Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Introduction
- 45 The London Book Trade
- 46 Printing Press Technology
- 47 Paper
- 48 Reading Practices
- 49 Manuscript Culture
- 50 The First Folio
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
49 - Manuscript Culture
from Part V - Printing, Publishing, Textuality
Published online by Cambridge University Press: 17 August 2019
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Edited by
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Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Introduction
- 45 The London Book Trade
- 46 Printing Press Technology
- 47 Paper
- 48 Reading Practices
- 49 Manuscript Culture
- 50 The First Folio
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Summary
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 360 - 366Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
Beal, Peter. In Praise of Scribes: Manuscripts and Their Makers in Seventeenth-Century England. Oxford: Clarendon, 1998.Google Scholar
Love, Harold. Scribal Publication in Seventeenth-Century England. Oxford: Clarendon, 1993.CrossRefGoogle Scholar
Marotti, Arthur. Manuscript, Print, and the English Renaissance Lyric. Ithaca: Cornell UP, 1995.CrossRefGoogle Scholar
Stallybrass, Peter, Chartier, Roger, Mowery, J. Franklin Jr., and Wolfe, Heather. “Hamlet’s Tables and the Technologies of Writing in Renaissance England.” Shakespeare Quarterly 55 (2004): 379–419.CrossRefGoogle Scholar
Stewart, Alan, and Wolfe, Heather. Letterwriting in Shakespeare’s England. Washington: Folger Shakespeare Library, 2004.Google Scholar
Further reading
Barish, Jonas. “‘Soft, Here Follows Prose’: Shakespeare’s Stage Documents.” The Arts of Performance in Elizabethan and Stuart Drama: Essays for G. K. Hunter. Ed. Biggs, Murray et al. Edinburgh: Edinburgh UP, 1991. 32–45.Google Scholar
Bergeron, David M., ed. Reading and Writing in Shakespeare. Newark: U of Delaware P, 1996.Google Scholar
Bland, Mark. A Guide to Early Printed Books and Manuscripts. Oxford: Wiley-Blackwell, 2010.CrossRefGoogle Scholar
Daybell, James. “Material Meanings and the Social Signs of Manuscript Letters in Early Modern England.” Literature Compass 6:3 (2009): 647–67. http://onlinelibrary.wiley.com/doi/10.1111/j.1741-4113.2009.00629.x/full.Google Scholar
Fleming, Juliet. Graffiti and the Writing Arts of Early Modern England. London: Reaktion, 2001.Google Scholar
Goldberg, Jonathan. Writing Matter: From the Hands of the English Renaissance. Stanford: Stanford UP, 1990.Google Scholar
Kiefer, Frederick. Writing on the Renaissance Stage: Written Words, Printed Pages, Metaphoric Books. Newark: U of Delaware P, 1996.Google Scholar
Orgel, Stephen. “Knowing the Character.” Zeitschrift für Anglistik und Amerikanistik 40 (1992): 124–29.Google Scholar
Scott, Charlotte. Shakespeare and the Idea of the Book. Oxford: Oxford UP, 2007.CrossRefGoogle Scholar