, Lawrence. Institutions of Modernism: Literary Elites and Public Culture. New Haven: Yale University Press, 1998.Google Scholar
Rhodes, Chip. Structures of the Jazz Age: Mass Culture, Progressive Education and Racial Discourse in American Modernism. London: Verso, 1998.Google Scholar
Ross, Marlon B. Manning the Race: Reforming Back Men in the Jim Crow Era. New York: New York University Press, 2004.Google Scholar
Rowden, Terry. The Songs of Blind Folk: African American Musicians and the Cultures of Blindness. Ann Arbor: University of Michigan Press, 2009.Google Scholar
Russell, Emily. Reading Embodied Citizenship: Disability, Narrative, and the Body Politic. New Brunswick: Rutgers University Press, 2011.Google Scholar
Sanchez, Rebecca. Deafening Modernism: Embodied Language and Visual Poetics in American Literature. New York: New York University Press, 2015.Google Scholar
Schulze, Robin. The Web of Friendship: Marianne Moore and Wallace Stevens. Ann Arbor: University of Michigan Press, 1995.Google Scholar
Schwarz, A. B. Christa. Gay Voices of the Harlem Renaissance. Bloomington: Indiana University Press, 2003.Google Scholar
Scott, Bonnie Kime (ed.). Gender in Modernism: New Geographies, Complex Intersections. Urbana: University of Illinois Press, 2007.Google Scholar
Scott, Bonnie Kime (ed.). The Gender of Modernism: A Critical Anthology. Bloomington: Indiana University Press, 1990.Google Scholar
Scott, Bonnie Kime Refiguring Modernism, Vol. I: The Women of 1928. Bloomington: Indiana University Press, 1995.Google Scholar
Sedgwick, Eve. Epistemology of the Closet. Berkeley: University of California Press, 2008.Google Scholar
Sherrard-Johnson, Cherene (ed.). A Companion to the Harlem Renaissance. Chichester: Wiley-Blackwell, 2015.Google Scholar
Sherrard-Johnson, Cherene Portraits of the New Negro Woman: Visual and Literary Culture in the Harlem Renaissance. New Brunswick: Rutgers University Press, 2007.Google Scholar
Sherry, Vincent. Ezra Pound, Wyndham Lewis, and Radical Modernism. New York: Oxford University Press, 1993.Google Scholar
Simmons, K. Merinda, and Crank, James A.. Race and New Modernisms. London: Bloomsbury, 2019.Google Scholar
So, Richard. Transpacific Community: America, China, and the Rise and Fall of a Cultural Network. New York: Columbia University Press, 2016.Google Scholar
Sollors, Werner. Beyond Ethnicity: Consent and Descent in American Culture. New York: Oxford University Press, 1986.Google Scholar
Sollors, Werner Ethnic Modernism. Cambridge, MA: Harvard University Press, 2008.Google Scholar
Sollors, Werner Neither Black nor White Yet Both: Thematic Explorations of Interracial Literature. New York: Oxford University Press, 1997.Google Scholar
Somerville, Siobhan B. Queering the Color Line: Race and the Invention of Homosexuality in American Culture. Durham: Duke University Press, 2000.Google Scholar
Sorensen, Leif. Ethnic Modernism and the Making of US Literary Multiculturalism. New York: Palgrave Macmillan, 2016.Google Scholar
Soto, Michael. Measuring the Harlem Renaissance: The U.S. Census, African American Identity, and Literary Form. Amherst: University of Massachusetts Press, 2016.Google Scholar
Stevens, Hugh, and Howlett, Caroline (eds.). Modernist Sexualities. Manchester: Manchester University Press, 2000.Google Scholar
Straus, Joseph Nathan. Broken Beauty: Musical Modernism and the Representation of Disability. New York: Oxford University Press, 2018.Google Scholar
Strychacz, Thomas. Modernism, Mass Culture, and Professionalism. Cambridge: Cambridge University Press, 1993.Google Scholar
Sundquist, Eric. To Wake the Nations: Race in the Making of American Literature. Cambridge, MA: Belknap Press of Harvard University Press, 1998.Google Scholar
Tashjian, Dickran L. Skyscraper Primitives: Dada and the American Avant-Garde, 1910–1925. Middletown: Wesleyan University Press, 1975.Google Scholar
Thaggert, Miriam. Images of Black Modernism: Verbal and Visual Strategies of the Harlem Renaissance. Amherst: University of Massachusetts Press, 2010.Google Scholar
Trask, Michael. Cruising Modernism: Class and Sexuality in American Literature and Social Thought. Ithaca: Cornell University Press, 2003.Google Scholar
Tratner, Michael. Deficits and Desires: Economics and Sexuality in Twentieth Century Literature. Stanford: Stanford University Press, 2001.Google Scholar
Tratner, Michael Modernism and Mass Politics: Joyce, Woolf, Eliot, Yeats. Stanford: Stanford University Press, 1995.Google Scholar
van Wienen, Mark W. American Socialist Triptych: The Literary-Political Work of Charlotte Perkins Gilman, Upton Sinclair, and W.E.B. Du Bois. Ann Arbor: University of Michigan Press, 2012.Google Scholar
Vogel, Shane. The Scene of Harlem Cabaret: Race, Sexuality, Performance. Chicago: University of Chicago Press, 2009.Google Scholar
Wald, Gayle. Crossing the Line: Racial Passing in Twentieth-Century U.S. Literature and Culture. Durham: Duke University Press, 2000.Google Scholar
Wall, Cheryl A. Women of the Harlem Renaissance. Bloomington: Indiana University Press, 1995.Google Scholar
Watson, Steven. Strange Bedfellows: The First American Avant-Garde. New York: Abbeville Press, 1991.Google Scholar
Whalan, Mark. The Great War and the Culture of the New Negro. Gainesville: University Press of Florida, 2008.Google Scholar
Whalan, Mark Race, Manhood, and Modernism in America: The Short Story Cycles of Sherwood Anderson and Jean Toomer. Knoxville: University of Tennessee Press, 2007.Google Scholar
Wickes, George. Americans in Paris. New York: Da Capo Press, 1980.Google Scholar
Williams, Louise Blakeney. Modernism and the Ideology of History: Literature, Politics, and the Past. Cambridge: Cambridge University Press, 2002.Google Scholar
Williams, Raymond. The Politics of Modernism: Against the New Conformists. New York: Verso, 1989.Google Scholar
Ziarek, Ewa Płonowska. Feminist Aesthetics and the Politics of Modernism. New York: Columbia University Press, 2012.Google Scholar
Allred, Jeff. American Modernism and Depression Documentary. New York: Oxford University Press, 2009.Google Scholar
Barnhisel, Greg. Cold War Modernists: Art, Literature, and American Cultural Diplomacy. New York: Columbia University Press, 2015.Google Scholar
Bederman, Gail. Manliness and Civilization: A Cultural History of Gender and Race in the United States, 1880–1917. Chicago: Chicago University Press, 1995.Google Scholar
Berman, Marshall. All That Is Solid Melts into Air: The Experience of Modernity. London: Verso, 1983.Google Scholar
Bindas, Kenneth J. Modernity and the Great Depression: The Transformation of American Society, 1930–1941. Lawrence: University Press of Kansas, 2017.Google Scholar
Blackhawk, Ned, and Wilner, Isaiah Lorado. Indigenous Visions: Rediscovering the World of Franz Boas. New Haven: Yale University Press, 2018.Google Scholar
Blake, Casey Nelson (ed.). The Arts of Democracy: Art, Public Culture, and the State. Philadelphia: University of Pennsylvania Press, 2007.Google Scholar
Browder, Laura. Rousing the Nation: Radical Culture in Depression America. Amherst: University of Massachusetts Press, 1998.Google Scholar
Cooney, Terry A. Balancing Acts: American Thought and Culture in the 1930s. New York: Twayne, 1995.Google Scholar
Cooper, Jr., John Milton. Pivotal Decades: The United States 1900–1920. New York: W. W. Norton, 1990.Google Scholar
Cooperman, Stanley. The Great War and the American Novel. Baltimore: Johns Hopkins University Press, 1970.Google Scholar
Cork, Richard. A Bitter Truth: Avant-Garde Art and the Great War. New Haven: Yale University Press, 1994.Google Scholar
Crunden, Robert M. American Salons: Encounters with European Modernism, 1885–1917. New York: Oxford University Press, 1993.Google Scholar
Currell, Susan. American Culture in the 1920s. Edinburgh: Edinburgh University Press, 2009.Google Scholar
Currell, Susan The March of Spare Time: The Problem and Promise of Leisure in the Great Depression. Philadelphia: University of Pennsylvania Press, 2005.Google Scholar
Currell, Susan, and Cogdell, Christina (eds.). Popular Eugenics: National Efficiency and American Mass Culture in the 1930s. Columbus: Ohio University Press, 2006.Google Scholar
Davis, David A. World War I and Southern Modernism. Jackson: University Press of Mississippi, 2018.Google Scholar
Davis, Simone Weil. Living Up to the Ads: Gender Fictions of the 1920. Durham: Duke University Press, 2000.Google Scholar
Dawley, Alan. Changing the World: American Progressives in War and Revolution. Princeton: Princeton University Press, 2003.Google Scholar
Dayton, Tim. American Poetry and The First World War. Cambridge: Cambridge University Press, 2018.Google Scholar
Denning, Michael. Culture in the Age of Three Worlds. New York: Verso, 2004.Google Scholar
Dijkstra, Bram. American Expressionism: Art and Social Change, 1920–1950. New York: Henry N. Adams, 2003.Google Scholar
Dinerstein, Joel. Swinging the Machine: Modernity, Technology, and African American Culture Between the World Wars. Amherst: University of Massachusetts Press, 2003.Google Scholar
Duffy, Enda. The Speed Handbook: Velocity, Pleasure, Modernism. Durham: Duke University Press, 2009.Google Scholar
Dumenil, Lynn. The Modern Temper: American Culture and Society in the 1920s. New York: Hill and Wang, 1995.Google Scholar
Dumenil, Lynn The Second Line of Defense: American Women and World War I. Chapel Hill: University of North Carolina Press, 2017.Google Scholar
Edmunds, Susan. Grotesque Relations: Modernist Domestic Fiction and the U.S. Welfare State. New York: Oxford University Press, 2008.Google Scholar
English, Daylanne K. Unnatural Selections: Eugenics in American Modernism and the Harlem Renaissance. Chapel Hill: University of North Carolina Press, 2004.Google Scholar
Ford, James Edward, III. Thinking through Crisis: Depression-Era Black Literature, Theory, and Politics. New York: Fordham, 2020.Google Scholar
Galvin, Rachel. News of War: Civilian Poetry, 1936–1945. New York: Oxford University Press, 2018.Google Scholar
Gandal, Keith. The Gun and the Pen: Hemingway, Fitzgerald, Faulkner and the Fiction of Mobilization. New York: Oxford University Press, 2010.Google Scholar
Gandal, Keith War Isn’t the Only Hell: A New Reading of World War I American Literature. Baltimore: Johns Hopkins University Press, 2018.Google Scholar
Genter, Robert. Late Modernism: Art, Culture, and Politics in Cold War America. Philadelphia: University of Pennsylvania Press, 2010.Google Scholar
Goldberg, David J. Discontented America: The United States in the 1920s. Baltimore: Johns Hopkins University Press, 1999.Google Scholar
Goodspeed-Chadwick, Julie. Modernist Women Writers and War: Trauma and the Female Body in Djuna Barnes, H.D., and Gertrude Stein. Baton Rouge: Louisiana State University Press, 2011.Google Scholar
Guterl, Matthew Pratt. The Color of Race in America, 1900–1940. Cambridge, MA: Harvard University Press, 2001.Google Scholar
Guterl, Matthew Pratt Seeing Race in Modern America. Chapel Hill: University of North Carolina Press, 2013.Google Scholar
Hale, Grace Elizabeth. Making Whiteness: The Culture of Segregation in the South, 1890–1940. New York: Vintage, 1999.Google Scholar
Hankins, Gabriel. Interwar Modernism and the Liberal World Order: Offices, Institutions, and Aesthetics after 1919. Cambridge: Cambridge University Press, 2019.Google Scholar
Haytock, Jennifer. At Home, At War: Domesticity and World War I in American Literature. Columbus: Ohio State University Press, 2003.Google Scholar
Heller, Adelle, and Rudnick, Lois (eds.). 1915: The Cultural Moment. New Brunswick: Rutgers University Press, 1991.Google Scholar
Higham, John. Strangers in the Land: Patterns of American Nativism, 1860–1925. New Brunswick: Rutgers University Press, 2002.Google Scholar
Higonnet, Margaret (ed.). Lines of Fire: Women Writers of World War I. New York: Penguin, 1999.Google Scholar
Higonnet, Margaret (ed.). Nurses at the Front: Writing the Wounds of War. Boston: Northeastern University Press, 2001.Google Scholar
Hutchison, Hazel. The War That Used Up Words: American Writers and the First World War. New Haven: Yale University Press, 2015.Google Scholar
James, Pearl. The New Death: American Modernism and World War I. Charlottesville: University of Virginia Press, 2013.Google Scholar
Jameson, Fredric. A Singular Modernity: Essay on the Ontology of the Present. London: Verso, 2002.Google Scholar
Kalaidjian, Walter. American Culture between the Wars: Revisionary Modernism and Postmodern Critique. New York: Columbia University Press, 1993.Google Scholar
Kaplan, Amy, and Pease, Donald (eds.). Cultures of United States Imperialism. Durham: Duke University Press, 1993.Google Scholar
Kennedy, David M. Freedom from Fear: The American People in Depression and War, 1929–1945. New York: Oxford University Press, 1999.Google Scholar
Kennedy, David M. Over Here: The First World War and American Society. New York: Oxford University Press, 2004.Google Scholar
Kern, Stephen. The Culture of Time and Space, 1880–1918. Cambridge, MA: Harvard University Press, 1983.Google Scholar
Kimmel, Michael. Manhood in America: A Cultural History. New York: Free Press, 1997.Google Scholar
Kutlas, Judy. The Long War: The Intellectual People’s Front and Anti-Stalinism 1930–1940. Durham: Duke University Press, 1995.Google Scholar
Lears, T. J. Jackson. Fables of Abundance: A Cultural History of Advertising in America. New York: Basic Books, 1994.Google Scholar
Lears, T. J. No Place of Grace: Antimodernism and the Transformation of American Culture, 1880–1920. Chicago: University of Chicago Press, 1994.Google Scholar
Lears, T. J. The Rebirth of America, 1877–1920. New York: Harper’s, 2009.Google Scholar
Lears, T. J. The Opening of the American Mind: Canons, Culture, and History. Boston: Beacon Press, 1996.Google Scholar
Lears, T. J. The Unpredictable Past: Explorations in American Cultural History. New York: Oxford University Press, 1993.Google Scholar
Livingston, James. Pragmatism and the Political Economy of Cultural Revolution, 1850–1940. Chapel Hill: University of North Carolina Press, 1994.Google Scholar
Livingston, James. Pragmatism, Feminism, and Democracy: Rethinking the Politics of American History. New York: Routledge, 2001.Google Scholar
MacKay, Marina. Modernism and World War II. Cambridge: Cambridge University Press, 2007.Google Scholar
Manganaro, Marc. Culture, 1922: The Emergence of a Concept. Princeton: Princeton University Press, 2002.Google Scholar
May, Henry F. The Divided Heart: Essays on Protestantism and the Enlightenment in America. New York: Oxford University Press, 1991.Google Scholar
May, Henry F. The End of American Innocence: A Study of the First Years of Our Own Time, 1912–1917. Chicago: Quadrangle Paperbacks, 1964.Google Scholar
May, Henry F. The Enlightenment in America. New York: Oxford University Press, 1976.Google Scholar
McCann, Sean. Gumshoe America: Hard-Boiled Crime Fiction and the Rise and Fall of New Deal Liberalism. Durham: Duke University Press, 2000.Google Scholar
McCann, Sean. A Pinnacle of Feeling: American Literature and Presidential Government. Princeton: Princeton University Press, 2008.Google Scholar
McGerr, Michael. A Fierce Discontent: The Rise and Fall of the Progressive Movement, 1880–1920. New York: Oxford University Press, 2003.Google Scholar
Mullen, Bill V., Popular Fronts: Chicago and African-American Cultural Politics, 1935–46. Urbana: University of Illinois Press, 1999.Google Scholar
Mullen, Bill V., and Linkon, Sherry Lee (eds.). Radical Revisions: Rereading 1930s Culture. Urbana: University of Illinois Press, 1996.Google Scholar
Muresianu, John. American Intellectuals and the World Crisis, 1938–1945. New York: Garland, 1988.Google Scholar
North, Joseph (ed.). New Masses: An Anthology of the Rebel Thirties. New York: International, 1970.Google Scholar
North, Michael. Novelty: A History of the New. Chicago: University of Chicago Press, 2013.Google Scholar
