Chapter 1 - Progressive Liberalism

Summary

In order to tell the literary history of “progressive liberalism” in the twentieth-century American novel, this chapter traces the career of the word “liberalism” from progressivism’s synonym during the Progressive Era to its antonym ever since the Cold War. This conceptual history has underwritten not only the history of American political thought, but also that of the American novel in the twentieth century. It was in the literary imagination – from the realist and, even more crucially, the naturalist novel of the late nineteenth and early twentieth centuries to the multicultural novel of the late twentieth century – that the changing meanings of “progressive” and “liberal” were developed and tested. By the same token, these political categories provided a vocabulary for politically placing and adjudicating individual works and even whole genres and literary developments – efforts that became increasingly central to literary studies as the discipline became self-consciously politicized. In particular, the chapter pays attention to canonical novels by Theodore Dreiser, Frank Norris, John Steinbeck, John Dos Passos, Ralph Ellison, Saul Bellow, Norman Mailer, Mary McCarthy, and Toni Morrison.