Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Introduction
- 131 Manuscripts Containing Texts by Shakespeare
- 132 Allusions
- 133 Shakespeare and Company in Court Records
- 134 Experiences of Performance: Firsthand Accounts of Theater
- 135 Scandals: Essex, Cobham, and Others
- 136 Shakespeare and Renaissance Aesthetics
- 137 Shakespeare’s Early Reception in Europe
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
135 - Scandals: Essex, Cobham, and Others
from Part XIV - Shakespeare’s Early Reception (to 1660)
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Introduction
- 131 Manuscripts Containing Texts by Shakespeare
- 132 Allusions
- 133 Shakespeare and Company in Court Records
- 134 Experiences of Performance: Firsthand Accounts of Theater
- 135 Scandals: Essex, Cobham, and Others
- 136 Shakespeare and Renaissance Aesthetics
- 137 Shakespeare’s Early Reception in Europe
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 1015 - 1021Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
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Further reading
Bellany, Alastair. “The Embarrassment of Libels: Perceptions and Representations of Verse Libelling in Early Stuart England.” The Politics of the Public Sphere in Early Modern England. Ed. Lake, Peter and Pincus, Steven. Manchester: Manchester UP, 2007. 144–67.Google Scholar
Shuger, Debora K. Censorship and Cultural Sensibility: The Regulation of Language in Tudor-Stuart England. Philadelphia: U of Pennsylvania P, 2006.CrossRefGoogle Scholar
Sisson, Charles Jasper. Lost Plays of Shakespeare’s Age. Cambridge: Cambridge University Press, 1936.Google Scholar
Thompson, John B. Political Scandal: Power and Visibility in the Media Age. Cambridge: Polity, 2000.Google Scholar