Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Part XIX - Translation
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Keywords
accentadaptationAdler, JacobafterlifeAmerican ShakespearesappropriationBovshover, JosephcanoncopyrightCreoledialectdubbingequivalenceGermanGuthrie, TyroneHalkin, SimonHebrewhermeneuticsintersemiotic translationintralingual translationIzae’li, YossiJessner, LeopoldJewish diasporalinguistic hegemonyliteral translationmediaThe Merchant of Venicemodernizationmultilingual performancesmultilingualismnationalismnorms of translationoperaOz, Avrahampage/stagepostcolonial Shakespearespostmodern translation strategiesproblems in translationprose/verseSchildkraut, RudolfSchlegel, August WilhelmSchröder, Friedrich LudwigSchwartz, Mauricesecondhand translationShakespeare on filmsign languageSobol, Yehoshuastrolling playerssubtitlingsurtitlingTabori, Georgetradaptationtraduction iconoclastetranslationtranslation studieswordplayworld languageYiddishZadek, PeterZinger, ArieadaptationafterlivescanonizationDucis, Jean-FrançoisEuropean receptionneoclassicismretranslationRomanticismSchlegel, August WilhelmSchlegel–Tieck EditionTieck, LudwigtranslationAmerican Sign Language (ASL)bawdyDeafdeafnessKing Henry VNational Theater of the DeafThe TempestTranslationTwelfth NightadaptationcosmopolitanismcreolecreolizationDecker, Thomasecocriticismnational languagepostcolonialtranslationVirahsawmy, DevcinemaCohen, JacquelinedubbingfilmFrenchHamletsubtitlingtranslationcanoncontemporary trendsHamletphilologyretranslationspoken languagetranslationwriting for the stageafterlivesallusionappropriation“band of brothers”BricolageCerteau, Michel deContextHenry Vidiomintertextualitylinguistic creativitymeaning potentialphrasal allusionpopular cultureproverbquotationrecognizabilityShakespearetextual fragmentstransmissional-Haddad, NajibArab cultureArabic languageEgyptian popular cultureFarah, Eskandarmusical melodramatranslationAdler, JacobBerlinGuthrie, TyroneHebrewHolocaustIsraelJewishReinhardt, MaxSchildkraut, RichardShylocktranslationYiddishYiddish TheateradaptationAsiaBritish EmpireChinaChinese Shakespearecolonialismdrama translationfaithful translationHinduIndiaIndian ShakespeareJapanJapanese ShakespeareKashmiri, Agha HashrKawai, ShoichiroKoreaLamb, CharlesLamb, MaryLiang, ShiqiuLin, Shuliterary translationlocal adjustmentsMatsuoka, KazukoMenon, Vallathol MarayanaprosodyShakespeare translationTales from ShakespeareTian, HantranslationtranslatorTsubouchi, ShoyoWesternizationAckermann, RudolphAstrana Marín, LuisBlanco White, Josephcultural politics of translationFernández de Moratín, Leandroliterary identityModenessi, Alfredo Michelpoetic translationPujante, Ángel Luisreception in Spainreception in Spanish AmericaShakespeare as cultural icontransatlantic relationstranslations into Spanishtranslations of the playstranslations of the poemsVelasco y Rojas, Matías dearchaismbilingual editionhistorical dialectintralingual translationlanguage changemodernizationparaphraseschool Shakespearesimplification
- Type
- Chapter
- Information
- The Cambridge Guide to the Worlds of Shakespeare , pp. 1339 - 1416Publisher: Cambridge University PressPrint publication year: 2016
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