Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-cd9895bd7-gxg78 Total loading time: 0 Render date: 2024-12-26T19:09:31.006Z Has data issue: false hasContentIssue false

260 - Jazz

from Part XXVI - Shakespeare and the Performing Arts

Published online by Cambridge University Press:  17 August 2019

By
Michael Ingham
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
Get access

Summary

A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'

Keywords

ambiguityambivalenceconcorddiscordduetemotionhighbrowimprovisationjazzjouissancepopularragtimerhythmscatsettingssonnetswingsyncopationvocal
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 1852 - 1860
Publisher: Cambridge University Press
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Sources cited

Ardley, Neil, Carr, Ian, Gibbs, Mike, and Tracey, Stan. Will Power: A Shakespeare Birthday Celebration in Music. 1975. Vocalion, 2CDSML8412. 2005. CD.Google Scholar
Barthes, Roland. “The Grain of the Voice.” Image, Music Text. Trans. Heath, S.. London: Fontana, 1977. 179–89.Google Scholar
Bristol, Michael. Big-Time Shakespeare. London: Routledge, 1996.Google Scholar
Cunniffe, Thomas. Retro-Review: Cleo Laine. Shakespeare and All That Jazz (Fontana 5209). Jazz History Online. http://jazzhistoryonline.com/Cleo_Laine.html.Google Scholar
Eliot, Thomas S. Four Quartets. London: Faber and Faber, 1944.Google Scholar
Eliot, Thomas S. “The Music of Poetry.” On Poetry and Poets. London: Faber and Faber, 1957. 26–38.Google Scholar
Ellington, Duke, and His Orchestra. Such Sweet Thunder. 1957. Columbia/Legacy, CK65568. 1999. CD.Google Scholar
Groves, Peter. “My Heart Dances: Rhythm and Emotion in Shakespeare’s Verse.” Conference paper given at ANZSA Conference: Shakespeare and Emotion. University of Western Australia. November 2012.Google Scholar
Hawkes, Terence. That Shakespeherian Rag: Essays on a Critical Process. London: Methuen, 1977.Google Scholar
Laine, Cleo. “Cleo’s Shakespeare Writings.” Unpublished memoir, 2011.Google Scholar
Laine, Cleo, and Dankworth, Johnny. The Collection. Spectrum, 3154 47702. 2002. CD.Google Scholar
Laine, Cleo, and Dankworth, Johnny (with special guest Jacqui Dankworth). Once Upon a Time. Qnote, QNT 10108. 2005. CD.Google Scholar
Eliot, Thomas S. Shakespeare and All That Jazz. Universal Records. 1964. Fontana, B000CSUWY4. 2006. CD.Google Scholar
Lanier, Douglas. “Minstrelsy, Jazz, Rap: Shakespeare, African American Music, and Cultural Legitimation.” Borrowers and Lenders: The Journal of Shakspeare and Appropriation 1.1 (2005): 1–29. http://www.borrowers.uga.edu/782016/display.Google Scholar
Madrigal, Jazz. Shakespeare’s Music of Love. New Age Music, CD-24016. 1998. CD.Google Scholar
Rutter, John. “Birthday Madrigals.” Feel the Spirit. Collegium Records, COLCD128. 2001. CD.Google Scholar
Sanders, Julie. Shakespeare and Music: Afterlives and Borrowings. Cambridge: Polity, 2007.Google Scholar
Silverman, Stanley. Duke Ellington’s Incidental Music for Shakespeare’s “Timon of Athens.” Varese Records, B000024C43. 1994. CD.Google Scholar

Further reading

Booth, Stephen. An Essay on Shakespeare’s Sonnets. New Haven: Yale UP, 1969.Google Scholar
Buhler, Stephen M. “Form and Character in Duke Ellington and Billy Strayhorn’s Such Sweet Thunder.” Borrowers and Lenders: The Journal of Shakespeare and Appropriation 1.1 (spring–summer 2005). http://www.borrowers.uga.edu/781406/display.Google Scholar
Buntin, Mat., and Fischlin, Daniel. “Shakespeare, Canada and Jazz: The Ellington Connection.” Canadian Adaptations of Shakespeare Project. http://www.canadianshakespeares.ca/multimedia/audio/m_a_jazz.cfm.Google Scholar
Callaghan, Dympna. Shakespeare’s Sonnets. Malden: Blackwell, 2007.CrossRefGoogle Scholar
Cooke, Mervyn, and Horn, David, eds. The Cambridge Companion to Jazz. Cambridge: Cambridge University Press, 2002.Google Scholar
Corrigan, Alan. “Jazz, Shakespeare and Hybridity: A Script Excerpt from Swingin’ the Dream.” Borrowers and Lenders: The Journal of Shakespeare and Appropriation 1. 1 (spring–summer 2005). http://www.borrowers.uga.edu/781411/display.Google Scholar
Greenblatt, Stephen. Cultural Mobility: A Manifesto. Cambridge: Cambridge University Press, 2009.Google Scholar
Hansen, Adam. Shakespeare and Popular Music. London: Continuum, 2010.Google Scholar
Hawkes, Terence. “The Duke’s Man: Ellington, Shakespeare and Jazz Adaptation.” Borrowers and Lenders: The Journal of Shakespeare and Appropriation 1.1 (spring–summer 2005). http://www.borrowers.uga.edu/781405/display.Google Scholar
Lanier, Douglas. Shakespeare and Modern Popular Culture. Oxford Shakespeare Topics. Oxford: Oxford UP, 2002.Google Scholar
Newmark, Peter. “Serious Songs: Their Texts as Approximate Translations of Their Music.” Translation Quarterly 41 (2006).Google Scholar
Schalkwyk, David. “Poetry and Performance.” The Cambridge Companion to Shakespeare’s Poetry. Ed. Cheney, Patrick. Cambridge: Cambridge University Press, 2007. 241–59.Google Scholar
Teague, Francis. “Swingin’ Shakespeare from Harlem to Broadway.” Borrowers and Lenders: The Journal of Shakespeare and Appropriation 1.1 (spring–summer 2005). http://www.borrowers.uga.edu/781407/display.Google Scholar
Van Kampen, Claire. Sleep No More: Incidental Jazz Music Composed by Claire Van Kampen with the Shakespeare’s Globe Musicians. From Globe Theater 2001 production of Macbeth. International Globe Centre. 2001. CD.Google Scholar
Vendler, H. The Art of Shakespeare’s Sonnets. Cambridge: Harvard UP, 1999.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×