Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-dzt6s Total loading time: 0 Render date: 2024-12-26T11:18:25.524Z Has data issue: false hasContentIssue false

Part V - Printing, Publishing, Textuality

Published online by Cambridge University Press:  17 August 2019

Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
Get access

Keywords

Allott, RobertAntony and CleopatraAriosto, LudovicoArt of English PoesieAs You Like ItAspley, WilliamBel-vedére, or, The Garden of the MusesBlount, EdwardBodenham, JohnBonian, RichardBurby, CuthbertCampion, ThomascensorshipChettle, HenryCondell, HenrycontentioncopyrightDanter, JohndedicationsEld, GeorgeEngland’s Parnassusepistles to readersEvery Man In His HumourFaerie QueeneField, RichardFirst FoliofolioformatGlobe (playhouse)HamletHarington, JohnHarison, JohnHayes, ThomasHeminges, JohnHenry VHenry IV, Part 1Henry IV, Part 2Henry VI, Part 2Henry VI, Part 3imprintsJaggard, IsaacJaggard, WilliamJonson, BenKing LearKing’s MenKyd, ThomasLaw, MatthewlicensingLing, NicholasLord ChamberlainLord Chamberlain’s MenLove’s Labour’s LostMacbethMarlowe, ChristopherThe Merchant of VeniceThe Merry Wives of WindsorMuch Ado about NothingMunday, AnthonyObservations in the Art of English PoesieOrlando FuriosoOvid (Publius Ovidius Naso)paratextPavier, ThomasPericlespiracyPonsonby, WilliampreliminariesprintprinterspublisherspublishingPuttenham, GeorgequartosquireRape of LucreceII Return from ParnassusRichard Duke of YorkRichard IIRichard IIIRomeo and JulietSejanusSidney, PhilipSir John OldcastleSmethwick, JohnSonnetsSpanish TragedySpenser, EdmundstationersStationers’ CompanyStationers’ RegisterTamburlaineTempestThird Foliotitle pagesTitus AndronicusTroilus and CressidaTrundell, JohnTwelfth NightThe Two Noble KinsmenVenus and AdonisWalley, HenryWhitgift, JohnWhole ContentionWise, AndrewWreittoun, JohnWriothesley, Henry, Earl of SouthamptonA Yorkshire Tragedybook tradecapitalcompositorcopyensfolioincomepaperprinterprinting houseprofitpublisherquartoretailriskStationers’ Companywholesale42-line Bibleapprenticesbeaterbook binderbook bindingBrevierCarvajal, Juan de (Cardinal)casting offcatchwordschain linescodexcoffincollationcomposing stickcompositorcopycorrectorDanter, ThomasDay, JohneditingEnglish (type size)Erasmus, DesideriusEyeskipFalstaffFirst FoliofoliofontFormeFoxe, JohnFrisketfurnituregalleysGutenberg, JohannesHinman, CharltonincunabulainkJerome, Saintjobbing printingJonson, Benjourneymankernletter cuttinglower casemaster printermatrixThe Merry Wives of WindsorMistress Pagemovable typeMoxon, JosephNashe, Thomaspaperpaper makingParker, Matthew (Archbishop)pearl (type size)picaPiccolomini, Enea Silvia (Pope Pius II)press correctorpressmenprimer (type size)printprinters’ devilsprinting houseprinting pressprinting, ChinapullerquartoquirequoinsrubricationSammelbändeSchoeffer, Petersetting offshow-throughsignaturessixteenmostab stitchingstanding pressstanding typeTaylor, JohnthirtytwomoTottel, RichardTympantypetype foundersupper casewarehousemanwarehousingwatermarkwoodcutsAll’s Well That Ends WellAstrophil and StellaBelieve as You Listbeta-radiographbibliographical analysisbibliographical descriptionBrittanyBrooke, Ralphbrown paperCade, Jackchainlineschainspacechainspace modelChurchyard, Thomascompositorcouchercrown paperDartford, KentdeckleA Discovery of ErroursEuphues Golden LegacieFabrianoFavyn, Andréfelt sideFirst FoliofoolscapGreg, W. W.Gutenberg, JohannesHamlet, fourth quartoHenry IV, Part 1Henry VHenry VI, Part IIHenslowe’s DiaryHertfordimported paperJaggard, WilliamJonson, BenKing Learlaid paperlaid wireslayerlinen ragsMassinger, PhilipThe Merchant of VeniceThe Merry Wives of WindsorA Midsummer Night’s Dreammold sidemugshot-and-fingerprint methodNashe, ThomasNeedham, PaulNormandypaperpaper as bibliographical evidencepaper millpaper moldspaper sizespaper stocksPavier, ThomasPavier quartosPericlespost of paperpot