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129 - Thomas Middleton

from Part XIII - Shakespeare’s Fellows

Published online by Cambridge University Press:  17 August 2019

By
Michelle O’Callaghan
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

coauthorshipcollaborationKing’s MenMacbethMeasure for Measuresatiresatirictextual criticismTimonTimon of Athens
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 963 - 967
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Barker, Richard Hindry. Thomas Middleton. New York: Columbia UP; London: Oxford UP, 1958.CrossRefGoogle Scholar
Erne, Lukas. “Aye, Aye.” Times Literary Supplement 4 June 2010: 11.Google Scholar
Holdsworth, R. V. “Middleton’s Authorship of A Yorkshire Tragedy.” Review of English Studies 45 (1994): 1–25.Google Scholar
Jackson, MacDonald P. Studies in Attribution: Middleton and Shakespeare. Salzburg: Institut für Englische Sprache und Literatur, Universität Salzburg, 1979.Google Scholar
Jowett, John. “Introduction.” Shakespeare, William and Middleton, Thomas, The Life of Timon of Athens. Ed. Jowett, John. Oxford: Oxford UP, 2004. 1–153.Google Scholar
Jowett, John, and Taylor, Gary. Shakespeare Reshaped, 1606–23. Oxford: Clarendon, 1993.Google Scholar
Lake, David. The Canon of Thomas Middleton’s Plays. Cambridge: Cambridge University Press, 1975.Google Scholar
Maguire, Laurie, and Smith, Emma. “Letters to the Editor.” Times Literary Supplement 8 June 2012.Google Scholar
Maguire, Laurie, and Smith, Emma. “Many Hands – A New Shakespeare Collaboration?” Times Literary Supplement 19 April 2012.Google Scholar
Taylor, Gary, and Lavagnino, John, eds. The Collected Works of Thomas Middleton. Oxford: Clarendon, 2007.Google Scholar
Vickers, Brian. “Disintegrated: Did Thomas Middleton Really Adapt Macbeth?” Times Literary Supplement 28 May 2010: 14–15.Google Scholar
Vickers, Brian. “Letters to the Editor.” Times Literary Supplement 15 June 2012.Google Scholar
Vickers, Brian. Shakespeare Co-Author: A Historical Study of Five Collaborative Plays. Oxford: Oxford UP, 2002.Google Scholar
Vickers, Brian, and Dahl, Marcus. “All’s Well That Ends Well: An Attribution Refuted.” Times Literary Supplement 9 May 2012.Google Scholar
Wells, Stanley. Shakespeare and Co.: Christopher Marlowe, Thomas Dekker, Ben Jonson, Thomas Middleton, John Fletcher and the Other Players in His Story. London: Allen Lane, 2006.Google Scholar

Further reading

Dollimore, Jonathan. Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and His Contemporaries. Brighton: Harvester, 1984.Google Scholar
Friedenreich, Kenneth, ed. “Accompaninge the Players”: Essays Celebrating Thomas Middleton, 1580–1980. New York: AMS Press, 1983.Google Scholar
Gossett, Suzanne, ed. Thomas Middleton in Context. Cambridge: Cambridge University Press, 2011.Google Scholar
Heinemann, Margot. Puritanism and Theatre: Thomas Middleton and Opposition Drama under the Early Stuarts. 2nd ed. Cambridge: Cambridge University Press, 1982.Google Scholar
Leinwand, Theodore. The City Staged: Jacobean City Comedy, 1603–1613. Madison: U of Wisconsin P, 1986.Google Scholar
McLuskie, Kathleen E., and Bevington, David, eds. Plays on Women. Manchester: Manchester UP, 1999.Google Scholar
Schoenbaum, S. Middleton’s Tragedies: A Critical Study. New York: Columbia UP, 1955.Google Scholar
Stallybrass, Peter. “Reading the Body and the Jacobean Theater of Consumption: The Revenger’s Tragedy (1606).” Staging the Renaissance: Reinterpretations of Elizabethan and Jacobean Drama. Ed. Kastan, David Scott and Stallybrass, Peter. London: Routledge, 1991.Google Scholar
Thomson, Leslie. “‘Enter Above’: The Staging of Women Beware Women.” Studies in English Literature 26 (1986): 331–43.CrossRefGoogle Scholar

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