Book contents
- The Cambridge Companion to the Romantic Sublime
- The Cambridge Companion to the Romantic Sublime
- Copyright page
- Contents
- Figures
- Contributors
- Abbreviations
- Introduction
- Part I The Sublime before Romanticism
- Part II Romantic Sublimes
- Part III Legacies
- Further Reading
- Index
- Cambridge Companions To …
- References
Further Reading
Published online by Cambridge University Press: 06 July 2023
Edited by
Book contents
- The Cambridge Companion to the Romantic Sublime
- The Cambridge Companion to the Romantic Sublime
- Copyright page
- Contents
- Figures
- Contributors
- Abbreviations
- Introduction
- Part I The Sublime before Romanticism
- Part II Romantic Sublimes
- Part III Legacies
- Further Reading
- Index
- Cambridge Companions To …
- References
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- The Cambridge Companion to the Romantic Sublime , pp. 263 - 270Publisher: Cambridge University PressPrint publication year: 2023
References
Primary Sources
Albrecht, William, The Sublime Pleasures of Tragedy: A Study of Critical Theory from Dennis to Keats, Lawrence, University of Kansas Press, 1975.Google Scholar
Ashfield, Andrew, and De Bolla, Peter (eds.), The Sublime: A Reader in British Eighteenth-Century Aesthetic Theory, Cambridge, Cambridge University Press, 1996.Google Scholar
Axelson, Karl, The Sublime: Precursors and British Eighteenth-Century Conceptions, Oxford, Peter Lang, 2007.Google Scholar
Bevis, R. W., The Road to Egdon Heath: The Aesthetics of the Great in Nature, Montreal, McGill-Queen’s University Press, 1999.Google Scholar
Bloom, Harold, The Daemon Knows: Literary Greatness and the American Sublime, Oxford, Oxford University Press, 2015.Google Scholar
Brady, Emily, The Sublime in Modern Philosophy: Aesthetics, Ethics, and Nature, Cambridge, Cambridge University Press, 2013.Google Scholar
Brillenburg Wurth, Kiene, Musically Sublime: Indeterminacy, Infinity, Irresolvability, New York, Fordham University Press, 2009.Google Scholar
Brown, Chandos Michael, ‘The First American Sublime’, in Costelloe, Timothy M., ed., The Sublime: From Antiquity to the Present, Cambridge, Cambridge University Press, 2015, 147–70.Google Scholar
Burgard, Chrystèle, and Saint Girons, Baldine (eds.), Le paysage et la question du sublime, Paris, Réunion des musées nationaux, 1997.Google Scholar
Canuel, Mark, Justice, Dissent, and the Sublime, Baltimore, MD, Johns Hopkins University Press, 2012.Google Scholar
Carboni, Massimo, Il sublime è ora: Saggio sulle estetiche contemporanee, Rome, Castelvecchi, 1993.Google Scholar
Costelloe, Timothy M. (ed.), The Sublime: From Antiquity to the Present, Cambridge, Cambridge University Press, 2015.Google Scholar
De Bolla, Peter, The Discourse of the Sublime: Readings in History, Aesthetics and the Subject, Oxford, Blackwell, 1989.Google Scholar
Donaldson, Christopher, Gregory, Ian N. and Taylor, Joanna E., ‘Locating the Beautiful, Picturesque, Sublime and Majestic: Spatially Analysing the Application of Aesthetic Terminology in Descriptions of the English Lake District’, Journal of Historical Geography 56, 2017, 43–60.Google Scholar
Doran, Robert, The Theory of the Sublime from Longinus to Kant, Cambridge, Cambridge University Press, 2015.Google Scholar
Duffy, Cian, The Landscapes of the Sublime, 1700–1830: ‘Classic Ground’, London, Palgrave, 2013.CrossRefGoogle Scholar
Duffy, Cian, ‘The Romantic Sublime’, in Vincent, Patrick, ed., The Cambridge History of European Romantic Literature, Cambridge, Cambridge University Press, forthcoming.Google Scholar
Duffy, Cian, and Howell, Peter (eds.), Cultures of the Sublime: Selected Readings, 1700–1830, London, Palgrave, 2011.CrossRefGoogle Scholar