paperprintingrag paperRomeo and Juliet, fourth quartoscrollsThe second part of the booke of Christian exerciseSejanusSidney, Sir PhilipSir John OldcastleSmethwick, JohnSpainThe Spanish TragedySpilman, JohnStansby, WilliamStern, TiffanyStevenson, Allan H.stuffTate, JohnThe theater of honour and knight-hoodTroubles in Bohemiatwin moldsvatmanVincent, AugustineVsvrie Araigned and Condemnedwatermarkwatermark designswatermark twinswhite paperThe Whole ContentionThe Winter’s Talewireformwirelinesde Worde, WynkynA Yorkshire TragedyAphthoniusAristotleAs You Like ItAscham, RogerBatailhey, JosephBeal, PeterBenedickbindingBironBlayney, Peter W. M.Bolton, Edmundbook marketbook useBrayman Hackel, HeidiBrinsley, JohnBritish LibraryCerteau, Michel deChartier, RogerCiceroClaudioCoatalen, Guillaumecommonplace bookscommonplacescommonplacingCompagnon, AntoineCondell, HenryCoriolanusCostardCotton, OliveaCraik, KatharineCrane, MaryDe duplici copia verborumDe oratoreDigges, LeonardEarly Editions of ShakespeareEducationElizabethan school curriculumErasmusEvans, G. BlakemoreextractingFirst FolioFolger Shakespeare LibraryFuller, ThomasHamlet (character)HamletHeminges, JohnHenry IV, Part 1Henry IV, Part 2Henry VHolland, HughHolofernesHow, WilliamInstitutio oratoriaJaquesJohnstoune, WilliamJonson, BenJulietKemp(e), WilliamKing JohnKing of NavarreKintgen, Eugene R.Lister, JohnliteracyLondonLove’s Labour’s LostLudus literarius: or, the grammar schoolemarginaliamarking booksmarks of ownershipMeek, RichardMeisei University Library, TokyoMoss, AnnMothMuch Ado about NothingNathaniel, SirNimnote takingnotebooksoctavospistolplaybook pricesplaybooksPortiaprint runProgymnasmatapsychology of readersPudsey, EdwardquartosQuintilianreadingreading aidsreading practicesreceptionreframingreprint ratesrhetoricRichard IIRichard IIIRichardson, NicholasRickard, JaneRoberts, SashaRomeoRomeo and JulietSherman, William H.table booksTearsheet, DollThe education of children in learningThe elements of armoriesThe Merchant of VeniceThe Merry Wives of WindsorThe order of booksThe scholemaster or plaine and perfite way of teachyng children, to vnderstand, write, and speake, the Latin tongtheories of readingTopicaWilson, RichardWinnicott, DonaldWise, Andrewwriting tablesYamada, Akihirobondsbooksdocumentshandwritinginklettersmanuscriptmanuscript culturepaperpenprint culturewritingadvertisementannotationAntony and CleopatraapocryphaAristotleAs You Like ItAspley, Williamauthenticityauthorauthorshipbad quartosBlount, EdwardbooksellersBrooke, RalphcanoncataloguechronologycollaborationcollatecollectioncollectorscomediescompilercompletecompositorCondell, HenrycopycopyrightcorrectorCrane, RalphCymbelineDaniel, Samueldedicationdedicatory epistleDigges, LeonardDiscoverie of Errours, ADroeshout, MartineditingeditorepistlefacsimileFirst FolioFletcher, JohnFolger Shakespeare Libraryformatgenregreat Variety of ReadersHamletHeminges, JohnHenry IV, Part 1Henry VHenry VIIIHerbert, William, earl of PembrokeHerbert, Philip, earl of MontgomeryHinman, CharltonhistoriesHolland, HughimprintJaggard, IsaacJaggard, WilliamJonson, BenJames IKing’s MenLaw, MatthewliteraryLord ChamberlainLord Chamberlain’s MenMabbe, JamesMacbethmanuscriptmarginmarketingMaster of the RevelsMeasure for Measurememorynew bibliographypaperparatextPassionate PilgrimepatronpatronagePavier, ThomasPavier quartosPericlesplaybillsplayspoemspreliminariesprintprintersprintingprofitproofreadingpublisherspublishingquartoRichard IIRichard IIIRomeo and JulietscribeSidney, PhilipsizeSmethwick, JohnSpenser, EdmundstationersStationers’ CompanyStationers’ RegisterstatussyndicateThe TempesttextThird Foliotitle pageTimon of AthenstragediesTroilus and CressidaThe Two Gentlemen of VeronaThe Two Noble KinsmenVenus and AdonisThe Winter’s TaleVincent, AugustineWalley, HenryWilkins, GeorgeWillworks
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Sources cited

