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140 - French Romanticism: Hamlet at the Théâtre de l’Odéon, Paris, in 1827

from Part XV - International Encounters

Published online by Cambridge University Press:  17 August 2019

By
Isabelle Schwartz-Gastine
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

Berlioz, HectorHamletinspirationOpheliaParis, FrancepassionRomanticismSmithson, Harriettouring actors
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 1058 - 1064
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Berlioz, Hector. Mémoires. 1865. 2 vols. Paris: C. Levy, 1878.Google Scholar
Chaulin, N. P. Biographie dramatique des principaux artistes anglais venus à Paris précédée de Souvenirs historiques du théâtre anglais à Paris, en 1827 et 1828. Paris: chez tous les Marchands de Nouveautés, 1828.Google Scholar
Delacroix, Eugène. Correspondance générale d’Eugène Delacroix, 1804–1837. Vol. 1. Ed. Joubin, André. Paris: Plon, 1936.Google Scholar
Delécluze, Etienne-Jean. Journal, 1824–1828. Ed. Baschet, Robert. Paris: Bernard Grasset, 1948.Google Scholar
Dumas, Alexandre. Souvenirs dramatiques. 2 vols. Paris: Calmann-Lévy, 1881.Google Scholar
Magnin, Charles. Le Globe. 30 August 1827.Google Scholar
Maurice, Charles. Courrier des Théâtres. 4 September 1827.Google Scholar
Maurice, Charles. Courrier des Théâtres. 7 September 1827.Google Scholar
Maurice, Charles. Courrier des Théâtres. 13 September 1827.Google Scholar
Pontmartin, Count Armand Ferrand, ed. Nouveaux Samedis (Paris, 1865–81).Google Scholar

Further reading

Berlioz, Hector. The Memoirs of Hector Berlioz, Member of the French Institute, Including His Travels in Italy, Germany, Russia and England, 1803–1865. Trans. and ed. Cairns, David. London: Victor Gollancz, 1969.Google Scholar
Borgerhoff, Joseph Leopold. Le Théâtre anglais à Paris sous la Restauration. Paris: Hachette, 1912.Google Scholar
Cairns, David. Berlioz. Vol. 1: The Making of an Artist, 1803–1832. 1989. Rpt. London: Allan Lane/Penguin, 1999.Google Scholar
Cairns, David. Berlioz. Vol. 2: Servitude and Greatness, 1832–1869. London: Allan Lane/Penguin, 1999.Google Scholar
Descotes, Maurice. Le Drame Romantique et ses Grands Créateurs, 1827–1839. Paris: Presses Universitaires de France, 1955.Google Scholar
Holland, Peter. “Touring Shakespeare.” The Cambridge Companion to Shakespeare on Stage. Ed. Wells, Stanley and Stanton, Sarah. Cambridge: Cambridge University Press, 2002. 194–211.Google Scholar
Porel(Parfouru), Paul, and Monval, Georges. L’Odéon, Histoire administrative, anecdotique et littéraire du Second Théâtre Français (1818–1859). Paris: Alphonse Lemerre, 1876.Google Scholar
Raby, Peter. Fair Ophelia: Harriet Smithson Berlioz. Cambridge: Cambridge University Press, 1982.Google Scholar
Royer, Alphonse. Histoire du théâtre contemporain en France et à l’étranger depuis 1800 jusqu’en 1876. Vols. 5–6. Paris: Paul Ollendorff, 1878.Google Scholar

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