Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Introduction
- 108 Life Documents
- 109 Education and Reading in Shakespeare’s Work
- 110 Authorship Controversy
- 111 Likenesses: Prints and Paintings
- 112 Likenesses: Memorial Bust
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
111 - Likenesses: Prints and Paintings
from Part XII - The Historical William Shakespeare
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Introduction
- 108 Life Documents
- 109 Education and Reading in Shakespeare’s Work
- 110 Authorship Controversy
- 111 Likenesses: Prints and Paintings
- 112 Likenesses: Memorial Bust
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 856 - 861Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
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Further reading
Griffiths, Antony. The Print in Stuart Britain, 1603–1689. London: British Museum Press, 1998.Google Scholar
Holderness, Graham, and Loughrey, Bryan. “Shakespearean Features.” The Appropriation of Shakespeare: Post-Renaissance Reconstructions of the Works and the Myth. Ed. Marsden, Jean I.. New York: Harvester Wheatsheaf, 1991. 183–201.Google Scholar
Matheson, Tom. “Droeshout’s Shakespeare: From Image to Icon.” Metamorphosing Shakespeare: Mutual Illumination of the Arts. Ed. Kennan, Patricia and Tempera, Mariangela. Bologna: CLUEB, 2004. 45–57.Google Scholar