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270 - TV and Early TV Audiences in Europe and the United States

from Part XXVIII - Shakespeare and Media History

Published online by Cambridge University Press:  17 August 2019

By
William Uricchio
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

accessdemocratizationlivenessmass audiencesmass media
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 1930 - 1935
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Abramson, Albert. The History of Television, 1880 to 1941. Jefferson: McFarland, 1987.Google Scholar
Abramson, Albert. The History of Television, 1942 to 2000. Jefferson: McFarland, 2003.Google Scholar
Boose, Lynda, and Burt, Richard, eds. Shakespeare, the Movie: Popularizing the Plays on Film, TV, and Video. New York: Routledge, 1997.Google Scholar
Bulman, J. C., and Coursen, H. R., eds. Shakespeare on Television: An Anthology of Essays and Reviews. Lebanon: UP of New England, 1988.Google Scholar
Burns, R. W. Television: An International History of the Formative Years. IEE History of Technology Series 22. London: IEE, 1998.CrossRefGoogle Scholar
Evans, Maurice. “An Actor Discusses His TV Debut.” New York Times 26 April 1953: X11.Google Scholar
The Folger Shakespeare Library. “Shakespeare in American Life.” http://www.shakespeareinamericanlife.org/features/faqs/faq5.cfm.Google Scholar
Gould, Jack. “‘Juliet’ Outpointed. Bard’s Failure to Write for Rating Era Puts Him Far Behind ‘I Love Lucy.’” New York Times 10 March 1957, X11.Google Scholar
Gould, Jack. “‘Richard’s’ Rating: Mathematical Wizardry Gives Distorted Idea of Telecast’s Popularity.” New York Times 18 March 1956: 137.Google Scholar
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Gould, Jack. “The TV Spectacular – The Minow Debate.” New York Times 28 May 1961: SM 14.Google Scholar
Henderson, Diana, ed. A Concise Companion to Shakespeare on Screen. Oxford: Blackwell, 2006.CrossRefGoogle Scholar
Holderness, Graham. Visual Shakespeare: Essays in Film and Television. Hatfield: U of Hertfordshire P, 2002.Google Scholar
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Kerr, Walter. “Theater in Red: Critic Thinks That the Product Is Wrong.” New York Times 12 August 1951: 81.Google Scholar
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Pearson, Roberta E., and Uricchio, William. Reframing Culture: The Case of the Vitagraph Quality Films. Princeton: Princeton UP, 1993.Google Scholar
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Sarnoff, David. “Television Sarnoff Sees a New Culture.” New York Times 13 July 1930: SM13.Google Scholar
Schreiber, Flora Rheta. “Television: A New Idiom.” Hollywood Quarterly 4.2 (1949): 182.Google Scholar
Seldes, Gilbert. “A Clinical Analysis of TV.” New York Times 28 November 1954.Google Scholar
Shepard, Richard F. “Maurice Evans Discusses Ways to Make Televison Plays More Appealing in the Audiences and Acting Category.” New York Times 20 November 1955.Google Scholar
Spigel, Lyn. Make Room For TV: Television and the Family Ideal in Postwar America. Chicago: U of Chicago P, 1992.Google Scholar
Terris, Olwen, Oerstelen, Eve-Marie, and McKernan, Luke, eds. Shakespeare on Film, Television and Radio: The Researcher’s Guide. London: British Universities Film & Video Council, 2009.Google Scholar
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Further reading

BUFVC International Database of Shakespeare on Film, Television, and Radio. www.bufvc.ac.uk/databases/shakespeare/index.html.Google Scholar
Crowther, Bosley. “Olivier’s ‘Richard III.’” New York Times 18 March 1956: 127.Google Scholar
“TV Tropes.” tvtropes.org.Google Scholar

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