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Part III - Women and Music Technology

Published online by Cambridge University Press:  17 April 2021

Edited by
Laura Hamer
Laura Hamer
Affiliation:
The Open University, Milton Keynes
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The Cambridge Companion to Women in Music since 1900 , pp. 197 - 234
Publisher: Cambridge University Press
Print publication year: 2021

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References

Further Reading

Niebur, Louis. Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop (New York: Oxford University Press, 2010).CrossRefGoogle Scholar
Oliveros, Pauline. Software for People: Collected Writings 1963–1980 (Baltimore, MD: Smith Publications, 1984).Google Scholar
Sewell, Amanda. Wendy Carlos: A Biography (New York: Oxford University Press, 2020).Google Scholar

Further Reading

Baker, Elizabeth A. The Resonant Life: Attack. Decay. Sustain. Release. Resonate (USA: 2018).Google Scholar
Fiebink, Rebecca. The Wekinator (n.d.). www.wekinator.org/ (accessed 11 December 2020).Google Scholar
Rowland, Jess. ‘Flexible Audio Speakers for Composition and Art Practice.’ Leonardo Music Journal (2013), 33–6.CrossRefGoogle Scholar

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