Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Introduction
- 51 Ornament
- 52 Single-Sheet Prints
- 53 Emblems
- 54 Architecture
- 55 Gardens
- 56 Sculpture
- 57 Painting on Wooden Panel
- 58 Decorative Arts
- 59 Tapestries
- 60 Painted Cloths
- 61 Triumphal Entries
- 62 Collecting
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
54 - Architecture
from Part VI - Visual Arts
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Introduction
- 51 Ornament
- 52 Single-Sheet Prints
- 53 Emblems
- 54 Architecture
- 55 Gardens
- 56 Sculpture
- 57 Painting on Wooden Panel
- 58 Decorative Arts
- 59 Tapestries
- 60 Painted Cloths
- 61 Triumphal Entries
- 62 Collecting
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Keywords
- Type
- Chapter
- Information
- The Cambridge Guide to the Worlds of Shakespeare , pp. 417 - 424Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
Airs, Malcolm. The Tudor and Jacobean Country House: A Building History. Phoenix Mill: Alan Sutton, 1995.Google Scholar
Sir Bacon, Francis. The Essayes or Counsels, Civill and Morall. Ed. Kiernan, Michael. Cambridge: Harvard UP, 1985.Google Scholar
Cooper, Nicholas. “Rank, Manners and Display: The Gentlemanly House, 1500–1750.” Transactions of the Royal Historical Society, 6th ser. 12 (2002): 291–310.CrossRefGoogle Scholar
Friedman, Alice T. House and Household in Elizabethan England: Wollaton Hall and the Willoughby Family. Chicago: U of Chicago P, 1989.Google Scholar
Friedman, Alice T. “Inside/Out: Women, Domesticity, and the Pleasures of the City.” Material London, ca. 1600. Ed. Orlin, Lena Cowen. Philadelphia: U of Pennsylvania P, 2000. 232–50.Google Scholar
Girouard, Mark. Elizabethan Architecture, Its Rise and Fall, 1540–1640. New Haven: Yale UP, 2009.Google Scholar
Girouard, Mark. Robert Smythson and the Elizabethan Country House. New Haven: Yale UP, 1983.Google Scholar
Harris, John. The Design of the English Country House, 1620–1920. London: Trefoil Books, 1985.Google Scholar
Harrison, William. The Description of England. Ed. Edelen, Georges. Ithaca: Cornell UP, 1968.Google Scholar
Hoskins, W. G. The Age of Plunder: The England of Henry VIII, 1500–1547. London: Longman, 1976.Google Scholar
Hoskins, W. G. “The Rebuilding of Rural England, 1570–1640.” Past and Present 4 (1953): 44–59.Google Scholar
Howard, Maurice. The Building of Elizabethan and Jacobean England. New Haven: Yale UP, 2007.Google Scholar
Howard, Maurice. The Early Tudor Country House: Architecture and Politics, 1490–1550. London: George Philip, 1987.Google Scholar
Johnson, Matthew. Housing Culture: Traditional Architecture in an English Landscape. Washington: Smithsonian Institution Press, 1993.Google Scholar
Jourdain, Margaret. English Decorative Plasterwork of the Renaissance. London: B. T. Batsford, 1926.Google Scholar
Skipp, Victor. Crisis and Development: An Ecological Case Study of the Forest of Arden, 1570–1674. Cambridge: Cambridge University Press, 1978.Google Scholar
Further reading
Colvin, H. M., et al. The History of the King’s Works. Vol. 4: 1485–1660 (Part II). London: Her Majesty’s Stationery Office, 1982.Google Scholar
Thurley, Simon. The Royal Palaces of Tudor England: Architecture and Court Life, 1460–1547. New Haven: Yale UP, 1993.Google Scholar