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250 - Materialist and Political Criticism

from Part XXV - Shakespeare and the Critics

Published online by Cambridge University Press:  17 August 2019

By
Peter Holbrook
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

comedyhistoryliterary criticismMarxismmaterialistpoliticalShakespearetragedy
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 1774 - 1781
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Badiou, Alain. “The Democratic Emblem.” Democracy in What State? Ed. Agamben, Giorgio et al. New York: Columbia UP, 2011. 6–15.Google Scholar
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Fischer, Ernst. The Necessity of Art: A Marxist Approach. Trans. Bostock, Anna. Harmondsworth: Penguin, 1963.Google Scholar
Hawkes, Terence. Meaning by Shakespeare. London: Routledge, 1992.Google Scholar
Holbrook, Peter. “Shakespeare, ‘The Cause of the People,’ and The Chartist Circular 1839–1842.” Textual Practice 20.2 (2006): 203–29.Google Scholar
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Johnson, Samuel. “Preface to the Edition of Shakespeare’s Plays.” Samuel Johnson on Shakespeare. Ed. Woudhuysen, H. R.. London: Penguin, 1989.Google Scholar
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Further reading

Badiou, Alain. “Democratic Materialism and the Materialist Dialectic.” Radical Philosophy 135 (March–April 2005): 20–24.Google Scholar
Bradshaw, Graham. Misrepresentations: Shakespeare and the Materialists. Ithaca: Cornell UP, 1993.Google Scholar
Egan, Gabriel. Shakespeare and Marx. Oxford: Oxford UP, 2004.CrossRefGoogle Scholar
Hadfield, Andrew. Shakespeare and Republicanism. Cambridge: Cambridge University Press, 2005.Google Scholar
Howard, Jean E., and Shershow, Scott Cutler, eds. Marxist Shakespeares. London: Routledge, 2001.Google Scholar
Ingleby, C. M., et al. The Shakespeare Allusion-Book: A Collection of Allusions to Shakespeare from 1591 to 1700. 2 vols. London: Humphrey Milford/Oxford UP, 1932.Google Scholar
Kettle, Arnold, ed. Shakespeare in a Changing World. London: Lawrence and Wishart, 1964.Google Scholar
Ryan, Kiernan. Shakespeare. 3rd ed. Houndmills: Palgrave, 2002.Google Scholar
Ryan, Kiernan. Shakespeare’s Comedies. Houndmills: Palgrave, 2009.Google Scholar
Vickers, Brian. Appropriating Shakespeare: Contemporary Critical Quarrels. New Haven: Yale UP, 1994.Google Scholar
Weimann, Robert. Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and Function. Ed. Schwartz, Robert. Baltimore: Johns Hopkins UP, 1978.Google Scholar
White, R. S. “Shakespeare and Marx.” Shakespeare Survey 45 (1993): 89–100.Google Scholar

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