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257 - Symphonic Music

from Part XXVI - Shakespeare and the Performing Arts

Published online by Cambridge University Press:  17 August 2019

By
J. P. E. Harper-Scott
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

musical narrativesonata formsymphonic musicsymphonic poemtonalitytone poem
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 1832 - 1838
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Bloom, Harold. Shakespeare: The Invention of the Human. London: Fourth Estate, 1998.Google Scholar
Dowden, Edward. Shakspere: A Critical Study of His Mind and Art. London: Henry S. King, 1875.Google Scholar
Elgar, Edward. “Falstaff.” Musical Times 54.847 (1913): 575–79. DOI:10.2307/908045.Google Scholar
Hepokoski, James A., and Darcy, Warren. Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata. New York: Oxford UP, 2006.Google Scholar
Hoffmann, E. T. A. “Beethoven’s Instrumental Music.” Trans. Locke, Arthur Ware. The Musical Quarterly 3.1 (1917): 123–33. http://www.jstor.org/stable/738009.Google Scholar
Morgann, Maurice. An Essay on the Dramatic Character of Sir John Falstaff. London: T. Davies, 1777.Google Scholar
Nuttall, A. D. A New Mimesis: Shakespeare and the Representation of Reality. London: Methuen, 1983.Google Scholar
Rushton, Julian. Berlioz, “Roméo et Juliette.” Cambridge: Cambridge University Press, 1994.CrossRefGoogle Scholar

Further reading

Burnham, Scott G. Beethoven Hero. Princeton: Princeton UP, 1995.CrossRefGoogle Scholar
Harper-Scott, J. P. E. “Elgar’s Invention of the Human: Falstaff, op. 68.” 19th-Century Music 28.3 (2005): 230–53.Google Scholar
Hepokoski, James A. “Beethoven Reception: The Symphonic Tradition.” The Cambridge History of Nineteenth-Century Music. Ed. Samson, Jim. Cambridge: Cambridge University Press, 2002. 424–59.Google Scholar
Hepokoski, James A. “Structure and Program in Macbeth: A Proposed Reading of Strauss’s First Symphonic Poem.” Richard Strauss and His World. Ed. Gilliam, Bryan. Princeton: Princeton UP, 1992. 67–89.Google Scholar
Samson, Jim, ed. The Cambridge History of Nineteenth-Century Music. Cambridge: Cambridge University Press, 2002.Google Scholar
Taruskin, Richard. Music in the Nineteenth Century. Vol. 3: Oxford History of Western Music. Oxford: Oxford UP, 2010.Google Scholar

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