Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Part XXVIII - Shakespeare and Media History
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Keywords
adaptationadaptation as a global processanimationappropriationaudienceaudiodocumentaryfilmInternetmediamedia convergenceplay-within-the-filmradioreceptionrecyclingremediationrevivalscreentelevisiontimed mediavideoBBCBBC Radiobroadcast dramaGielgud, ValHenry IV, Part 1Henry IV, Part 2Julius Caesarradioradio receptionradio historyTwelfth Nightadaptationbroadcast drama“high” and “low” culturehighbrowlowbrowradioradio audiencesremediationUSAWelles, Orsonaudio recordingBooth, Edwincompact disc (CD)complete worksGielgud, Sir JohnIrving, Sir HenryMarlowe SocietyphonographphonographyradioRehan, AdaTerry, EllenTree, Herbert BeerbohmWelles, Orsonaccessdemocratizationlivenessmass audiencesmass mediaadaptationaudienceBranagh, KennethcinemaDVDfilmLuhrmann, BazmoviesmultimediamultiplexOlivier, Laurencesilent filmtheaterZeffirelli, Francofilmforeign filmglobalglobalizationinternational filmnon-Anglophone filmShakespearesubtitletransnationaltransnationalismworld cinemaadaptationcinemacross-dressingfilmfilm-within-the-filmgender performanceglobalglocalheritageidentity politicsmasculinitymoviesmusicalparodyplay-within-the-filmplay-within-the-playqueerrehearsal-within-the-filmremediationShakespeare in Lovespin-offstage beautytheatricalitytransnationalactuality representationauthenticityauthorityBardolatrybiographybiopiccinema véritédirect cinema realismdocumentaryfilmradioreceptionrehabilitationspectatortelevisionacting Shakespearepoetry and performancequoting Shakespearesexuality (homosexuality, bisexuality)Shakespeare on filmShakespeare onlineShakespeare on televisionShakespeare on videoShakespeare’s biographySonnetsteaching shakespeareadaptationanimated typographyanimationanimécartoonsclaymationcutout animationDisney, WaltEisenstein, Sergeystop actionApril 23BeatlescinemafilmGoogleHamletmediatechnologiesYouTubevideo(s)
- Type
- Chapter
- Information
- The Cambridge Guide to the Worlds of Shakespeare , pp. 1907 - 1974Publisher: Cambridge University PressPrint publication year: 2016
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BUFVC International Database of Shakespeare on Film, Television, and Radio. www.bufvc.ac.uk/databases/shakespeare/index.html.Google Scholar
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O’Neill, Stephen. Shakespeare and YouTube: New Media Forms of the Bard. London: Arden Shakespeare, 2014.Google Scholar
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