Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Introduction
- 224 The Practicalities of Editing: Measure for Measure
- 225 Popular versus Scholarly Texts
- 226 The Texts of Shakespeare and Textual Theory
- 227 The Digital Text and Beyond
- 228 Case Study 1: King Lear
- 229 Case Study 2: The Tempest
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
224 - The Practicalities of Editing: Measure for Measure
from Part XXIII - Printing and Reception History
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Introduction
- 224 The Practicalities of Editing: Measure for Measure
- 225 Popular versus Scholarly Texts
- 226 The Texts of Shakespeare and Textual Theory
- 227 The Digital Text and Beyond
- 228 Case Study 1: King Lear
- 229 Case Study 2: The Tempest
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Summary
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Keywords
adaptationantimetaboleBlackfriars (playhouse)Capell, EdwardcollaborationcollationcompositorconflationcopyistEarly English Books Online (EEBO)editingeditionfolioformatGlobe (playhouse)HamletHulme, HildaKing LearKing’s Men, Leech, CliffordLove’s Labour’s LostMacbethThe MalcontentMalone, EdmondMarston, JohnMiddleton, Thomasmodernized spellingmultitext playparadoxPeele, GeorgePope, Alexanderprinter’s copypunctuationquartorevisionrewritingRowe, NicholasSisson, C. J.syntaxTheobald, LewisTroilus and CressidaThe Two Noble KinsmenWilliams, Gordon
- Type
- Chapter
- Information
- The Cambridge Guide to the Worlds of Shakespeare , pp. 1621 - 1627Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
Braunmuller, A. R. “How farre is’t called to Soris?” Textual Formations and Reformations. Ed. Maguire, Laurie E. and Berger, Thomas L.. Newark: U of Delaware P, 1998. 112–30.Google Scholar
Eccles, Mark, ed. Measure for Measure. By Shakespeare, William. New Variorum Shakespeare. New York: MLA, 1980.Google Scholar
Erne, Lukas. Shakespeare as Literary Dramatist. Cambridge: Cambridge University Press, 2003.Google Scholar
Gibbons, Brian, ed. Measure for Measure. By Shakespeare, William. Updated ed. New Cambridge Shakespeare. Cambridge: Cambridge University Press, 2006.Google Scholar
Hulme, Hilda. Explorations in Shakespeare’s Language: Some Problems of Lexical Meaning in the Dramatic Text. London: Longmans, 1962.Google Scholar
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Lever, J. W., ed. Measure for Measure. By Shakespeare, William. 2nd ed. Arden Shakespeare. London: Methuen, 1965.Google Scholar
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Further reading
Barnard, John, and MacKenzie, D. F., eds. (with the assistance of Bell, Maureen). The Cambridge History of the Book in Britain. Vol. IV: 1557–1695. Cambridge: Cambridge University Press, 2002.CrossRefGoogle Scholar
Finkelstein, David, and McCleery, Alaistair. An Introduction to Book History. London: Routledge, 2005.Google Scholar
Finkelstein, David, and McCleery, Alaistair. eds. The Book History Reader. 2nd ed. London: Routledge, 2006.Google Scholar
Greetham, D. C. Textual Scholarship: An Introduction. Rev. ed. New York: Garland, 1994.Google Scholar
Kelemen, Erick. Textual Editing and Criticism: An Introduction. New York: Norton, 2009.Google Scholar
MacKenzie, D. F. Bibliography and the Sociology of Texts. Cambridge: Cambridge University Press, 1999.CrossRefGoogle Scholar
Tanselle, Thomas. Textual Criticism since Greg: A Chronicle, 1950–1985. Charlottesville: UP of Virginia, 1987.Google Scholar
Williams, William Proctor, and Abbott, Craig S.. An Introduction to Bibliographical and Textual Studies. 3rd ed. New York: MLA, 1999.Google Scholar