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Introduction

from Part XXI - Audiences

Published online by Cambridge University Press:  17 August 2019

Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

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Further reading

Bennett, Susan. Theatre Audiences: A Theory of Production and Reception. 2nd ed. London: Routledge, 1997.Google Scholar
Blau, Herbert. The Audience. Baltimore: Johns Hopkins UP, 1990.Google Scholar
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Bulman, James, ed. Shakespeare, Theory, and Performance. London: Routledge, 1996.Google Scholar
Escolme, Bridget. Talking to the Audience: Shakespeare, Performance, Self. Abingdon: Routledge, 2005.Google Scholar
Harbage, Alfred. Shakespeare’s Audience. New York: Columbia UP, 1941.CrossRefGoogle Scholar
Hodgdon, Barbara, and Worthen, W. B., eds. A Companion to Shakespeare and Performance. Oxford: Wiley-Blackwell, 2005.Google Scholar
Knowles, Ric. Theatre and Interculturalism. Houndmills: Palgrave Macmillan, 2010.Google Scholar
Lopez, Jeremy. Theatrical Convention and Audience Response in Early Modern Drama. Cambridge: Cambridge University Press, 2003.Google Scholar
Low, Jennifer, and Myhill, Nora. Imagining the Audience in Early Modern Drama, 1558–1642. New York: Palgrave Macmillan, 2011.Google Scholar
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Whitney, Charles. Early Responses to Renaissance Drama. Cambridge: Cambridge University Press, 2006.Google Scholar

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