North, Michael Reading 1922: A Return to the Scene of the Modern. New York: Oxford University Press, 1999.Google Scholar
Outka, Elizabeth. Viral Modernism: The Influenza Pandemic and Interwar Literature. New York: Columbia University Press, 2020.Google Scholar
Palmer, Niall. America in the 1920s. Edinburgh: Edinburgh University Press, 2003.Google Scholar
Parrish, Michael. Anxious Decades: America in Prosperity and Depression, 1920–1941. New York: W. W. Norton, 1992.Google Scholar
Parrish, Susan Scott. The Flood Year 1927: A Cultural History. Princeton: Princeton University Press, 2017.Google Scholar
Peeler, David. Hope Among Us Yet: Social Criticism and Social Solace in Depression America. Athens: University of Georgia Press, 1987.Google Scholar
Peiss, Kathy Lee. Cheap Amusements: Working Women and Leisure in Turn-of-the-Century New York. Philadelphia: Temple University Press, 1986.Google Scholar
Penkower, Monte. The Federal Writers’ Project: A Study in Government Patronage of the Arts. Urbana: University of Illinois Press, 1977.Google Scholar
Perloff, Marjorie. Edge of Irony: Modernism in the Shadow of the Habsburg Empire. Chicago: University of Chicago Press, 2016.Google Scholar
Pfeiffer, Kathleen. Race Passing and American Individualism. Amherst: University of Massachusetts Press, 2002.Google Scholar
Pick, Daniel. War Machine: The Rationalization of Slaughter in the Modern Age. New Haven: Yale University Press, 1993.Google Scholar
Rae, Patricia (ed.). Modernism and Mourning. Lewisburg: Bucknell University Press, 2007.Google Scholar
Retman, Sonnet. Real Folks: Race and Genre in the Great Depression. Durham: Duke University Press, 2011.Google Scholar
Rice, Anne P. Witnessing Lynching: American Writers Respond. New Brunswick: Rutgers University Press, 2003.Google Scholar
Rosenberg, Harold. The Tradition of the New. New York: Horizon Press, 1959.Google Scholar
Rowe, John Carlos. The New American Studies. Minneapolis: The University of Minnesota Press, 2002.Google Scholar
Ryan, Erica J. Red War on the Family: Sex, Gender, and Americanism in the First Red Scare. Philadelphia: Temple University Press, 2015.Google Scholar
Saint-Amour, Paul. Tense Future: Modernism, Total War, Encyclopedic Form. New York: Oxford University Press, 2015.Google Scholar
Segal, Howard P. Recasting the Machine Age: Henry Ford’s Village Industries. Amherst: University of Massachusetts Press, 2005.Google Scholar
Sherry, Vincent. The Great War and the Language of Modernism. New York: Oxford University Press, 2003.Google Scholar
Sklar, Martin. The Corporate Reconstruction of American Capitalism, 1890–1916. Cambridge: Cambridge University Press, 1988.Google Scholar
Susman, Warren. Culture as History: The Transformation of American Society in the Twentieth Century. New York: Pantheon, 1984.Google Scholar
Szalay, Michael. New Deal Modernism: American Literature and the Invention of the Welfare State. Durham: Duke University Press, 2000.Google Scholar
Takayoshi, Ichiro. American Writers and the Approach of World War II, 1935–1941: A Literary History. Cambridge: Cambridge University Press, 2015.Google Scholar
Torgovnick, Marianna. Gone Primitive: Savage Intellects, Modern Lives. Chicago: University of Chicago Press, 1991.Google Scholar
Trout, Steven. On the Battlefield of Memory: The First World War and American Remembrance, 1919–1941. Tuscaloosa: University of Alabama Press, 2010.Google Scholar
Vincent, Jonathan. The Health of the State: Modern US War Narrative and the American Political Imagination, 1890–1964. New York: Oxford University Press, 2016.Google Scholar
Wald, Alan M. American Night: The Literary Left in the Era of the Cold War. Chapel Hill: University of North Carolina Press, 2012.Google Scholar
Wald, Alan M. Exiles from a Future Time: The Forging of the Mid-Twentieth-Century Literary Left. Chapel Hill: University of North Carolina Press, 2002.Google Scholar
Wald, Alan M. Trinity of Passion: The Literary Left and the Antifascist Crusade. Chapel Hill: University of North Carolina Press, 2007.Google Scholar
Wald, Sarah D. The Nature of California: Race, Citizenship, and Farming since the Dust Bowl. Seattle: University of Washington Press, 2016.Google Scholar
Whalan, Mark. American Culture in the 1910s. Edinburgh: Edinburgh University Press, 2010.Google Scholar
Whalan, Mark World War One, American Literature, and the Federal State. Cambridge: Cambridge University Press, 2018.Google Scholar
Wilson, Edmund. American Earthquake: A Documentary of the Twenties and Thirties. Garden City: Doubleday, 1958.Google Scholar
Winter, Jay (ed.). The Great War and the Twentieth Century. New Haven: Yale University Press, 2000.Google Scholar
Allen, Carolyn. Following Djuna: Women Lovers and the Erotics of Loss. Bloomington: Indiana University Press, 1996.Google Scholar
Broe, Mary Lynn. Silence and Power: A Reevaluation of Djuna Barnes. Carbondale: Southern Illinois University Press, 1991.Google Scholar
Caselli, Daniela. Improper Modernism: Djuna Barnes’s Bewildering Corpus. Burlington: Ashgate, 2009.Google Scholar
Charles, Anne M. Sapphic Modernism, Marginality, and Expatriatism in the Novels of Djuna Barnes. Madison: University of Wisconsin-Madison Press, 1998.Google Scholar
Field, Andrew. The Formidable Miss Barnes: A Biography of Djuna Barnes. London: Secker & Warburg, 1983.Google Scholar
Herring, Phillip. Djuna: The Life and Work of Djuna Barnes. New York: Viking, 1995.Google Scholar
Kannenstine, Louis F. The Art of Djuna Barnes: Duality and Damnation. New York: New York University Press, 1977.Google Scholar
O’Neal, Hank. “Life Is Painful, Nasty & Short – In My Case It Has Only Been Painful and Nasty”: Djuna Barnes, 1978–1981: An Informal Memoir. New York: Paragon House, 1990.Google Scholar
Parsons, Deborah L. Djuna Barnes. Liverpool: Liverpool University Press, 2003.Google Scholar
Pender, Elizabeth, and Setz, Cathryn (eds.). Shattered Objects: Djuna Barnes’s Modernism. University Park: Pennsylvania State University Press, 2019.Google Scholar
Plumb, Cheryl J. Fancy’s Craft: Art and Identity in the Early Works of Djuna Barnes. London: Susquehanna University Press, 1986.Google Scholar
Roos, Bonnie. Djuna Barnes’s Nightwood: The World and the Politics of Peace. New York: Bloomsbury, 2014.Google Scholar
Scott, James B. Djuna Barnes. Boston: Twayne Publishers, 1976.Google Scholar
Taylor, Julie. Djuna Barnes and Affective Modernism. Edinburgh: Edinburgh University Press, 2012.Google Scholar
Warren, Diane. Djuna Barnes’ Consuming Fictions. Burlington: Ashgate, 2008.Google Scholar
Acocella, Joan Ross. Willa Cather and the Politics of Criticism. Lincoln: University of Nebraska Press, 2000.Google Scholar
Arnold, Marilyn. Willa Cather’s Short Fiction. Athens: Ohio University Press, 1984.Google Scholar
Goldberg, Jonathan. Willa Cather and Others. Durham: Duke University Press, 2001.Google Scholar
Homestead, Melissa J., and Reynolds, Guy (eds.). Willa Cather and Modern Cultures. Lincoln: University of Nebraska Press, 2011.Google Scholar
Lindemann, Marilee. Willa Cather: Queering America. New York: Columbia University Press, 1999.Google Scholar
Moseley, Ann, Murphy, John J., and Thacker, Robert. Willa Cather at the Modernist Crux. Lincoln: University of Nebraska, 2017.Google Scholar
Murphy, John J., and Skaggs, Merrill Maguire. Willa Cather: New Facts, New Glimpses, Revisions. Madison: Fairleigh Dickinson University Press, 2008.Google Scholar
O’Brien, Sharon. Willa Cather: The Emerging Voice. New York: Oxford University Press, 1987.Google Scholar
Palmer, Daryl W. Becoming Willa Cather: Creation and Career. Reno: University of Nevada Press, 2019.Google Scholar
Reynolds, Guy. Sensing Willa Cather: The Writer and the Body in Transition. Edinburgh: Edinburgh University Press, 2021.Google Scholar
Reynolds, Guy. Willa Cather in Context: Progress, Race, Empire. Basingstoke: Macmillan, 1996.Google Scholar
Rosowski, Susan. The Voyage Perilous: Willa Cather’s Romanticism. Lincoln: University of Nebraska Press, 1986.Google Scholar
Skaggs, Merrill Maguire. After the World Broke in Two: The Later Novels of Willa Cather. Charlottesville: University Press of Virginia, 1990.Google Scholar
Stout, Janis P. (ed.). Willa Cather and Material Culture: Real-World Writing, Writing the Real World. Tuscaloosa: University of Alabama Press, 2005.Google Scholar
Swift, John N., and Urgo, Joseph R. (eds.). Willa Cather and the American Southwest. Lincoln: University of Nebraska Press, 2002.Google Scholar
Trout, Steven. Memorial Fictions: Willa Cather and the First World War. Lincoln: University of Nebraska Press, 2002.Google Scholar
Winters, Laura. Willa Cather: Landscape and Exile. Cranbury: Susquehanna University Press, 1993.Google Scholar
Berthoff, Warner. Hart Crane: A Re-introduction. Minneapolis: University of Minnesota Press, 1989.Google Scholar
Brunner, Edward. Splendid Failure: Hart Crane and the Making of The Bridge. Urbana: University of Illinois Press, 1985.Google Scholar
Edelman, Lee. Transmemberment of Song: Hart Crane’s Anatomies of Rhetoric and Desire. Stanford: Stanford University Press, 1987.Google Scholar
Fisher, Clive. Hart Crane. New Haven: Yale University Press, 2002.Google Scholar
Giles, Paul. Hart Crane: The Contexts of The Bridge. Cambridge: Cambridge University Press, 1986.Google Scholar
Hammer, Langdon. Hart Crane and Allen Tate: Janus-Faced Modernism. Princeton: Princeton University Press, 1993.Google Scholar
Irwin, John T. Hart Crane’s Poetry: “Appollinaire Lived in Paris, I Live in Cleveland, Ohio.” Baltimore: Johns Hopkins University Press, 2011.Google Scholar
Leibowitz, Herbert A. Hart Crane: An Introduction to the Poetry. New York: Columbia University Press, 1968.Google Scholar
Lewis, R. W. B. The Poetry of Hart Crane: A Critical Study. Princeton: Princeton University Press, 1967.Google Scholar
Mariani, Paul L. The Broken Tower: A Life of Hart Crane. New York: W. W. Norton, 1999.Google Scholar
Reed, Brian. Hart Crane After His Lights. Tuscaloosa: University of Alabama Press, 2006.Google Scholar
Sugg, Richard P. Hart Crane’s The Bridge: A Description of Its Life. Tuscaloosa: University of Alabama Press, 1976.Google Scholar
Trachtenberg, Alan. Hart Crane: A Collection of Critical Essays. Englewood Cliffs: Prentice-Hall, 1982.Google Scholar
Yingling, Thomas E. Hart Crane and the Homosexual Text: New Thresholds, New Anatomies. Chicago: University of Chicago Press, 1990.Google Scholar
Belkind, Allen, and Moore, Harry T. (eds.). Dos Passos: The Critics, and the Writer’s Intention. Edwardsville: Southern Illinois University Press, 1971.Google Scholar
Carr, Virginia Spencer. Dos Passos: A Life. Evanston: Northwestern University Press, 2004.Google Scholar
Casey, Janet Galligani. Dos Passos and the Ideology of the Feminine. New York: Cambridge University Press, 1998.Google Scholar
Landsberg, Melvin. Dos Passos’ Path to U.S.A.: A Political Biography, 1912–1936. Boulder: Colorado Associated University Press, 1972.Google Scholar
Maine, Barry (ed.). John Dos Passos. New York: Routledge, 2012.Google Scholar
Nanney, Lisa. John Dos Passos. New York: Twayne Publishers, 1998.Google Scholar
Nanney, Lisa John Dos Passos and Cinema. Clemson: Clemson University Press, 2019.Google Scholar
Pizer, Donald. Dos Passos’ U.S.A.: A Critical Study. Charlottesville: University Press of Virginia, 1988.Google Scholar
Pizer, Donald, Nanney, Lisa, and Layman, Richard (eds.). The Paintings and Drawings of John Dos Passos: A Collection and Study. Liverpool: Liverpool University Press, 2016.Google Scholar
Rosen, Robert C. John Dos Passos, Politics and the Writer. Lincoln: University of Nebraska Press, 1981.Google Scholar
Shaheen, Aaron, and Bautista Cordero, Rosa Maria (eds.). John Dos Passos’s Transatlantic Chronicling: Critical Essays on the Interwar Years. Knoxville: University of Tennessee Press, 2022.Google Scholar
Wagner, Linda W. Dos Passos: Artist as American. Austin: University of Texas Press, 2011.Google Scholar
Alridge, Derrick P. The Educational Thought of W.E.B. Du Bois: An Intellectual History. New York: Teachers College Press, 2008.Google Scholar
Balfour, Katharine Lawrence. Democracy’s Reconstruction: Thinking Politically with W.E.B. Du Bois. New York: Oxford University Press, 2011.Google Scholar
Bass, Amy. Those about Him Remained Silent: The Battle over W.E.B. Du Bois. Minneapolis: University of Minnesota Press, 2009.Google Scholar
Blum, Edward J. W.E.B. Du Bois, American Prophet. Philadelphia: University of Pennsylvania Press, 2007.Google Scholar
Chandler, Nahum. X – The Problem of the Negro as a Problem for Thought. New York: Fordham Press, 2014.Google Scholar
Johnson, Terrence L. Tragic Soul-Life: W.E.B. Du Bois and the Moral Crisis Facing American Democracy. New York: Oxford University Press, 2012.Google Scholar
Kahn, Jonathon Samuel. Divine Discontent: The Religious Imagination of W.E.B. Du Bois. New York: Oxford University Press, 2009.Google Scholar
Kirschke, Amy Helene. Art in Crisis: W.E.B. Du Bois and the Struggle for African American Identity and Memory. Bloomington: Indiana University Press, 2007.Google Scholar
Horne, Gerald. Black and Red: W.E.B. Du Bois and the Afro-American Response to the Cold War, 1944–1963. Albany: State University of New York Press, 1986.Google Scholar
Lewis, David Levering. W.E.B. Du Bois: A Biography 1868–1963. New York: H. Holt, 2009.Google Scholar
Marable, Manning. W.E.B. Du Bois: Black Radical Democrat. London: Routledge, 2004.Google Scholar
Mullen, Bill V. Un-American: W.E.B. Du Bois and the Century of World Revolution. Philadelphia: Temple University Press, 2015.Google Scholar
Mullen, Bill V., and Watson, Cathryn (eds.). W.E.B. Du Bois on Asia Crossing the World Color Line. Jackson: University Press of Mississippi, 2005.Google Scholar
Porter, Eric. The Problem of the Future World: W.E.B. Du Bois and the Race Concept at Midcentury. Durham: Duke University Press, 2010.Google Scholar
Reed, Adolph L. W.E.B. Du Bois and American Political Thought: Fabianism and the Color Line. New York: Oxford University Press, 1997.Google Scholar
Zamir, Shamoon. Dark Voices: W.E.B. Du Bois and American Thought, 1888–1903. Chicago: University of Chicago Press, 1995.Google Scholar
Bendient, Calvin. He Do the Police in Different Voices: “The Waste Land” and Its Protagonist. Chicago: University of Chicago Press, 1986.Google Scholar
Brooker, Jewel Spears. Mastery and Escape: T.S. Eliot and the Dialectic of Modernism. Amherst: University of Massachusetts Press, 1994.Google Scholar
Brooker, Jewel Spears T. S. Eliot’s Dialectical Imagination. Baltimore: Johns Hopkins University Press, 2018.Google Scholar
Bush, Ronald. T.S. Eliot: A Study in Character and Style. New York: Oxford University Press, 1984.Google Scholar
Chinitz, David. T.S. Eliot and the Cultural Divide. Chicago: University of Chicago Press, 2003.Google Scholar
Cianci, Giovanni, and Harding, Jason (eds.). T.S. Eliot and the Concept of Tradition. Cambridge: Cambridge University Press, 2007.Google Scholar
Crawford, Robert. The Savage and the City in the Work of T.S. Eliot. Oxford: Clarendon Press, 1987.Google Scholar
Crawford, Robert Young Eliot: From St Louis to The Waste Land. London: Jonathan Cape, 1999.Google Scholar
Gardener, Helen. T.S. Eliot: An Imperfect Life. New York: W. W. Norton, 1999.Google Scholar
Julius, Anthony. T.S. Eliot, Anti-Semitism and Literary Form. Cambridge: Cambridge University Press, 1995.Google Scholar
Kennedy, Sarah. T.S. Eliot and the Dynamic Imagination. Cambridge: Cambridge University Press, 2018.Google Scholar
Kenner, Hugh. T.S. Eliot: The Invisible Poet. New York: McDowell, Obolensky, 1959.Google Scholar
Laity, Cassandra, and Gish, Nancy K. (eds.). Gender, Desire, and Sexuality in T.S. Eliot. Cambridge: Cambridge University Press, 2004.Google Scholar
Matthews, Steven. T.S. Eliot and Early Modern Literature. Oxford: Oxford University Press, 2003.Google Scholar
Menand, Louis. Discovering Modernism: T.S. Eliot in His Context. New York: Oxford University Press, 1987.Google Scholar
