Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Introduction
- 261 Book Illustrations
- 262 Graphic Satire
- 263 Photography
- 264 Periodical Illustrations
- 265 Commercial Images
- 266 Comic Books and Manga
- Part XXVIII Shakespeare and Media History
- Index
- References
261 - Book Illustrations
from Part XXVII - Shakespeare and the Visual Arts
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Introduction
- 261 Book Illustrations
- 262 Graphic Satire
- 263 Photography
- 264 Periodical Illustrations
- 265 Commercial Images
- 266 Comic Books and Manga
- Part XXVIII Shakespeare and Media History
- Index
- References
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Keywords
artists’ booksBoitard, FrançoisBoydell, JohnBoydell, JosiahBoydell Shakespeare GalleryChagall, MarcCraig, E. GordonCranach PressDali, SalvadorDoggett, SueengravingsFaithorne, WilliamFolio Societyfrontispiecesgift bookshalftonesHamletHanmer, ThomasHayman, FrancisillustrationsKing LearKnight, Charleslithographslivre d’artisteMacbethMacquoid, PercyA Midsummer Night’s DreamNew Cambridge ShakespeareNoguchi, IsamoRackham, ArthurThe Rape of LucreceRowe, Nicholassteel engravingsThe Taming of the ShrewThe TempestThompson, JohnThurston, JohnWhittingham, CharlesWoodcutswood engraving
- Type
- Chapter
- Information
- The Cambridge Guide to the Worlds of Shakespeare , pp. 1873 - 1879Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
Allentuck, Marcia. “Sir Thomas Hanmer Instructs Francis Hayman: An Editor’s Notes to His Illustrator (1744).” Shakespeare Quarterly 27.3 (1976): 288–315.CrossRefGoogle Scholar
Holland, Peter. “Performing Shakespeare in Print: Narrative in Nineteenth-Century Illustrated Shakespeares.” Victorian Shakespeare. Ed. Marshall, Gail and Poole, Adrian. Vol. 1. Basingstoke: Palgrave Macmillan, 2003. 47–72.Google Scholar
Murphy, Andrew. Shakespeare in Print: A History and Chronology of Shakespeare Publishing. Cambridge: Cambridge University Press, 2003.Google Scholar
Scolnicov, Hanna. “Chagall’s Tempest: An Autobiographical Reading.” Shakespeare Survey 62 (2009): 151–61. Cambridge Collections Online. Cambridge University Press. Accessed 19 December 2010. DOI:10.1017/CCOL9780521111034.012.Google Scholar
Sillars, Stuart. The Illustrated Shakespeare, 1709–1875. Cambridge: Cambridge University Press, 2008.Google Scholar
Further reading
Bate, Jonathan. “Pictorial Shakespeare: Text, Stage, Illustration.” Book Illustrated: Text, Image, and Culture, 1770–1930. Ed. Golden, Catherine J.. New Castle: Oak Knoll, 2000. 31–59.Google Scholar
Boase, T. S. R. “Illustrations of Shakespeare’s Plays in the Seventeenth and Eighteenth Centuries.” Journal of the Warburg and Courtauld Institutes 10 (1947): 83–108.Google Scholar
Fowler, James. “Picturing Romeo and Juliet.” Shakespeare Survey 49 (1996): 111–30. Cambridge Collections Online. Cambridge University Press. Accessed 19 December 2010. DOI:10.1017/CCOL0521570476.009.Google Scholar
Hammelmann, H. A. “Shakespeare’s First Illustrators.” Apollo (August 1968 Supplement): 1–4.Google Scholar
Pape, Walter, and Burwick, Frederick, eds. The Boydell Shakespeare Gallery. Bottrop: Peter Pomp, 1996.Google Scholar
Ray, Gordon. The Illustrator and the Book in England from 1790–1914. 1976. New York: Dover, 1991.Google Scholar
Sillars, Stuart. “Reading Illustrated Editions: Methodology and the Limits of Interpretation.” Shakespeare Survey 62 (2009). 162–81. Cambridge Collections Online. Cambridge University Press. Accessed 19 December 2010. DOI:10.1017/CCOL9780521111034.013.Google Scholar