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200 - Lighting

from Part XX - Changing Technologies of Stage Performance

Published online by Cambridge University Press:  17 August 2019

By
Neil Fraser
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

Appia, AdolphArtaud, AntoninBowdler, ThomasBrecht, BertoltBrook, PeterBrunelleschi, FilippocandlelightChiaroscuroCibber, CollyCraig, Edward GordonDoctor FaustusElizabethan stage“the Family Shakespeare”Florencefootlightgas lightGlobe (playhouse)HamletHenry VI, Part 3Jones, InigoKing Learlightlightinglighting DesignlimelightMacbethMacready, William CharlesMarat/SadeMarlowe, Christophermedieval mystery cyclesMichelangeloA Midsummer Night’s DreamOil LightOthelloParadise of S. FelicePilbrow, RichardRembrandtRenaissanceRichard IIRichard IIIRomeo and JulietSabattini, NicolaSavoy TheatreSerlio, SebastianoshadowSomi, Leone Ebreo diSymons, ArthurTimon of AthensThe Two Gentlemen of VeronaVasari, Giorgio
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 1456 - 1460
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Appia, Adolph. Die Musik und die Inscenierung. Munich: 1899.Google Scholar
Brecht, Bertolt. Couragemodell. Berlin: Henschelverlag Kunst und Gesellschaft, 1958.Google Scholar
Brook, Peter. Threads of Time – A Memoir. London: Methuen Drama, 1999.Google Scholar
Craig, Edward Gordon. On the Art of the Theatre. London: Heinemann, 1911.Google Scholar
John Bull. 25 January 1838.Google Scholar
Jonson, Ben. [Complete works.] Herford, Charles H., Simpson, Percy, and Simpson, Evelyn, eds. 11 vols. Oxford: Clarendon, 1925–52.Google Scholar
Kinghorn, A. M. Mediaeval Drama. London: Evans Brothers, 1968.Google Scholar
Mercure Gallant [Venice]. 1683.Google Scholar
Nagler, A. M. A Source Book in Theatrical History. New York: Dover, 1952.Google Scholar
Pilbrow, Richard. Stage Lighting Design: The Art, the Craft, the Life. London: Nick Nern Books, 1997.Google Scholar
Rees, Terence. Theatre Lighting in the Age of Gas. London: The Society for Theatre Research, 1978.Google Scholar
Sabattini, Nicola. Practica di fabrica scene e machine ne Teatri. Ravenna: 1638.Google Scholar
Selden, Samuel, and Sellman, Hunton D.. Stage Scenery and Lighting – A Handbook for Non-professionals. New York: Crofts, 1930.Google Scholar
Serlio, Sebastiano. The First Book of Architecture. London: 1611.Google Scholar
Somi, Leon Ebreo. Dialoghi. Trans. Castiglione, Salvatore J.. Parma: MS Biblioteca Palatina, 1556.Google Scholar
Symons, Arthur. Plays, Acting and Music. London: Constable and Company, 1909.Google Scholar
Vasari, Giorgio. The Lives of the Painters, Sculptors and Architects. Trans. Hinds, A. B.. New York: Dutton, 1927.Google Scholar

Further reading

Bentley, Eric. The Theory of the Modern Stage. London: Penguin, 1968.Google Scholar
Brandt, George W., ed. Modern Theories of Drama. Oxford: Clarendon, 1998.Google Scholar
Carlson, Marvin. Theories of the Theatre. Ithaca: Cornell UP, 1984. Expanded 1993.Google Scholar
Fraser, Neil. Stage Lighting Explained. London: Crowood, 2002.Google Scholar
Reid, Francis. Discovering Stage Lighting. New York: Focal Press, 1995.Google Scholar
Styan, J. L. Modern Drama in Theory and Practice. 3 vols. Cambridge: Cambridge University Press, 1981.Google Scholar
Wickham, Glyn. A History of the Theatre. London: Phaidon, 1985.Google Scholar

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