Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Introduction
- 230 Shakespeare’s Books
- 231 Fortunes of the First Folio
- 232 Collecting and Reading Shakespeare’s Quartos
- 233 Shakespeare Anthologies
- 234 Shakespeare in Quotation Marks
- 235 Shakespeare in Quotations in English
- 236 Shakespeare in Quotations in Spanish
- 237 Shakespeare in Quotations in French
- 238 Shakespeare in Quotations in German
- 239 Shakespeare in Quotations in Japanese
- 240 The HyperHamlet Project
- 241 Shakespeare into Fiction
- 242 Shakespeare as Protagonist
- 243 Shakespeare and Children’s Literature
- 244 Self-Help Shakespeare
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
244 - Self-Help Shakespeare
from Part XXIV - Shakespeare and the Book
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Introduction
- 230 Shakespeare’s Books
- 231 Fortunes of the First Folio
- 232 Collecting and Reading Shakespeare’s Quartos
- 233 Shakespeare Anthologies
- 234 Shakespeare in Quotation Marks
- 235 Shakespeare in Quotations in English
- 236 Shakespeare in Quotations in Spanish
- 237 Shakespeare in Quotations in French
- 238 Shakespeare in Quotations in German
- 239 Shakespeare in Quotations in Japanese
- 240 The HyperHamlet Project
- 241 Shakespeare into Fiction
- 242 Shakespeare as Protagonist
- 243 Shakespeare and Children’s Literature
- 244 Self-Help Shakespeare
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Summary
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Keywords
BardBardolatryThe Beauties of ShakespearebusinessCarlyle, Thomascommonplacecommonplace bookDe Copiaeighteenth centuryErasmus, DesideriusGarrick, DavidguidanceHamletindustryJohnson, Samuelmarketingmoralmoralitymoral authorityMoral Sentences Culled from the Works of ShakespeareThe Moral System of Shakespearenineteenth centuryPower Plays: Shakespeare’s Lessons in Leadership and Management Preface to ShakespearereligionRemarks on the Moral Influence of Shakspeare’s PlaysRenaissanceSartor Resartusself-helpSelf-Help, with Illustrations of Character and ConductShakespeare, WilliamShakespeare as the Girl’s FriendShakespeare: His Religious and Moral SentimentsShakespeare in ChargeThe Shakespeare Love BookShakespeare on ManagementShakespeare the SalesmanShakespeare in Time of WarShakespeare: The World’s Greatest PsychistShakespeare’s Household WordsShakespeare’s Portrayal of the Moral LifeShakespeare’s Rules of LifeShakspeare’s Hamlet: An Attempt to Find the Key to a Great Moral ProblemSmiles, SamueltopictoposWhere There’s A Will There’s A Way
- Type
- Chapter
- Information
- The Cambridge Guide to the Worlds of Shakespeare , pp. 1724 - 1728Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
Augustine, Norman, and Adelman, Kenneth. Shakespeare in Charge: The Bard’s Guide to Leading and Succeeding on the Business Stage. New York: Hyperion, 1999.Google Scholar
Brayman Hackl, Heidi. Reading Material in Early Modern England: Print, Gender, and Literacy. Cambridge: Cambridge University Press, 2005.Google Scholar
Burruss, William B. Shakespeare the Salesman. Chicago: The Dartnell Corporation, 1942.Google Scholar
Cockburn, Amanda. “Awful Pomp and Endless Diversity: The Sublime of Sir John Falstaff.” Shakespeare and the Eighteenth Century. Ed. Sabor, Paul and Yachnin, Paul. Aldershot: Ashgate, 2008. 137–50.Google Scholar
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Erasmus, Desiderius. On Copia of Words and Ideas (De utraque verborum ac rerum copia). Trans. and intro. King, Donald B. and Rix, H. David. Milwaukee: Marquette UP, 1963.Google Scholar
Garrick, David. The Plays of David Garrick. Ed. Pedicord, Harry William and Bergmann, Frederick Louis. Carbondale: Southern Illinois UP, 1980.Google Scholar
Maguire, Laurie. Where There’s a Will There’s a Way: or, All I Really Need to Know I Learned from Shakespeare. London: Nicholas Brealey, 2006.Google Scholar
Sharp, Frank Chapman. Shakespeare’s Portrayal of the Moral Life. New York: Charles Scribner’s Sons, 1902.Google Scholar
Sir Strachey, Edward. Shakspeare’s Hamlet: An Attempt to Find the Key to a Great Moral Problem, by Methodical Analysis of the Play. London: J. W. Parker, 1848.Google Scholar
Travers, T. H. E. “Samuel Smiles and the Origins of ‘Self-Help’: Reform and the New Enlightenment.” Albion: A Quarterly Journal Concerned with British Studies 9.2 (summer 1977): 161–87.CrossRefGoogle Scholar
Sir Watson, Frederick Beilby, comp. Moral Sentences culled from the works of Shakespeare: compared with sacred passages drawn from Holy Writ. Dedicated to the Shakespeare Society by a member. London: Hatchard, Dean, [c.1857].Google Scholar
Further reading
Bate, Jonathan. Shakespearean Constitutions: Politics, Theatre, Criticism, 1730–1830. Oxford: Clarendon, 1989.Google Scholar
Lanier, Douglas. “Shakescorp Noir.” Shakespeare Quarterly 53.2 (2002): 157–80.CrossRefGoogle Scholar
Moss, Ann. Printed Commonplace-Books and the Restructuring of Renaissance Thought. Oxford: Clarendon; New York: Oxford UP, 1996.CrossRefGoogle Scholar
Taylor, Gary. Reinventing Shakespeare: A Cultural History from the Restoration to the Present. London: Hogarth, 1989.Google Scholar