Blayney, Peter W. M.The Publication of Playbooks.” A New History of Early English Drama. Ed. Cox, John D. and Kastan, David Scott. New York: Columbia UP, 1997. 383422.Google Scholar
Erne, Lukas. Shakespeare as Literary Dramatist. Cambridge: Cambridge University Press, 2003.Google Scholar
Greene, Robert. Greene’s Groatsworth of Wit. London: William Wright, 1592.Google Scholar
Johns, Adrian. The Nature of the Book: Print and Knowledge in the Making. Chicago: U of Chicago P, 1998.CrossRefGoogle Scholar
Jonson, Ben. Sejanus His Fall. London: Thomas Thorpe, 1605.CrossRefGoogle Scholar
Leishman, J. B., ed. The Three Parnassus Plays, 1598–1601. London: Nicholson and Watson, 1949.Google Scholar
Massai, Sonia. Shakespeare and the Rise of the Editor. Cambridge: Cambridge University Press, 2007.Google Scholar
Nashe, Thomas. The Unfortunate Traveller: Or, The Life of Jack Wilton. London: Cuthbert Burby, 1594.Google Scholar

Further reading

Clegg, Cyndia Susan. Press Censorship in Elizabethan England. Cambridge: Cambridge University Press, 1997.CrossRefGoogle Scholar
de Grazia, Margreta. Shakespeare Verbatim: The Reproduction of Authenticity and the 1790 Apparatus. Oxford: Oxford UP, 1991.CrossRefGoogle Scholar
Farmer, Alan B., and Lesser, Zachary. “The Popularity of Playbooks Revisited.” Shakespeare Quarterly 56 (2005): 132.CrossRefGoogle Scholar
Gaskell, Philip. A New Introduction to Bibliography. Oxford: Oxford UP, 1972.Google Scholar
Greg, W. W. A Bibliography of the English Printed Drama to the Restoration. 4 vols. London: The Bibliographical Society, 1970.Google Scholar
Halasz, Alexandra. The Marketplace of Print: Pamphlets and the Public Sphere in Early Modern England. Cambridge: Cambridge University Press, 1997.CrossRefGoogle Scholar
Jowett, John. Shakespeare and Text. Oxford: Oxford UP, 2007.CrossRefGoogle Scholar
Kastan, David Scott. Shakespeare and the Book. Cambridge: Cambridge University Press, 2001.Google Scholar
Murphy, Andrew. Shakespeare in Print: A History and Chronology of Shakespeare Publishing. Cambridge: Cambridge University Press, 2003.Google Scholar
Shakespeare, William. Poems. Ed. Duncan-Jones, Katherine and Woudhuysen, Henry. London: The Arden Shakespeare. Thomson Learning, 2007.Google Scholar
Wells, Stanley, and Taylor, Gary, with Jowett, John and Montgomery, William. William Shakespeare: A Textual Companion. Oxford: Oxford UP, 1987.CrossRefGoogle Scholar

Sources cited

Blayney, Peter W. M.The Alleged Popularity of Playbooks.” Shakespeare Quarterly 56 (2005): 3350.CrossRefGoogle Scholar
Blayney, Peter W. M.The Publication of Playbooks.” A New History of Early English Drama. Ed. Cox, John D. and Kastan, David Scott. New York: Columbia UP, 1997. 383422.Google Scholar
Farmer, Alan B., and Lesser, Zachary. “The Popularity of Playbooks Revisited.” Shakespeare Quarterly 56 (2005): 132. (See Blayney’s article in the same issue, also listed here, for his response.)CrossRefGoogle Scholar

