Book contents
- The Cambridge Critical Guide to Latin Literature
- The Cambridge Critical Guide to Latin Literature
- Copyright page
- Dedication
- Contents
- Figures and Tables
- Contributors
- Preface
- Abbreviations
- Chapter 1 Introduction
- Chapter 2 Canons
- Chapter 3 Periodisations
- Chapter 4 Author and Identity
- Chapter 5 Intertextuality
- Chapter 6 Mediaeval Latin
- Chapter 7 Neo-Latin
- Chapter 8 Reception
- Chapter 9 National Traditions
- Chapter 10 Editing
- Chapter 11 Latin Literature and Linguistics
- Chapter 12 Latin Literature and Material Culture
- Chapter 13 Philosophy
- Chapter 14 Political Thought
- Chapter 15 Latin Literature and Roman History
- Chapter 16 Latin Literature and Greek
- Envoi
- Index Locorum
- General Index
- References
Chapter 6 - Mediaeval Latin
Published online by Cambridge University Press: 04 January 2024
- The Cambridge Critical Guide to Latin Literature
- The Cambridge Critical Guide to Latin Literature
- Copyright page
- Dedication
- Contents
- Figures and Tables
- Contributors
- Preface
- Abbreviations
- Chapter 1 Introduction
- Chapter 2 Canons
- Chapter 3 Periodisations
- Chapter 4 Author and Identity
- Chapter 5 Intertextuality
- Chapter 6 Mediaeval Latin
- Chapter 7 Neo-Latin
- Chapter 8 Reception
- Chapter 9 National Traditions
- Chapter 10 Editing
- Chapter 11 Latin Literature and Linguistics
- Chapter 12 Latin Literature and Material Culture
- Chapter 13 Philosophy
- Chapter 14 Political Thought
- Chapter 15 Latin Literature and Roman History
- Chapter 16 Latin Literature and Greek
- Envoi
- Index Locorum
- General Index
- References
Summary
This chapter provides an introduction to mediaeval Latin. After demonstrating the impossibility of providing any sort of meaningful survey of so extensive, varied and underexplored a literary field, I model two different ways of approaching the subject. One is through microhistory, where one looks at texts with certain generic, formal or geographic characteristics in a diachronic fashion from their classical ancestors to their Renaissance progeny always keeping in view contiguous material in other genres and in languages other than Latin. The other is the history of style, where one looks synchronically at texts produced in widely different regions and in different generic categories to obtain a broader vista of the way Latin as a literary language changed over time. One way to do this is to look at mannerism, or deliberate obscurity of style for rhetorical effect, as a persistent feature of Latin literature from late antiquity on, in a dialectic with classicism on the one hand, and biblical simplicity on the other. This leads to a revisionist view of the earliest stages of humanistic poetry in Trecento Italy, as growing organically from pre-existing mediaeval stylistic canons.
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- The Cambridge Critical Guide to Latin Literature , pp. 272 - 333Publisher: Cambridge University PressPrint publication year: 2024