Ferguson, Frances, Solitude and the Sublime: Romanticism and the Aesthetics of Individuation, London, Routledge, 1992.Google Scholar
Freeman, Barbara, The Feminine Sublime: Gender and Excess in Women’s Fiction, Berkeley, University of California Press, 1995.Google Scholar
Fry, Paul, ‘The Possession of the Sublime’, Studies in Romanticism 26.2, 1987, 187–207.Google Scholar
Giacomoni, Paola, Il laboratorio della natura: Paesaggio montano e sublime naturale in età moderna, Milan, Franco Angeli, 2001.Google Scholar
Gottlieb, Marc, ‘Figures of Sublimity in Orientalist Painting’, Studies in the History of Art 74, 2009, 316–41.Google Scholar
Hancock, Stephen, The Romantic Sublime and Middle-Class Subjectivity in the Victorian Novel, London, Routledge, 2005.Google Scholar
Hertz, Neil, The End of the Line: Essays on Psychoanalysis and the Sublime, New York, Columbia University Press, 1985.Google Scholar
Hibberd, Sarah, and Stanyon, Miranda (eds.), Music and the Sonorous Sublime in European Culture, 1680–1880, Cambridge, Cambridge University Press, 2020.CrossRefGoogle Scholar
Hipple, Walter John, The Beautiful, the Sublime, and the Picturesque in Eighteenth-Century British Aesthetic Theory, Carbondale, Southern Illinois University Press, 1959.Google Scholar
Hollis, D. L. ‘Aesthetic Experience, Investigation and Classic Ground: Responses to Etna from the First Century CE to 1773’, Journal of the Warburg and Courtauld Institutes, 83, 2020, 299–325.Google Scholar
Hollis, D. L. ‘The “Authority of the Ancients”? Seventeenth-Century Natural Philosophy and Aesthetic Responses to Mountains’, in Hollis, Dawn and König, Jason, eds., Mountain Dialogues from Antiquity to Modernity, London, Bloomsbury Academic, 2021, 55–73.Google Scholar
Hollis, D. L. ‘Mountain Gloom and Mountain Glory: The Genealogy of an Idea’, ISLE: Interdisciplinary Studies in Literature and Environment, 26.4, 2019, 1038–61.Google Scholar
Ibata, Hélène, The Challenge of the Sublime: from Burke’s Philosophical Enquiry to British Romantic Art, Manchester, Manchester University Press, 2018.Google Scholar
Knapp, Stephen, Personification and the Sublime: Milton to Coleridge, Cambridge, MA, Harvard University Press, 1985.Google Scholar
Le Scanff, Yvon, Le paysage romantique et l’expérience du sublime, Seyssel, Champs Vallon, 2017.Google Scholar
Lombardo, Giovanni, Tra poesia e physiologia: Il sublime e la scienza della natura, Modena, Mucchi, 2011.Google Scholar
Lombardo, Giovanni, and Finocchiaro, Francesco (eds.), Sublime antico e moderno: Una bibliografia, Palermo, Centro internazionale di studi di estetica, 1993.Google Scholar
Maxwell, Catherine, The Female Sublime from Milton to Swinburne: Bearing Blindness, Manchester, Manchester University Press, 2001.Google Scholar
Mazzocut-Mis, Maddalena, and Giordanetti, Pietro (eds.), I luoghi del sublime moderno: Percorso antologico-critico, Milano, LED, 2005.Google Scholar
McCarthy, Anne C., Awful Parenthesis: Suspension and the Sublime in Romantic and Victorian Poetry, Toronto, University of Toronto Press, 2018.Google Scholar
Monk, Samuel Holt, The Sublime: A Study of Critical Theories in XVIII-Century England, Ann Arbor, University of Michigan Press, 1960.Google Scholar
Moreno, Beatriz González, Lo sublime, lo gótico y lo romántico: La experiencia estética en el romanticismo inglés, Ciudad Real, Universidad de Castilla La Mancha, 2007.Google Scholar
Nicolson, Marjorie Hope, Mountain Gloom and Mountain Glory: The Development of the Aesthetics of the Infinite, Ithaca, NY, Cornell University Press, 1959.Google Scholar
