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92 - Judaism and Jews

from Part X - Religion

Published online by Cambridge University Press:  17 August 2019

By
Brett D. Hirsch
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

alienanti-SemitismBarabasbloodblood libelCatholicconversionHebrewIsraelJewsJudaismJudasMillenarianismPhilosemitismpolemicPortugalPuritanReformationreligionritual murderShylockSpainusury
Type
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Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 709 - 720
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

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Further reading

Adelman, Janet. Blood Relations: Christian and Jew in The Merchant of Venice. Chicago: U of Chicago P, 2008.Google Scholar
Bale, Anthony. The Jew in the Medieval Book: English Antisemitisms, 1350–1500. Cambridge: Cambridge University Press, 2007.Google Scholar
Berek, Peter. “The Jew as Renaissance Man.” Renaissance Quarterly 51.1 (1998): 128–62.Google Scholar
Bodian, Miriam. “Men of the Nation”: The Shaping of Converso Identity in Early Modern Europe.” Past and Present 143 (1994): 48–76.CrossRefGoogle Scholar
Burton, Jonathan. Traffic and Turning: Islam and English Drama, 1579–1624. Newark: U of Delaware P, 2005.Google Scholar
Edelman, Charles. “Which Is the Jew that Shakespeare Knew? Shylock on the Elizabethan Stage.” Shakespeare Survey 52 (1999): 99–106. <DOI: 10.1017/CCOL0521660742.008>Google Scholar
Gregg, Joan Young. Devils, Women, and Jews: Reflections of the Other in Medieval Sermon Stories. Albany: State U of New York P, 1997.Google Scholar
Hirsch, Brett D. “Counterfeit Professions: Jewish Daughters and the Drama of Failed Conversion in Marlowe’s The Jew of Malta and Shakespeare’s The Merchant of Venice.” Embodying Shakespeare. Ed. McInnis, David and Hirsch, Brett D.. Early Modern Literary Studies, spec. issue 19 (2009): 4.1–37.Google Scholar
Kaplan, M. Lindsay. “Jessica’s Mother: Medieval Constructions of Jewish Race and Gender in The Merchant of Venice.” Shakespeare Quarterly 58.1 (2007): 1–30.CrossRefGoogle Scholar
Katz, David S. The Jews in the History of England, 1485–1850. Oxford: Clarendon, 1994.Google Scholar
Langmuir, Gavin I. Toward a Definition of Antisemitism. Berkeley: U of California P, 1990.Google Scholar
Mellinkoff, Ruth. Outcasts: Signs of Otherness in Northern European Art of the Late Middle Ages. 2 vols. Berkeley: U of California P, 1993.Google Scholar
Rubin, Miri. Gentile Tales: The Narrative Assault on Late Medieval Jews. New Haven: Yale UP, 1999.Google Scholar
Strickland, Debra Higgs. Saracens, Demons, and Jews: Making Monsters in Medieval Art. Princeton: Princeton UP, 2003.Google Scholar

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