Moody, David. Thomas Stearns Eliot: Poet. Cambridge: Cambridge University Press, 1979.Google Scholar
Oser, Lee. T.S. Eliot and American Poetry. Columbia: University of Missouri Press, 1998.Google Scholar
Raine, Craig. T.S. Eliot. Oxford: Oxford University Press, 2006.Google Scholar
Ricks, Christopher. T.S. Eliot and Prejudice. Berkeley: University of California Press, 1988.Google Scholar
Schuchard, Ronald. Eliot’s Dark Angel: Intersections of Life and Art. New York: Oxford University Press, 1999.Google Scholar
Benston, Kimberly W. (ed.). Speaking for You: The Vision of Ralph Ellison. Washington, DC: Howard University Press, 1987.Google Scholar
Bradley, Adam. Ralph Ellison in Progress: From Invisible Man to Three Days before the Shooting. New Haven: Yale University Press, 2010.Google Scholar
Foley, Barbara. Wrestling with the Left: The Making of Ralph Ellison’s Invisible Man. Durham: Duke University Press, 2010.Google Scholar
Germana, Michael. Ralph Ellison: Temporal Technologist. New York: Oxford University Press, 2018.Google Scholar
Harriss, M. Cooper. Ralph Ellison’s Invisible Theology. New York: New York University Press, 2017.Google Scholar
Judy, Ronald, and Arac, Jonathan (eds.). Ralph Ellison: The Next Fifty Years. Durham: Duke University Press, 2003.Google Scholar
Nadel, Alan (ed.). Invisible Criticism: Ralph Ellison and the American Canon. Iowa City: University of Iowa Press, 1988.Google Scholar
O’Meally, Robert G. The Craft of Ralph Ellison. Cambridge, MA: Harvard University Press, 1980.Google Scholar
O’Meally, Robert G. (ed.). New Essays on Invisible Man. Cambridge: Cambridge University Press, 1988.Google Scholar
Parrish, Timothy. Ralph Ellison and the Genius of America. Amherst: University of Massachusetts Press, 2012.Google Scholar
Porter, Horace A. Jazz Country: Ralph Ellison in America. Iowa City: University of Iowa Press, 2001.Google Scholar
Purcell, Richard. Race, Ralph Ellison and American Cold War Intellectual Culture. New York: Palgrave Macmillan, 2013.Google Scholar
Rankine, Patrice D. Ulysses in Black: Ralph Ellison, Classicism, and African American Literature. Madison: University of Wisconsin Press, 2006.Google Scholar
Warren, Kenneth W. So Black and Blue: Ralph Ellison and the Occasion of Criticism. Chicago: University of Chicago Press, 2003.Google Scholar
Watts, Jerry Gafio. Heroism and the Black Intellectual: Ralph Ellison, Politics, and Afro-American Intellectual Life. Chapel Hill: University of North Carolina Press, 1994.Google Scholar
Brooks, Cleanth. On the Prejudices, Predilections, and Firm Beliefs of William Faulkner: Essays. Baton Rouge: Louisiana State University Press, 1987.Google Scholar
Brooks, Cleanth William Faulkner: First Encounters. New Haven: Yale University Press, 1983.Google Scholar
Brooks, Cleanth William Faulkner: The Yoknapatawpha Country. New Haven: Yale University Press, 1963.Google Scholar
Brooks, Cleanth William Faulkner: Toward Yoknapatawpha and Beyond. New Haven: Yale University Press, 1978.Google Scholar
Glissant, Edouard. Faulkner, Mississippi, trans. Barbara Lewis and Thomas C. Spear. Chicago: University of Chicago Press, 1996.Google Scholar
Godden, Richard. Fictions of Labor: William Faulkner and the South’s Long Revolution. New York: Cambridge University Press, 1997.Google Scholar
Godden, Richard William Faulkner: An Economy of Complex Words. Princeton: Princeton University Press, 2007.Google Scholar
Gray, Richard. The Life of William Faulkner: A Critical Biography. Oxford: Blackwell, 1994.Google Scholar
Kartiganer, Donald M., and Abadie, Ann J (eds.). Faulkner and the Natural World. Jackson: University Press of Mississippi, 1999.Google Scholar
Matthews, John T. The Play of Faulkner’s Language. Ithaca: Cornell University Press, 1982.Google Scholar
Matthews, John T. (ed.). William Faulkner in Context. Cambridge: Cambridge University Press, 2015.Google Scholar
Moreland, Richard C. Faulkner and Modernism: Rereading and Rewriting. Madison: University of Wisconsin Press, 1990.Google Scholar
Murphet, Julian. Faulkner’s Media Romance. New York: Oxford University Press, 2017.Google Scholar
Robinson, Owen. Creating Yoknapatawpha: Readers and Writers in Faulkner’s Fiction. New York: Routledge, 2006.Google Scholar
Singal, Daniel J. William Faulkner: The Making of a Modernist. Chapel Hill: University of North Carolina Press, 1997.Google Scholar
Sundquist, Eric. Faulkner: The House Divided. Baltimore: Johns Hopkins University Press, 1985.Google Scholar
Trefzer, Annette, and Abadie, Ann J.. Faulkner’s Sexualities. Jackson: University Press of Mississippi, 2010.Google Scholar
Watson, Jay (ed.). Faulkner and Whiteness. Jackson: University Press of Mississippi, 2011.Google Scholar
Watson, Jay William Faulkner and the Faces of Modernity. New York: Oxford University Press, 2019.Google Scholar
Watson, Jay, and Thomas, James G. (eds.). Faulkner and the Black Literatures of the Americas. Jackson: University Press of Mississippi, 2016.Google Scholar
Adams, Jade. F. Scott Fitzgerald’s Short Fiction: From Ragtime to Swing Time. Edinburgh: Edinburgh University Press, 2019.Google Scholar
Berman, Ronald. F. Scott Fitzgerald and the American Scene. Tuscaloosa: University of Alabama Press, 2017.Google Scholar
Brown, David S. Paradise Lost: A Life of F. Scott Fitzgerald. Cambridge, MA: Belknap Press of Harvard University Press, 2017.Google Scholar
Bruccoli, Matthew Joseph (ed.). New Essays on The Great Gatsby. Cambridge: Cambridge University Press, 1985.Google Scholar
Bryer, Jackson R., Margolies, Alan, and Prigozy, Ruth (eds.). F. Scott Fitzgerald: New Perspectives. Athens: University of Georgia Press, 2000.Google Scholar
Bryer, Jackson R., Prigozy, Ruth, and Stern, Milton R. (eds.). F. Scott Fitzgerald in the Twenty-First Century. Tuscaloosa: University of Alabama Press, 2003.Google Scholar
Curnutt, Kirk. A Historical Guide to F. Scott Fitzgerald. New York: Oxford University Press, 2004.Google Scholar
Irwin, John T. F. Scott Fitzgerald’s Fiction: “An Almost Theatrical Innocence.” Baltimore: Johns Hopkins University Press, 2014.Google Scholar
Mangum, Bryant. F. Scott Fitzgerald in Context. Cambridge: Cambridge University Press, 2013.Google Scholar
Messenger, Christian K. Tender Is the Night and F. Scott Fitzgerald’s Sentimental Identities. Tuscaloosa: University of Alabama Press, 2015.Google Scholar
Miller, James E. F. Scott Fitzgerald: His Art and His Technique. New York: New York University Press, 1964.Google Scholar
Stern, Milton R. The Golden Moment: The Novels of F. Scott Fitzgerald. Urbana: University of Illinois Press, 1970.Google Scholar
Barron, Jonathan N. How Robert Frost Made Realism Matter. Columbia: University of Missouri Press, 2015.Google Scholar
Brodsky, Joseph, Heaney, Seamus, and Walcott, Derek. Homage to Robert Frost. New York: Farrar, Straus and Giroux, 1996.Google Scholar
Buxton, Rachel. Robert Frost and Northern Irish Poetry. New York: Oxford University Press, 2004.Google Scholar
Cady, Edwin Harrison, and Budd, Louis J.. On Frost. Durham: Duke University Press, 1991.Google Scholar
Faggen, Robert. Robert Frost and the Challenge of Darwin. Ann Arbor: University of Michigan Press, 1997.Google Scholar
Hass, Robert Bernard. Going by Contraries: Robert Frost’s Conflict with Science. Charlottesville: University Press of Virginia, 2002.Google Scholar
Hoffman, Tyler. Robert Frost and the Politics of Poetry. Hanover: University Press of New England, 2001.Google Scholar
Kearns, Katherine. Robert Frost and a Poetics of Appetite. Cambridge: Cambridge University Press, 1994.Google Scholar
Kemp, John C. Robert Frost and New England: The Poet as Regionalist. Princeton: Princeton University Press, 2015.Google Scholar
Kendall, Tim, and Frost, Robert. The Art of Robert Frost. New Haven: Yale University Press, 2012.Google Scholar
Kilcup, Karen L. Robert Frost and Feminine Literary Tradition. Ann Arbor: University of Michigan Press, 1998.Google Scholar
Poirier, Richard. Robert Frost: The Work of Knowing. New York: Oxford University Press, 1977.Google Scholar
Pritchard, William H. Frost: A Literary Life Reconsidered. New York: Oxford University Press, 1984.Google Scholar
Richardson, Mark. The Ordeal of Robert Frost: The Poet and His Poetics. Urbana: University of Illinois Press, 1997.Google Scholar
Stambuk, Andrew. The Man Who Is and Is Not There. Amherst: University of Massachusetts Press, 2011.Google Scholar
Timmerman, John H. Robert Frost: The Ethics of Ambiguity. Lewisburg: Bucknell University Press, 2002.Google Scholar
Anderson, Elizabeth. H.D. and Modernist Religious Imagination. London: Bloomsbury, 2013.Google Scholar
Blanton, C. D. Epic Negation: The Dialectical Poetics of Late Modernism. New York: Oxford University Press, 2015.Google Scholar
Buck, Claire. H.D. and Freud: Bisexuality and a Feminine Discourse. New York: St. Martin’s Press, 1991.Google Scholar
Chisholm, Diane. H.D.’s Freudian Poetics: Psychoanalysis in Translation. Ithaca: Cornell University Press, 1992.Google Scholar
Collecott, Diana. H.D. and Sapphic Modernism, 1910–1950. Cambridge: Cambridge University Press, 1999.Google Scholar
Connor, Rachel Ann. H.D. and the Image. Manchester: Manchester University Press, 2004.Google Scholar
Debo, Annette. The American H.D. Iowa City: University of Iowa Press, 2012.Google Scholar
Duncan, Robert, Boughn, Michael, and Coleman, Victor. The H.D. Book. Berkeley: University of California Press, 2011.Google Scholar
DuPlessis, Rachel Blau. H.D.: The Career of That Struggle. Bloomington: University of Indiana Press, 1986.Google Scholar
Edmunds, Susan. Out of Line: History, Psychoanalysis, and Montage in H.D.’s Long Poems. Stanford: Stanford University Press, 1994.Google Scholar
Friedman, Susan Stanford. Penelope’s Web: Gender, Modernity, H.D.’s Fiction. New York: Cambridge University Press, 1990.Google Scholar
Gregory, Eileen. H.D. and Hellenism: Classic Lines. Cambridge: Cambridge University Press, 1997.Google Scholar
Guest, Barbara. Herself Defined: The Poet H.D. and Her World. Garden City: Doubleday, 1984.Google Scholar
Hollenberg, Donna Krolik. H.D.: The Poetics of Childbirth and Creativity. Boston: Northeastern University Press, 1991.Google Scholar
Laity, Cassandra. H.D. and the Victorian Fin de Siécle: Gender, Modernism, Decadence. New York: Cambridge University Press, 1996.Google Scholar
Morris, Adalaide. How to Live/What to Do: H.D.’s Cultural Poetics. Urbana: University of Illinois Press, 2003.Google Scholar
Taylor, Georgina. H.D. and the Public Sphere of Modernist Women Writers 1913–1946: Talking Women. Oxford: Clarendon Press, 2001.Google Scholar
Vetter, Lara Elizabeth. A Curious Peril: H.D.’s Late Modernist Prose. Gainesville: University Press of Florida, 2017.Google Scholar
Baker, Carlos. Hemingway: The Writer as Artist. Princeton: Princeton University Press, 1972.Google Scholar
Broer, Lawrence R., and Holland, Gloria (eds.). Hemingway and Women Female Critics and the Female Voice. Tuscaloosa: University of Alabama Press, 2002.Google Scholar
Cirino, Mark. Ernest Hemingway: Thought in Action. Madison: University of Wisconsin Press, 2012.Google Scholar
Comley, Nancy R., and Scholes, Robert. Hemingway’s Genders: Rereading the Hemingway Text. New Haven: Yale University Press, 1994.Google Scholar
Dudley, Marc K. Hemingway, Race, and Art: Bloodlines and the Color Line. Kent: Kent State University Press, 2011.Google Scholar
Gajdusek, Robert E. Hemingway in His Own Country. Notre Dame: University of Notre Dame Press, 2002.Google Scholar
Griffin, Peter. Less Than a Treason: Hemingway in Paris. New York: Oxford University Press, 1990.Google Scholar
Holcomb, Gary Edward, and Scruggs, Charles. Hemingway and the Black Renaissance. Columbus: Ohio State University Press, 2012.Google Scholar
Hutchisson, James M. Ernest Hemingway: A New Life. University Park: Pennsylvania State University Press, 2016.Google Scholar
Lamb, Robert Paul. Art Matters: Hemingway, Craft, and the Creation of the Modern Short Story. Baton Rouge: Louisiana State University Press, 2010.Google Scholar
Moddelmog, Debra A. Reading Desire: In Pursuit of Ernest Hemingway. Ithaca: Cornell University Press, 2018.Google Scholar
Reynolds, Michael. Hemingway: The Paris Years. Oxford: Basil Blackwell, 1989.Google Scholar
Scafella, Frank. Hemingway: Essays of Reassessment. New York: Oxford University Press, 1991.Google Scholar
Wagner-Martin, Linda. Ernest Hemingway: Seven Decades of Criticism. East Lansing: Michigan State University Press, 1998.Google Scholar
Wyatt, David. Hemingway, Style, and the Art of Emotion. Cambridge: Cambridge University Press, 2015.Google Scholar
Best, Wallace D. Langston’s Salvation: American Religion and the Bard of Harlem. New York: New York University Press, 2017.Google Scholar
Chinitz, David. Which Sin to Bear? Authenticity and Compromise in Langston Hughes. New York: Oxford University Press, 2012.Google Scholar
Dace, Letitia (ed.). Langston Hughes: The Contemporary Reviews. Cambridge: Cambridge University Press, 1997.Google Scholar
De Jongh, James, and Tracy, Steven (eds.). A Historical Guide to Langston Hughes. New York: Oxford University Press, 2003.Google Scholar
Harper, Donna Sullivan. Not So Simple: The “Simple” Stories by Langston Hughes. Columbia: University of Missouri Press, 1995.Google Scholar
Kutzinski, Vera. The Worlds of Langston Hughes: Modernism and Translation in the Americas. Ithaca: Cornell University Press, 2012.Google Scholar
Miller, W. Jason. Langston Hughes and American Lynching Culture. Jacksonville: University Press of Florida, 2011.Google Scholar
Miller, W. Jason Origins of the Dream: Hughes’s Poetry and King’s Rhetoric. Gainesville: University Press of Florida, 2015.Google Scholar
Rampersad, Arnold. The Life of Langston Hughes. New York: Oxford University Press, 1986–8.Google Scholar
Scott, Jonathan. Socialist Joy in the Writing of Langston Hughes. Columbia: University of Missouri Press, 2006.Google Scholar
Tidwell, John Edgar, and Ragar, Cheryl R. (eds.). Montage of a Dream: The Art and Life of Langston Hughes. Columbia: University of Missouri Press, 2007.Google Scholar
Tracy, Steven. Langston Hughes and the Blues. Urbana: University of Illinois Press, 1988.Google Scholar
Boyd, Valerie. Wrapped in Rainbows: The Life of Zora Neale Hurston. New York: Scribner’s, 2004.Google Scholar
Glassman, Steve, and Seidel, Kathryn Lee (eds.). Zora in Florida. Gainesville: University Press of Florida, 1991.Google Scholar
Hemenway, Robert E. Zora Neale Hurston: A Literary Biography. Urbana: University of Illinois Press, 1980.Google Scholar
Hill, Lynda Marion. Social Rituals and the Verbal Art of Zora Neale Hurston. Washington, DC: Howard University Press, 1996.Google Scholar
Jennings, La Delois, Vinia (ed.). Zora Neale Hurston, Haiti, and Their Eyes Were Watching God. Evanston: Northwestern University Press, 2013.Google Scholar
Kaplan, Carla (ed.). Zora Neale Hurston: A Life in Letters. New York: Doubleday, 2002.Google Scholar
Kraut, Anthea. Choreographing the Folk: The Dance Stagings of Zora Neale Hurston. Minneapolis: Minnesota University Press, 2008.Google Scholar
Lowe, John. Jump at the Sun: Zora Neale Hurston’s Cosmic Comedy. Urbana: University of Illinois Press, 1994.Google Scholar
Meisenhelder, Susan Edwards. Hitting a Straight Lick with a Crooked Stick: Race and Gender in the Work of Zora Neale Hurston. Tuscaloosa: University of Alabama Press, 1999.Google Scholar
Moylan, Virginia Lynn. Zora Neale Hurston’s Final Decade. Gainesville: University Press of Florida, 2011.Google Scholar
Patterson, Tiffany Ruby. Zora Neale Hurston and a History of Southern Life. Philadelphia: Temple University Press, 2005.Google Scholar
Plant, Deborah G. Every Tub Must Sit on Its Own Bottom: The Philosophy and Politics of Zora Neale Hurston. Urbana: University of Illinois Press, 1995.Google Scholar
West, Margaret Genevieve. Zora Neale Hurston and American Literary Culture. Gainesville: University Press of Florida, 2005.Google Scholar
Blair, Sara. Henry James and the Writing of Race and Nation. Cambridge: Cambridge University Press, 1996.Google Scholar
