Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Introduction
- 267 Shakespeare on Air I: Early British Radio and Radio Audiences
- 268 Shakespeare on Air II: The Golden Age of US Radio
- 269 Shakespeare and Audio Recording
- 270 TV and Early TV Audiences in Europe and the United States
- 271 Film and Film Audiences
- 272 World Cinema
- 273 Plays-within-the-Film
- 274 Shakespeare Documentaries
- 275 The Sonnets Onscreen
- 276 Shakespeare and Animation
- 277 Shakespeare and Online Video
- Index
- References
272 - World Cinema
from Part XXVIII - Shakespeare and Media History
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Introduction
- 267 Shakespeare on Air I: Early British Radio and Radio Audiences
- 268 Shakespeare on Air II: The Golden Age of US Radio
- 269 Shakespeare and Audio Recording
- 270 TV and Early TV Audiences in Europe and the United States
- 271 Film and Film Audiences
- 272 World Cinema
- 273 Plays-within-the-Film
- 274 Shakespeare Documentaries
- 275 The Sonnets Onscreen
- 276 Shakespeare and Animation
- 277 Shakespeare and Online Video
- Index
- References
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 1940 - 1946Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
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Further reading
BUFVC International Database of Shakespeare on Film, Television, and Radio. www.bufvc.ac.uk/databases/shakespeare/index.html.Google Scholar
Burnett, Mark Thornton. “Madagascan Will: Cinematic Shakespeares/Transnational Exchanges.” Shakespeare Survey 61(2008): 239–55.Google Scholar
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Donaldson, Peter. “‘All which it inherit’: Shakespeare, Globes and Global Media.” Shakespeare Survey 52 (1999): 183–200.Google Scholar
Huang, Alexa, ed. “Asian Shakespeares on Screen: Two Films in Perspective.” Borrowers and Lenders: The Journal of Shakespeare and Appropriation 4.2 (2009): 179. http://www.borrowers.uga.edu.Google Scholar
Osborne, Laurie E. “A Local Habitation and a Name: Television and Shakespeare.” Shakespeare Survey 61 (2008): 213–66.Google Scholar
Sinha, Amresh. “The Use and Abuse of Subtitles.” Subtitles: On the Foreignness of Film. Ed. Egoyan, Atom and Balfour, Ian. Cambridge: MIT P, 2004. 172–90.Google Scholar