Further reading

Arber, E., ed. A Transcript of the Registers of the Company of Stationers of London, 1554–1640 a.d. 5 vols. London: privately printed, 1875–94.Google Scholar
Barnard, John, and McKenzie, D. F., eds., Bell, Maureen, asst. ed. The Cambridge History of the Book in Britain. Vol. 4: 1557–1695. Cambridge: Cambridge University Press, 2002.Google Scholar
Bland, Mark. A Guide to Early Printed Books and Manuscripts. London: Wiley-Blackwell, 2010.CrossRefGoogle Scholar
Blayney, Peter W. M.Addendum to the Textual Introduction.” The Norton Facsimile: The First Folio of Shakespeare. Ed. Hinman, Charlton. 2nd ed. New York: Norton, 1996.Google Scholar
Blayney, Peter W. M. The First Folio of Shakespeare. Washington: Folger Shakespeare Library, 1991.Google Scholar
Blayney, Peter W. M. The Texts of King Lear and Their Origins. Vol. 1: Nicholas Okes and the First Quarto. Cambridge: Cambridge University Press, 1982.Google Scholar
Davis, R. B.George Sandys v. William Stansby: The 1632 Edition of Ovid’s Metamophosis.” The Library 5th ser. 3 (1948): 193212 (esp. 211).CrossRefGoogle Scholar
Ferguson, W. C. Pica Type in Elizabethan England. Aldershot: Scolar, 1989.Google Scholar
Ferguson, W. C. Valentine Simmes. Charlottesville: Bibliographical Society of the University of Virginia, 1968.Google Scholar
Gaskell, Philip. A New Introduction to Bibliography. Oxford: Clarendon, 1972. Corr. rpt. 1974.Google Scholar
Hinman, Charlton. The Printing and Proof-Reading of the First Folio of Shakespeare. 2 vols. Oxford: Clarendon P, 1963.Google Scholar
Hoppe, H. R.John Wolfe, Printer and Publisher, 1579–1601.” The Library 4th ser.14 (1933): 241–88.CrossRefGoogle Scholar
Huffman, C. C. Elizabethan Impressions: John Wolfe and His Press. New York: AMS, 1988.Google Scholar
Jenison, R., to Dr. Ward, Samuel, Newcastle, 26 May 1621. Sent via Cuthbert Bewicke and delivered by the bearer. Bodleian Library, Oxford, MS Tanner 73, fol. 29.Google Scholar
Johnson, F. R.Notes on English Retail Book-Prices, 1550–1640.” The Library 5th ser. 5 (1950): 83112.CrossRefGoogle Scholar
Maguire, L. E. Shakespearean Suspect Texts: The “Bad” Quartos and Their Contexts. Cambridge: Cambridge University Press, 1996.Google Scholar
McKenzie, D. F.Printers of the Mind: Some Notes on Bibliographical Theories and Printing-House Practices.” Studies in Bibliography 22 (1969): 176. Rpt. Making Meaning: “Printers of the Mind” and Other Essays. Ed. McDonald, Peter D. and Suarez, Michael F., S. J. Amherst: U of Massachusetts P, 2002. 1385 (esp. 20).Google Scholar
McKitterick, D. J. A History of the Cambridge University Press. Vol. 1: Printing and the Book-Trade in Cambridge, 1534–1698. Cambridge: Cambridge University Press, 1992.Google Scholar
McKitterick, D. J.‘Ovid with a Littleton’: The Cost of English Books in the Early Seventeenth Century.” Transactions of the Cambridge Bibliographical Society 11 (1997): 184234.Google Scholar
McKitterick, D. J. Print, Manuscript and the Search for Order, 1450–1830. Cambridge: Cambridge University Press, 2003.Google Scholar
Pollard, A. W., et al. A Short-Title Catalogue of Books Printed in England, Scotland, and Ireland and of English Books Printed Abroad, 1475–1640. 2nd ed. 3 vols. London: 1976–91.Google Scholar
Werstine, P.A Century of ‘Bad’ Shakespeare Quartos.” Shakespeare Quarterly 50 (1999): 310–33.CrossRefGoogle Scholar
Yamada, Akihiro. Peter Short: An Elizabethan Printer. Mie: Mie UP, 2002.Google Scholar