Bosanquet, Theodora. Henry James at Work. Ann Arbor: University of Michigan Press, 2010.Google Scholar
Brooks, Peter. Henry James Goes to Paris. Princeton: Princeton University Press, 2007.Google Scholar
Edel, Leon. Henry James: The Complete Biography. New York: Avon, 1978.Google Scholar
Hadley, Tessa. Henry James and the Imagination of Pleasure. Cambridge: Cambridge University Press, 2003.Google Scholar
Haralson, Eric L. Henry James and Queer Modernity. Cambridge: Cambridge University Press, 2003.Google Scholar
Johnson, Kendall. Henry James and the Visual. Cambridge: Cambridge University Press, 2007.Google Scholar
Jolly, Roslyn. Henry James: History, Narrative, Fiction. New York: Oxford University Press, 1993.Google Scholar
Jottkandt, Sigi. Acting Beautifully: Henry James and the Ethical Aesthetic. Albany: State University of New York Press, 2005.Google Scholar
McWhirter, David Bruce. Henry James in Context. Cambridge: Cambridge University Press, 2010.Google Scholar
Miller, J. Hillis. Literature as Conduct: Speech Acts in Henry James. New York: Fordham University Press, 2005.Google Scholar
Ohi, Kevin. Henry James and the Queerness of Style. Minneapolis: University of Minnesota Press, 2011.Google Scholar
Person, Leland S. Henry James and the Suspense of Masculinity. Philadelphia: University of Pennsylvania Press, 2003.Google Scholar
Pippin, Robert B. Henry James and Modern Moral Life. Cambridge: Cambridge University Press, 2000.Google Scholar
Sicker, Philip. Love and the Quest for Identity in the Fiction of Henry James. Princeton: Princeton University Press, 2017.Google Scholar
Taylor, Andrew. Henry James and the Father Question. Cambridge: Cambridge University Press, 2002.Google Scholar
Tucker, Amy. The Illustration of the Master: Henry James and the Magazine Revolution. Stanford: Stanford University Press, 2010.Google Scholar
Davis, Thadious M. Nella Larsen, Novelist of the Harlem Renaissance: A Woman’s Life Unveiled. Baton Rouge: Louisiana State University Press, 1994.Google Scholar
Domina, Lynn (ed.). The Historian’s Passing: Reading Nella Larsen’s Classic Novel as Social and Cultural History. Santa Barbara: Praeger, 2018.Google Scholar
Ginsberg, Elaine K. (ed.). Passing and the Fictions of Identity. Durham: Duke University Press, 1996.Google Scholar
Hutchinson, George. In Search of Nella Larsen: A Biography of the Color Line. Cambridge, MA: Belknap of Harvard University Press, 2006.Google Scholar
McLendon, Jacquelyn Y. (ed.). Approaches to Teaching the Novels of Nella Larsen. New York: Modern Language Association of America, 2016.Google Scholar
Burke, Carolyn. Becoming Modern: The Life of Mina Loy. New York: Farrar, Straus and Giroux, 1996.Google Scholar
Hayden, Sarah. Curious Disciplines: Mina Loy and Avant-Garde Artisthood. Albuquerque: University of New Mexico Press, 2018.Google Scholar
Kouidis, Virginia M. Mina Loy, American Modernist Poet. Baton Rouge: Louisiana State University Press, 1980.Google Scholar
Parmar, Sandeep. Reading Mina Loy’s Autobiographies: Myth of the Modern Woman. New York: Bloomsbury, 2013.Google Scholar
Prescott, Tara. Poetic Salvage: Reading Mina Loy. Lanham: Bucknell University Press, 2017.Google Scholar
Scuriatti, Laura. Mina Loy’s Critical Modernism. Gainesville: University Press of Florida, 2019.Google Scholar
Shreiber, Maeera, and Tuma, Keith (eds.). Mina Loy: Woman and Poet. London: National Poetry Foundation, 1998.Google Scholar
Cooper, Wayne F. Claude McKay: Rebel Sojourner in the Harlem Renaissance: A Biography. Baton Rouge: Louisiana State University Press, 1987.Google Scholar
Gayle, Addison. Claude McKay: The Black Poet at War. Detroit: Broadside Press, 1972.Google Scholar
Giles, James Richard. Claude McKay. Boston: Twayne Publishers, 1976.Google Scholar
Gosciak, Josh. The Shadowed Country Claude McKay and the Romance of the Victorians. New Brunswick: Rutgers University Press, 2006.Google Scholar
Holcomb, Gary Edward. Claude McKay, Code Name Sasha: Queer Black Marxism and the Harlem Renaissance. Gainesville: University Press of Florida, 2007.Google Scholar
James, Winston. A Fierce Hatred of Injustice: Claude McKay’s Jamaica and His Poetry of Rebellion. New York: Verso, 2000.Google Scholar
Ramesh, Kotti Sree, and Rani, Kandula Nirupa. Claude McKay: The Literary Identity from Jamaica to Harlem and Beyond. Jefferson: McFarland & Company, Inc., 2006.Google Scholar
Tillery, Tyrone. Claude McKay: A Black Poet’s Struggle for Identity. Amherst: University of Massachusetts Press, 1992.Google Scholar
Tillery, Tyrone Claude McKay, Man and Symbol of the Harlem Renaissance, 1889–1948. Kent: Kent State University Press, 1981.Google Scholar
Costello, Bonnie. Marianne Moore, Imaginary Possessions. Cambridge, MA: Harvard University Press, 1981.Google Scholar
Erickson, Darlene Williams. Illusion Is More Precise Than Precision: The Poetry of Marianne Moore. Tuscaloosa: University of Alabama Press, 1992.Google Scholar
Joyce, Elisabeth W. Cultural Critique and Abstraction: Marianne Moore and the Avant-Garde. London: Bucknell University Press, 1998.Google Scholar
Gregory, Elizabeth (ed.). The Critical Response to Marianne Moore. Westport: Praeger, 2003.Google Scholar
Heuving, Jeanne. Omissions Are Not Accidents: Gender in the Art of Marianne Moore. Detroit: Wayne State University Press, 1992.Google Scholar
Holley, Margaret. The Poetry of Marianne Moore: A Study in Voice and Value. New York: Cambridge University Press, 1987.Google Scholar
Leavell, Linda. Holding on Upside Down: The Life and Work of Marianne Moore. New York: Farrar, Straus and Giroux, 2013.Google Scholar
Leavell, Linda Marianne Moore and the Visual Arts: Prismatic Color. Baton Rouge: Louisiana State University Press, 1995.Google Scholar
Leavell, Linda, Miller, Cristanne, and Schulze, Robin G. (eds.). Critics and Poets on Marianne Moore: “A Right Good Salvo of Barks.” Lewisburg: Bucknell University Press, 2005.Google Scholar
Martin, Taffy. Marianne Moore, Subversive Modernist. Austin: University of Texas Press, 1986.Google Scholar
Miller, Cristanne. Marianne Moore: Questions of Authority. Cambridge, MA: Harvard University Press, 1995.Google Scholar
Molesworth, Charles. Marianne Moore: A Literary Life. New York: Atheneum, 1990.Google Scholar
Stamy, Cynthia. Marianne Moore and China: Orientalism and a Writing of America. New York: Oxford University Press, 1999.Google Scholar
Stapleton, Laurence. Marianne Moore: The Poet’s Advance. First published 1978. Princeton: Princeton University Press, 2015.Google Scholar
Willis, Patricia C. (ed.). Marianne Moore: Woman and Poet. Orono: National Poetry Foundation, 1990.Google Scholar
Baker-White, Robert. The Ecological Eugene O’Neill: Nature’s Veiled Purpose in the Plays. Jefferson: McFarland & Company, 2015.Google Scholar
Black, Stephen A. Eugene O’Neill: Beyond Mourning and Tragedy. New Haven: Yale University Press, 1999.Google Scholar
Bogard, Travis. Contour in Time: The Plays of Eugene O’Neill. New York: Oxford University Press, 1972.Google Scholar
Brietzke, Zander. The Aesthetics of Failure: Dynamic Structure in the Plays of Eugene O’Neill. Jefferson: McFarland, 2001.Google Scholar
Chothia, Jean. Forging a Language: A Study of the Plays of Eugene O’Neill. New York: Cambridge University Press, 1979.Google Scholar
Dowling, Robert M. Eugene O’Neill: A Life in Four Acts. New Haven: Yale University Press, 2014.Google Scholar
Dubost, Thierry. Eugene O’Neill and the Reinvention of Theatre Aesthetics. Jefferson: McFarland & Company, Inc., 2019.Google Scholar
Eisen, Kurt. The Theatre of Eugene O’Neill: American Modernism on the World Stage. New York: Bloomsbury Methuen Drama, 2017.Google Scholar
Gallup, Donald Clifford. Eugene O’Neill and His Eleven-Play Cycle: “A Tale of Possessors Self-Dispossessed.” New Haven: Yale University Press, 1998.Google Scholar
Moorton, Richard F. (ed.). Eugene O’Neill’s Century: Centennial Views on America’s Foremost Tragic Dramatist. New York: Greenwood Press, 1991.Google Scholar
O’Neill, Eugene, and Estrin, Mark W. (eds.). Conversations with Eugene O’Neill. Jackson: University Press of Mississippi, 1990.Google Scholar
Pfister, Joel. Staging Depth: Eugene O’Neill and the Politics of Psychological Discourse. Chapel Hill: University of North Carolina Press, 1995.Google Scholar
Robinson, James A. Eugene O’Neill and Oriental Thought: A Divided Vision. Carbondale: Southern Illinois University Press, 1982.Google Scholar
Törnqvist, Egil. Eugene O’Neill: A Playwright’s Theatre. Jefferson: McFarland & Co., 2004.Google Scholar
Brinkmeyer, Robert H. Katherine Anne Porter’s Artistic Development: Primitivism, Traditionalism, and Totalitarianism. Baton Rouge: Louisiana State University Press, 1993.Google Scholar
DeMouy, Jane Krause. Katherine Anne Porter’s Women: The Eye of Her Fiction. Austin: University of Texas Press, 1983.Google Scholar
Givner, Joan. Katherine Anne Porter: A Life. Athens: University of Georgia Press, 1991.Google Scholar
Liberman, Myron M. Katherine Anne Porter’s Fiction. Detroit: Wayne State University Press, 1971.Google Scholar
Machann, Clinton, and Clark, William Bedford (eds.). Katherine Anne Porter and Texas: An Uneasy Relationship. College Station: Texas A&M University Press, 1990.Google Scholar
Nance, William L. Katherine Anne Porter and the Art of Rejection. Chapel Hill: University of North Carolina Press, 1964.Google Scholar
Porter, Katherine Anne, and Givner, Joan (eds.). Katherine Anne Porter: Conversations. Jackson: University Press of Mississippi, 1987.Google Scholar
Stout, Janis P. Katherine Anne Porter: A Sense of the Times. Charlottesville: University Press of Virginia, 1995.Google Scholar
Tanner, James T. F. The Texas Legacy of Katherine Anne Porter. Denton: University of North Texas Press, 1990.Google Scholar
Titus, Mary. The Ambivalent Art of Katherine Anne Porter. Athens: University of Georgia Press, 2005.Google Scholar
Unrue, Darlene Harbour. Truth and Vision in Katherine Anne Porter’s Fiction. Athens: University of Georgia Press, 1985.Google Scholar
Unrue, Darlene Harbour Understanding Katherine Anne Porter. Columbia: University of South Carolina Press, 1988.Google Scholar
Walsh, Thomas F. Katherine Anne Porter and Mexico: The Illusion of Eden. Austin: University of Texas Press, 1992.Google Scholar
Alexander, Michael. The Poetic Achievement of Ezra Pound. Berkeley: University of California Press, 1979.Google Scholar
Beasley, Rebecca. Ezra Pound and the Visual Culture of Modernism. Cambridge: Cambridge University Press, 2007.Google Scholar
Bell, Ian. The Critic as Scientist: The Modernist Poetics of Ezra Pound. London: Methuen, 2000.Google Scholar
Bernstein, Michael. The Tale of the Tribe: Ezra Pound and the Modern Verse Epic. Princeton: Princeton University Press, 1980.Google Scholar
Bush, Ronald. The Genesis of Ezra Pound’s Cantos. Princeton: Princeton University Press, 1976.Google Scholar
Byron, Mark S. (ed.). The New Ezra Pound Studies. Cambridge: Cambridge University Press, 2020.Google Scholar
Casillo, Robert. The Genealogy of Demons: Anti-Semitism, Fascism, and the Myths of Ezra Pound. Evanston: Northwestern University Press, 1988.Google Scholar
Coyle, Michael, and Preda, Roxana. Ezra Pound and the Career of Modern Criticism. Rochester: Camden House, 2018.Google Scholar
Froula, Christine. To Write Paradise: Style and Error in Pound’s Cantos. New Haven: Yale University Press, 1984.Google Scholar
Kearns, George. Ezra Pound: The Cantos. Cambridge: Cambridge University Press, 1989.Google Scholar
Kenner, Hugh. The Poetry of Ezra Pound. London: Faber and Faber, 1951.Google Scholar
Kenner, Hugh The Pound Era. Berkeley: University of California Press, 1973.Google Scholar
Kindellan, Michael. The Late Cantos of Ezra Pound: Composition, Revision, Publication. New York: Bloomsbury, 2017.Google Scholar
Lindberg, Kathryn. Reading Pound Reading: Modernism after Nietzsche. New York: Oxford University Press, 1987.Google Scholar
Longenbach, James. Stone Cottage: Pound, Yeats, and Modernism. New York: Oxford University Press, 1988.Google Scholar
Moody, David. Ezra Pound, Poet: A Portrait of the Man and His Work. Three volumes. Oxford: Oxford University Press, 2007–15.Google Scholar
Nicholls, Peter. Ezra Pound: Politics, Economics and Writing: A Study of the Cantos. London: Macmillan, 1984.Google Scholar
Park, Josephine, and Stasi, Paul (eds.). Ezra Pound in the Present: Essays on Pound’s Contemporaneity. New York: Bloomsbury, 2016.Google Scholar
Perloff, Marjorie. The Dance of the Intellect: Studies in the Pound Tradition. New York: Cambridge University Press, 1985.Google Scholar
Qian, Zhaoming, and Mary, de Rachewiltz. Ezra Pound and China. Ann Arbor: University of Michigan Press, 2003.Google Scholar
Rabaté, Jean-Michel. Language, Sexuality, and Ideology in Ezra Pound’s Cantos. London: Macmillan, 1986.Google Scholar
Rainey, Lawrence. Ezra Pound and the Monument of Culture: Text, History, and the Malatesta Cantos. Chicago: University of Chicago Press, 1991.Google Scholar
Redman, Tim. Ezra Pound and Italian Fascism. Cambridge: Cambridge University Press, 1991.Google Scholar
Selby, Nick. Poetics of Loss in the Cantos of Ezra Pound: From Modernism to Fascism. New York: Edwin Mellen Press, 2005.Google Scholar
Sherry, Vincent. Ezra Pound, Wyndham Lewis, and Radical Modernism. Oxford: Oxford University Press, 1993.Google Scholar
Sieburth, Richard. Instigations: Ezra Pound and Remy de Gourmont. Cambridge, MA: Harvard University Press, 1978.Google Scholar
Swift, Daniel. The Bughouse: The Poetry, Politics, and Madness of Ezra Pound. New York: Farrar, Straus and Giroux, 2017.Google Scholar
Tiffany, Daniel. Radio Corpse: Imagism and the Cryptaesthetic of Ezra Pound. Cambridge, MA: Harvard University Press, 1995.Google Scholar
Bowers, Jane Palatini. “They Watch Me as They Watch This”: Gertrude Stein’s Metadrama. Philadelphia: University of Pennsylvania Press, 1991.Google Scholar
Bridgman, Richard. Gertrude Stein in Pieces. New York: Oxford University Press, 1970.Google Scholar
Coffman, Christine E. Gertrude Stein’s Transmasculinity. Edinburgh: Edinburgh University Press, 2018.Google Scholar
Corn, Wanda M., and Latimer, Tirza True. Seeing Gertrude Stein: Five Stories. Berkeley: University of California Press, 2011.Google Scholar
DeKoven, Marianne. A Different Language: Gertrude Stein’s Experimental Writing. Madison: University of Wisconsin Press, 1983.Google Scholar
Dydo, Ulla (ed.). A Stein Reader. Evanston: Northwestern University Press, 1993.Google Scholar
Dydo, Ulla, with William Rice. Gertrude Stein: The Language That Rises. Evanston: University of Northwestern Press, 2003.Google Scholar
Hoffman, Michael J. The Development of Abstractionism in the Writings of Gertrude Stein. Philadelphia: University of Pennsylvania Press, 2016.Google Scholar
Kirsch, Sharon. Gertrude Stein and the Reinvention of Rhetoric. Tuscaloosa: University of Alabama Press, 2014.Google Scholar
Leick, Karen. Gertrude Stein and the Making of an American Celebrity. New York: Routledge, 2009.Google Scholar
Meyer, Steven. Gertrude Stein and the Correlations of Writing and Science. Stanford: Stanford University Press, 2001.Google Scholar
Mix, Deborah. A Vocabulary of Thinking: Gertrude Stein and Contemporary North American Women’s Innovative Writing. Iowa City: University of Iowa Press, 2007.Google Scholar
Morris, Roy. Gertrude Stein Has Arrived: The Homecoming of a Literary Legend. Baltimore: Johns Hopkins University Press, 2019.Google Scholar
Ruddick, Lisa. Reading Gertrude Stein: Body, Text, Gnosis. Ithaca: Cornell University Press, 1990.Google Scholar
Steiner, Wendy. Exact Resemblance to Exact Resemblance: The Literary Portraiture of Gertrude Stein. New Haven: Yale University Press, 1978.Google Scholar
Stewart, Allegra. Gertrude Stein and the Present. Cambridge, MA: Harvard University Press, 1967.Google Scholar
Watson, Steven. Prepare for Saints: Gertrude Stein, Virgil Thompson, and the Mainstreaming of American Modernism. New York: Random House, 1998.Google Scholar
