Book contents
- The Cambridge Global History of Fashion
- The Cambridge Global History of Fashion
- The Cambridge Global History of Fashion
- Copyright page
- Contents for Volume II
- Figures for Volume II
- Maps for Volume II
- Table for Volume II
- Contributors for Volume II
- Preface
- Part IV Fashion, Modernism, and Modernity
- Part V Fashion, Colonialism, and Post-Colonialism
- Part VI Fashion Systems and Globalization
- 35 Manufacturing Fashion in the Post-War Period
- 36 Producing and Predicting Fashion in Twentieth-Century America and Europe
- 37 The Origins and Development of Haute Couture, 1858 to Now
- 38 Couture, Prêt-à-Porter, and Fast Fashion since 1945
- 39 Casualwear and Its Birth in Japan
- 40 Fashion and Globalization
- 41 Streetscape, Shop Window, Museum Vitrine
- 42 Fashion and Global Sustainability
- Index
- References
37 - The Origins and Development of Haute Couture, 1858 to Now
from Part VI - Fashion Systems and Globalization
Published online by Cambridge University Press: 04 August 2023
- The Cambridge Global History of Fashion
- The Cambridge Global History of Fashion
- The Cambridge Global History of Fashion
- Copyright page
- Contents for Volume II
- Figures for Volume II
- Maps for Volume II
- Table for Volume II
- Contributors for Volume II
- Preface
- Part IV Fashion, Modernism, and Modernity
- Part V Fashion, Colonialism, and Post-Colonialism
- Part VI Fashion Systems and Globalization
- 35 Manufacturing Fashion in the Post-War Period
- 36 Producing and Predicting Fashion in Twentieth-Century America and Europe
- 37 The Origins and Development of Haute Couture, 1858 to Now
- 38 Couture, Prêt-à-Porter, and Fast Fashion since 1945
- 39 Casualwear and Its Birth in Japan
- 40 Fashion and Globalization
- 41 Streetscape, Shop Window, Museum Vitrine
- 42 Fashion and Global Sustainability
- Index
- References
Summary
The phenomenon of Parisian haute couture fascinated, inspired, and on occasion troubled nineteenth-century observers, who witnessed its evolution from a specialist form of dressmaking specific to that city into an international business sensation. Couture’s rise was unstoppable following the astounding success of its originator, Englishman Charles Frederick Worth (1825–1895), and that of the grand couturiers – both men and women – who followed in his footsteps, drawn to the ‘capital’ of fashion with its network of skilled artisans and material luxury. The House of Worth, like many that followed, was named after its founder and had its own distinctive sensibility, although all operated under a similar business model whereby unique seasonal designs would be created by the head of the house, or auteur, and made to order for clients by in-house ateliers. By the late nineteenth century, couture houses had begun to expand their reach, opening proto-boutiques in French resorts such as Deauville, Biarritz, and Cannes.
- Type
- Chapter
- Information
- The Cambridge Global History of FashionFrom the Nineteenth Century to the Present, pp. 1292 - 1333Publisher: Cambridge University PressPrint publication year: 2023