Pipkin, John G., ‘The Material Sublime of Women Romantic Poets’, Studies in English Literature, 1500–1900 38.4, Autumn 1998, 597–619.Google Scholar
Potkay, Adam, ‘The British Romantic Sublime’, in Costelloe, Timothy M., ed., The Sublime: From Antiquity to the Present, Cambridge, Cambridge University Press, 2015, 203–16.Google Scholar
Price, Fiona L., and Masson, Scott (eds.), Silence, Sublimity and Suppression in the Romantic Period, Lampeter, Edward Mellen Press, 2002.Google Scholar
Richardson, Alan, The Neural Sublime: Cognitive Theories and Romantic Texts, Baltimore, MD, Johns Hopkins University Press, 2010.Google Scholar
Saint Girons, Baldine, Le sublime: De l’antiquité a nos jours, Paris, Desjonquères, 2005.Google Scholar
Simpson, David, ‘Commentary: Updating the Sublime’, Studies in Romanticism 26.2, 1987, 245–58.Google Scholar
Stanyon, Miranda, Resounding the Sublime: Music in English and German Literature and Aesthetic Theory, 1670–1850, Philadelphia, University of Pennsylvania Press, 2021.Google Scholar
Stevenson, Warren, Romanticism and the Androgynous Sublime, Madison, NJ, Fairleigh Dickinson University Press, 1996.Google Scholar
Tuveson, Ernest, ‘Space, Deity, and the “Natural Sublime”’, Modern Language Quarterly, 12.1, March 1951, 20–38.Google Scholar
Twitchell, James B., Romantic Horizons: Aspects of the Sublime in English Poetry and Painting, 1770–1850, Columbia, University of Missouri Press, 1983.Google Scholar
Viëtor, Karl, ‘Die Idee des Erhabenen in der deutschen Literaturgeschichte’, in Geist und Form: Aufsätze zur deutschen Literaturgeschichte, Bern, Francke, 1952, 234–66.Google Scholar
Weiskel, Thomas, The Romantic Sublime: Studies in the Structure and Psychology of Transcendence, Baltimore, MD, Johns Hopkins University Press, 1976.Google Scholar
Wilton, Andrew, and Barringer, Tim, American Sublime: Landscape Painting in the United States, 1820–1880, Princeton, NJ, Princeton University Press, 2002.Google Scholar
Wood, Theodore, The Word ‘Sublime’ and Its Context, 1650–1760, The Hague, Mouton, 1972.Google Scholar
Secondary Sources
Albrecht, William, ‘Hazlitt and the Romantic Sublime’, The Wordsworth Circle 10.1, 1979, 59–68.CrossRefGoogle Scholar
Albrecht, William, ‘Tragedy and Wordsworth’s Sublime’, The Wordsworth Circle 8.1, 1977, 83–94.Google Scholar
Albrecht, William, ‘The Tragic Sublime of Hazlitt and Keats’, Studies in Romanticism 20.2, 1981, 185–201.Google Scholar
Bode, Christoph, ‘A Kantian Sublime in Shelley: “Respect for our Own Vocation” in an Indifferent Universe’, 1650–1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era, 3, 1997, 329–58.Google Scholar
Brose, Margaret, ‘Leopardi’s “L’Infinito” and the Language of the Romantic Sublime’, Poetics Today 4.1, 1983, 47–71.Google Scholar
Clarke, Bruce, ‘Wordsworth’s Departed Swans: Sublimation and Sublimity in “Home at Grasmere”’, Studies in Romanticism 19.3, 1980, 355–74.Google Scholar
Clewis, Robert, The Kantian Sublime and the Revelation of Freedom, Cambridge, Cambridge University Press, 2009.Google Scholar
Crawford, Joseph, Raising Milton’s Ghost: John Milton and the Sublime of Terror in the Early Romantic Period, London, Bloomsbury, 2011.Google Scholar
Duffy, Cian, ‘“My purpose was humbler, but also higher”: Thomas De Quincey’s “System of the Heavens”, popular science and the sublime’, Romanticism 20.1, 2014, 1–14.Google Scholar
Duffy, Cian, Shelley and the Revolutionary Sublime, Cambridge, Cambridge University Press, 2005.Google Scholar
Ferri, S., ‘Vittorio Alfieri’s Nature Sublime: The Physiology of Poetic Inspiration’, European Romantic Review 23.5, 2012, 555–74.Google Scholar