Altieri, Charles. Wallace Stevens and the Demands of Modernity: Toward a Phenomenology of Value. Ithaca: Cornell University Press, 2013.Google Scholar
Bates, Milton. Wallace Stevens: A Mythology of Self. Berkeley: University of California Press, 1985.Google Scholar
Bloom, Harold. Wallace Stevens: The Poems of Our Climate. Ithaca: Cornell University Press, 1977.Google Scholar
Filreis, Alan. Modernism from Right to Left: Wallace Stevens, the Thirties, and Literary Radicalism. Cambridge: Cambridge University Press, 1994.Google Scholar
Filreis, Alan Wallace Stevens and the Actual World. Princeton: Princeton University Press, 1991.Google Scholar
Gelpi, Albert. Wallace Stevens: The Poetics of Modernism. Cambridge: Cambridge University Press, 1985.Google Scholar
Goldfarb, Lisa, and Eeckhout, Bart. Wallace Stevens, New York, and Modernism. New York: Routledge, 2012.Google Scholar
Halliday, Mark. Stevens and the Interpersonal. Princeton: Princeton University Press, 1991.Google Scholar
Lensing, George S. Wallace Stevens and the Seasons. Baton Rouge: Louisiana State University Press, 2001.Google Scholar
Litz, Walton. Introspective Voyager: The Poetic Development of Wallace Stevens. New York: Oxford University Press, 1972.Google Scholar
Longenbach, James. Wallace Stevens: The Plain Sense of Things. New York: Oxford University Press, 1991.Google Scholar
MacLeod, Glen G. Wallace Stevens in Context. Cambridge: Cambridge University Press, 2017.Google Scholar
Mariani, Paul. The Whole Harmonium: The Life of Wallace Stevens. New York: Simon and Schuster, 2016.Google Scholar
Morris, Adalaide. Wallace Stevens: Imagination and Faith. Princeton: Princeton University Press, 1974.Google Scholar
Ragg, Edward. Wallace Stevens and the Aesthetics of Abstraction. Cambridge: Cambridge University Press, 2010.Google Scholar
Schaum, Melita. Wallace Stevens and the Critical Schools. Tuscaloosa: University of Alabama Press, 1988.Google Scholar
Vendler, Helen. On Extended Wings: Wallace Stevens’ Longer Poems. Cambridge, MA: Harvard University Press, 1969.Google Scholar
Byrd, Rudolph P. Jean Toomer’s Years with Gurdjieff: Portrait of an Artist, 1923–1936. Athens: University of Georgia Press, 1990.Google Scholar
Fabre, Geneviève, and Feith, Michael (eds.). Jean Toomer and the Harlem Renaissance. New Brunswick: Rutgers University Press, 2002.Google Scholar
Foley, Barbara. Jean Toomer: Race, Repression, and Revolution. Urbana: University of Illinois Press, 2014.Google Scholar
Ford, Karen Jackson. Split-gut Song: Jean Toomer and the Poetics of Modernity. Tuscaloosa: University of Alabama Press, 2005.Google Scholar
Jones, Robert B. Jean Toomer and the Prison-House of Thought: A Phenomenology of the Spirit. Amherst: University of Massachusetts Press, 1993.Google Scholar
Kerman, Cynthia Earl, and Eldridge, Richard. The Lives of Jean Toomer: A Hunger for Wholeness. Baton Rouge: Louisiana State University Press, 1987.Google Scholar
McKay, Nellie Y. Jean Toomer, Artist: A Study of His Literary Life and Work, 1894–1936. Chapel Hill: University of North Carolina Press, 1987.Google Scholar
O’Daniel, Therman B. Jean Toomer: A Critical Evaluation. Washington, DC: Howard University Press, 1988.Google Scholar
Scruggs, Charles, and Lee, VanDeMarr. Jean Toomer and the Terrors of American History. Philadelphia: University of Pennsylvania Press, 1998.Google Scholar
Whalan, Mark. Race, Manhood, and Modernism in America: The Short Story Cycles of Sherwood Anderson and Jean Toomer. Knoxville: University of Tennessee Press, 2007.Google Scholar
Brooks, Cleanth et al. (eds.). Eudora Welty: A Form of Thanks. Jackson: University Press of Mississippi, 1979.Google Scholar
Brown, Carolyn J. A Daring Life: A Biography of Eudora Welty. Jackson: University Press of Mississippi, 2012.Google Scholar
Claxton, Mae Miller, and Eichelberger, Julia (eds.). Teaching the Works of Eudora Welty: Twenty-First-Century Approaches. Jackson: University Press of Mississippi, 2018.Google Scholar
Fuller, Stephen M. Eudora Welty and Surrealism. Jackson: University Press of Mississippi, 2013.Google Scholar
Pollack, Harriet. Eudora Welty’s Fiction and Photography: The Body of the Other Woman. Athens: University of Georgia Press, 2016.Google Scholar
Pollack, Harriet (ed.). New Essays on Eudora Welty, Class, and Race. Jackson: University Press of Mississippi, 2020.Google Scholar
Pollack, Harriet, and Marrs, Suzanne (eds.). Eudora Welty and Politics: Did the Writer Crusade? Baton Rouge: Louisiana State University Press, 2001.Google Scholar
Prenshaw, Peggy Whitman (ed.). Eudora Welty: Critical Essays. Jackson: University Press of Mississippi, 1979.Google Scholar
Marrs, Suzanne. One Writer’s Imagination: The Fiction of Eudora Welty. Baton Rouge: Louisiana State University Press, 2002.Google Scholar
Wolff, Sally. A Dark Rose: Love in Eudora Welty’s Stories and Novels. Baton Rouge: Louisiana State University Press, 2015.Google Scholar
Comerchero, Victor. Nathanael West, the Ironic Prophet. Syracuse: Syracuse University Press, 1964.Google Scholar
Hyman, Stanley Edgar. Nathanael West. Minneapolis: University of Minnesota Press, 1962.Google Scholar
Light, James F. Nathanael West: An Interpretative Study. Evanston: Northwestern University Press, 1961.Google Scholar
Long, Robert Emmet. Nathanael West. New York: Ungar, 1985.Google Scholar
Madden, David (ed.). Nathanael West: The Cheaters and the Cheated: A Collection of Critical Essays. De Land: Everett/Edwards, 1973.Google Scholar
Malin, Irving. Nathanael West’s Novels. Carbondale: Southern Illinois University Press, 1972.Google Scholar
Martin, Jay. Nathanael West: The Art of His Life. New York: Farrar, Straus and Giroux, 1970.Google Scholar
Reid, Randall. The Fiction of Nathanael West: No Redeemer, No Promised Land. Chicago: University of Chicago Press, 1967.Google Scholar
Siegel, Ben (ed.). Critical Essays on Nathanael West. New York: G. K. Hall, 1994.Google Scholar
Veitch, Jonathan. American Superrealism: Nathanael West and the Politics of Representation in the 1930s. Madison: University of Wisconsin Press, 1997.Google Scholar
Widmer, Kingsley. Nathanael West. Boston: Twayne Publishers, 1982.Google Scholar
Woodward, Joe. Alive Inside the Wreck: A Biography of Nathanael West. New York: OR Books, 2011.Google Scholar
Ahearn, Barry. William Carlos Williams and Alterity: The Early Poetry. Cambridge: Cambridge University Press, 1994.Google Scholar
Conarroe, Joel. William Carlos Williams’ Paterson: Language and Landscape. Philadelphia: University of Pennsylvania Press, 1970.Google Scholar
Crawford, T. Hugh. Modernism, Medicine and William Carlos Williams. Norman: University of Oklahoma Press, 1993.Google Scholar
Cushman, Stephen. William Carlos Williams and the Meanings of Measure. New Haven: Yale University Press, 1985.Google Scholar
Diggory, Terence. William Carlos Williams and the Ethics of Painting. Princeton: Princeton University Press, 2014.Google Scholar
Duffey, Bernard I. A Poetry of Presence: The Writing of William Carlos Williams. Madison: University of Wisconsin Press, 1986.Google Scholar
Halter, Peter. The Revolution in the Visual Arts and the Poetry of William Carlos Williams. New York: Cambridge University Press, 1994.Google Scholar
Holsapple, Bruce. The Birth of the Imagination: William Carlos Williams on Form. Albuquerque: University of New Mexico Press, 2016.Google Scholar
Kutzinski, Vera. Against the American Grain: Myth and History in William Carlos Williams, Jay Wright, and Nicolas Guillén. Baltimore: Johns Hopkins University Press, 1987.Google Scholar
Laughlin, James. Remembering William Carlos Williams. New York: New Directions, 1995.Google Scholar
Leibowitz, Herbert A. Something Urgent I Have to Say to You”: The Life and Works of William Carlos Williams. New York: Farrar, Straus and Giroux, 2011.Google Scholar
Marzán, Julio. The Spanish American Roots of William Carlos Williams. Austin: University of Texas Press, 1994.Google Scholar
Morris, Daniel. The Writings of William Carlos Williams: Publicity for the Self. Columbia: University of Missouri Press, 1995.Google Scholar
Riddel, Joseph N. Inverted Bell: Modernism and the Counterpoetics of William Carlos Williams. Baton Rouge: Louisiana State University Press, 1974.Google Scholar
Tapscott, Stephen. American Beauty: William Carlos Williams and the Modernist Whitman. New York: Columbia University Press, 1984.Google Scholar
Fabre, Michel. The Unfinished Quest of Richard Wright. Urbana: University of Illinois Press, 1993.Google Scholar
Fabre, Michel. The World of Richard Wright. Jackson: University Press of Mississippi, 1985.Google Scholar
Gordon, Jane Anna, and Zirakzadeh, Cyrus Ernesto (eds.). The Politics of Richard Wright: Perspectives on Resistance. Lexington: University Press of Kentucky, 2018.Google Scholar
Hakutani, Yoshinobu (ed.), and Richard Wright. Richard Wright and Haiku. Columbia: University of Missouri Press, 2014.Google Scholar
JanMohamed, Abdul R. The Death-Bound-Subject: Richard Wright’s Archaeology of Death. Durham: Duke University Press, 2005.Google Scholar
Joyce, Joyce Ann. Richard Wright’s Art of Tragedy. Iowa City: University of Iowa Press, 1986.Google Scholar
Miller, Eugene E. Voice of a Native Son: The Poetics of Richard Wright. Jackson: University Press of Mississippi, 1990.Google Scholar
Ray, David, and Farnsworth, Robert M. (eds.). Richard Wright: Impressions and Perspectives. Ann Arbor: University of Michigan Press, 1973.Google Scholar
Smith, Virginia Whatley (ed.). Richard Wright’s Travel Writings: New Reflections. Jackson: University Press of Mississippi, 2001.Google Scholar
Tuhkanen, Mikko. The American Optic: Psychoanalysis, Critical Race Theory, and Richard Wright. Albany: State University of New York Press, 2009.Google Scholar
Wright, Richard, and Bryant, Earle V. (ed.). Byline, Richard Wright: Articles from the Daily Worker and New Masses. Columbia: University of Missouri Press, 2015.Google Scholar
Allen, Carolyn. Following Djuna: Women Lovers and the Erotics of Loss. Bloomington: Indiana University Press, 1996.Google Scholar
Broe, Mary Lynn. Silence and Power: A Reevaluation of Djuna Barnes. Carbondale: Southern Illinois University Press, 1991.Google Scholar
Caselli, Daniela. Improper Modernism: Djuna Barnes’s Bewildering Corpus. Burlington: Ashgate, 2009.Google Scholar
Charles, Anne M. Sapphic Modernism, Marginality, and Expatriatism in the Novels of Djuna Barnes. Madison: University of Wisconsin-Madison Press, 1998.Google Scholar
Field, Andrew. The Formidable Miss Barnes: A Biography of Djuna Barnes. London: Secker & Warburg, 1983.Google Scholar
Herring, Phillip. Djuna: The Life and Work of Djuna Barnes. New York: Viking, 1995.Google Scholar
Kannenstine, Louis F. The Art of Djuna Barnes: Duality and Damnation. New York: New York University Press, 1977.Google Scholar
O’Neal, Hank. “Life Is Painful, Nasty & Short – In My Case It Has Only Been Painful and Nasty”: Djuna Barnes, 1978–1981: An Informal Memoir. New York: Paragon House, 1990.Google Scholar
Parsons, Deborah L. Djuna Barnes. Liverpool: Liverpool University Press, 2003.Google Scholar
Pender, Elizabeth, and Setz, Cathryn (eds.). Shattered Objects: Djuna Barnes’s Modernism. University Park: Pennsylvania State University Press, 2019.Google Scholar
Plumb, Cheryl J. Fancy’s Craft: Art and Identity in the Early Works of Djuna Barnes. London: Susquehanna University Press, 1986.Google Scholar
Roos, Bonnie. Djuna Barnes’s Nightwood: The World and the Politics of Peace. New York: Bloomsbury, 2014.Google Scholar
Scott, James B. Djuna Barnes. Boston: Twayne Publishers, 1976.Google Scholar
Taylor, Julie. Djuna Barnes and Affective Modernism. Edinburgh: Edinburgh University Press, 2012.Google Scholar
Warren, Diane. Djuna Barnes’ Consuming Fictions. Burlington: Ashgate, 2008.Google Scholar
Acocella, Joan Ross. Willa Cather and the Politics of Criticism. Lincoln: University of Nebraska Press, 2000.Google Scholar
Arnold, Marilyn. Willa Cather’s Short Fiction. Athens: Ohio University Press, 1984.Google Scholar
Goldberg, Jonathan. Willa Cather and Others. Durham: Duke University Press, 2001.Google Scholar
Homestead, Melissa J., and Reynolds, Guy (eds.). Willa Cather and Modern Cultures. Lincoln: University of Nebraska Press, 2011.Google Scholar
Lindemann, Marilee. Willa Cather: Queering America. New York: Columbia University Press, 1999.Google Scholar
Moseley, Ann, Murphy, John J., and Thacker, Robert. Willa Cather at the Modernist Crux. Lincoln: University of Nebraska, 2017.Google Scholar
Murphy, John J., and Skaggs, Merrill Maguire. Willa Cather: New Facts, New Glimpses, Revisions. Madison: Fairleigh Dickinson University Press, 2008.Google Scholar
O’Brien, Sharon. Willa Cather: The Emerging Voice. New York: Oxford University Press, 1987.Google Scholar
Palmer, Daryl W. Becoming Willa Cather: Creation and Career. Reno: University of Nevada Press, 2019.Google Scholar
Reynolds, Guy. Sensing Willa Cather: The Writer and the Body in Transition. Edinburgh: Edinburgh University Press, 2021.Google Scholar
Reynolds, Guy. Willa Cather in Context: Progress, Race, Empire. Basingstoke: Macmillan, 1996.Google Scholar
Rosowski, Susan. The Voyage Perilous: Willa Cather’s Romanticism. Lincoln: University of Nebraska Press, 1986.Google Scholar
Skaggs, Merrill Maguire. After the World Broke in Two: The Later Novels of Willa Cather. Charlottesville: University Press of Virginia, 1990.Google Scholar
Stout, Janis P. (ed.). Willa Cather and Material Culture: Real-World Writing, Writing the Real World. Tuscaloosa: University of Alabama Press, 2005.Google Scholar
Swift, John N., and Urgo, Joseph R. (eds.). Willa Cather and the American Southwest. Lincoln: University of Nebraska Press, 2002.Google Scholar
Trout, Steven. Memorial Fictions: Willa Cather and the First World War. Lincoln: University of Nebraska Press, 2002.Google Scholar
Winters, Laura. Willa Cather: Landscape and Exile. Cranbury: Susquehanna University Press, 1993.Google Scholar
Berthoff, Warner. Hart Crane: A Re-introduction. Minneapolis: University of Minnesota Press, 1989.Google Scholar
Brunner, Edward. Splendid Failure: Hart Crane and the Making of The Bridge. Urbana: University of Illinois Press, 1985.Google Scholar
Edelman, Lee. Transmemberment of Song: Hart Crane’s Anatomies of Rhetoric and Desire. Stanford: Stanford University Press, 1987.Google Scholar
Fisher, Clive. Hart Crane. New Haven: Yale University Press, 2002.Google Scholar
Giles, Paul. Hart Crane: The Contexts of The Bridge. Cambridge: Cambridge University Press, 1986.Google Scholar
Hammer, Langdon. Hart Crane and Allen Tate: Janus-Faced Modernism. Princeton: Princeton University Press, 1993.Google Scholar
Irwin, John T. Hart Crane’s Poetry: “Appollinaire Lived in Paris, I Live in Cleveland, Ohio.” Baltimore: Johns Hopkins University Press, 2011.Google Scholar
Leibowitz, Herbert A. Hart Crane: An Introduction to the Poetry. New York: Columbia University Press, 1968.Google Scholar
Lewis, R. W. B. The Poetry of Hart Crane: A Critical Study. Princeton: Princeton University Press, 1967.Google Scholar
Mariani, Paul L. The Broken Tower: A Life of Hart Crane. New York: W. W. Norton, 1999.Google Scholar
Reed, Brian. Hart Crane After His Lights. Tuscaloosa: University of Alabama Press, 2006.Google Scholar
Sugg, Richard P. Hart Crane’s The Bridge: A Description of Its Life. Tuscaloosa: University of Alabama Press, 1976.Google Scholar
Trachtenberg, Alan. Hart Crane: A Collection of Critical Essays. Englewood Cliffs: Prentice-Hall, 1982.Google Scholar
Yingling, Thomas E. Hart Crane and the Homosexual Text: New Thresholds, New Anatomies. Chicago: University of Chicago Press, 1990.Google Scholar
Belkind, Allen, and Moore, Harry T. (eds.). Dos Passos: The Critics, and the Writer’s Intention. Edwardsville: Southern Illinois University Press, 1971.Google Scholar
Carr, Virginia Spencer. Dos Passos: A Life. Evanston: Northwestern University Press, 2004.Google Scholar
Casey, Janet Galligani. Dos Passos and the Ideology of the Feminine. New York: Cambridge University Press, 1998.Google Scholar
