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271 - Film and Film Audiences

from Part XXVIII - Shakespeare and Media History

Published online by Cambridge University Press:  17 August 2019

By
Robert Shaughnessy
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

adaptationaudienceBranagh, KennethcinemaDVDfilmLuhrmann, BazmoviesmultimediamultiplexOlivier, Laurencesilent filmtheaterZeffirelli, Franco
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 1935 - 1940
Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

The Angelic Conversation. Jarman, Derek. UK, British Film Institute, 1985. Film, super-8mm, snd., col., 81 mins.Google Scholar
Antony and Cleopatra. Heston, Charlton. Switzerland/Spain/UK, Folio Films, 1972. Film, slt., col., 160 mins.Google Scholar
As You Like It. Branagh, Kenneth. USA/UK, Home Box Office/Shakespeare Film Company, 2006. Film, 35mm, snd., col., 127 mins.Google Scholar
As You Like It. Czinner, Paul. UK, Inter-Allied Film Producers, 1936. Film, 35mm, snd., bw., 97 mins.Google Scholar
As You Like It. Edzard, Christine. UK, Sands Films, 1992. Film, 35mm, snd., col., 117 mins.Google Scholar
Buchanan, Judith. Shakespeare on Silent Film: An Excellent Dumb Discourse. Cambridge: Cambridge University Press, 2009.Google Scholar
Chimes at Midnight. Welles, Orson. Spain/Switzerland, Internacional Films Espanola/Alpine Productions, 1966. Film, snd., bw., 119 mins.Google Scholar
Le Duel d’Hamlet. Maurice, Clément, starring Sarah Bernhardt. France, Photo-Cinema-Theatre, 1900. Film, bw., 2 mins.Google Scholar
Edward II. Jarman, Derek. UK/Japan, Working Title, 1991. Film.Google Scholar
Hamlet. Almereyda, Michael. USA, Miramax Films, 2000. Film, snd., col. and bw., 111 mins.Google Scholar
Hamlet. Branagh, Kenneth. UK/USA, Castle Rock Entertainment, 1996. Film, snd., col., 242 mins.Google Scholar
Hamlet. Kozintsev, Grigori. USSR, Lenfilm, 1964. Film, snd., bw., 150 mins.Google Scholar
Hamlet. Olivier, Laurence. UK, Two Cities Films. 1948. Film, 35mm, snd., bw., 155 mins.Google Scholar
Hamlet. Plumb, Hay. UK, Hepworth, 1913. Film, slt., bw., 64 mins.Google Scholar
Hamlet. Zeffirelli, Franco. USA/France, Marquis Productions, 1990. Film, snd., col., 135 mins.Google Scholar
Henry V. Branagh, Kenneth. UK, Renaissance Films, 1989. Film, 35mm, snd., col., 137 mins.Google Scholar
Henry V. Olivier, Laurence. UK, Two Cities Films, 1944. Film, 35mm, snd., col., 137 mins.Google Scholar
Henry VIII. Parker, Louis N.. UK, Barker Motion Photography, 1911. Film, slt., bw.Google Scholar
In the Bleak Midwinter. Branagh, Kenneth. UK, Midwinter Films, 1995. Film, snd., bw., 95 mins.Google Scholar
Jackson, Russell, ed. The Cambridge Companion to Shakespeare on Film. 2nd ed. Cambridge: Cambridge University Press, 2007.Google Scholar
Julius Caesar. Mankiewicz, Joseph L.. USA, Loew’s Incorporated/Metro-Goldwyn-Mayer, 1953. Film, snd., bw., 122 mins.Google Scholar
The King Is Alive. Levring, Kristian. Denmark, Zentropa Entertainments Aps, 2000. Film, snd., col., 110 mins.Google Scholar
King John. Dir. Dickson, William Kennedy-Laurie and Dando, Walter Pfeffer. UK, British Mutoscope and Biograph Company, 1899. Film, 8mm, slt., bw., under two minutes.Google Scholar
King Lear. Brook, Peter. UK/Denmark, Filmsways Ltd./Athena Film/Laterna Film, 1971. Film, 35mm, snd., bw., 137 mins.Google Scholar
King Lear. Kozintsev, Grigori. USSR, Lenfilm, 1970. Film, snd., bw., 139 mins.Google Scholar
King Lear. Warde, Ernest. USA, Thanhouser Film Corp., 1916. Film, slt., bw., 5000ft.Google Scholar
Kumonoso-jō. Kurosawa, Akira. Japan, Toho Co. Ltd., 1957. Film, 35mm, snd., bw., 105 mins.Google Scholar
Looking for Richard. Pacino, Al. USA, Twentieth Century Fox, 1996. Film, snd., col., 109 mins.Google Scholar
Love’s Labour’s Lost. Branagh, Kenneth. UK/France/USA, InterMedia Film Equities, 2000. Film, snd., col., 93 mins.Google Scholar
Macbeth. Polanski, Roman. USA/UK, Playboy Productions/Columbia Pictures, 1971. Film, snd., col., 140 mins.Google Scholar
Macbeth. Welles, Orson. USA, Mercury Productions/Literary Classics Productions/Republic Pictures, 1948. Film, 35mm, snd., bw., 86 mins.Google Scholar
