Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Introduction
- 261 Book Illustrations
- 262 Graphic Satire
- 263 Photography
- 264 Periodical Illustrations
- 265 Commercial Images
- 266 Comic Books and Manga
- Part XXVIII Shakespeare and Media History
- Index
- References
264 - Periodical Illustrations
from Part XXVII - Shakespeare and the Visual Arts
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Introduction
- 261 Book Illustrations
- 262 Graphic Satire
- 263 Photography
- 264 Periodical Illustrations
- 265 Commercial Images
- 266 Comic Books and Manga
- Part XXVIII Shakespeare and Media History
- Index
- References
Summary
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Keywords
drama and arteighteenth-century English actors and actresseseighteenth-century English theater periodicalsengravings of English actorsnineteenth-century English actors and actressesnineteenth-century English theater periodicalspaintings of English actorsperiodical illustrationsportraits of English actors
- Type
- Chapter
- Information
- The Cambridge Guide to the Worlds of Shakespeare , pp. 1889 - 1895Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
Boydell, John. A Catalogue of the Pictures in the Shakespeare Gallery, Pall Mall. London: 1789.Google Scholar
Hanmer, Thomas. The Works of Shakespear, In Six Volumes, Carefully Revised and Corrected. Oxford: 1744.Google Scholar
Rowe, Nicholas. The Works of Mr. William Shakespear: in Six Volumes, Revis’d and Corrected with an Account of the Life and Writings of the Author. London: Jacob Tonson, 1709.Google Scholar
Further reading
Aliverti, Maria Ines. La Naissance de l’acteur moderne: l’acteur et son portrait au XVIIIe siècle. Paris: Gallimard, 1998.Google Scholar
Hammerschmidt-Hummel, Hildegard, ed. Die Shakespeare- Illustration (1594–2000). Wiesbaden: Harrassowitz, 2003.Google Scholar
Holland, Peter, ed. Shakespeare, Memory and Performance. Cambridge: Cambridge University Press, 2006.Google Scholar
Murphy, Andrew. Shakespeare in Print: A History and Chronology of Shakespeare Publishing. Cambridge: Cambridge University Press, 2003.Google Scholar
Orgel, Stephen. Imagining Shakespeare: A History of Texts and Visions. New York: Palgrave Macmillan, 2003.CrossRefGoogle Scholar
Sillars, Stuart. The Illustrated Shakespeare, 1709–1875. Cambridge: Cambridge University Press, 2008.CrossRefGoogle Scholar
Sillars, Stuart. Painting Shakespeare: The Artist as Critic, 1720–1820. Cambridge: Cambridge University Press, 2006.Google Scholar
Smiles, Sam. Eye Witness: Artists and Visual Documentation in Britain, 1770–1830. Aldershot: Ashgate, 2000.Google Scholar
Smith, Bruce R. Roasting the Swan of Avon: Shakespeare’s Redoubtable Enemies and Dubious Friends. Washington: Folger Shakespeare Library, 1994.Google Scholar
Taylor, Gary. Reinventing Shakespeare: A Cultural History from the Restoration to the Present. London: Hogarth, 1990.Google Scholar
West, Shearer. The Image of the Actor: Verbal and Visual Representation in the Age of Garrick and Kemble. London: Pinter, 1991.Google Scholar