Landsberg, Melvin. Dos Passos’ Path to U.S.A.: A Political Biography, 1912–1936. Boulder: Colorado Associated University Press, 1972.Google Scholar
Maine, Barry (ed.). John Dos Passos. New York: Routledge, 2012.Google Scholar
Nanney, Lisa. John Dos Passos. New York: Twayne Publishers, 1998.Google Scholar
Nanney, Lisa John Dos Passos and Cinema. Clemson: Clemson University Press, 2019.Google Scholar
Pizer, Donald. Dos Passos’ U.S.A.: A Critical Study. Charlottesville: University Press of Virginia, 1988.Google Scholar
Pizer, Donald, Nanney, Lisa, and Layman, Richard (eds.). The Paintings and Drawings of John Dos Passos: A Collection and Study. Liverpool: Liverpool University Press, 2016.Google Scholar
Rosen, Robert C. John Dos Passos, Politics and the Writer. Lincoln: University of Nebraska Press, 1981.Google Scholar
Shaheen, Aaron, and Bautista Cordero, Rosa Maria (eds.). John Dos Passos’s Transatlantic Chronicling: Critical Essays on the Interwar Years. Knoxville: University of Tennessee Press, 2022.Google Scholar
Wagner, Linda W. Dos Passos: Artist as American. Austin: University of Texas Press, 2011.Google Scholar
Alridge, Derrick P. The Educational Thought of W.E.B. Du Bois: An Intellectual History. New York: Teachers College Press, 2008.Google Scholar
Balfour, Katharine Lawrence. Democracy’s Reconstruction: Thinking Politically with W.E.B. Du Bois. New York: Oxford University Press, 2011.Google Scholar
Bass, Amy. Those about Him Remained Silent: The Battle over W.E.B. Du Bois. Minneapolis: University of Minnesota Press, 2009.Google Scholar
Blum, Edward J. W.E.B. Du Bois, American Prophet. Philadelphia: University of Pennsylvania Press, 2007.Google Scholar
Chandler, Nahum. X – The Problem of the Negro as a Problem for Thought. New York: Fordham Press, 2014.Google Scholar
Johnson, Terrence L. Tragic Soul-Life: W.E.B. Du Bois and the Moral Crisis Facing American Democracy. New York: Oxford University Press, 2012.Google Scholar
Kahn, Jonathon Samuel. Divine Discontent: The Religious Imagination of W.E.B. Du Bois. New York: Oxford University Press, 2009.Google Scholar
Kirschke, Amy Helene. Art in Crisis: W.E.B. Du Bois and the Struggle for African American Identity and Memory. Bloomington: Indiana University Press, 2007.Google Scholar
Horne, Gerald. Black and Red: W.E.B. Du Bois and the Afro-American Response to the Cold War, 1944–1963. Albany: State University of New York Press, 1986.Google Scholar
Lewis, David Levering. W.E.B. Du Bois: A Biography 1868–1963. New York: H. Holt, 2009.Google Scholar
Marable, Manning. W.E.B. Du Bois: Black Radical Democrat. London: Routledge, 2004.Google Scholar
Mullen, Bill V. Un-American: W.E.B. Du Bois and the Century of World Revolution. Philadelphia: Temple University Press, 2015.Google Scholar
Mullen, Bill V., and Watson, Cathryn (eds.). W.E.B. Du Bois on Asia Crossing the World Color Line. Jackson: University Press of Mississippi, 2005.Google Scholar
Porter, Eric. The Problem of the Future World: W.E.B. Du Bois and the Race Concept at Midcentury. Durham: Duke University Press, 2010.Google Scholar
Reed, Adolph L. W.E.B. Du Bois and American Political Thought: Fabianism and the Color Line. New York: Oxford University Press, 1997.Google Scholar
Zamir, Shamoon. Dark Voices: W.E.B. Du Bois and American Thought, 1888–1903. Chicago: University of Chicago Press, 1995.Google Scholar
Bendient, Calvin. He Do the Police in Different Voices: “The Waste Land” and Its Protagonist. Chicago: University of Chicago Press, 1986.Google Scholar
Brooker, Jewel Spears. Mastery and Escape: T.S. Eliot and the Dialectic of Modernism. Amherst: University of Massachusetts Press, 1994.Google Scholar
Brooker, Jewel Spears T. S. Eliot’s Dialectical Imagination. Baltimore: Johns Hopkins University Press, 2018.Google Scholar
Bush, Ronald. T.S. Eliot: A Study in Character and Style. New York: Oxford University Press, 1984.Google Scholar
Chinitz, David. T.S. Eliot and the Cultural Divide. Chicago: University of Chicago Press, 2003.Google Scholar
Cianci, Giovanni, and Harding, Jason (eds.). T.S. Eliot and the Concept of Tradition. Cambridge: Cambridge University Press, 2007.Google Scholar
Crawford, Robert. The Savage and the City in the Work of T.S. Eliot. Oxford: Clarendon Press, 1987.Google Scholar
Crawford, Robert Young Eliot: From St Louis to The Waste Land. London: Jonathan Cape, 1999.Google Scholar
Gardener, Helen. T.S. Eliot: An Imperfect Life. New York: W. W. Norton, 1999.Google Scholar
Julius, Anthony. T.S. Eliot, Anti-Semitism and Literary Form. Cambridge: Cambridge University Press, 1995.Google Scholar
Kennedy, Sarah. T.S. Eliot and the Dynamic Imagination. Cambridge: Cambridge University Press, 2018.Google Scholar
Kenner, Hugh. T.S. Eliot: The Invisible Poet. New York: McDowell, Obolensky, 1959.Google Scholar
Laity, Cassandra, and Gish, Nancy K. (eds.). Gender, Desire, and Sexuality in T.S. Eliot. Cambridge: Cambridge University Press, 2004.Google Scholar
Matthews, Steven. T.S. Eliot and Early Modern Literature. Oxford: Oxford University Press, 2003.Google Scholar
Menand, Louis. Discovering Modernism: T.S. Eliot in His Context. New York: Oxford University Press, 1987.Google Scholar
Moody, David. Thomas Stearns Eliot: Poet. Cambridge: Cambridge University Press, 1979.Google Scholar
Oser, Lee. T.S. Eliot and American Poetry. Columbia: University of Missouri Press, 1998.Google Scholar
Raine, Craig. T.S. Eliot. Oxford: Oxford University Press, 2006.Google Scholar
Ricks, Christopher. T.S. Eliot and Prejudice. Berkeley: University of California Press, 1988.Google Scholar
Schuchard, Ronald. Eliot’s Dark Angel: Intersections of Life and Art. New York: Oxford University Press, 1999.Google Scholar
Benston, Kimberly W. (ed.). Speaking for You: The Vision of Ralph Ellison. Washington, DC: Howard University Press, 1987.Google Scholar
Bradley, Adam. Ralph Ellison in Progress: From Invisible Man to Three Days before the Shooting. New Haven: Yale University Press, 2010.Google Scholar
Foley, Barbara. Wrestling with the Left: The Making of Ralph Ellison’s Invisible Man. Durham: Duke University Press, 2010.Google Scholar
Germana, Michael. Ralph Ellison: Temporal Technologist. New York: Oxford University Press, 2018.Google Scholar
Harriss, M. Cooper. Ralph Ellison’s Invisible Theology. New York: New York University Press, 2017.Google Scholar
Judy, Ronald, and Arac, Jonathan (eds.). Ralph Ellison: The Next Fifty Years. Durham: Duke University Press, 2003.Google Scholar
Nadel, Alan (ed.). Invisible Criticism: Ralph Ellison and the American Canon. Iowa City: University of Iowa Press, 1988.Google Scholar
O’Meally, Robert G. The Craft of Ralph Ellison. Cambridge, MA: Harvard University Press, 1980.Google Scholar
O’Meally, Robert G. (ed.). New Essays on Invisible Man. Cambridge: Cambridge University Press, 1988.Google Scholar
Parrish, Timothy. Ralph Ellison and the Genius of America. Amherst: University of Massachusetts Press, 2012.Google Scholar
Porter, Horace A. Jazz Country: Ralph Ellison in America. Iowa City: University of Iowa Press, 2001.Google Scholar
Purcell, Richard. Race, Ralph Ellison and American Cold War Intellectual Culture. New York: Palgrave Macmillan, 2013.Google Scholar
Rankine, Patrice D. Ulysses in Black: Ralph Ellison, Classicism, and African American Literature. Madison: University of Wisconsin Press, 2006.Google Scholar
Warren, Kenneth W. So Black and Blue: Ralph Ellison and the Occasion of Criticism. Chicago: University of Chicago Press, 2003.Google Scholar
Watts, Jerry Gafio. Heroism and the Black Intellectual: Ralph Ellison, Politics, and Afro-American Intellectual Life. Chapel Hill: University of North Carolina Press, 1994.Google Scholar
Brooks, Cleanth. On the Prejudices, Predilections, and Firm Beliefs of William Faulkner: Essays. Baton Rouge: Louisiana State University Press, 1987.Google Scholar
Brooks, Cleanth William Faulkner: First Encounters. New Haven: Yale University Press, 1983.Google Scholar
Brooks, Cleanth William Faulkner: The Yoknapatawpha Country. New Haven: Yale University Press, 1963.Google Scholar
Brooks, Cleanth William Faulkner: Toward Yoknapatawpha and Beyond. New Haven: Yale University Press, 1978.Google Scholar
Glissant, Edouard. Faulkner, Mississippi, trans. Barbara Lewis and Thomas C. Spear. Chicago: University of Chicago Press, 1996.Google Scholar
Godden, Richard. Fictions of Labor: William Faulkner and the South’s Long Revolution. New York: Cambridge University Press, 1997.Google Scholar
Godden, Richard William Faulkner: An Economy of Complex Words. Princeton: Princeton University Press, 2007.Google Scholar
Gray, Richard. The Life of William Faulkner: A Critical Biography. Oxford: Blackwell, 1994.Google Scholar
Kartiganer, Donald M., and Abadie, Ann J (eds.). Faulkner and the Natural World. Jackson: University Press of Mississippi, 1999.Google Scholar
Matthews, John T. The Play of Faulkner’s Language. Ithaca: Cornell University Press, 1982.Google Scholar
Matthews, John T. (ed.). William Faulkner in Context. Cambridge: Cambridge University Press, 2015.Google Scholar
Moreland, Richard C. Faulkner and Modernism: Rereading and Rewriting. Madison: University of Wisconsin Press, 1990.Google Scholar
Murphet, Julian. Faulkner’s Media Romance. New York: Oxford University Press, 2017.Google Scholar
Robinson, Owen. Creating Yoknapatawpha: Readers and Writers in Faulkner’s Fiction. New York: Routledge, 2006.Google Scholar
Singal, Daniel J. William Faulkner: The Making of a Modernist. Chapel Hill: University of North Carolina Press, 1997.Google Scholar
Sundquist, Eric. Faulkner: The House Divided. Baltimore: Johns Hopkins University Press, 1985.Google Scholar
Trefzer, Annette, and Abadie, Ann J.. Faulkner’s Sexualities. Jackson: University Press of Mississippi, 2010.Google Scholar
Watson, Jay (ed.). Faulkner and Whiteness. Jackson: University Press of Mississippi, 2011.Google Scholar
Watson, Jay William Faulkner and the Faces of Modernity. New York: Oxford University Press, 2019.Google Scholar
Watson, Jay, and Thomas, James G. (eds.). Faulkner and the Black Literatures of the Americas. Jackson: University Press of Mississippi, 2016.Google Scholar
Adams, Jade. F. Scott Fitzgerald’s Short Fiction: From Ragtime to Swing Time. Edinburgh: Edinburgh University Press, 2019.Google Scholar
Berman, Ronald. F. Scott Fitzgerald and the American Scene. Tuscaloosa: University of Alabama Press, 2017.Google Scholar
Brown, David S. Paradise Lost: A Life of F. Scott Fitzgerald. Cambridge, MA: Belknap Press of Harvard University Press, 2017.Google Scholar
Bruccoli, Matthew Joseph (ed.). New Essays on The Great Gatsby. Cambridge: Cambridge University Press, 1985.Google Scholar
Bryer, Jackson R., Margolies, Alan, and Prigozy, Ruth (eds.). F. Scott Fitzgerald: New Perspectives. Athens: University of Georgia Press, 2000.Google Scholar
Bryer, Jackson R., Prigozy, Ruth, and Stern, Milton R. (eds.). F. Scott Fitzgerald in the Twenty-First Century. Tuscaloosa: University of Alabama Press, 2003.Google Scholar
Curnutt, Kirk. A Historical Guide to F. Scott Fitzgerald. New York: Oxford University Press, 2004.Google Scholar
Irwin, John T. F. Scott Fitzgerald’s Fiction: “An Almost Theatrical Innocence.” Baltimore: Johns Hopkins University Press, 2014.Google Scholar
Mangum, Bryant. F. Scott Fitzgerald in Context. Cambridge: Cambridge University Press, 2013.Google Scholar
Messenger, Christian K. Tender Is the Night and F. Scott Fitzgerald’s Sentimental Identities. Tuscaloosa: University of Alabama Press, 2015.Google Scholar
Miller, James E. F. Scott Fitzgerald: His Art and His Technique. New York: New York University Press, 1964.Google Scholar
Stern, Milton R. The Golden Moment: The Novels of F. Scott Fitzgerald. Urbana: University of Illinois Press, 1970.Google Scholar
Barron, Jonathan N. How Robert Frost Made Realism Matter. Columbia: University of Missouri Press, 2015.Google Scholar
Brodsky, Joseph, Heaney, Seamus, and Walcott, Derek. Homage to Robert Frost. New York: Farrar, Straus and Giroux, 1996.Google Scholar
Buxton, Rachel. Robert Frost and Northern Irish Poetry. New York: Oxford University Press, 2004.Google Scholar
Cady, Edwin Harrison, and Budd, Louis J.. On Frost. Durham: Duke University Press, 1991.Google Scholar
Faggen, Robert. Robert Frost and the Challenge of Darwin. Ann Arbor: University of Michigan Press, 1997.Google Scholar
Hass, Robert Bernard. Going by Contraries: Robert Frost’s Conflict with Science. Charlottesville: University Press of Virginia, 2002.Google Scholar
Hoffman, Tyler. Robert Frost and the Politics of Poetry. Hanover: University Press of New England, 2001.Google Scholar
Kearns, Katherine. Robert Frost and a Poetics of Appetite. Cambridge: Cambridge University Press, 1994.Google Scholar
Kemp, John C. Robert Frost and New England: The Poet as Regionalist. Princeton: Princeton University Press, 2015.Google Scholar
Kendall, Tim, and Frost, Robert. The Art of Robert Frost. New Haven: Yale University Press, 2012.Google Scholar
Kilcup, Karen L. Robert Frost and Feminine Literary Tradition. Ann Arbor: University of Michigan Press, 1998.Google Scholar
Poirier, Richard. Robert Frost: The Work of Knowing. New York: Oxford University Press, 1977.Google Scholar
Pritchard, William H. Frost: A Literary Life Reconsidered. New York: Oxford University Press, 1984.Google Scholar
Richardson, Mark. The Ordeal of Robert Frost: The Poet and His Poetics. Urbana: University of Illinois Press, 1997.Google Scholar
Stambuk, Andrew. The Man Who Is and Is Not There. Amherst: University of Massachusetts Press, 2011.Google Scholar
Timmerman, John H. Robert Frost: The Ethics of Ambiguity. Lewisburg: Bucknell University Press, 2002.Google Scholar
Anderson, Elizabeth. H.D. and Modernist Religious Imagination. London: Bloomsbury, 2013.Google Scholar
Blanton, C. D. Epic Negation: The Dialectical Poetics of Late Modernism. New York: Oxford University Press, 2015.Google Scholar
Buck, Claire. H.D. and Freud: Bisexuality and a Feminine Discourse. New York: St. Martin’s Press, 1991.Google Scholar
Chisholm, Diane. H.D.’s Freudian Poetics: Psychoanalysis in Translation. Ithaca: Cornell University Press, 1992.Google Scholar
Collecott, Diana. H.D. and Sapphic Modernism, 1910–1950. Cambridge: Cambridge University Press, 1999.Google Scholar
Connor, Rachel Ann. H.D. and the Image. Manchester: Manchester University Press, 2004.Google Scholar
Debo, Annette. The American H.D. Iowa City: University of Iowa Press, 2012.Google Scholar
Duncan, Robert, Boughn, Michael, and Coleman, Victor. The H.D. Book. Berkeley: University of California Press, 2011.Google Scholar
DuPlessis, Rachel Blau. H.D.: The Career of That Struggle. Bloomington: University of Indiana Press, 1986.Google Scholar
Edmunds, Susan. Out of Line: History, Psychoanalysis, and Montage in H.D.’s Long Poems. Stanford: Stanford University Press, 1994.Google Scholar
Friedman, Susan Stanford. Penelope’s Web: Gender, Modernity, H.D.’s Fiction. New York: Cambridge University Press, 1990.Google Scholar
Gregory, Eileen. H.D. and Hellenism: Classic Lines. Cambridge: Cambridge University Press, 1997.Google Scholar
Guest, Barbara. Herself Defined: The Poet H.D. and Her World. Garden City: Doubleday, 1984.Google Scholar
Hollenberg, Donna Krolik. H.D.: The Poetics of Childbirth and Creativity. Boston: Northeastern University Press, 1991.Google Scholar
Laity, Cassandra. H.D. and the Victorian Fin de Siécle: Gender, Modernism, Decadence. New York: Cambridge University Press, 1996.Google Scholar
Morris, Adalaide. How to Live/What to Do: H.D.’s Cultural Poetics. Urbana: University of Illinois Press, 2003.Google Scholar
Taylor, Georgina. H.D. and the Public Sphere of Modernist Women Writers 1913–1946: Talking Women. Oxford: Clarendon Press, 2001.Google Scholar
Vetter, Lara Elizabeth. A Curious Peril: H.D.’s Late Modernist Prose. Gainesville: University Press of Florida, 2017.Google Scholar
Baker, Carlos. Hemingway: The Writer as Artist. Princeton: Princeton University Press, 1972.Google Scholar