Sources cited

Agüera y Arcas, Blaise. “Temporary Matrices and Elemental Punches in Gutenberg’s DK Type.” Incunabula and Their Readers: Printing, Selling and Using Books in the Fifteenth Century. Ed. Jensen, Kristian. London: The British Library, 2003. 112.Google Scholar
Bennett, Stuart. Trade Bookbinding in the British Isles, 1660–1800. London: Oak Knoll Press and the British Library, 2004.Google Scholar
Bidwell, John. “French Paper in English Books.” The Cambridge History of the Book in Britain. Vol. 4: 1557–1695. Ed. Barnard, John and McKenzie, D. F., asst. ed. Bell, Maureen. Cambridge: Cambridge University Press, 2002. 583601.CrossRefGoogle Scholar
Bland, Mark. A Guide to Early Printed Books and Manuscripts. London: Wiley-Blackwell, 2010.CrossRefGoogle Scholar
Dane, Joseph A., and Gillespie, Alexandra. “The Myth of the Cheap Quarto.” Tudor Books and Readers. Ed. King, John. Cambridge: Cambridge University Press, 2010. 2545.Google Scholar
Davies, Martin. “Juan de Carvajal and Early Printing: The 42-line Bible and the Sweynheym and Pannartz Aquinas.” The Library 6th ser. 18 (1996): 193215.Google Scholar
de Grazia, Margreta, and Stallybrass, Peter. “The Materiality of the Shakespearean Text.” Shakespeare Quarterly 44, 3, (1993): 255–83.CrossRefGoogle Scholar
Galbraith, Steven K.English Literary Folios 1593–1623: Studying Shifts in Format.” Tudor Books and Readers. Ed. King, John. Cambridge: Cambridge University Press, 2010. 4667.Google Scholar
Gilmont, Jean-François. “Printers by the Rules.” The Library 6th ser., 2 (1980): 129–55.Google Scholar
Hinman, Charlton. The Printing and Proof-Reading of the First Folio of Shakespeare. 2 vols. Oxford: Clarendon, 1963.Google Scholar
Hunter, Dard. Papermaking: The History and Technique of an Ancient Craft. 2nd ed. New York: Knopf, 1947.Google Scholar
Jenner, Mark. “London.” The Oxford History of Popular Print Culture. Vol. 1. Ed. Raymond, Joad. Oxford: Oxford UP, 2011. 294307.Google Scholar
Massai, Sonia. Shakespeare and the Rise of the Editor. Cambridge: Cambridge University Press, 2007.Google Scholar
McLeod, Randall. “Spellbound: Typography and the Concept of Old-Spelling Editions.” Renaissance and Reformation, n.s., 3 (1979): 5065.Google Scholar
Moxon, Joseph. Mechanick Exercises on the Whole Art of Printing. Ed. Davis, Herbert and Carter, Harry. Oxford: Oxford UP, 1958.Google Scholar
Pettegree, Andrew. The Book in the Renaissance. New Haven: Yale UP, 2010.Google Scholar
Taylor, John. The Praise of Hemp-Seed. London: 1620.Google Scholar

Further reading

Blayney, Peter W. M.The Publication of Playbooks.” A New History of Early English Drama. Ed. Cox, John D. and Kastan, David Scott. New York: Columbia UP, 1997. 383422.Google Scholar
Carter, Harry. A View of Early Typography Up to About 1600. Oxford: Clarendon, 1969.Google Scholar
Carter, Thomas Francis. The Invention of Printing in China and Its Spread Westward. Rev. Goodrich, L. Carrington. New York: Columbia UP, 1931.Google Scholar
Greetham, D. C. Textual Scholarship: An Introduction. New York: Garland, 1994.Google Scholar
Jowett, John. Shakespeare and Text. Oxford: Oxford UP, 1972.Google Scholar
McKenzie, D. F. Making Meaning: “Printers of the Mind” and Other Essays. Ed. McDonald, Peter D. and Suarez, Michael F., S. J. Amherst: U of Massachusetts P, 2002.Google Scholar
Twyman, Michael. The British Library Guide to Printing: History and Techniques. London: British Library, 1998.Google Scholar
Weiss, Adrian. “Casting Compositors, Foul Cases, and Skeletons: Printing in Middleton’s Age.” Thomas Middleton and Early Modern Textual Culture: A Companion to the Collected Works. Gen. ed. Taylor, Gary and Lavagnino, John. Oxford: Clarendon, 2007. 195225.Google Scholar

