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from Part II - Women in Popular Music
Published online by Cambridge University Press: 17 April 2021
Turning to folk music, in Chapter 11, Michael Brocken focuses upon the British folk revival to consider both the traditional marginalisation of women’s voices and the contemporary emergence of a more open folk scene in which women’s voices ‘figure’. Blending an auto-ethnographic and an ethnographic approach, Brocken considers not only his own growing awareness of gender issues within the folk scene as a male researcher, but also draws upon interview material with folk musician Emily Portman and folk and acoustic music promoter Rose Price.
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