Broer, Lawrence R., and Holland, Gloria (eds.). Hemingway and Women Female Critics and the Female Voice. Tuscaloosa: University of Alabama Press, 2002.Google Scholar
Cirino, Mark. Ernest Hemingway: Thought in Action. Madison: University of Wisconsin Press, 2012.Google Scholar
Comley, Nancy R., and Scholes, Robert. Hemingway’s Genders: Rereading the Hemingway Text. New Haven: Yale University Press, 1994.Google Scholar
Dudley, Marc K. Hemingway, Race, and Art: Bloodlines and the Color Line. Kent: Kent State University Press, 2011.Google Scholar
Gajdusek, Robert E. Hemingway in His Own Country. Notre Dame: University of Notre Dame Press, 2002.Google Scholar
Griffin, Peter. Less Than a Treason: Hemingway in Paris. New York: Oxford University Press, 1990.Google Scholar
Holcomb, Gary Edward, and Scruggs, Charles. Hemingway and the Black Renaissance. Columbus: Ohio State University Press, 2012.Google Scholar
Hutchisson, James M. Ernest Hemingway: A New Life. University Park: Pennsylvania State University Press, 2016.Google Scholar
Lamb, Robert Paul. Art Matters: Hemingway, Craft, and the Creation of the Modern Short Story. Baton Rouge: Louisiana State University Press, 2010.Google Scholar
Moddelmog, Debra A. Reading Desire: In Pursuit of Ernest Hemingway. Ithaca: Cornell University Press, 2018.Google Scholar
Reynolds, Michael. Hemingway: The Paris Years. Oxford: Basil Blackwell, 1989.Google Scholar
Scafella, Frank. Hemingway: Essays of Reassessment. New York: Oxford University Press, 1991.Google Scholar
Wagner-Martin, Linda. Ernest Hemingway: Seven Decades of Criticism. East Lansing: Michigan State University Press, 1998.Google Scholar
Wyatt, David. Hemingway, Style, and the Art of Emotion. Cambridge: Cambridge University Press, 2015.Google Scholar
Best, Wallace D. Langston’s Salvation: American Religion and the Bard of Harlem. New York: New York University Press, 2017.Google Scholar
Chinitz, David. Which Sin to Bear? Authenticity and Compromise in Langston Hughes. New York: Oxford University Press, 2012.Google Scholar
Dace, Letitia (ed.). Langston Hughes: The Contemporary Reviews. Cambridge: Cambridge University Press, 1997.Google Scholar
De Jongh, James, and Tracy, Steven (eds.). A Historical Guide to Langston Hughes. New York: Oxford University Press, 2003.Google Scholar
Harper, Donna Sullivan. Not So Simple: The “Simple” Stories by Langston Hughes. Columbia: University of Missouri Press, 1995.Google Scholar
Kutzinski, Vera. The Worlds of Langston Hughes: Modernism and Translation in the Americas. Ithaca: Cornell University Press, 2012.Google Scholar
Miller, W. Jason. Langston Hughes and American Lynching Culture. Jacksonville: University Press of Florida, 2011.Google Scholar
Miller, W. Jason Origins of the Dream: Hughes’s Poetry and King’s Rhetoric. Gainesville: University Press of Florida, 2015.Google Scholar
Rampersad, Arnold. The Life of Langston Hughes. New York: Oxford University Press, 1986–8.Google Scholar
Scott, Jonathan. Socialist Joy in the Writing of Langston Hughes. Columbia: University of Missouri Press, 2006.Google Scholar
Tidwell, John Edgar, and Ragar, Cheryl R. (eds.). Montage of a Dream: The Art and Life of Langston Hughes. Columbia: University of Missouri Press, 2007.Google Scholar
Tracy, Steven. Langston Hughes and the Blues. Urbana: University of Illinois Press, 1988.Google Scholar
Boyd, Valerie. Wrapped in Rainbows: The Life of Zora Neale Hurston. New York: Scribner’s, 2004.Google Scholar
Glassman, Steve, and Seidel, Kathryn Lee (eds.). Zora in Florida. Gainesville: University Press of Florida, 1991.Google Scholar
Hemenway, Robert E. Zora Neale Hurston: A Literary Biography. Urbana: University of Illinois Press, 1980.Google Scholar
Hill, Lynda Marion. Social Rituals and the Verbal Art of Zora Neale Hurston. Washington, DC: Howard University Press, 1996.Google Scholar
Jennings, La Delois, Vinia (ed.). Zora Neale Hurston, Haiti, and Their Eyes Were Watching God. Evanston: Northwestern University Press, 2013.Google Scholar
Kaplan, Carla (ed.). Zora Neale Hurston: A Life in Letters. New York: Doubleday, 2002.Google Scholar
Kraut, Anthea. Choreographing the Folk: The Dance Stagings of Zora Neale Hurston. Minneapolis: Minnesota University Press, 2008.Google Scholar
Lowe, John. Jump at the Sun: Zora Neale Hurston’s Cosmic Comedy. Urbana: University of Illinois Press, 1994.Google Scholar
Meisenhelder, Susan Edwards. Hitting a Straight Lick with a Crooked Stick: Race and Gender in the Work of Zora Neale Hurston. Tuscaloosa: University of Alabama Press, 1999.Google Scholar
Moylan, Virginia Lynn. Zora Neale Hurston’s Final Decade. Gainesville: University Press of Florida, 2011.Google Scholar
Patterson, Tiffany Ruby. Zora Neale Hurston and a History of Southern Life. Philadelphia: Temple University Press, 2005.Google Scholar
Plant, Deborah G. Every Tub Must Sit on Its Own Bottom: The Philosophy and Politics of Zora Neale Hurston. Urbana: University of Illinois Press, 1995.Google Scholar
West, Margaret Genevieve. Zora Neale Hurston and American Literary Culture. Gainesville: University Press of Florida, 2005.Google Scholar
Blair, Sara. Henry James and the Writing of Race and Nation. Cambridge: Cambridge University Press, 1996.Google Scholar
Bosanquet, Theodora. Henry James at Work. Ann Arbor: University of Michigan Press, 2010.Google Scholar
Brooks, Peter. Henry James Goes to Paris. Princeton: Princeton University Press, 2007.Google Scholar
Edel, Leon. Henry James: The Complete Biography. New York: Avon, 1978.Google Scholar
Hadley, Tessa. Henry James and the Imagination of Pleasure. Cambridge: Cambridge University Press, 2003.Google Scholar
Haralson, Eric L. Henry James and Queer Modernity. Cambridge: Cambridge University Press, 2003.Google Scholar
Johnson, Kendall. Henry James and the Visual. Cambridge: Cambridge University Press, 2007.Google Scholar
Jolly, Roslyn. Henry James: History, Narrative, Fiction. New York: Oxford University Press, 1993.Google Scholar
Jottkandt, Sigi. Acting Beautifully: Henry James and the Ethical Aesthetic. Albany: State University of New York Press, 2005.Google Scholar
McWhirter, David Bruce. Henry James in Context. Cambridge: Cambridge University Press, 2010.Google Scholar
Miller, J. Hillis. Literature as Conduct: Speech Acts in Henry James. New York: Fordham University Press, 2005.Google Scholar
Ohi, Kevin. Henry James and the Queerness of Style. Minneapolis: University of Minnesota Press, 2011.Google Scholar
Person, Leland S. Henry James and the Suspense of Masculinity. Philadelphia: University of Pennsylvania Press, 2003.Google Scholar
Pippin, Robert B. Henry James and Modern Moral Life. Cambridge: Cambridge University Press, 2000.Google Scholar
Sicker, Philip. Love and the Quest for Identity in the Fiction of Henry James. Princeton: Princeton University Press, 2017.Google Scholar
Taylor, Andrew. Henry James and the Father Question. Cambridge: Cambridge University Press, 2002.Google Scholar
Tucker, Amy. The Illustration of the Master: Henry James and the Magazine Revolution. Stanford: Stanford University Press, 2010.Google Scholar
Davis, Thadious M. Nella Larsen, Novelist of the Harlem Renaissance: A Woman’s Life Unveiled. Baton Rouge: Louisiana State University Press, 1994.Google Scholar
Domina, Lynn (ed.). The Historian’s Passing: Reading Nella Larsen’s Classic Novel as Social and Cultural History. Santa Barbara: Praeger, 2018.Google Scholar
Ginsberg, Elaine K. (ed.). Passing and the Fictions of Identity. Durham: Duke University Press, 1996.Google Scholar
Hutchinson, George. In Search of Nella Larsen: A Biography of the Color Line. Cambridge, MA: Belknap of Harvard University Press, 2006.Google Scholar
McLendon, Jacquelyn Y. (ed.). Approaches to Teaching the Novels of Nella Larsen. New York: Modern Language Association of America, 2016.Google Scholar
Burke, Carolyn. Becoming Modern: The Life of Mina Loy. New York: Farrar, Straus and Giroux, 1996.Google Scholar
Hayden, Sarah. Curious Disciplines: Mina Loy and Avant-Garde Artisthood. Albuquerque: University of New Mexico Press, 2018.Google Scholar
Kouidis, Virginia M. Mina Loy, American Modernist Poet. Baton Rouge: Louisiana State University Press, 1980.Google Scholar
Parmar, Sandeep. Reading Mina Loy’s Autobiographies: Myth of the Modern Woman. New York: Bloomsbury, 2013.Google Scholar
Prescott, Tara. Poetic Salvage: Reading Mina Loy. Lanham: Bucknell University Press, 2017.Google Scholar
Scuriatti, Laura. Mina Loy’s Critical Modernism. Gainesville: University Press of Florida, 2019.Google Scholar
Shreiber, Maeera, and Tuma, Keith (eds.). Mina Loy: Woman and Poet. London: National Poetry Foundation, 1998.Google Scholar
Cooper, Wayne F. Claude McKay: Rebel Sojourner in the Harlem Renaissance: A Biography. Baton Rouge: Louisiana State University Press, 1987.Google Scholar
Gayle, Addison. Claude McKay: The Black Poet at War. Detroit: Broadside Press, 1972.Google Scholar
Giles, James Richard. Claude McKay. Boston: Twayne Publishers, 1976.Google Scholar
Gosciak, Josh. The Shadowed Country Claude McKay and the Romance of the Victorians. New Brunswick: Rutgers University Press, 2006.Google Scholar
Holcomb, Gary Edward. Claude McKay, Code Name Sasha: Queer Black Marxism and the Harlem Renaissance. Gainesville: University Press of Florida, 2007.Google Scholar
James, Winston. A Fierce Hatred of Injustice: Claude McKay’s Jamaica and His Poetry of Rebellion. New York: Verso, 2000.Google Scholar
Ramesh, Kotti Sree, and Rani, Kandula Nirupa. Claude McKay: The Literary Identity from Jamaica to Harlem and Beyond. Jefferson: McFarland & Company, Inc., 2006.Google Scholar
Tillery, Tyrone. Claude McKay: A Black Poet’s Struggle for Identity. Amherst: University of Massachusetts Press, 1992.Google Scholar
Tillery, Tyrone Claude McKay, Man and Symbol of the Harlem Renaissance, 1889–1948. Kent: Kent State University Press, 1981.Google Scholar
Costello, Bonnie. Marianne Moore, Imaginary Possessions. Cambridge, MA: Harvard University Press, 1981.Google Scholar
Erickson, Darlene Williams. Illusion Is More Precise Than Precision: The Poetry of Marianne Moore. Tuscaloosa: University of Alabama Press, 1992.Google Scholar
Joyce, Elisabeth W. Cultural Critique and Abstraction: Marianne Moore and the Avant-Garde. London: Bucknell University Press, 1998.Google Scholar
Gregory, Elizabeth (ed.). The Critical Response to Marianne Moore. Westport: Praeger, 2003.Google Scholar
Heuving, Jeanne. Omissions Are Not Accidents: Gender in the Art of Marianne Moore. Detroit: Wayne State University Press, 1992.Google Scholar
Holley, Margaret. The Poetry of Marianne Moore: A Study in Voice and Value. New York: Cambridge University Press, 1987.Google Scholar
Leavell, Linda. Holding on Upside Down: The Life and Work of Marianne Moore. New York: Farrar, Straus and Giroux, 2013.Google Scholar
Leavell, Linda Marianne Moore and the Visual Arts: Prismatic Color. Baton Rouge: Louisiana State University Press, 1995.Google Scholar
Leavell, Linda, Miller, Cristanne, and Schulze, Robin G. (eds.). Critics and Poets on Marianne Moore: “A Right Good Salvo of Barks.” Lewisburg: Bucknell University Press, 2005.Google Scholar
Martin, Taffy. Marianne Moore, Subversive Modernist. Austin: University of Texas Press, 1986.Google Scholar
Miller, Cristanne. Marianne Moore: Questions of Authority. Cambridge, MA: Harvard University Press, 1995.Google Scholar
Molesworth, Charles. Marianne Moore: A Literary Life. New York: Atheneum, 1990.Google Scholar
Stamy, Cynthia. Marianne Moore and China: Orientalism and a Writing of America. New York: Oxford University Press, 1999.Google Scholar
Stapleton, Laurence. Marianne Moore: The Poet’s Advance. First published 1978. Princeton: Princeton University Press, 2015.Google Scholar
Willis, Patricia C. (ed.). Marianne Moore: Woman and Poet. Orono: National Poetry Foundation, 1990.Google Scholar
Baker-White, Robert. The Ecological Eugene O’Neill: Nature’s Veiled Purpose in the Plays. Jefferson: McFarland & Company, 2015.Google Scholar
Black, Stephen A. Eugene O’Neill: Beyond Mourning and Tragedy. New Haven: Yale University Press, 1999.Google Scholar
Bogard, Travis. Contour in Time: The Plays of Eugene O’Neill. New York: Oxford University Press, 1972.Google Scholar
Brietzke, Zander. The Aesthetics of Failure: Dynamic Structure in the Plays of Eugene O’Neill. Jefferson: McFarland, 2001.Google Scholar
Chothia, Jean. Forging a Language: A Study of the Plays of Eugene O’Neill. New York: Cambridge University Press, 1979.Google Scholar
Dowling, Robert M. Eugene O’Neill: A Life in Four Acts. New Haven: Yale University Press, 2014.Google Scholar
Dubost, Thierry. Eugene O’Neill and the Reinvention of Theatre Aesthetics. Jefferson: McFarland & Company, Inc., 2019.Google Scholar
Eisen, Kurt. The Theatre of Eugene O’Neill: American Modernism on the World Stage. New York: Bloomsbury Methuen Drama, 2017.Google Scholar
Gallup, Donald Clifford. Eugene O’Neill and His Eleven-Play Cycle: “A Tale of Possessors Self-Dispossessed.” New Haven: Yale University Press, 1998.Google Scholar
Moorton, Richard F. (ed.). Eugene O’Neill’s Century: Centennial Views on America’s Foremost Tragic Dramatist. New York: Greenwood Press, 1991.Google Scholar
O’Neill, Eugene, and Estrin, Mark W. (eds.). Conversations with Eugene O’Neill. Jackson: University Press of Mississippi, 1990.Google Scholar
Pfister, Joel. Staging Depth: Eugene O’Neill and the Politics of Psychological Discourse. Chapel Hill: University of North Carolina Press, 1995.Google Scholar
Robinson, James A. Eugene O’Neill and Oriental Thought: A Divided Vision. Carbondale: Southern Illinois University Press, 1982.Google Scholar
Törnqvist, Egil. Eugene O’Neill: A Playwright’s Theatre. Jefferson: McFarland & Co., 2004.Google Scholar
Brinkmeyer, Robert H. Katherine Anne Porter’s Artistic Development: Primitivism, Traditionalism, and Totalitarianism. Baton Rouge: Louisiana State University Press, 1993.Google Scholar
DeMouy, Jane Krause. Katherine Anne Porter’s Women: The Eye of Her Fiction. Austin: University of Texas Press, 1983.Google Scholar
Givner, Joan. Katherine Anne Porter: A Life. Athens: University of Georgia Press, 1991.Google Scholar
Liberman, Myron M. Katherine Anne Porter’s Fiction. Detroit: Wayne State University Press, 1971.Google Scholar
Machann, Clinton, and Clark, William Bedford (eds.). Katherine Anne Porter and Texas: An Uneasy Relationship. College Station: Texas A&M University Press, 1990.Google Scholar
Nance, William L. Katherine Anne Porter and the Art of Rejection. Chapel Hill: University of North Carolina Press, 1964.Google Scholar
Porter, Katherine Anne, and Givner, Joan (eds.). Katherine Anne Porter: Conversations. Jackson: University Press of Mississippi, 1987.Google Scholar
Stout, Janis P. Katherine Anne Porter: A Sense of the Times. Charlottesville: University Press of Virginia, 1995.Google Scholar
Tanner, James T. F. The Texas Legacy of Katherine Anne Porter. Denton: University of North Texas Press, 1990.Google Scholar
Titus, Mary. The Ambivalent Art of Katherine Anne Porter. Athens: University of Georgia Press, 2005.Google Scholar
Unrue, Darlene Harbour. Truth and Vision in Katherine Anne Porter’s Fiction. Athens: University of Georgia Press, 1985.Google Scholar
Unrue, Darlene Harbour Understanding Katherine Anne Porter. Columbia: University of South Carolina Press, 1988.Google Scholar
Walsh, Thomas F. Katherine Anne Porter and Mexico: The Illusion of Eden. Austin: University of Texas Press, 1992.Google Scholar
Alexander, Michael. The Poetic Achievement of Ezra Pound. Berkeley: University of California Press, 1979.Google Scholar
Beasley, Rebecca. Ezra Pound and the Visual Culture of Modernism. Cambridge: Cambridge University Press, 2007.Google Scholar
Bell, Ian. The Critic as Scientist: The Modernist Poetics of Ezra Pound. London: Methuen, 2000.Google Scholar
Bernstein, Michael. The Tale of the Tribe: Ezra Pound and the Modern Verse Epic. Princeton: Princeton University Press, 1980.Google Scholar