Sources cited

Kyd, Thomas. The Spanish tragedie. London: 1592.Google Scholar
Nashe, Thomas. “Somewhat to reade for them that list.” Sir Sidney, Philip. Syr P. S. His Astrophel and Stella. London: 1591.Google Scholar
Needham, Paul. “The Paper of English Incunabula.” Catalogue of Books Printed in the XVth Century Now in the British Library. British Museum Catalogue, Part XI: England. Ed. Hellinga, Lotte. ’t Goy-Houten: Hes and De Graff, 2007. 311–44.Google Scholar
Shakespeare, William. All’s Well That Ends Well. Updated edition. Ed. Fraser, Russell. Cambridge: Cambridge University Press, 2003.Google Scholar
Shakespeare, William. The Merchant of Venice. Ed. Mahood, M. M.. Cambridge: Cambridge University Press, 2003.CrossRefGoogle Scholar
Shakespeare, William. The Second Part of King Henry VI. Ed. Hattaway, Michael. Cambridge: Cambridge University Press, 1991.CrossRefGoogle Scholar
Stern, Tiffany. Documents of Performance in Early Modern England. Cambridge: Cambridge University Press, 2009.Google Scholar
Stevenson, Allan H.Watermarks are Twins.” Studies in Bibliography 4 (1951–52): 5791.Google Scholar

Further reading

Gaskell, Philip. A New Introduction to Bibliography. Oxford: Clarendon, 1972; corrected rpt., 1974.Google Scholar
Greg, W. W.On Certain False Dates in Shakespearian Quartos.” The Library ns 9 (1908): 113–31, 381409.Google Scholar
Hailey, R. Carter. “A Catalog of Paperstocks in The Shakespearian Pavier Quartos (1619).” The Bibliographical Society of the University of Virginia, 2008. http://etext.lib.virginia.edu/bsuva/quartos/.Google Scholar
Hailey, R. Carter. “The Dating Game: New Evidence for the Dates of Q4 Romeo and Juliet and Q4 Hamlet.” Shakespeare Quarterly 58.3 (2007): 367–87.Google Scholar
Hailey, R. Carter. “The Shakespearian Pavier Quartos Revisited.” Studies in Bibliography 57 (2008 for 2005–2006): 151–95.Google Scholar
Hunter, Dard. Papermaking: The History and Technique of an Ancient Craft. New York: Knopf, 1943; rpt. New York: Dover, 1978.Google Scholar
Needham, Paul. “Allan H. Stevenson and the Bibliographical Uses of Paper.” Studies in Bibliography 47 (1994): 2364.Google Scholar
Stevenson, Allan H.Paper as Bibliographical Evidence.” The Library 5th ser. 17 (1962): 197212.Google Scholar
Stevenson, Allan H. The Problem of the Missal Speciale. London: The Bibliographical Society, 1967.Google Scholar
Tanselle, G. Thomas. “The Bibliographical Description of Paper.” Studies in Bibliography 24 (1971): 2767.Google Scholar
Vander Meulen, David L.The Identification of Paper without Watermarks: The Example of Pope’s Dunciad.” Studies in Bibliography 37 (1984): 5881.Google Scholar