Fulford, Tim, ‘The Politics of the Sublime: Coleridge and Wordsworth in Germany’, Modern Language Review 91.4, October 1996, 817–32.Google Scholar
Furniss, Tom, Edmund Burke’s Aesthetic Ideology: Language, Gender and Political Economy in Revolution, Cambridge, Cambridge University Press, 2008.Google Scholar
Gaetano, Raffaele, Giacomo Leopardi e il sublime: Archeologia e percorsi di una idea estetica, preface by Giovanni Lombardo, Soveria Mannelli, Rubbettino, 2002.Google Scholar
Grave, Johannes, Caspar David Friedrich und die Theorie des Erhabenen: Friedrichs Eismeer als Antwort auf einen zentralen Begriff der zeitgenössischen Ästhetik, Weimar, VDG, 2001.Google Scholar
Halliwell, Stephen (ed.), Pseudo-Longinus: On the Sublime, Oxford, Oxford University Press, 2022Google Scholar
Hinnant, Charles H., ‘Schiller and the Political Sublime: Two Perspectives’, Criticism, 44.2, 2002, 121–38.Google Scholar
Ibata, Hélène, ‘William Blake’s Visual Sublime: The “Eternal Labours”’, European Romantic Review 21.1, 2010, 29–48.Google Scholar
Janowitz, Anne, ‘Adam Smith’s Campaign against the Sublime’, The Wordsworth Circle 35.1, 2004, 11–16.Google Scholar
Leighton, Angela, Shelley and the Sublime: An Interpretation of the Major Poems, Cambridge, Cambridge University Press, 1984.Google Scholar
Meisel, Martin, ‘The Material Sublime: John Martin, Bryon and Turner’, in Realizations: Narrative, Pictorial, and Theatrical Arts in Nineteenth-Century England, Princeton, NJ, Princeton University Press, 2014, 166–88.Google Scholar
Merritt, Melissa M., The Sublime, Elements in the Philosophy of Immanuel Kant, Cambridge, Cambridge University Press, 2018.Google Scholar
Modiano, Raimonda, ‘Coleridge’s Conception of the Sublime’, in Coleridge and the Concept of Nature, London, Palgrave, 1985, 101–37.Google Scholar
Rzepka, Charles J, Sacramental Commodities: Gift, Text, and the Sublime in De Quincey, Amherst, University of Massachusetts Press, 1995.Google Scholar
Ryan, Vanessa L, ‘The Physiological Sublime: Burke’s Critique of Reason’, Journal of the History of Ideas, 62.2, 2001, 265–79.Google Scholar
Speitz, Michele, ‘The Infrastructural Sublime and Imperial Landscape Aesthetics: Robert Southey, Poet Laureate, and Thomas Telford, Father of Civil Engineering’, European Romantic Review 32.1, 2021, 41–63.Google Scholar
Stafford, Fiona, The Sublime Savage: A Study of James Macpherson and the Poems of Ossian, Edinburgh, Edinburgh University Press, 1988.Google Scholar
Stokes, Christopher, Coleridge, Language and the Sublime: From Transcendence to Finitude, London, Palgrave, 2010.Google Scholar
Veliki, Martina Domines, ‘The Capital and the Romantic Sublime: The Case of Thomas De Quincey’, CounterText 2.1, 2016, 55–65.Google Scholar
Wallace, A. D., ‘Picturesque Fossils, Sublime Geology? The Crisis of Authority in Charlotte Smith’s Beachy Head’, European Romantic Review 13.1, 2002, 77–94.Google Scholar
White, Paul, “Darwin, Concepción, and the Geological Sublime,” Science in Context 25.1, 2012, 49–71.Google Scholar
Wlecke, Albert O., Wordsworth and the Sublime: An Essay of Wordsworth’s Imagination, East Lansing, Michigan State University Press, 1969.Google Scholar
Bainbridge, Simon, Mountaineering and British Romanticism: The Literary Cultures of Climbing, 1770–1836, Oxford, Oxford University Press, 2021.Google Scholar
Bohls, Elizabeth, Women Travel Writers and the Language of Aesthetics, 1716–1818, Cambridge, Cambridge University Press, 1995.Google Scholar
Bowers, Katherine, ‘Haunted Ice, Fearful Sounds, and the Arctic Sublime: Exploring Nineteenth-Century Polar Gothic Space’, Gothic Studies 19.2, 2017, 71–84.Google Scholar
