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175 - Shakespeare and Popular Music

from Part XVIII - Shakespeare and Popular Culture

Published online by Cambridge University Press:  17 August 2019

By
Daniel Fischlin
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

audio technologyballadCanadian adaptations of ShakespeareElizabethan lute songfilm adaptationglobalizationhip-hopmass culturemusic makingpop culturepopular musicrapShakespeareShakespearean adaptationturntabling
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 1311 - 1318
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

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Fischlin, Daniel. “The Bard Gets Sporty: Shakespearean History as Comedic Blood Sport or, Canadian Adaptations of Shakespeare Score on the Fringe.” Shakespeare’s Sports Canon. Ed. Coculuzzi, Chris and Toner, Matt. Toronto: Upstart Crow, 2006. vii–xi.Google Scholar
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Frith, Simon, ed. “General Introduction.” Popular Music: Music and Society. Abingdon: Routledge, 2004. 1–7.Google Scholar
Hansen, Adam. Shakespeare and Popular Music. London: Continuum, 2010.Google Scholar
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Further reading

Deitz, Corey. “The Clear Channel Banned Songs List.” About.com. 1 January 2011. http://radio.about.com/library/weekly/blCCbannedsongs.htm.Google Scholar
Dobson, Michael, and Wells, Stanley W.. “Dance in the Plays.” The Oxford Companion to Shakespeare. Oxford: Oxford UP, 2004. 105.Google Scholar
Fischlin, Daniel. “Multimedia.” Canadian Adaptations of Shakespeare Project. University of Guelph. http://www.canadianshakespeares.ca. Accessed 1 June 2013.Google Scholar
Folkerth, Wes. “Shakespeare in Popular Music.” Shakespeares after Shakespeare: An Encyclopedia of the Bard in Mass Media and Popular Culture. Ed. Burt, Richard. 2 vols. Westport: Greenwood, 2007. 2: 366–407.Google Scholar
Shakespeare and Popular Music. http://sites.google.com/site/shakespeareandpopularmusic/.Google Scholar
Sternfeld, Frederick W. Music in Shakespearean Tragedy. 1963. Abingdon: Routledge, 2005.Google Scholar

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