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Part XIX - Translation

Published online by Cambridge University Press:  17 August 2019

By
Dirk Delabastita
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

accentadaptationAdler, JacobafterlifeAmerican ShakespearesappropriationBovshover, JosephcanoncopyrightCreoledialectdubbingequivalenceGermanGuthrie, TyroneHalkin, SimonHebrewhermeneuticsintersemiotic translationintralingual translationIzae’li, YossiJessner, LeopoldJewish diasporalinguistic hegemonyliteral translationmediaThe Merchant of Venicemodernizationmultilingual performancesmultilingualismnationalismnorms of translationoperaOz, Avrahampage/stagepostcolonial Shakespearespostmodern translation strategiesproblems in translationprose/verseSchildkraut, RudolfSchlegel, August WilhelmSchröder, Friedrich LudwigSchwartz, Mauricesecondhand translationShakespeare on filmsign languageSobol, Yehoshuastrolling playerssubtitlingsurtitlingTabori, Georgetradaptationtraduction iconoclastetranslationtranslation studieswordplayworld languageYiddishZadek, PeterZinger, ArieadaptationafterlivescanonizationDucis, Jean-FrançoisEuropean receptionneoclassicismretranslationRomanticismSchlegel, August WilhelmSchlegel–Tieck EditionTieck, LudwigtranslationAmerican Sign Language (ASL)bawdyDeafdeafnessKing Henry VNational Theater of the DeafThe TempestTranslationTwelfth NightadaptationcosmopolitanismcreolecreolizationDecker, Thomasecocriticismnational languagepostcolonialtranslationVirahsawmy, DevcinemaCohen, JacquelinedubbingfilmFrenchHamletsubtitlingtranslationcanoncontemporary trendsHamletphilologyretranslationspoken languagetranslationwriting for the stageafterlivesallusionappropriation“band of brothers”BricolageCerteau, Michel deContextHenry Vidiomintertextualitylinguistic creativitymeaning potentialphrasal allusionpopular cultureproverbquotationrecognizabilityShakespearetextual fragmentstransmissional-Haddad, NajibArab cultureArabic languageEgyptian popular cultureFarah, Eskandarmusical melodramatranslationAdler, JacobBerlinGuthrie, TyroneHebrewHolocaustIsraelJewishReinhardt, MaxSchildkraut, RichardShylocktranslationYiddishYiddish TheateradaptationAsiaBritish EmpireChinaChinese Shakespearecolonialismdrama translationfaithful translationHinduIndiaIndian ShakespeareJapanJapanese ShakespeareKashmiri, Agha HashrKawai, ShoichiroKoreaLamb, CharlesLamb, MaryLiang, ShiqiuLin, Shuliterary translationlocal adjustmentsMatsuoka, KazukoMenon, Vallathol MarayanaprosodyShakespeare translationTales from ShakespeareTian, HantranslationtranslatorTsubouchi, ShoyoWesternizationAckermann, RudolphAstrana Marín, LuisBlanco White, Josephcultural politics of translationFernández de Moratín, Leandroliterary identityModenessi, Alfredo Michelpoetic translationPujante, Ángel Luisreception in Spainreception in Spanish AmericaShakespeare as cultural icontransatlantic relationstranslations into Spanishtranslations of the playstranslations of the poemsVelasco y Rojas, Matías dearchaismbilingual editionhistorical dialectintralingual translationlanguage changemodernizationparaphraseschool Shakespearesimplification
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 1339 - 1416
Publisher: Cambridge University Press
Print publication year: 2016

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