Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Introduction
- 36 Astronomy, Astrology, Cosmology
- 37 Cartography
- 38 Botany
- 39 Zoology
- 40 Textiles and Clothing Construction
- 41 Agriculture, Food Distribution, Cooking
- 42 Metallurgy
- 43 Alchemy
- 44 Military Technologies
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
39 - Zoology
from Part IV - Science and Technology
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Introduction
- 36 Astronomy, Astrology, Cosmology
- 37 Cartography
- 38 Botany
- 39 Zoology
- 40 Textiles and Clothing Construction
- 41 Agriculture, Food Distribution, Cooking
- 42 Metallurgy
- 43 Alchemy
- 44 Military Technologies
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 283 - 288Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
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Fudge, Erica. Perceiving Animals: Humans and Beasts in Early Modern English Culture. Basingstoke: Palgrave Macmillan, 2000.Google Scholar
Paster, Gail Kern. Humoring the Body: Emotions and the Shakespearean Stage. Chicago: U of Chicago P, 2004.Google Scholar
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Further reading
Boehrer, Bruce. Animal Characters: Nonhuman Beings in Early Modern Literature. Philadelphia: U of Pennsylvania P, 2010.Google Scholar
Boehrer, Bruce. Shakespeare among the Animals: Nature and Society in the Drama of Early Modern England. Basingstoke: Palgrave Macmillan, 2002.CrossRefGoogle Scholar
Daston, Lorraine, and Mitman, Gregg, eds. Thinking with Animals: New Perspectives on Anthropomorphism. New York: Columbia UP, 2005.Google Scholar
Fudge, Erica, Gilbert, Ruth, and Wiseman, Susan, eds. At the Borders of the Human: Beasts, Bodies and Natural Philosophy in the Early Modern Period. Basingstoke: Palgrave Macmillan, 1999.CrossRefGoogle Scholar
Höfele, Andreas. Stage, Stake and Scaffold: Humans and Animals in Shakespeare’s Theatre. Oxford: Oxford UP, 2011.Google Scholar
Shannon, Laurie. The Accommodated Animal: Cosmopolity in Shakespearean Locals. Chicago: U of Chicago P, 2013.CrossRefGoogle Scholar