Macbeth, Shakespeare’s Sublime Tragedy. Ranous, William V.. USA, Vitagraph Co. of America, 1908. Film, slt., bw., 9 mins.Google Scholar
The Merchant of Venice. Radford, Michael. UK/Luxembourg/Italy/USA, Shylock Trading Limited/UK Film Council, 2004. Film, snd., col., 127 mins.Google Scholar
A Midsummer Night’s Dream. Dir. Dieterle, William and Reinhardt, Max. USA, Warner Bros., 1935. Film, snd., bw., 132 mins.Google Scholar
A Midsummer Night’s Dream. Noble, Adrian. UK, Edenwood Productions, 1996. Film, 35mm, snd., col., 103 mins.Google Scholar
Much Ado about Nothing. Branagh, Kenneth. UK/USA, Renaissance Films, 1993. Film, snd., col., 111 mins.Google Scholar
Othello. Welles, Orson. Morocco/Italy, Mercury Productions, 1952. Film, snd., bw., 91 mins.Google Scholar
Othello. Yutkevich, Sergei. USSR, Mosfilm, 1955. Film, snd., col., 106 mins.Google Scholar
Prospero’s Books. Greenaway, Peter. Netherlands, Allarts Enterprises, 1991. Film, snd., col., 125 mins.Google Scholar
Ran. Dir. Kurosawa, Akira. France/Japan, Greenwich Film Productions, 1985. Film, snd., col., 162 mins.Google Scholar
Richard III. Starring Benson, Frank R.. UK, Co-Operative Cinematograph Company, 1911. Film, 16mm., slt., bw., 22 mins., 45 secs.Google Scholar
Richard III. Dir. Loncraine, Richard. UK/USA, First Look Pictures, 1996. Film, snd., col., 104 mins.Google Scholar
Richard III. Dir. Olivier, Laurence. UK, Big Ben Films/London Film Productions, 1955. Film, snd., col., 158 mins.Google Scholar
Romeo and Juliet. Dir. Cukor, George. USA, Metro-Goldwyn-Mayer Corp., 1937. Film, snd., bw., 127 mins.Google Scholar
Romeo and Juliet. Dir. Edwards, J. Gordon. USA, Fox Film Corp., 1916. Film, slt., bw., 5000ft.Google Scholar
Romeo and Juliet. Dir. Noble, John W.. USA, Metro Pictures Corp., 1916. Film, slt., bw., 8000ft.Google Scholar
Romeo and Juliet. Dir. Zeffirelli, Franco. UK/Italy, BHE Productions Ltd./Verona Produzione/Dino De Laurentiis Cinematografica, 1968. Film, 35mm, snd., col., 152 mins.Google Scholar
Rothwell, Kenneth. A History of Shakespeare on Screen: A Century of Film and Television. 2nd ed. Cambridge: Cambridge University Press, 2004.Google Scholar
Shakespeare in Love. Dir. Madden, Joel. USA, Universal Pictures/Miramax Films, 1998. Film, snd., col., 122 mins.Google Scholar
Taming of the Shrew. Dir. Taylor, Sam. USA, The Elton Corp./The Pickford Corp., 1929. Film, snd., bw., 65 mins.Google Scholar
The Taming of the Shrew. Dir. Zeffirelli, Franco. Italy/USA, Royal Films International/Columbia Pictures, 1966. Film, snd., col., 122 mins.Google Scholar
The Tempest. Dir. Jarman, Derek. UK, Boyd’s, 1980. Film, 35mm, snd., col., 95 mins.Google Scholar
Titus. Dir. Taymor, Julie. USA/UK, Clear Blue Sky Productions, 1999. Film, snd., col., 162 mins.Google Scholar
Twelfth Night. Dir. Fried, Yan. USSR. Lenfilm, 1995. Film, snd., col., 90 mins.Google Scholar
Uricchio, William, and Pearson, Rebecca. Reframing Culture: The Case of the Vitagraph Quality Films. Princeton: Princeton UP, 1993.Google Scholar
William Shakespeare’s A Midsummer Night’s Dream. Dir. Hoffman, Michael. USA/ Germany, Twentieth Century Fox, 1999. Film, snd., col., 116 mins.Google Scholar
William Shakespeare’s Romeo + Juliet. Dir. Luhrmann, Baz. USA/Canada, Twentieth Century Fox, 1996. Film, snd., col., 120 mins.Google Scholar

Further reading

Cartelli, Thomas, and Rowe, Katherine. New Wave Shakespeare on Screen. Cambridge: Polity, 2007.Google Scholar
Donaldson, Peter S. “‘All which it will inherit’”: Shakespeare, Globes and Global Media.” Shakespeare Survey 52 (1999): 183–200.Google Scholar
Guneratne, Anthony. Shakespeare, Film Studies, and the Visual Cultures of Modernity. Basingstoke: Palgrave, 2008.Google Scholar
Holderness, Graham. “Shakespeare Rewound.” Shakespeare Survey 45 (1992): 63–74.CrossRefGoogle Scholar
Lanier, Douglas. “William Shakespeare, Filmmaker.” The Cambridge Companion to Literature on Screen. Ed. Cartmell, Deborah and Whelehan, Imelda. Cambridge: Cambridge University Press, 2007. 61–74.Google Scholar
Rowe, Katherine. “Medium-Specificity and other Critical Scripts for Screen Shakespeare.” Alternative Shakespeares 3. Ed. Henderson, Diana. New York: Routledge, 2007: 34–53.Google Scholar

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