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276 - Shakespeare and Animation

from Part XXVIII - Shakespeare and Media History

Published online by Cambridge University Press:  17 August 2019

By
Laurie Osborne
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

adaptationanimated typographyanimationanimécartoonsclaymationcutout animationDisney, WaltEisenstein, Sergeystop action
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 1966 - 1970
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

“Alas Poor Skullhead (Hamlet).” Animaniacs. USA, Amblin Entertainment, 11 November 1993. Film, snd., col., 30 mins.Google Scholar
’Amlet. Dir. Dyer, Anson. UK, Hepworth Picture Plays, 1919. Cartoon, slt., bw., c3.Google Scholar
Beauty and the Beast. Dir. Trousdale, Gary and Wise, Kirk. USA, Walt Disney Productions, 1991. Film, snd., col., 84 mins.Google Scholar
Bottom’s Dream. Dir. Canemaker, John. USA, John Canemaker Productions, 1988. Film.Google Scholar
Buhler, Stephen M. “Shakespeare and Company: The Lion King and the Disneyfication of Hamlet.” The Emperor’s Old Groove: Decolonizing Disney’s Magic Kingdom. Ed. Ayres, Brenda. New York: Lang, 2003.Google Scholar
Claymore. Dir. Tanaka, Hiroyuki. Japan, Madhouse Studios, 2007. Television, 26 episodes, 23 mins each.Google Scholar
Eisenstein, Sergei. Eisenstein on Disney. Ed. Leyda, Jay. Trans. Upchurch, Alan. New York: Methuen, 1988.Google Scholar
Gnomeo and Juliet. Dir. Asbury, Kelly. UK/USA, Rocket Pictures, 2011. Film, snd., col., 84 mins.Google Scholar
The Lion King. Dir. Allers, Roger and Minkoff, Rob. USA, Walt Disney Pictures, 1994. Film, snd., col., 87 mins.Google Scholar
The Little Mermaid. Dir. Musker, John and Clements, Rom. USA, Walt Disney Pictures, 1989. Film, snd., col., 83 mins.Google Scholar
“A Midsummer Night’s Dream.” Animaniacs. USA, Amblin Entertainment, 19 October 1993. Film, snd., col., 30 mins.Google Scholar
“A Midsummer Night’s Dream.” Mouse Tails. USA, Walt Disney Pictures, 1999. TV short.Google Scholar
A Midsummer Night’s Dream (Sen Noci Svatojanske). Dir. Trnka, Jiri. Czech Republic, Czech State Film, 1958. Film, snd., col. 74 mins.Google Scholar
Oh’Phelia. Dir. Dyer, Anson. UK, Hepworth Picture Plays, 1919. Cartoon, slt., bw., 90 mins.Google Scholar
Oizaki, Fumitoshi. Dir. Romeo X Juliet. Japan, Gonzo, 2007–08. TV animation, 24 episodes.Google Scholar
“Ophelia.” Ergo Proxy. Dir. Murase, Shuko. Japan, Geneon Entertainment, 2006. TV, episode 1.14, 25 mins.Google Scholar
Osborne, Laurie. “Mixing Media in Shakespeare: Animating Tales and Colliding Modes of Production.” Post Script: Essays in Film and the Humanities 17.2 (1998): 73–89.Google Scholar
Othello. Dir. Dyer, Anson. UK, Hepworth Picture Plays, 1920. Cartoon, slt., bw, 200ft., 2 mins.Google Scholar
Romeo and Juliet: Sealed with a Kiss. Dir. Nibbelink, Phil. USA, Phil Nibbelink Productions, 2006. Film, snd., col., 76 mins.Google Scholar
Runaway Robots: Rome-0 and Julie-8. Dir. Smith, Clive A.. Canada, Nelvana/CBC, 1979. Film, snd., col., 30 mins.Google Scholar
Shakespeare: The Animated Tales. Digital video disks by Ambrose Video, 2004. 4 disks.Google Scholar
Shakespeare in Bits: Romeo and Juliet. Mindconnex Learning Limited, 2011. Computer program, Mac OSX, PC, iPhone/iPad, 464 MB.Google Scholar
Toy Story 3. Dir. Unkrich, Lee. USA, Pixar, 2010. Film, snd., col., 103 mins.Google Scholar
Wells, Paul. “‘Thou Art Translated’: Analysing Animated Adaptation.” Adaptations: From Text to Screen, Screen to Text. Ed. Cartmell, Deborah and Whelehan, Imelda. New York: Routledge, 1999. 199–213.Google Scholar

Further reading

Andreas, James R. “The Canning of a Classic: Shakespeare: The Animated Tales.” Shakespeare Yearbook 11 (2000): 96–117.Google Scholar
Bardbox channel. www.youtube.com/playlist?list=PL33FA48C492A976F3.Google Scholar
Bardbox 2 channel. www.youtube.com/playlist?list=PL302E6A0BBA3EF29E.Google Scholar
BFI ScreenOnline. Includes clips from Anton Dyer’s earlier burlesque animations and others. http://www.screenonline.org.uk/index.html.Google Scholar
Bottoms, Janet. “Speech, Image, Action: Animating Tales from Shakespeare.” Children’s Literature in Education 32 (2001): 3–15.Google Scholar
British University Film and Video Council database. Shakespeare. http://bufvc.ac.uk/shakespeare/. 26 September 2010.Google Scholar
Finkelstein, Richard. “Disney Cites Shakespeare: The Limits of Appropriation.” Shakespeare and Appropriation. Ed. Desmet, Christy and Sawyer, Robert. New York: Routledge, 1999. 179–96.Google Scholar
Lambert, Angela. “Move Over, Goofy, It’s Time for the Bard.” The Independent 4 November 1992: 17.Google Scholar
McKernan, Luke, ed. Bardbox. 2008. YouTube Shakespeare collection. http://bardbox.wordpress.com/.Google Scholar
O’Neill, Stephen. Shakespeare and YouTube: New Media Forms of the Bard. London: Arden Shakespeare, 2014.Google Scholar
Osborne, Laurie. “Poetry in Motion: Animating Shakespeare.” Shakespeare, the Movie: Popularizing the Plays on Film, TV, and Video. Ed. Boose, Lynda E and Burt, Richard. New York: Routledge, 1997. 103–20.Google Scholar
Rozett, Martha Tuck. “When Images Replace Words: Shakespeare, Russian Animation, and the Culture of Television.” Teaching Shakespeare into the Twenty-first Century. Ed. Salomone, Ronald E. and Davis, James E.. Athens: Ohio UP, 1997. 208–14.Google Scholar
Stenberg, Doug. “The Circle of Life and the Chain of Being: Shakespearean Motifs in the Lion King.” Shakespeare Bulletin 14.2 (1996): 36–37.Google Scholar
Yoshihara, Yukari. “Popular Shakespeare in Japan.” Shakespeare Survey 60 (2007): 130–40.Google Scholar

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