from Part II - 1945–1989: New Nations and New Frontiers
Published online by Cambridge University Press: 01 December 2022
Federation was promoted as an ideal before and between the two world wars, in both colonial independence movements and internationalist thought. It also became a term for promoting reforms to imperial governance, referring sometimes to greater political and economic integration and at other times to devolution or self-rule. Writers around the world responded to these developments directly, in specific political and constitutional discussions, and through indirect engagement with federalism’s rhetorical, conceptual, historical, and affective structures. Modernists such as Gertrude Stein, W. H. Auden, Virginia Woolf, and William Faulkner exemplify the range of white metropolitan writers’ playful, earnest, and creative engagements with federal themes during the interwar period. Paradigmatic of a so-called ‘federal moment’ amidst global decolonisation movements during the post-war period, Salman Rushdie’s Midnight’s Children illustrates federalism’s contested status as both a legacy of colonial rule and a potential mechanism for imagining postcolonial futures.
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