Sources cited

Ascham, Roger. The scholemaster or plaine and perfite way of teachyng children, to vnderstand, write, and speake, the Latin tong.... London: Printed by Iohn Daye, 1570.Google Scholar
Beal, Peter. “Notions in Garrison: The Seventeenth-Century Commonplace Book.” New Ways of Looking at Old Texts, Papers of the Renaissance English Society, 1985–1991. Ed. Hill, W. Speed. Binghamton: Renaissance English Text Society, 1993. 131–47.Google Scholar
Blayney, Peter W. M.The Publication of Playbooks.” A New History of Early English Drama. Ed. Cox, John D. and Kastan, David Scott. New York: Columbia UP, 1997. 383422.Google Scholar
Bolton, Edmund. The elements of armories. London: Printed by George Eld, 1610.Google Scholar
Brinsley, John. Ludus literarius: or, the grammar schoole; shewing how to proceede from the first entrance into learning, to the highest perfection required in the grammar schooles. London: Printed [by Humphrey Lownes] for Thomas Man, 1612.Google Scholar
British Library. MS. Lansdowne 1185.Google Scholar
Chartier, Roger. The Order of Books: Readers, Authors, and Libraries in Europe between the Fourteenth and Eighteenth Centuries. Stanford: Stanford UP, 1994.Google Scholar
Coatalen, Guillaume. “Shakespeare and other ‘Tragicall Discourses’ in an Early Seventeenth-Century Commonplace Book from Oriel College, Oxford.” English Manuscript Studies, 1100–1700 13 (2007): 120–64.Google Scholar
Compagnon, Antoine. La seconde main ou Le travail de la citation. Paris: Seuil, 1979.Google Scholar
Evans, G. Blakemore. “A Seventeenth-Century Reader of Shakespeare.” Review of English Studies 21.85 (1945): 271–79.Google Scholar
How, William (attributed to). Notes on several Shakespeare plays, seventeenth century. Folger Shakespeare Library, MS V.a.87.Google Scholar
Kempe, William. The education of children in learning: declared by the dignitie, vtilitie, and method thereof. Meete to be knowne, and practised aswell of parents as schoolemaisters. London: Imprinted by Thomas Orwin, for Iohn Porter and Thomas Gubbin, 1588.Google Scholar
Savage, Richard. Shakespearean Extracts from “Edward Pudsey’s Booke.” Stratford-upon-Avon: John Smith, 1888.Google Scholar
Winnicott, Donald. Playing and Reality. 1971. Repr. London: Routledge, 2009.Google Scholar
Yamada, Akihiro, ed. The First Folio of Shakespeare, a Transcript of Contemporary Marginalia in a Copy of the Kodama Memorial Library of Meisei University. Tokyo: Yushodo, 1998.Google Scholar

Further reading

Brayman Hackel, Heidi. “The ‘Great Variety’ of Readers and Early Modern Reading Practices.” A Companion to Shakespeare. Ed. Kastan, David Scott. Oxford: Wiley-Blackwell, 1999. 139–57.Google Scholar
Brayman Hackel, Heidi. Reading Material in Early Modern England: Print, Gender, and Literacy. Cambridge: Cambridge University Press, 2005.Google Scholar
Certeau, Michel. The Practice of Everyday Life. Berkeley: U of California P, 1984.Google Scholar
Craik, Katharine. Reading Sensations in Early Modern England. Basingstoke: Palgrave Macmillan, 2007.Google Scholar
Crane, Mary. Framing Authority: Sayings, Self, and Society in Sixteenth-Century England. Princeton: Princeton UP, 1993.Google Scholar
Kintgen, Eugene R. Reading in Tudor England. Pittsburgh: U of Pittsburgh P, 1996.Google Scholar
Meek, Richard, Rickard, Jane, and Wilson, Richard, eds. Shakespeare’s Book: Essays in Reading, Writing and Reception. Manchester: Manchester UP, 2008.Google Scholar
Moss, Ann. Printed Commonplace-Books and the Structuring of Renaissance Thought. Oxford: Clarendon, 1996.Google Scholar
Roberts, Sasha. Reading Shakespeare’s Poems in Early Modern England. New York: Palgrave Macmillan, 2003.Google Scholar
Sherman, William H. Used Books: Marking Readers in Renaissance England. Philadelphia: U Pennsylvania P, 2008.Google Scholar

