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172 - Quoting and Misquoting Shakespeare

from Part XVIII - Shakespeare and Popular Culture

Published online by Cambridge University Press:  17 August 2019

By
Kate Rumbold
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

adaptationappropriationcreativitylanguagemisquotationquotationpopular culturereception
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 1290 - 1297
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Bate, Jonathan. The Genius of Shakespeare. London: Picador, 1997.Google Scholar
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Lanier, Douglas. Shakespeare and Modern Popular Culture. Oxford: Oxford UP, 2002.Google Scholar
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Further reading

Braunmuller, A. R., ed. William Shakespeare: Macbeth. Cambridge: Cambridge University Press, 1997.Google Scholar
De Grazia, Margreta. “Shakespeare in Quotation Marks.” The Appropriation of Shakespeare: Post-Renaissance Reconstructions of the Works and the Myth. Ed. Marsden, Jean I.. Hemel Hempstead: Harvester Wheatsheaf, 1991. 57–91.Google Scholar
Desmet, Christy, and Sawyer, Robert, eds. Shakespeare and Appropriation. London: Routledge, 1999.Google Scholar
Garber, Marjorie. Quotation Marks. New York: Routledge, 2003.Google Scholar
Longhurst, Derek. “‘You Base Football Player’: Shakespeare in Contemporary Popular Culture.” The Shakespeare Myth. Ed. Holderness, Graham. Manchester: Manchester UP, 1988. 59–73.Google Scholar
O’Toole, Jennifer. Cellsdividing. www.cellsdividing.com. Accessed 2 June 2013.Google Scholar

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