Brady, Emily, ‘The Environmental Sublime’, in Costelloe, Timothy M., ed., The Sublime: From Antiquity to the Present, Cambridge, Cambridge University Press, 2012, 171–82.Google Scholar
Collett, Anne, and Murphy, Olivia (eds.), Romantic Climates: Literature and Science in an Age of Catastrophe, Basingstoke, Palgrave Macmillan, 2019.Google Scholar
Colley, Ann C., Victorians in the Mountains: Sinking the Sublime, London, Ashgate, 2010.Google Scholar
Doak, Robert, ‘The Natural Sublime and American Nationalism, 1800–1850’, Studies in Popular Culture 25.2, 2002, 13–22.Google Scholar
Ellis, Markman, ‘“Spectacles within doors”: Panoramas of London in the 1790s’, Romanticism, 14, 2, 2008, 133–48.Google Scholar
Freeman, Michael, ‘Early Tourists in Wales: 18th and 19th Century Tourists’ Comments about Wales’, https://sublimewales.wordpress.com.Google Scholar
Garda, Michela, Musica sublime: Metamorfosi di un’idea nel Settecento musicale, Milan, Ricordi, 1995.Google Scholar
Hamilton, Paul, ‘Romantic Economies and the Sublimation of Money’, The Wordsworth Circle, 25.2, 1994, 79–81.Google Scholar
Hansen, Peter H, Summits of Modern Man: Mountaineering after the Enlightenment, Cambridge, MA, Harvard University Press, 2013.Google Scholar
Heringman, Noah, Romantic Rocks, Aesthetic Geology, Ithaca, NY, Cornell University Press, 2004.Google Scholar
Heringman, Noah, Romantic Science: The Literary Forms of Natural History, Albany, State University of New York Press, 2013.Google Scholar
Higgins, David, British Romanticism, Climate Change, and the Anthropocene: Writing Tambora, Basingstoke, Palgrave Macmillan, 2017.Google Scholar
Hitt, Christopher, ‘Toward an Ecological Sublime’, New Literary History, 30.3, 1999, 603–23.Google Scholar
Holmes, Richard, The Age of Wonder: How the Romantic Generation Discovered the Beauty and Terror of Science, London, Harper, 2008.Google Scholar
Janowitz, Anne, England’s Ruins: Poetic Purpose and the National Landscape, Oxford, Blackwell, 1990.Google Scholar
Lennartz, Norbert, Tears, Fluids and Porous Bodies in Literature across the Ages: Niobe’s Siblings. London, Bloomsbury, 2022.Google Scholar
Loomis, Chauncey C. ‘The Arctic Sublime’, in Knoepflmacher, U. C. and Tennyson, G. B., eds., Nature and the Victorian Imagination, Berkeley, University of California Press, 1977, 95–112.Google Scholar
Macfarlane, Robert, Mountains of the Mind: A History of a Fascination, London, Granta, 2003.Google Scholar
Modiano, Raimonda, ‘Humanism and the Comic Sublime: From Kant to Friedrich Theodor Vischer’, Studies in Romanticism 26.2, 1987, 231–44.Google Scholar
Potter, Russell A., Arctic Spectacles: The Frozen North in Visual Culture, 1818–1875. Seattle, University of Washington Press, 2007.Google Scholar
Powell, Cecilia, and Hebron, Stephen, Savage Grandeur and Noble Thoughts: Discovering the Lake District 1750–1820, Grasmere, Wordsworth Trust, 2010.Google Scholar
Sha, Richard C., Imagination and Science in Romanticism, Baltimore, MD, Johns Hopkins University Press, 2018.Google Scholar
Sha, Richard C., Perverse Romanticism: Aesthetics and Sexuality in Britain, 1750–1832, Baltimore, MD, Johns Hopkins University Press, 2009.Google Scholar
Smith, Andrew, ‘The Gothic and the Sublime’, in Gothic Radicalism, London, Palgrave, 2000, 11–37.Google Scholar
Springer, Carolyn, The Marble Wilderness: Ruins and Representation in Italian Romanticism, Cambridge, Cambridge University Press, 1987.Google Scholar
Stafford, Barbara Maria, Voyage into Substance: Art, Science, Nature, and the Illustrated Travel Account, 1760–1840, Cambridge, MA, MIT Press, 1984.Google Scholar
Williston, Byron, ‘The Sublime Anthropocene’, Environmental Philosophy 13.2, 2016, 155–74.Google Scholar