Sources cited

Bacon, Francis. Novum Organum. London: B. Nortonium and Ioannem Billium, 1620.Google Scholar
Beal, Peter. In Praise of Scribes: Manuscripts and Their Makers in Seventeenth-Century England. Oxford: Clarendon, 1998.Google Scholar
Foxe, John. Actes and Monumentes. London: printed by John Daye, 1570.Google Scholar
Love, Harold. Scribal Publication in Seventeenth-Century England. Oxford: Clarendon, 1993.Google Scholar
Marotti, Arthur. Manuscript, Print, and the English Renaissance Lyric. Ithaca: Cornell UP, 1995.Google Scholar
Schoenbaum, S. William Shakespeare: A Documentary Life. Oxford: Clarendon, 1975.Google Scholar
Stallybrass, Peter, Chartier, Roger, Mowery, J. Franklin Jr., and Wolfe, Heather. “Hamlet’s Tables and the Technologies of Writing in Renaissance England.” Shakespeare Quarterly 55 (2004): 379419.Google Scholar
Stewart, Alan. Shakespeare’s Letters. Oxford: Oxford UP, 2008.Google Scholar
Stewart, Alan, and Wolfe, Heather. Letterwriting in Shakespeare’s England. Washington: Folger Shakespeare Library, 2004.Google Scholar
Teague, Frances. Shakespeare’s Speaking Properties. Lewisburg: Bucknell UP, 1991.Google Scholar

Further reading

Barish, Jonas. “‘Soft, Here Follows Prose’: Shakespeare’s Stage Documents.” The Arts of Performance in Elizabethan and Stuart Drama: Essays for G. K. Hunter. Ed. Biggs, Murray et al. Edinburgh: Edinburgh UP, 1991. 3245.Google Scholar
Beal, Peter. A Dictionary of English Manuscript Terminology. Oxford: Oxford UP, 2008.Google Scholar
Bergeron, David M., ed. Reading and Writing in Shakespeare. Newark: U of Delaware P, 1996.Google Scholar
Bland, Mark. A Guide to Early Printed Books and Manuscripts. Oxford: Wiley-Blackwell, 2010.Google Scholar
Daybell, James. “Material Meanings and the Social Signs of Manuscript Letters in Early Modern England.” Literature Compass 6:3 (2009): 647–67. http://onlinelibrary.wiley.com/doi/10.1111/j.1741-4113.2009.00629.x/full.Google Scholar
Fleming, Juliet. Graffiti and the Writing Arts of Early Modern England. London: Reaktion, 2001.Google Scholar
Goldberg, Jonathan. Shakespeare’s Hand. Minneapolis: U of Minnesota P, 2003.Google Scholar
Goldberg, Jonathan. Writing Matter: From the Hands of the English Renaissance. Stanford: Stanford UP, 1990.Google Scholar
Kiefer, Frederick. Writing on the Renaissance Stage: Written Words, Printed Pages, Metaphoric Books. Newark: U of Delaware P, 1996.Google Scholar
Orgel, Stephen. “Knowing the Character.” Zeitschrift für Anglistik und Amerikanistik 40 (1992): 124–29.Google Scholar
Scott, Charlotte. Shakespeare and the Idea of the Book. Oxford: Oxford UP, 2007.Google Scholar

Sources cited

Greg, W. W. The Shakespeare First Folio: Its Bibliographical and Textual History. Oxford: Clarendon, 1955.Google Scholar
Hinman, Charlton, ed. The Norton Facsimile: The First Folio of Shakespeare. 2nd ed. New York: Norton, 1996.Google Scholar

Further reading

Blayney, Peter W. M. The First Folio of Shakespeare. Washington: Folger Shakespeare Library, 1991.Google Scholar
Brooks, Douglas A. From Playhouse to Printing House: Drama and Authorship in Early Modern England. Cambridge: Cambridge University Press, 2000.Google Scholar
de Grazia, Margreta. Shakespeare Verbatim: The Reproduction of Authenticity and the 1790 Apparatus. Oxford: Oxford UP, 1991.CrossRefGoogle Scholar
Hinman, Charlton. The Printing and Proof-Reading of the First Folio of Shakespeare. Oxford: Clarendon, 1963.Google Scholar
Jowett, John. Shakespeare and Text. Oxford: Oxford UP, 2007.Google Scholar
Kastan, David Scott. Shakespeare and the Book. Cambridge: Cambridge University Press, 2001.Google Scholar
Massai, Sonia. Shakespeare and the Rise of the Editor. Cambridge: Cambridge University Press, 2007.Google Scholar
Murphy, Andrew. Shakespeare in Print: A History and Chronology of Shakespeare Publishing. Cambridge: Cambridge University Press, 2003.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×