Bush, Ronald. The Genesis of Ezra Pound’s Cantos. Princeton: Princeton University Press, 1976.Google Scholar
Byron, Mark S. (ed.). The New Ezra Pound Studies. Cambridge: Cambridge University Press, 2020.Google Scholar
Casillo, Robert. The Genealogy of Demons: Anti-Semitism, Fascism, and the Myths of Ezra Pound. Evanston: Northwestern University Press, 1988.Google Scholar
Coyle, Michael, and Preda, Roxana. Ezra Pound and the Career of Modern Criticism. Rochester: Camden House, 2018.Google Scholar
Froula, Christine. To Write Paradise: Style and Error in Pound’s Cantos. New Haven: Yale University Press, 1984.Google Scholar
Kearns, George. Ezra Pound: The Cantos. Cambridge: Cambridge University Press, 1989.Google Scholar
Kenner, Hugh. The Poetry of Ezra Pound. London: Faber and Faber, 1951.Google Scholar
Kenner, Hugh The Pound Era. Berkeley: University of California Press, 1973.Google Scholar
Kindellan, Michael. The Late Cantos of Ezra Pound: Composition, Revision, Publication. New York: Bloomsbury, 2017.Google Scholar
Lindberg, Kathryn. Reading Pound Reading: Modernism after Nietzsche. New York: Oxford University Press, 1987.Google Scholar
Longenbach, James. Stone Cottage: Pound, Yeats, and Modernism. New York: Oxford University Press, 1988.Google Scholar
Moody, David. Ezra Pound, Poet: A Portrait of the Man and His Work. Three volumes. Oxford: Oxford University Press, 2007–15.Google Scholar
Nicholls, Peter. Ezra Pound: Politics, Economics and Writing: A Study of the Cantos. London: Macmillan, 1984.Google Scholar
Park, Josephine, and Stasi, Paul (eds.). Ezra Pound in the Present: Essays on Pound’s Contemporaneity. New York: Bloomsbury, 2016.Google Scholar
Perloff, Marjorie. The Dance of the Intellect: Studies in the Pound Tradition. New York: Cambridge University Press, 1985.Google Scholar
Qian, Zhaoming, and Mary, de Rachewiltz. Ezra Pound and China. Ann Arbor: University of Michigan Press, 2003.Google Scholar
Rabaté, Jean-Michel. Language, Sexuality, and Ideology in Ezra Pound’s Cantos. London: Macmillan, 1986.Google Scholar
Rainey, Lawrence. Ezra Pound and the Monument of Culture: Text, History, and the Malatesta Cantos. Chicago: University of Chicago Press, 1991.Google Scholar
Redman, Tim. Ezra Pound and Italian Fascism. Cambridge: Cambridge University Press, 1991.Google Scholar
Selby, Nick. Poetics of Loss in the Cantos of Ezra Pound: From Modernism to Fascism. New York: Edwin Mellen Press, 2005.Google Scholar
Sherry, Vincent. Ezra Pound, Wyndham Lewis, and Radical Modernism. Oxford: Oxford University Press, 1993.Google Scholar
Sieburth, Richard. Instigations: Ezra Pound and Remy de Gourmont. Cambridge, MA: Harvard University Press, 1978.Google Scholar
Swift, Daniel. The Bughouse: The Poetry, Politics, and Madness of Ezra Pound. New York: Farrar, Straus and Giroux, 2017.Google Scholar
Tiffany, Daniel. Radio Corpse: Imagism and the Cryptaesthetic of Ezra Pound. Cambridge, MA: Harvard University Press, 1995.Google Scholar
Bowers, Jane Palatini. “They Watch Me as They Watch This”: Gertrude Stein’s Metadrama. Philadelphia: University of Pennsylvania Press, 1991.Google Scholar
Bridgman, Richard. Gertrude Stein in Pieces. New York: Oxford University Press, 1970.Google Scholar
Coffman, Christine E. Gertrude Stein’s Transmasculinity. Edinburgh: Edinburgh University Press, 2018.Google Scholar
Corn, Wanda M., and Latimer, Tirza True. Seeing Gertrude Stein: Five Stories. Berkeley: University of California Press, 2011.Google Scholar
DeKoven, Marianne. A Different Language: Gertrude Stein’s Experimental Writing. Madison: University of Wisconsin Press, 1983.Google Scholar
Dydo, Ulla (ed.). A Stein Reader. Evanston: Northwestern University Press, 1993.Google Scholar
Dydo, Ulla, with William Rice. Gertrude Stein: The Language That Rises. Evanston: University of Northwestern Press, 2003.Google Scholar
Hoffman, Michael J. The Development of Abstractionism in the Writings of Gertrude Stein. Philadelphia: University of Pennsylvania Press, 2016.Google Scholar
Kirsch, Sharon. Gertrude Stein and the Reinvention of Rhetoric. Tuscaloosa: University of Alabama Press, 2014.Google Scholar
Leick, Karen. Gertrude Stein and the Making of an American Celebrity. New York: Routledge, 2009.Google Scholar
Meyer, Steven. Gertrude Stein and the Correlations of Writing and Science. Stanford: Stanford University Press, 2001.Google Scholar
Mix, Deborah. A Vocabulary of Thinking: Gertrude Stein and Contemporary North American Women’s Innovative Writing. Iowa City: University of Iowa Press, 2007.Google Scholar
Morris, Roy. Gertrude Stein Has Arrived: The Homecoming of a Literary Legend. Baltimore: Johns Hopkins University Press, 2019.Google Scholar
Ruddick, Lisa. Reading Gertrude Stein: Body, Text, Gnosis. Ithaca: Cornell University Press, 1990.Google Scholar
Steiner, Wendy. Exact Resemblance to Exact Resemblance: The Literary Portraiture of Gertrude Stein. New Haven: Yale University Press, 1978.Google Scholar
Stewart, Allegra. Gertrude Stein and the Present. Cambridge, MA: Harvard University Press, 1967.Google Scholar
Watson, Steven. Prepare for Saints: Gertrude Stein, Virgil Thompson, and the Mainstreaming of American Modernism. New York: Random House, 1998.Google Scholar
Altieri, Charles. Wallace Stevens and the Demands of Modernity: Toward a Phenomenology of Value. Ithaca: Cornell University Press, 2013.Google Scholar
Bates, Milton. Wallace Stevens: A Mythology of Self. Berkeley: University of California Press, 1985.Google Scholar
Bloom, Harold. Wallace Stevens: The Poems of Our Climate. Ithaca: Cornell University Press, 1977.Google Scholar
Filreis, Alan. Modernism from Right to Left: Wallace Stevens, the Thirties, and Literary Radicalism. Cambridge: Cambridge University Press, 1994.Google Scholar
Filreis, Alan Wallace Stevens and the Actual World. Princeton: Princeton University Press, 1991.Google Scholar
Gelpi, Albert. Wallace Stevens: The Poetics of Modernism. Cambridge: Cambridge University Press, 1985.Google Scholar
Goldfarb, Lisa, and Eeckhout, Bart. Wallace Stevens, New York, and Modernism. New York: Routledge, 2012.Google Scholar
Halliday, Mark. Stevens and the Interpersonal. Princeton: Princeton University Press, 1991.Google Scholar
Lensing, George S. Wallace Stevens and the Seasons. Baton Rouge: Louisiana State University Press, 2001.Google Scholar
Litz, Walton. Introspective Voyager: The Poetic Development of Wallace Stevens. New York: Oxford University Press, 1972.Google Scholar
Longenbach, James. Wallace Stevens: The Plain Sense of Things. New York: Oxford University Press, 1991.Google Scholar
MacLeod, Glen G. Wallace Stevens in Context. Cambridge: Cambridge University Press, 2017.Google Scholar
Mariani, Paul. The Whole Harmonium: The Life of Wallace Stevens. New York: Simon and Schuster, 2016.Google Scholar
Morris, Adalaide. Wallace Stevens: Imagination and Faith. Princeton: Princeton University Press, 1974.Google Scholar
Ragg, Edward. Wallace Stevens and the Aesthetics of Abstraction. Cambridge: Cambridge University Press, 2010.Google Scholar
Schaum, Melita. Wallace Stevens and the Critical Schools. Tuscaloosa: University of Alabama Press, 1988.Google Scholar
Vendler, Helen. On Extended Wings: Wallace Stevens’ Longer Poems. Cambridge, MA: Harvard University Press, 1969.Google Scholar
Byrd, Rudolph P. Jean Toomer’s Years with Gurdjieff: Portrait of an Artist, 1923–1936. Athens: University of Georgia Press, 1990.Google Scholar
Fabre, Geneviève, and Feith, Michael (eds.). Jean Toomer and the Harlem Renaissance. New Brunswick: Rutgers University Press, 2002.Google Scholar
Foley, Barbara. Jean Toomer: Race, Repression, and Revolution. Urbana: University of Illinois Press, 2014.Google Scholar
Ford, Karen Jackson. Split-gut Song: Jean Toomer and the Poetics of Modernity. Tuscaloosa: University of Alabama Press, 2005.Google Scholar
Jones, Robert B. Jean Toomer and the Prison-House of Thought: A Phenomenology of the Spirit. Amherst: University of Massachusetts Press, 1993.Google Scholar
Kerman, Cynthia Earl, and Eldridge, Richard. The Lives of Jean Toomer: A Hunger for Wholeness. Baton Rouge: Louisiana State University Press, 1987.Google Scholar
McKay, Nellie Y. Jean Toomer, Artist: A Study of His Literary Life and Work, 1894–1936. Chapel Hill: University of North Carolina Press, 1987.Google Scholar
O’Daniel, Therman B. Jean Toomer: A Critical Evaluation. Washington, DC: Howard University Press, 1988.Google Scholar
Scruggs, Charles, and Lee, VanDeMarr. Jean Toomer and the Terrors of American History. Philadelphia: University of Pennsylvania Press, 1998.Google Scholar
Whalan, Mark. Race, Manhood, and Modernism in America: The Short Story Cycles of Sherwood Anderson and Jean Toomer. Knoxville: University of Tennessee Press, 2007.Google Scholar
Brooks, Cleanth et al. (eds.). Eudora Welty: A Form of Thanks. Jackson: University Press of Mississippi, 1979.Google Scholar
Brown, Carolyn J. A Daring Life: A Biography of Eudora Welty. Jackson: University Press of Mississippi, 2012.Google Scholar
Claxton, Mae Miller, and Eichelberger, Julia (eds.). Teaching the Works of Eudora Welty: Twenty-First-Century Approaches. Jackson: University Press of Mississippi, 2018.Google Scholar
Fuller, Stephen M. Eudora Welty and Surrealism. Jackson: University Press of Mississippi, 2013.Google Scholar
Pollack, Harriet. Eudora Welty’s Fiction and Photography: The Body of the Other Woman. Athens: University of Georgia Press, 2016.Google Scholar
Pollack, Harriet (ed.). New Essays on Eudora Welty, Class, and Race. Jackson: University Press of Mississippi, 2020.Google Scholar
Pollack, Harriet, and Marrs, Suzanne (eds.). Eudora Welty and Politics: Did the Writer Crusade? Baton Rouge: Louisiana State University Press, 2001.Google Scholar
Prenshaw, Peggy Whitman (ed.). Eudora Welty: Critical Essays. Jackson: University Press of Mississippi, 1979.Google Scholar
Marrs, Suzanne. One Writer’s Imagination: The Fiction of Eudora Welty. Baton Rouge: Louisiana State University Press, 2002.Google Scholar
Wolff, Sally. A Dark Rose: Love in Eudora Welty’s Stories and Novels. Baton Rouge: Louisiana State University Press, 2015.Google Scholar
Comerchero, Victor. Nathanael West, the Ironic Prophet. Syracuse: Syracuse University Press, 1964.Google Scholar
Hyman, Stanley Edgar. Nathanael West. Minneapolis: University of Minnesota Press, 1962.Google Scholar
Light, James F. Nathanael West: An Interpretative Study. Evanston: Northwestern University Press, 1961.Google Scholar
Long, Robert Emmet. Nathanael West. New York: Ungar, 1985.Google Scholar
Madden, David (ed.). Nathanael West: The Cheaters and the Cheated: A Collection of Critical Essays. De Land: Everett/Edwards, 1973.Google Scholar
Malin, Irving. Nathanael West’s Novels. Carbondale: Southern Illinois University Press, 1972.Google Scholar
Martin, Jay. Nathanael West: The Art of His Life. New York: Farrar, Straus and Giroux, 1970.Google Scholar
Reid, Randall. The Fiction of Nathanael West: No Redeemer, No Promised Land. Chicago: University of Chicago Press, 1967.Google Scholar
Siegel, Ben (ed.). Critical Essays on Nathanael West. New York: G. K. Hall, 1994.Google Scholar
Veitch, Jonathan. American Superrealism: Nathanael West and the Politics of Representation in the 1930s. Madison: University of Wisconsin Press, 1997.Google Scholar
Widmer, Kingsley. Nathanael West. Boston: Twayne Publishers, 1982.Google Scholar
Woodward, Joe. Alive Inside the Wreck: A Biography of Nathanael West. New York: OR Books, 2011.Google Scholar
Ahearn, Barry. William Carlos Williams and Alterity: The Early Poetry. Cambridge: Cambridge University Press, 1994.Google Scholar
Conarroe, Joel. William Carlos Williams’ Paterson: Language and Landscape. Philadelphia: University of Pennsylvania Press, 1970.Google Scholar
Crawford, T. Hugh. Modernism, Medicine and William Carlos Williams. Norman: University of Oklahoma Press, 1993.Google Scholar
Cushman, Stephen. William Carlos Williams and the Meanings of Measure. New Haven: Yale University Press, 1985.Google Scholar
Diggory, Terence. William Carlos Williams and the Ethics of Painting. Princeton: Princeton University Press, 2014.Google Scholar
Duffey, Bernard I. A Poetry of Presence: The Writing of William Carlos Williams. Madison: University of Wisconsin Press, 1986.Google Scholar
Halter, Peter. The Revolution in the Visual Arts and the Poetry of William Carlos Williams. New York: Cambridge University Press, 1994.Google Scholar
Holsapple, Bruce. The Birth of the Imagination: William Carlos Williams on Form. Albuquerque: University of New Mexico Press, 2016.Google Scholar
Kutzinski, Vera. Against the American Grain: Myth and History in William Carlos Williams, Jay Wright, and Nicolas Guillén. Baltimore: Johns Hopkins University Press, 1987.Google Scholar
Laughlin, James. Remembering William Carlos Williams. New York: New Directions, 1995.Google Scholar
Leibowitz, Herbert A. Something Urgent I Have to Say to You”: The Life and Works of William Carlos Williams. New York: Farrar, Straus and Giroux, 2011.Google Scholar
Marzán, Julio. The Spanish American Roots of William Carlos Williams. Austin: University of Texas Press, 1994.Google Scholar
Morris, Daniel. The Writings of William Carlos Williams: Publicity for the Self. Columbia: University of Missouri Press, 1995.Google Scholar
Riddel, Joseph N. Inverted Bell: Modernism and the Counterpoetics of William Carlos Williams. Baton Rouge: Louisiana State University Press, 1974.Google Scholar
Tapscott, Stephen. American Beauty: William Carlos Williams and the Modernist Whitman. New York: Columbia University Press, 1984.Google Scholar
Fabre, Michel. The Unfinished Quest of Richard Wright. Urbana: University of Illinois Press, 1993.Google Scholar
Fabre, Michel. The World of Richard Wright. Jackson: University Press of Mississippi, 1985.Google Scholar
Gordon, Jane Anna, and Zirakzadeh, Cyrus Ernesto (eds.). The Politics of Richard Wright: Perspectives on Resistance. Lexington: University Press of Kentucky, 2018.Google Scholar
Hakutani, Yoshinobu (ed.), and Richard Wright. Richard Wright and Haiku. Columbia: University of Missouri Press, 2014.Google Scholar
JanMohamed, Abdul R. The Death-Bound-Subject: Richard Wright’s Archaeology of Death. Durham: Duke University Press, 2005.Google Scholar
Joyce, Joyce Ann. Richard Wright’s Art of Tragedy. Iowa City: University of Iowa Press, 1986.Google Scholar
Miller, Eugene E. Voice of a Native Son: The Poetics of Richard Wright. Jackson: University Press of Mississippi, 1990.Google Scholar
Ray, David, and Farnsworth, Robert M. (eds.). Richard Wright: Impressions and Perspectives. Ann Arbor: University of Michigan Press, 1973.Google Scholar
Smith, Virginia Whatley (ed.). Richard Wright’s Travel Writings: New Reflections. Jackson: University Press of Mississippi, 2001.Google Scholar
Tuhkanen, Mikko. The American Optic: Psychoanalysis, Critical Race Theory, and Richard Wright. Albany: State University of New York Press, 2009.Google Scholar
Wright, Richard, and Bryant, Earle V. (ed.). Byline, Richard Wright: Articles from the Daily Worker and New Masses. Columbia: University of Missouri Press, 2015.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Select Bibliography
  • Edited by Mark Whalan, University of Oregon
  • Book: The Cambridge History of American Modernism
  • Online publication: 13 July 2023
  • Chapter DOI: https://doi.org/10.1017/9781108774437.040
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Select Bibliography
  • Edited by Mark Whalan, University of Oregon
  • Book: The Cambridge History of American Modernism
  • Online publication: 13 July 2023
  • Chapter DOI: https://doi.org/10.1017/9781108774437.040
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Select Bibliography
  • Edited by Mark Whalan, University of Oregon
  • Book: The Cambridge History of American Modernism
  • Online publication: 13 July 2023
  • Chapter DOI: https://doi.org/10.1017/9781108774437.040
Available formats
×